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_codycutter
Cody Cutter
Photographer
New work for @nytimes with @tylerjameswill. What a pleasure talking cameras and music together.
Thank you @jolieruben
Assisted by: @romy_rainer
New work for @nytimes with @tylerjameswill. What a pleasure talking cameras and music together.
Thank you @jolieruben
Assisted by: @romy_rainer
New work for @nytimes with @tylerjameswill. What a pleasure talking cameras and music together.
Thank you @jolieruben
Assisted by: @romy_rainer
New work for @nytimes with @tylerjameswill. What a pleasure talking cameras and music together.
Thank you @jolieruben
Assisted by: @romy_rainer
Some outtakes from my recent shoot with Jason Bateman and Jude Law for the @nytimes
Thank you @jolieruben !
Photo Assist: @borisapple and @walterore_
Styling: @brodie.r_
Some outtakes from my recent shoot with Jason Bateman and Jude Law for the @nytimes
Thank you @jolieruben !
Photo Assist: @borisapple and @walterore_
Styling: @brodie.r_
Some outtakes from my recent shoot with Jason Bateman and Jude Law for the @nytimes
Thank you @jolieruben !
Photo Assist: @borisapple and @walterore_
Styling: @brodie.r_
Some outtakes from my recent shoot with Jason Bateman and Jude Law for the @nytimes
Thank you @jolieruben !
Photo Assist: @borisapple and @walterore_
Styling: @brodie.r_
Some outtakes from my recent shoot with Jason Bateman and Jude Law for the @nytimes
Thank you @jolieruben !
Photo Assist: @borisapple and @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
Jason Bateman and Jude Law for @nytimes #blackrabbit
Thank you @jolieruben
Words by: @melenar
Photo Assist: @borisapple & @walterore_
Styling: @brodie.r_
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
“I started out with a Leica M9 (digital) that I would photograph in the street back in 2017. I wasn’t in love with the image it produced but I loved the way the camera felt in my hand. I started to realize after every photograph I took I would check the screen to see if I got the shot and criticize the photograph. I hated having access to the image right away, it would remove me from being present in the street. Around that time, I started working for a photographer who really enjoyed my work and he said to me one day ‘if you can do this on film you’d be the real deal.’ I sold my M9 that week to purchase a Leica M3 and started shooting film in the beginning of 2018.
“I love the way film slows me down, makes me really think about what is going on around me. It presents me with this foundation of color and texture that digital doesn’t. My journey with film has been a love story really. The way I can experiment with different film types, over and under exposing, pushing and pulling, expired films, etc. And printing from a negative is unmatched. The cameras and lenses play a role in this for me as well. These mechanical machines from different eras accompanied by film still producing beautiful imagery is fascinating to me.
“For the past three years the majority of my street photography has been shot on Kodak Ektachrome 100 and some expired E200 when I can get my hands on it. Color positive film or slide film is an unforgiving film that has light grain, rich shadows, high contrast, and a cool undertone. All that being said, it’s not about the film or the tools I use. It’s about the moment happening in front of me and how I capture it.” @_codycutter
Portraits of Cody were done using my Leica M6, 50mm Summilux
Processed at @bleekerdigital
All other images are by Cody
@_codycutter on using flash for his street photography. Clips pull from my Walkie Talkie with Cody. Full video can be found on my channel, Paulie B (linked in Bio)
‘Walkie Talkie’ is a video series where I interview photographers asking we walk around and take photos. There’s over 65 episodes available to watch on the channel.
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
Selects from my recent Walkie Talkie with @paulie.b
Thank you Paulie for building this amazing community I’m honored to be a part of. And thank you to everyone who has reached out, feeling the love ❤️
NYC street photographer @_codycutter. Clips pulled from my Walkie Talkie with Cody.
‘Walkie Talkie’ is a video series where I interview and converse with photographers as they take photos. It can be found on my Channel, Paulie B (linked in bio!)
@_codycutter on why he takes photos. Full video on my channel, Paulie B (linked in Bio).
#streetphotography
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
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Frequently asked questions
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