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👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

👾 Nejtajemnější kámen na světě, cesty do neznáma a ještě dál

Včera večer jsme spolu s umělcem Sahejem Rahalem, kurátorkami Edith Lázár a Evou Drexlerovou a moderátorkou rozhovoru z cyklu CRASH Tjašou Pogačar nahlédli do mnoha zákoutí lidské mysli a také jsme se dotkli tématu jejích hranic. Co je pro člověka děsivého na představě setkání s neznámými bytostmi? Je schopnost dorozumívat se, jak ji chápeme my, univerzálně platná? Nemohou existovat entity, které nás přesahují a se kterými není možné se spojit? A znáte příběh o kameni Hypatia?

▸ ▸ ▸ Audiozáznam celého povídání si budete moci již brzy pustit jako podcast platformy Šum (@sumjournal). A nezapomeňte – dnes je poslední možnost setkat se v Galerii Rudolfinum s umělcem a oběma kurátorkami výstavy Beyond the City of Time! Komentovaná prohlídka v anglickém jazyce začíná v 18:00 a vstup na ni je volný.

———

👾 The most mysterious stone in the world, journeys into the unknown and beyond

Last night, together with artist Sahej Rahal, curators Edith Lázár and Eva Drexlerová, and CRASH talk moderator Tjaša Pogačar, we explored many corners of the human mind and also touched on the topic of its limits. What is it about the idea of encountering unknown beings that is so frightening to humans? Is the ability to communicate, as we understand it, universally valid? Could there be entities that transcend us and with whom it is impossible to connect? And do you know the story of the Hypatia stone?

▸ ▸ ▸ You’ll soon be able to listen to the full recording of this conversation as a podcast of the Šum platform (@sumjournal) And don’t forget – today is your last chance to meet the artist and both curators of the exhibition Beyond the City of Time at Galerie Rudolfinum! The guided tour in English begins at 6 pm, and admission is free.

[◉°] Debata z cyklu CRASH na téma Světy za hranicemi Města času © Galerie Rudolfinum, foto Tereza Kunderová (@pozdealeprece)

@sahejrahal
@eddi_laser
@evadrex
@__tpp__

#galerierudolfinum #rudolfinum #sahejrahal #beyondthecityoftime #sahejrahalbeyondthecityoftime

PREDSTAVITEV PRAKSE IN POGOVOR Z NATÁLIO SÝKOROVO / ARTIST TALK AND A CONVERSATION WITH NATÁLIA SÝKOROVÁ

🔜27. 3. 2026
19.00, Švicarija
Vstop prost / Admission free

Natália Sýkorová je umetnica, ki se v svojem delu ukvarja s presekom tehnoloških in ekoloških vprašanj. V njenih večplastnih projektih se prepletajo performans, kiparstvo, utelešene spekulacije, metodologije iger vlog, tehnološki in drugi vmesniki, zvok in nelinearno pripovedovanje, pogosto pa so tudi izhodišča in prostori za sodelovanje z drugimi. Pogovor bo predstavil vprašanja in pristope, ki zaznamujejo njeno delo in širše raziskovanje drugačnih načinov ustvarjanja znanja – in (narativov) prihodnosti –, ter prinesel razmišljanje o tem, kakšno vlogo v tem igrajo umetniške prakse. Pogovor bo hkrati uvod v kolektivni razstavni projekt, ki bo na ogled jeseni v Švicariji, moderirala ga bo Tjaša Pogačar.

V sodelovanju z Zavodom Projekt Atol.

/

Natália Sýkorová is an artist whose practice engages with technological and ecological questions. Her multilayered projects emerge as ecologies in which performance, sculpture, embodied speculation, role-playing methodologies, technological and other interfaces, sound and non-linear storytelling interweave, often serving as points of departure and spaces for collaboration.
The conversation will introduce the questions and approaches that underpin her work, as well as a broader inquiry into how knowledge – and futures – can be produced differently. It will also consider how artistic practices can disrupt dominant narratives and propose alternative models of futurity. The conversation, which also serves as an introduction to a collective exhibition project to be shown in the autumn at Švicarija, will be moderated by Tjaša Pogačar.

In collaboration with Projekt Atol Institute.

