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BTS Commercial music video «To-ma - Луна - луна»
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Best Focus-puller: Andrey Pogrebnyak @sailor_boroda
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Ultra Prime 16
Film: Kodak VISION 3 500T
BTS Commercial music video «To-ma - Луна - луна»
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Best Focus-puller: Andrey Pogrebnyak @sailor_boroda
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Ultra Prime 16
Film: Kodak VISION 3 500T
BTS Commercial music video «To-ma - Луна - луна»
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Best Focus-puller: Andrey Pogrebnyak @sailor_boroda
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Ultra Prime 16
Film: Kodak VISION 3 500T
BTS Commercial music video «To-ma - Луна - луна»
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Best Focus-puller: Andrey Pogrebnyak @sailor_boroda
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Ultra Prime 16
Film: Kodak VISION 3 500T
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Music video
DOP: Leonid Kim @noparknoparking
Mechanic camera and loader: Daniil Samsonov @s35_1ac
Focus-puller: Egor Chesnikov @egogiii
Camera rental: KINOSURF @elisey_gladnikov
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Canon zoom s16 10,6-180 mm
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video
DOP: Slava Kotov @slavakotik
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Asistent mechanics: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera: RED V-Raptor X and Sony FX3.
Lenses: Sigma High Speed Prime and Laowa 12mm T2.9 Zero-D, Laowa Pro2be 24mm T8, Sony G Master 16-35mm.
It was a fun expedition to very cold Novosibirsk, where we had to drive all the equipment ourselves, as there was nothing suitable available on site. We had an interior location at a large hockey rink, as well as night drives in a car and a location in a children’s hockey box in the courtyard of a residential building. The main challenge was working in constant cold, which was not an easy task. All I remember is that it was cold.
BTS Commercial video.
DOP: Timur Skripnik @timurskripnik
Mechanic camera: Daniil Samsonov @s35_1ac
Focus-puller: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Cameras equipment
Day 1: ARRI ALEXA Mini LF + Sigma High Speed Prime.
Day 2: ARRI ALEXA Mini + Leitz Summilux-C and Zeiss Standard Prime 12 mm.
BTS Commercial video.
DOP: Timur Skripnik @timurskripnik
Mechanic camera: Daniil Samsonov @s35_1ac
Focus-puller: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Cameras equipment
Day 1: ARRI ALEXA Mini LF + Sigma High Speed Prime.
Day 2: ARRI ALEXA Mini + Leitz Summilux-C and Zeiss Standard Prime 12 mm.
BTS Commercial video.
DOP: Timur Skripnik @timurskripnik
Mechanic camera: Daniil Samsonov @s35_1ac
Focus-puller: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Cameras equipment
Day 1: ARRI ALEXA Mini LF + Sigma High Speed Prime.
Day 2: ARRI ALEXA Mini + Leitz Summilux-C and Zeiss Standard Prime 12 mm.
BTS Commercial video.
DOP: Timur Skripnik @timurskripnik
Mechanic camera: Daniil Samsonov @s35_1ac
Focus-puller: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Cameras equipment
Day 1: ARRI ALEXA Mini LF + Sigma High Speed Prime.
Day 2: ARRI ALEXA Mini + Leitz Summilux-C and Zeiss Standard Prime 12 mm.
BTS Commercial video.
DOP: Timur Skripnik @timurskripnik
Mechanic camera: Daniil Samsonov @s35_1ac
Focus-puller: Evgeny Alexandrovich @vision_skillz
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Cameras equipment
Day 1: ARRI ALEXA Mini LF + Sigma High Speed Prime.
Day 2: ARRI ALEXA Mini + Leitz Summilux-C and Zeiss Standard Prime 12 mm.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №3.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
In conclusion, I would like to talk about the last day, which was the most memorable. Compared to the previous two days, it felt like a breath of fresh air, since we hadn’t had much sleep — or rather, very little to function properly — and we were all extremely exhausted. The first shooting day lasted 22 hours, but we were on our feet for much longer than that.
