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DAR A VOLTA.
Nova residência no Juno. Artistas livres, para partilha pura.
Primeiro convidado: Lynce Live. 09/06, véspera de feriado.

Tudo vai e e vem, mas às vezes é preciso dar a volta.
Convidados que sempre tiveram presentes na minha carreira de artista e outros que fazem todo o sentido onde me encontro
Agora. Algo cíclico, que regressa sempre ao mesmo sítio. Sempre a dar a volta.
Cartazes sempre feitos pela @ana.yse

Navegar a incerteza para uns pode ser um desafio, para outros a naturalidade. Aos olhos deste ser de duas patas, a incerteza não passa do seu habitat. É o espaço e só o espaço onde o @_lynce_ caça, onde os discos se escondem nas mais infidáveis grutas e
se tornam nos tesouros de futuras conquistas. Onde a vida esquece fronteiras e somos cidadãos com ouvidos para o mundo.

Sim, este sitio existe, e estamos prestes a descobri-lo.

Bilhetes no link bio

Ah, o abrir de outra realidade.

A ansiedade de sentir a mente efeverscer e conhecer o mundo pelos olhos de uma nova experiência.

Subimos até ao Porto, cidade de cores infinitas, com um programa de duas partes e a música que os vossos ouvidos tanto procuram:

Iniciamos a aventura na @am.bouca para acolher o Sol e a sua luz e, seguimos noite fora no @passosmanuel_ ,
para enfrentar o luar e as altas horas da madrugada

Ao longe, ao fundo do futuro, evocámos um grupo de velhos e novos amigos preparados para viver com o mundo eterno e presente, a sua dança, a sua música, os seus ritmos.

Como é (bom) estranho viver a música...

Bilhetes no link na bio.

🎨 @mattt_is_high

Two new albums just dropped on my Bandcamp page!

1. Sequenced Leftovers - 8 tracks
2. Weapons Of Mass Surveillance - 12 tracks

Tracks from 2024, recorded in 2025

Link in bio or a quick internet search for deep listening

https://djlynce.bandcamp.com

Two new albums just dropped on my Bandcamp page!

1. Sequenced Leftovers - 8 tracks
2. Weapons Of Mass Surveillance - 12 tracks

Tracks from 2024, recorded in 2025

Link in bio or a quick internet search for deep listening

https://djlynce.bandcamp.com

40 Blue Tapes
Trax From The 404 Code - @_lynce_

Shipping worldwide next Monday 📦

40 Blue Tapes
Trax From The 404 Code - @_lynce_

Shipping worldwide next Monday 📦

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

“Porto’s DJ Lynce unveils his first long play on Golden Mist Records: a raw exploration of breakbeat turbulence, acid resonance, tribal hypnosis, and esoteric soundscapes. Each track stands as its own ritual, yet together they form a narrative that moves between primal rhythm and spectral abstraction.
This is not a collection of club tools but a body of work that carries Lynce’s vision beyond the dancefloor-shifting from percussive intensity to moments of deep, elusive atmosphere. Pressed in a scarce edition of 40 cassettes, the release is both document and talisman, a sonic artifact from Porto’s underground destined to vanish as quickly as it appears.” @goldenmistrecords

TAPE IS OUT ON OCTOBER 26
Pre orders are now available from Bandcamp

Written and produced by @_lynce_
Mastered by @onda.mecanica
Artwork by @lake_haze

Also check DJ Lynce interview for @rimasebatidas written by @andre_forte

Dedicated to all the brave people standing strong with the Palestinian Cause
Solidarity Forever

❤️🖤🤍💚

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

SATURNALIÆ LUDI

December 21st is the shortest day of the year in the northern hemisphere, the winter solstice, and for centuries people have been celebrating this day. This Saturday the 21st we present you with a 6-hour performance, happening in the Passos Manuel auditorium between 18:00 and 00:00. 3 live acts will
be performed simultaneously on stage: painting, sound and light. Diego Bernard will be painting a 4x3m canvas, connected to DJ Lynce’s machines via several contact microphones to feed noise and movement into his synths. José Dinis’s visuals will adorn the stage
alongside the manipulation of a live projection
of the painting on the auditorium’s cinema screen.
These 3 distinct elements, when connected, create
a new living creation, a new organism. The result
is a 6-hour performance that takes mixed media to its extreme, enhancing the multi-sensory nature of performance—engaging sight, sound, and move-
ment simultaneously. This living organism will take the spectator on a transcendental trip, which
is the foundation of this piece.

DJ Lynce “Live @ Bola de Cristal” cassette OUT TODAY
+ new Saudades da minha arte t-shirt

Artworks by Márcio Matos

Links in Bio

DJ Lynce “Live @ Bola de Cristal” cassette OUT TODAY
+ new Saudades da minha arte t-shirt

Artworks by Márcio Matos

Links in Bio

DJ Lynce “Live @ Bola de Cristal” cassette OUT TODAY
+ new Saudades da minha arte t-shirt

Artworks by Márcio Matos

Links in Bio

DJ Lynce “Live @ Bola de Cristal” cassette OUT TODAY
+ new Saudades da minha arte t-shirt

Artworks by Márcio Matos

Links in Bio

DJ Lynce “Live @ Bola de Cristal” cassette OUT TODAY
+ new Saudades da minha arte t-shirt

Artworks by Márcio Matos

Links in Bio

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

This is a beautiful collage of sounds, field recordings, radio plays and interviews made from various sources and assembled in Palestine and Egypt in the summer of 1985 from composer, artist, sonic anthropologist, Sun City Girls and @sublime_frequencies founder Alan Bishop, it’s a time capsule from a country that is being fully devastated.
Also available from the Arab series is Radio Morocco, Radio Algeria and I Remember Syria, highly recommended!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!

Muslimgauze was the main musical project of Bryn Jones (17 June 1961 – 14 January 1999), a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground." (Wiki)

Below is a essential and chronological album list related to the Israeli occupation… possibly my all time favourite artist, he died too early from a rare blood disease at the age of 37 and left a mystical kind of prophetic impressive music catalogue with hundreds of original music titles, most of it was posthumously released and still counting, a threat to some, an inspiration to many, he’s artistic genius got deep in my soul many moons ago and he’s truly missed, Rest in Power ✊🇵🇸

1 - Bryn Jones himself
2 - The Rape Of Palestine (1988)
3 - Hamas Arc (1993)
4 - Hebron Massacre (1994)
5 - Fatah Guerrilla (1996)
6 - Speaking With Hamas (1999)
7 - Hamas Cinema Gaza Strip (2002)
8 - No Human Rights For Arabs In Israel (2005)
9 - Fuck Israel w/ The Rootsman (2011)
10 - Shekel Of Israeli Occupation (2019) Edit: this one got deleted by Instagram Zionists!