PREDSTAVITEV PRAKSE IN POGOVOR Z NATÁLIO SÝKOROVO / ARTIST TALK AND A CONVERSATION WITH NATÁLIA SÝKOROVÁ

🔜27. 3. 2026
19.00, Švicarija
Vstop prost / Admission free

Natália Sýkorová je umetnica, ki se v svojem delu ukvarja s presekom tehnoloških in ekoloških vprašanj. V njenih večplastnih projektih se prepletajo performans, kiparstvo, utelešene spekulacije, metodologije iger vlog, tehnološki in drugi vmesniki, zvok in nelinearno pripovedovanje, pogosto pa so tudi izhodišča in prostori za sodelovanje z drugimi. Pogovor bo predstavil vprašanja in pristope, ki zaznamujejo njeno delo in širše raziskovanje drugačnih načinov ustvarjanja znanja – in (narativov) prihodnosti –, ter prinesel razmišljanje o tem, kakšno vlogo v tem igrajo umetniške prakse. Pogovor bo hkrati uvod v kolektivni razstavni projekt, ki bo na ogled jeseni v Švicariji, moderirala ga bo Tjaša Pogačar.

V sodelovanju z Zavodom Projekt Atol.

/

Natália Sýkorová is an artist whose practice engages with technological and ecological questions. Her multilayered projects emerge as ecologies in which performance, sculpture, embodied speculation, role-playing methodologies, technological and other interfaces, sound and non-linear storytelling interweave, often serving as points of departure and spaces for collaboration.
The conversation will introduce the questions and approaches that underpin her work, as well as a broader inquiry into how knowledge – and futures – can be produced differently. It will also consider how artistic practices can disrupt dominant narratives and propose alternative models of futurity. The conversation, which also serves as an introduction to a collective exhibition project to be shown in the autumn at Švicarija, will be moderated by Tjaša Pogačar.

In collaboration with Projekt Atol Institute.

PREDSTAVITEV PRAKSE IN POGOVOR Z NATÁLIO SÝKOROVO / ARTIST TALK AND A CONVERSATION WITH NATÁLIA SÝKOROVÁ

🔜27. 3. 2026
19.00, Švicarija
Vstop prost / Admission free

Natália Sýkorová je umetnica, ki se v svojem delu ukvarja s presekom tehnoloških in ekoloških vprašanj. V njenih večplastnih projektih se prepletajo performans, kiparstvo, utelešene spekulacije, metodologije iger vlog, tehnološki in drugi vmesniki, zvok in nelinearno pripovedovanje, pogosto pa so tudi izhodišča in prostori za sodelovanje z drugimi. Pogovor bo predstavil vprašanja in pristope, ki zaznamujejo njeno delo in širše raziskovanje drugačnih načinov ustvarjanja znanja – in (narativov) prihodnosti –, ter prinesel razmišljanje o tem, kakšno vlogo v tem igrajo umetniške prakse. Pogovor bo hkrati uvod v kolektivni razstavni projekt, ki bo na ogled jeseni v Švicariji, moderirala ga bo Tjaša Pogačar.

V sodelovanju z Zavodom Projekt Atol.

/

Natália Sýkorová is an artist whose practice engages with technological and ecological questions. Her multilayered projects emerge as ecologies in which performance, sculpture, embodied speculation, role-playing methodologies, technological and other interfaces, sound and non-linear storytelling interweave, often serving as points of departure and spaces for collaboration.
The conversation will introduce the questions and approaches that underpin her work, as well as a broader inquiry into how knowledge – and futures – can be produced differently. It will also consider how artistic practices can disrupt dominant narratives and propose alternative models of futurity. The conversation, which also serves as an introduction to a collective exhibition project to be shown in the autumn at Švicarija, will be moderated by Tjaša Pogačar.

In collaboration with Projekt Atol Institute.