The fun we had during the second shooting day was truly unforgettable. During the preparation phase, we decided that we would use a pineapple in the shot. By the second day, we had prepared several of them. In order to securely attach them to the screwdriver, we needed to place a material denser than the pineapple inside — so we used wooden pegs. Unfortunately, we didn’t have enough pineapples to film all the scenes, because due to our handling, they kept splitting and could no longer be properly attached to the screwdriver — and they didn’t look good on camera either. However, with a bit of magic (and tape), we managed to film everything we needed. After the shoot, we had a quick wrap-up and immediately set off for Moscow.
BTS Commercial music video «KAYA - Девочки, отмена» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
I would like to tell you more about the first day and preparation for the process shot. Initially, we did not have any specific understanding of what these frames would look like. But we knew what we wanted and the first day was dedicated to it.
We were bored to erect a structure so that the camera was fixed on the ATV and a screwdriver was fixed in front of the camera. Initially, it was planned that we would attach the corn clove to the screwdriver, but when we assembled the structure and saw what frames we got, we decided to refuse the corn cob and instead we can use pineapple.
At the same time, the creative group was engaged in the search for locations for shooting, and we did not fully know what locations we would have and whether the ATV would be able to move there, so as a backup option we made the design in manual execution.
BTS Commercial music video «KAYA - Девочки, отмена» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
I would like to tell you more about the first day and preparation for the process shot. Initially, we did not have any specific understanding of what these frames would look like. But we knew what we wanted and the first day was dedicated to it.
We were bored to erect a structure so that the camera was fixed on the ATV and a screwdriver was fixed in front of the camera. Initially, it was planned that we would attach the corn clove to the screwdriver, but when we assembled the structure and saw what frames we got, we decided to refuse the corn cob and instead we can use pineapple.
At the same time, the creative group was engaged in the search for locations for shooting, and we did not fully know what locations we would have and whether the ATV would be able to move there, so as a backup option we made the design in manual execution.
BTS Commercial music video «KAYA - Девочки, отмена» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
I would like to tell you more about the first day and preparation for the process shot. Initially, we did not have any specific understanding of what these frames would look like. But we knew what we wanted and the first day was dedicated to it.
We were bored to erect a structure so that the camera was fixed on the ATV and a screwdriver was fixed in front of the camera. Initially, it was planned that we would attach the corn clove to the screwdriver, but when we assembled the structure and saw what frames we got, we decided to refuse the corn cob and instead we can use pineapple.
At the same time, the creative group was engaged in the search for locations for shooting, and we did not fully know what locations we would have and whether the ATV would be able to move there, so as a backup option we made the design in manual execution.
BTS Commercial music video «KAYA - Девочки, отмена» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
I would like to tell you more about the first day and preparation for the process shot. Initially, we did not have any specific understanding of what these frames would look like. But we knew what we wanted and the first day was dedicated to it.
We were bored to erect a structure so that the camera was fixed on the ATV and a screwdriver was fixed in front of the camera. Initially, it was planned that we would attach the corn clove to the screwdriver, but when we assembled the structure and saw what frames we got, we decided to refuse the corn cob and instead we can use pineapple.
At the same time, the creative group was engaged in the search for locations for shooting, and we did not fully know what locations we would have and whether the ATV would be able to move there, so as a backup option we made the design in manual execution.
BTS Commercial music video «KAYA - Девочки, отмена» №1.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
It was an expedition to Kazakhstan, we were there for three days. We brought a camera and optics from Moscow. We planned one full shooting day, the second was a pick-up day.
Upon arrival in Kazakhstan, we had a prep day, we needed to prepare for the process shot. We had to attach the camera to the bug in order to shoot how the camera would catch up with the actor.
On the first day of shooting, we had three lactations planned, a large number of frames, the total duration of the shooting day was 22 hours.
To be continued)
BTS Commercial music video «KAYA - Девочки, отмена» №1.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
It was an expedition to Kazakhstan, we were there for three days. We brought a camera and optics from Moscow. We planned one full shooting day, the second was a pick-up day.
Upon arrival in Kazakhstan, we had a prep day, we needed to prepare for the process shot. We had to attach the camera to the bug in order to shoot how the camera would catch up with the actor.
On the first day of shooting, we had three lactations planned, a large number of frames, the total duration of the shooting day was 22 hours.