𝐔𝐧𝐫𝐞𝐚𝐥𝐢𝐭𝐲 𝐌𝐨𝐝𝐞 𝐕𝐨𝐥. 𝐈 & 𝐈𝐈 are officially out!
Read the double issue on ŠUM’s website or order your free copy at info@sum.si 📦

🌀Contributors in Volume I show how unreality becomes an operational mode. They follow the procedures—chemical, algorithmic, geopolitical, narrative, epistemic, and psychotic—through which reality is now forced, bent, and rerun. We are not observers of these processes but components in them: carriers of fictions, nodes in replication pipelines, walkers in constrained squares, thinkers under the spell of circular movements.

What is at stake is no longer how to return to some lost reality, but how to inhabit this condition strategically. Volume II explores how contemporary art takes up this challenge.🔮

𝐂𝐨𝐧𝐭𝐫𝐢𝐛𝐮𝐭𝐨𝐫𝐬
𝐕𝐨𝐥 𝐈: Emily Martin, Miguel Prado Casanova, Mikkel Rørbo, Parham Ghalamdar & Parsa Esmaeilzadeh, Pichaya Aime Suphavanij, Vincent Lê, Wouter Kusters
𝐕𝐨𝐥 𝐈𝐈: Eliška Jahelková, Ema Ograjenšek, Jiří Sirůček, Jon Derganc, Luja Šimunović, Most Dismal Swamp, Noemi Purkrábková, Philip Speakman, Proto Gallery Systems, Scott Wark, Sophie Publig & Claire Elise Herzberg, Vladimir Vidmar, Živa Božičnik Rebec

Šum issues #24 and #25 are edited by Maks Valenčič & Tjaša Pogačar. Design by Jaka Neon. Production: Rok Horvat.

Published with the support of the Ministry of Culture RS and the City of Ljubljana.

#sumjournal

𝐔𝐧𝐫𝐞𝐚𝐥𝐢𝐭𝐲 𝐌𝐨𝐝𝐞 𝐕𝐨𝐥. 𝐈 & 𝐈𝐈 are officially out!
Read the double issue on ŠUM’s website or order your free copy at info@sum.si 📦

🌀Contributors in Volume I show how unreality becomes an operational mode. They follow the procedures—chemical, algorithmic, geopolitical, narrative, epistemic, and psychotic—through which reality is now forced, bent, and rerun. We are not observers of these processes but components in them: carriers of fictions, nodes in replication pipelines, walkers in constrained squares, thinkers under the spell of circular movements.

What is at stake is no longer how to return to some lost reality, but how to inhabit this condition strategically. Volume II explores how contemporary art takes up this challenge.🔮

𝐂𝐨𝐧𝐭𝐫𝐢𝐛𝐮𝐭𝐨𝐫𝐬
𝐕𝐨𝐥 𝐈: Emily Martin, Miguel Prado Casanova, Mikkel Rørbo, Parham Ghalamdar & Parsa Esmaeilzadeh, Pichaya Aime Suphavanij, Vincent Lê, Wouter Kusters
𝐕𝐨𝐥 𝐈𝐈: Eliška Jahelková, Ema Ograjenšek, Jiří Sirůček, Jon Derganc, Luja Šimunović, Most Dismal Swamp, Noemi Purkrábková, Philip Speakman, Proto Gallery Systems, Scott Wark, Sophie Publig & Claire Elise Herzberg, Vladimir Vidmar, Živa Božičnik Rebec

Šum issues #24 and #25 are edited by Maks Valenčič & Tjaša Pogačar. Design by Jaka Neon. Production: Rok Horvat.

Published with the support of the Ministry of Culture RS and the City of Ljubljana.

#sumjournal

𝐔𝐧𝐫𝐞𝐚𝐥𝐢𝐭𝐲 𝐌𝐨𝐝𝐞 𝐕𝐨𝐥. 𝐈 & 𝐈𝐈 are officially out!
Read the double issue on ŠUM’s website or order your free copy at info@sum.si 📦

🌀Contributors in Volume I show how unreality becomes an operational mode. They follow the procedures—chemical, algorithmic, geopolitical, narrative, epistemic, and psychotic—through which reality is now forced, bent, and rerun. We are not observers of these processes but components in them: carriers of fictions, nodes in replication pipelines, walkers in constrained squares, thinkers under the spell of circular movements.

What is at stake is no longer how to return to some lost reality, but how to inhabit this condition strategically. Volume II explores how contemporary art takes up this challenge.🔮

𝐂𝐨𝐧𝐭𝐫𝐢𝐛𝐮𝐭𝐨𝐫𝐬
𝐕𝐨𝐥 𝐈: Emily Martin, Miguel Prado Casanova, Mikkel Rørbo, Parham Ghalamdar & Parsa Esmaeilzadeh, Pichaya Aime Suphavanij, Vincent Lê, Wouter Kusters
𝐕𝐨𝐥 𝐈𝐈: Eliška Jahelková, Ema Ograjenšek, Jiří Sirůček, Jon Derganc, Luja Šimunović, Most Dismal Swamp, Noemi Purkrábková, Philip Speakman, Proto Gallery Systems, Scott Wark, Sophie Publig & Claire Elise Herzberg, Vladimir Vidmar, Živa Božičnik Rebec

Šum issues #24 and #25 are edited by Maks Valenčič & Tjaša Pogačar. Design by Jaka Neon. Production: Rok Horvat.

Published with the support of the Ministry of Culture RS and the City of Ljubljana.

#sumjournal

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

TAR STAR
Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar
 
The Sun: a thing of the now; a contemporary object.
Masked complexity, hidden intricacy.
It is the raw ingredient of images.
No order, no dimension, no simulation.
First flash, lightning-bolt.
The cosmos is a shot.
Dark dot, blind thought, deep naught.
Back to the unknown.
A fractal experience of light, cloning of the real.
Shot by us.

Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana
 
Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space.
@shotby.us @lenkaglisnikova @karel__ma

#sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Sharing a few glimpses of our exhibition On a tongue’s tip, at a world’s lip — but as always, it’s best to see (and hear!) it in person ;) Curated by @frederikesperling and myself, on view until 8 November @kunstraum_niederoesterreich, with brilliant works by
Davide Allieri @davideallieristudio
Mila Balzhieva @milabalzhi
Evelina Hägglund @hagglundevelina
Femke Herregraven @femherregraven
Sahej Rahal @sahejrahal
Andreia Santana @andreiaapsantana
Siggi Sekira @pawzofglory
and inspiring performances by Miriam Kongstad @miriamkongstad and Marianne Vlaschits @marianne_vlaschits

𝘖𝘯 𝘢 𝘵𝘰𝘯𝘨𝘶𝘦’𝘴 𝘵𝘪𝘱, 𝘢𝘵 𝘢 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘭𝘪𝘱 𝘵𝘢𝘬𝘦𝘴 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘴𝘶𝘴𝘱𝘦𝘯𝘥𝘦𝘥 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘩𝘦𝘴𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘥𝘴, 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘳𝘦𝘨𝘯𝘶𝘮 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘢𝘯𝘥 𝘢𝘴𝘬𝘴 𝘸𝘩𝘢𝘵 𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘳𝘦𝘭𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘧𝘶𝘵𝘶𝘳𝘦𝘴⁣
𝘮𝘢𝘺 𝘳𝘰𝘰𝘵 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘵𝘩𝘳𝘦𝘴𝘩𝘰𝘭𝘥. 𝘈𝘵𝘵𝘶𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘢𝘱𝘴, 𝘨𝘳𝘰𝘢𝘯𝘴, 𝘴𝘵𝘶𝘵𝘵𝘦𝘳𝘴, 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘧𝘰𝘳𝘮 𝘢𝘯 𝘶𝘯𝘶𝘴𝘶𝘢𝘭 𝘤𝘩𝘰𝘪𝘳, 𝘤𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 𝘸𝘰𝘳𝘭𝘥𝘴 𝘯𝘰𝘵 𝘳𝘶𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘦𝘤𝘰𝘯𝘰𝘮𝘪𝘤 𝘪𝘮𝘱𝘦𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘧 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺, 𝘧𝘭𝘰𝘸, 𝘢𝘯𝘥 𝘦𝘧𝘧𝘪𝘤𝘪𝘦𝘯𝘤𝘺 𝘣𝘶𝘵 𝘧𝘰𝘳𝘨𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘺𝘴𝘧𝘭𝘶𝘦𝘯𝘵 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦. ⁣

Very special thanks to dearest Frederike for having me as your curatorial partner in crime, and for the thought-provoking and joyful conversations along the way, and of course to the absolutely top-notch Kunstraum team for all the care, support, and professionalism throughout! 💛

—•—•—

The exhibition was realized with the kind support of Danish Arts Foundation @statenskunstfond, Mondriaan
Fund @mondriaanfonds, Swedish Arts Grants Committee @swedish_arts_grants_commitee, Slowenisches
Kulturinformationszentrum SKICA Wien @skicawien, Galerie Hubert Winter @galeriehubertwinter

photo: Markus Gradwohl

Join us for the opening on September 2nd at @kunstraum_niederoesterreich!