To be continued)
BTS Commercial music video «KAYA - Девочки, отмена» №1.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
It was an expedition to Kazakhstan, we were there for three days. We brought a camera and optics from Moscow. We planned one full shooting day, the second was a pick-up day.
Upon arrival in Kazakhstan, we had a prep day, we needed to prepare for the process shot. We had to attach the camera to the bug in order to shoot how the camera would catch up with the actor.
On the first day of shooting, we had three lactations planned, a large number of frames, the total duration of the shooting day was 22 hours.
To be continued)
BTS Commercial music video «KAYA - Девочки, отмена» №1.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
It was an expedition to Kazakhstan, we were there for three days. We brought a camera and optics from Moscow. We planned one full shooting day, the second was a pick-up day.
Upon arrival in Kazakhstan, we had a prep day, we needed to prepare for the process shot. We had to attach the camera to the bug in order to shoot how the camera would catch up with the actor.
On the first day of shooting, we had three lactations planned, a large number of frames, the total duration of the shooting day was 22 hours.
To be continued)
BTS Commercial music video «KAYA - Девочки, отмена» №1.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Ignat Veselov @ignatveselov
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov, Penumbra rental @penumbra.rental
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: Zeiss B Speeds and Optex 5,5 mm, Canon zoom s16 10,6-180 mm
Film: Kodak VISION 3 500T and 200T
It was an expedition to Kazakhstan, we were there for three days. We brought a camera and optics from Moscow. We planned one full shooting day, the second was a pick-up day.
Upon arrival in Kazakhstan, we had a prep day, we needed to prepare for the process shot. We had to attach the camera to the bug in order to shoot how the camera would catch up with the actor.
On the first day of shooting, we had three lactations planned, a large number of frames, the total duration of the shooting day was 22 hours.
To be continued)
BTS Commercial music video «ТОМА - Заберу» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №2.
DIR and DOP: Timur Skripnik @timurskripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №1.
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №1.
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №1.
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Commercial music video «ТОМА - Заберу» №1.
DIR and DOP: Timur Skripnik @timur_skrripnik
Second operator and mechanic camera/loader: Daniil Samsonov @s35_1ac
Focus-puller: Vladislav Kuznetsov @vladislav.smith
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Lab: SILVERWAY PARIS @silverwayparis
Camera: ARRIFLEX 416 plus
Lenses: ARRI Master Prime and ARRI Ultra Prime 16
Film: Kodak VISION 3 500T and 200T
BTS Student short film «Папа, который живет на крыше»
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment:
RED V-Raptor X + Sigma High Speed Prime
It was one of the first projects where I was able to use my kit Teradek Bolt 6 XT.
BTS Student short film «Папа, который живет на крыше»
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment:
RED V-Raptor X + Sigma High Speed Prime
It was one of the first projects where I was able to use my kit Teradek Bolt 6 XT.
BTS Student short film «Папа, который живет на крыше»
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment:
RED V-Raptor X + Sigma High Speed Prime
It was one of the first projects where I was able to use my kit Teradek Bolt 6 XT.
BTS Student short film «Папа, который живет на крыше»
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment:
RED V-Raptor X + Sigma High Speed Prime
It was one of the first projects where I was able to use my kit Teradek Bolt 6 XT.
BTS Student short film «Папа, который живет на крыше»
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment:
RED V-Raptor X + Sigma High Speed Prime
It was one of the first projects where I was able to use my kit Teradek Bolt 6 XT.
BTS Student short film «Слепые зоны» № 3.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» № 3.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» № 3.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» № 3.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» №2.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» №2.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» №2.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
BTS Student short film «Слепые зоны» №2.
DOP: Kirill Matveev @matveev.krl
Mechanic camera and focus-puller: Daniil Samsonov @s35_1ac
Camera rental: my S35 Rental @s35_rental and KINOSURF @elisey_gladnikov
Camera equipment
Day 1: ARRI ALEXA 35 + Leitz Summilux-C.
Day 2/3: RED V-Raptor X + Leitz Summilux-C.
Day 4: ARRI ALEXA Mini LF + Sigma High Speed Prime
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.