The exhibition curated together with dear @frederikesperling takes the moments of suspended narration, the hesitations between words, as a metaphor for an interregnum between worlds. Asking, what other ways of relating and understanding may root in this threshold, it makes time and space for the groans, stutters, movements, and experiences at the edges and limits of language and communication.

https://www.kunstraum.net/en/tongue

Warm thank you to Frederike and the amazing Kunstraum team as well as all the participating artists for a wonderful collaboration! 💗

~~
Thanks also to @skicawien for supporting my stay in Vienna!

Join us for the opening on September 2nd at @kunstraum_niederoesterreich!

The exhibition curated together with dear @frederikesperling takes the moments of suspended narration, the hesitations between words, as a metaphor for an interregnum between worlds. Asking, what other ways of relating and understanding may root in this threshold, it makes time and space for the groans, stutters, movements, and experiences at the edges and limits of language and communication.

https://www.kunstraum.net/en/tongue

Warm thank you to Frederike and the amazing Kunstraum team as well as all the participating artists for a wonderful collaboration! 💗

~~
Thanks also to @skicawien for supporting my stay in Vienna!

🌀What kind of art and philosophy are called for when reality becomes the precarious thing par excellence?

@sumjournal OPEN CALL for texts and art projects!
🔵 Deadline: 15th of July (23:59 CEST)

Tracing an emerging algorithmically fueled psychotic break with reality, the upcoming double issue of ŠUM investigates how contemporary art and philosophy engage with the effects of a shifting psychic, media, and political landscape in a world no longer organized by facts but fictions.

We invite contributions that navigate this territory structured by affective intensity rather than empirical truth, exploring the effects and affordances unfolding between psychotic disbelief in reality on the one end and the suspension of disbelief in fiction on the other.

More info on how to apply on link @sumjournal bio! 🔗

#opencallartists #opencallforart #opencallforwriters

🌀What kind of art and philosophy are called for when reality becomes the precarious thing par excellence?

@sumjournal OPEN CALL for texts and art projects!
🔵 Deadline: 15th of July (23:59 CEST)

Tracing an emerging algorithmically fueled psychotic break with reality, the upcoming double issue of ŠUM investigates how contemporary art and philosophy engage with the effects of a shifting psychic, media, and political landscape in a world no longer organized by facts but fictions.

We invite contributions that navigate this territory structured by affective intensity rather than empirical truth, exploring the effects and affordances unfolding between psychotic disbelief in reality on the one end and the suspension of disbelief in fiction on the other.

More info on how to apply on link @sumjournal bio! 🔗

#opencallartists #opencallforart #opencallforwriters

We would like to welcome our first speakers of Panel 4, "Playing the Self Beyond Algorithms", scheduled on 24th of May @msuzagreb. 👾

Tjaša Pogačar & Brandon Rosenbluth
"Reflections on/from ARIA"

Algo-Rhythmic Ideation Assembly (ARIA) is a summer school that hybridizes art, education, and theory with immersive (role)play, which we initiated and curated in Ljubljana in 2023 and 2024. ARIA took the form of a week-long intensive gathering that brought together an international cohort of artists and thinkers for a public programme and closed-door workshops embedded in an immersive role-play experience created by OMSK Social Club. The summer school adopted a role-play format to escape from entrenched ways of being and thinking – both individually and collectively – amid ongoing political and ecological upheaval. Inspired by mystical techniques, contemporary cultural theory, speculative thinking, occult traditions, and digital technologies, ARIA sought to prototype other possible selves, collectivities, and worlds, allowing for new forms of subjectivities to emerge and bleed into our consensus reality.
In our talk, we will outline the context, motivations, approach, and challenges involved in the design of ARIA. Drawing on practices and discussions with the mentors and participants that shaped its two editions, we will reflect on how methods embodied and participatory fictions, such as role-playing, might shift understandings of identity, collectivity, and agency beyond identity politics. We will explore the possibilities this opens for creative practice, curatorial work, and institutional change.

Tjaša Pogačar is a curator and editor-in-chief of Šum. She co-created ARIA and runs the Plaza Protocol off-site project. Her writing appeared in e-flux, ETC, Fotograf, and publications by L’internationale, MG+MSUM, and elsewhere. She is pursuing a PhD at the Academy of Fine Arts in Prague (AVU), exploring exhibition-making as a collective world(build)ing practice.

Brandon is the co-creator and curator of ARIA and curator for the Indigo Festival. He has collaborated with Mariechen Danz, Saša Spačal, Aïsha Devi, CTM, ISO LABS, and Reforester festivals.

We would like to welcome our first speakers of Panel 4, "Playing the Self Beyond Algorithms", scheduled on 24th of May @msuzagreb. 👾

Tjaša Pogačar & Brandon Rosenbluth
"Reflections on/from ARIA"

Algo-Rhythmic Ideation Assembly (ARIA) is a summer school that hybridizes art, education, and theory with immersive (role)play, which we initiated and curated in Ljubljana in 2023 and 2024. ARIA took the form of a week-long intensive gathering that brought together an international cohort of artists and thinkers for a public programme and closed-door workshops embedded in an immersive role-play experience created by OMSK Social Club. The summer school adopted a role-play format to escape from entrenched ways of being and thinking – both individually and collectively – amid ongoing political and ecological upheaval. Inspired by mystical techniques, contemporary cultural theory, speculative thinking, occult traditions, and digital technologies, ARIA sought to prototype other possible selves, collectivities, and worlds, allowing for new forms of subjectivities to emerge and bleed into our consensus reality.
In our talk, we will outline the context, motivations, approach, and challenges involved in the design of ARIA. Drawing on practices and discussions with the mentors and participants that shaped its two editions, we will reflect on how methods embodied and participatory fictions, such as role-playing, might shift understandings of identity, collectivity, and agency beyond identity politics. We will explore the possibilities this opens for creative practice, curatorial work, and institutional change.

Tjaša Pogačar is a curator and editor-in-chief of Šum. She co-created ARIA and runs the Plaza Protocol off-site project. Her writing appeared in e-flux, ETC, Fotograf, and publications by L’internationale, MG+MSUM, and elsewhere. She is pursuing a PhD at the Academy of Fine Arts in Prague (AVU), exploring exhibition-making as a collective world(build)ing practice.

Brandon is the co-creator and curator of ARIA and curator for the Indigo Festival. He has collaborated with Mariechen Danz, Saša Spačal, Aïsha Devi, CTM, ISO LABS, and Reforester festivals.

We would like to welcome our first speakers of Panel 4, "Playing the Self Beyond Algorithms", scheduled on 24th of May @msuzagreb. 👾

Tjaša Pogačar & Brandon Rosenbluth
"Reflections on/from ARIA"

Algo-Rhythmic Ideation Assembly (ARIA) is a summer school that hybridizes art, education, and theory with immersive (role)play, which we initiated and curated in Ljubljana in 2023 and 2024. ARIA took the form of a week-long intensive gathering that brought together an international cohort of artists and thinkers for a public programme and closed-door workshops embedded in an immersive role-play experience created by OMSK Social Club. The summer school adopted a role-play format to escape from entrenched ways of being and thinking – both individually and collectively – amid ongoing political and ecological upheaval. Inspired by mystical techniques, contemporary cultural theory, speculative thinking, occult traditions, and digital technologies, ARIA sought to prototype other possible selves, collectivities, and worlds, allowing for new forms of subjectivities to emerge and bleed into our consensus reality.
In our talk, we will outline the context, motivations, approach, and challenges involved in the design of ARIA. Drawing on practices and discussions with the mentors and participants that shaped its two editions, we will reflect on how methods embodied and participatory fictions, such as role-playing, might shift understandings of identity, collectivity, and agency beyond identity politics. We will explore the possibilities this opens for creative practice, curatorial work, and institutional change.

Tjaša Pogačar is a curator and editor-in-chief of Šum. She co-created ARIA and runs the Plaza Protocol off-site project. Her writing appeared in e-flux, ETC, Fotograf, and publications by L’internationale, MG+MSUM, and elsewhere. She is pursuing a PhD at the Academy of Fine Arts in Prague (AVU), exploring exhibition-making as a collective world(build)ing practice.

Brandon is the co-creator and curator of ARIA and curator for the Indigo Festival. He has collaborated with Mariechen Danz, Saša Spačal, Aïsha Devi, CTM, ISO LABS, and Reforester festivals.

We would like to welcome our first speakers of Panel 4, "Playing the Self Beyond Algorithms", scheduled on 24th of May @msuzagreb. 👾

Tjaša Pogačar & Brandon Rosenbluth
"Reflections on/from ARIA"

Algo-Rhythmic Ideation Assembly (ARIA) is a summer school that hybridizes art, education, and theory with immersive (role)play, which we initiated and curated in Ljubljana in 2023 and 2024. ARIA took the form of a week-long intensive gathering that brought together an international cohort of artists and thinkers for a public programme and closed-door workshops embedded in an immersive role-play experience created by OMSK Social Club. The summer school adopted a role-play format to escape from entrenched ways of being and thinking – both individually and collectively – amid ongoing political and ecological upheaval. Inspired by mystical techniques, contemporary cultural theory, speculative thinking, occult traditions, and digital technologies, ARIA sought to prototype other possible selves, collectivities, and worlds, allowing for new forms of subjectivities to emerge and bleed into our consensus reality.
In our talk, we will outline the context, motivations, approach, and challenges involved in the design of ARIA. Drawing on practices and discussions with the mentors and participants that shaped its two editions, we will reflect on how methods embodied and participatory fictions, such as role-playing, might shift understandings of identity, collectivity, and agency beyond identity politics. We will explore the possibilities this opens for creative practice, curatorial work, and institutional change.

Tjaša Pogačar is a curator and editor-in-chief of Šum. She co-created ARIA and runs the Plaza Protocol off-site project. Her writing appeared in e-flux, ETC, Fotograf, and publications by L’internationale, MG+MSUM, and elsewhere. She is pursuing a PhD at the Academy of Fine Arts in Prague (AVU), exploring exhibition-making as a collective world(build)ing practice.

Brandon is the co-creator and curator of ARIA and curator for the Indigo Festival. He has collaborated with Mariechen Danz, Saša Spačal, Aïsha Devi, CTM, ISO LABS, and Reforester festivals.

We would like to welcome our first speakers of Panel 4, "Playing the Self Beyond Algorithms", scheduled on 24th of May @msuzagreb. 👾

Tjaša Pogačar & Brandon Rosenbluth
"Reflections on/from ARIA"

Algo-Rhythmic Ideation Assembly (ARIA) is a summer school that hybridizes art, education, and theory with immersive (role)play, which we initiated and curated in Ljubljana in 2023 and 2024. ARIA took the form of a week-long intensive gathering that brought together an international cohort of artists and thinkers for a public programme and closed-door workshops embedded in an immersive role-play experience created by OMSK Social Club. The summer school adopted a role-play format to escape from entrenched ways of being and thinking – both individually and collectively – amid ongoing political and ecological upheaval. Inspired by mystical techniques, contemporary cultural theory, speculative thinking, occult traditions, and digital technologies, ARIA sought to prototype other possible selves, collectivities, and worlds, allowing for new forms of subjectivities to emerge and bleed into our consensus reality.
In our talk, we will outline the context, motivations, approach, and challenges involved in the design of ARIA. Drawing on practices and discussions with the mentors and participants that shaped its two editions, we will reflect on how methods embodied and participatory fictions, such as role-playing, might shift understandings of identity, collectivity, and agency beyond identity politics. We will explore the possibilities this opens for creative practice, curatorial work, and institutional change.

Tjaša Pogačar is a curator and editor-in-chief of Šum. She co-created ARIA and runs the Plaza Protocol off-site project. Her writing appeared in e-flux, ETC, Fotograf, and publications by L’internationale, MG+MSUM, and elsewhere. She is pursuing a PhD at the Academy of Fine Arts in Prague (AVU), exploring exhibition-making as a collective world(build)ing practice.

Brandon is the co-creator and curator of ARIA and curator for the Indigo Festival. He has collaborated with Mariechen Danz, Saša Spačal, Aïsha Devi, CTM, ISO LABS, and Reforester festivals.

Final weekend of Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art 🕳️

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML

Final weekend of Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art 🕳️

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Last week to see Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art!

It’s been such a joy to be part of this project, watch it take shape, and share so many rewarding conversations along the way. Huge thanks to Cukrarna and their team, and of course to Aleksandra and Anetta, for making it all happen and bringing me along as your curatorial companion for this very special show < 3

Tar Star is on view until April 6. With sound and scent woven into the experience, Instagram can’t do it justice. Try to visit if you have the chance ✨

𝘞𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘪𝘥 𝘰𝘧 𝘴𝘤𝘳𝘦𝘦𝘯𝘴 𝘢𝘯𝘥 𝘤𝘢𝘣𝘭𝘦𝘴, 𝘵𝘢𝘳 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘭𝘰𝘴𝘦𝘴𝘵 𝘴𝘵𝘢𝘳, 𝘵𝘩𝘦 𝘚𝘶𝘯, 𝘛𝘢𝘳 𝘚𝘵𝘢𝘳 𝘶𝘯𝘧𝘰𝘭𝘥𝘴 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘴 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘪𝘯𝘴𝘤𝘳𝘪𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘢𝘤𝘩𝘪𝘯𝘨 𝘧𝘢𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘦𝘦𝘱 𝘱𝘢𝘴𝘵 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘦, 𝘱𝘳𝘦𝘤𝘦𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘦𝘹𝘤𝘦𝘦𝘥𝘪𝘯𝘨 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘯𝘦𝘵.

https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/

Photo: Blaž Gutman / MGML and Aleksandra Vajd

#cukrarnagallery #aleksandravajd #anettamonachisa#tarstar

Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art OPENING this Thursday, 6th Feb at 19:00! On photography and our technological undergrowth linking the depths of the planet with the light of our closest star, deep past with a nonhuman future. Stop by if you happen to be in Ljubljana ☀️🕳️

Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art OPENING this Thursday, 6th Feb at 19:00! On photography and our technological undergrowth linking the depths of the planet with the light of our closest star, deep past with a nonhuman future. Stop by if you happen to be in Ljubljana ☀️🕳️

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶

A bit more than a year ago, we curated with dear @jelisalveta and @jen_kratochvil a show titled ...𝒂𝒏𝒅 𝒕𝒉𝒆𝒚 𝒍𝒊𝒗𝒆𝒅.... It turned out to be the last show in Kunsthalle Bratislava just before the institution was dismantled under a political shift to the right. The show was a constantly evolving site for alternative stories (of origins, kinships, futures, communities, resistance,..) for living through times of uncertainty beyond bad or good endings and definitive answers.

Reflecting on 2024 and the direction the world seems to be heading, I thought of sharing some photos of the show, since the positions it featured feel just as relevant—if not more so—today as they did back then.

Thanks to all the artists: björnsonova & Tamara Antonijević, Lucia Kvočáková, Lucie Mičíková, Nik Timková, Zuzana Žabková / András Cséfalvay / Katrina Daschner / Gideon Horváath / Tina Hrevušová / Valentýna Janů / Teuta Jonuzi & Daria Lytvynenko / Ursula Mayer / Isadora Neves Marques / Wendelien van Oldenborgh / Gregor Petrikovič / Agnieszska Polska / Maruša Sagadin / Selma Selman / Natália Sýkorová / Ezra Šimek / Transformella (fed and cared for by JP Raether).

Photos: @lejaberkova

*~.•~*

I fell quite ill while we were prepping this show and couldn’t make it to the install or opening, but Jelisaveta’s, Jen’s, and everyone’s support was truly heartwarming. It’s rare in the art world to actually experience the care we hear so much about. It makes a difference 🫶