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Xiaofu Wang
‘The Tower’ out on Nearest Truth Editions.
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
Xiaofu Wang's work »The Tower« tells personal stories that unfold side by side in the Genex Tower in Belgrade. Designed in the 1970s by Mihajlo Mitrović, the iconic building once symbolized the economic ambitions of socialist Yugoslavia, representing progress, power, and a belief in the future.
Today, the building is a space for numerous biographical escapisms. While large parts of the former Generaleksport headquarters are deserted, life continues to unfold in one of the towers: love stories, coming of age, everyday life, artistic practice. Everything exists side by side.
----------------------
Xiaofu Wangs Arbeit »The Tower« erzählt persönliche Geschichten, die sich im Genex Tower in Belgrad nebeneinander abspielen. Entworfen wurde das ikonische Gebäude in den 1970er-Jahren von Mihajlo Mitrović und stand einst für den wirtschaftlichen Anspruch des sozialistischen Jugoslawiens, für Fortschritt, Macht und Zukunftsglauben.
Heute ist das Gebäude ein Raum für zahlreiche biografische Eskapismen. Während große Teile des ehemaligen Generaleksport-Hauptquartiers verwaist sind, entfaltet sich ein einem der Türme weiterhin Leben: Liebesgeschichten, Erwachsenwerden, Alltag, künstlerische Praxis. Alles existiert nebeneinander.
📸 @_xiaofuwang | a submission to the PORTRAITS Award 2024
#XiaofuWang #Escapism #portraitsphotographyaward #portraits #hellerau #portraitshellerau #artandculture #internationalcompetition
The presentation will be conducted in English
As part of BPM Book Week 2026, we are pleased to invite you to an special event dedicated to photobooks and the stories they hold. This session brings together three photographers whose recent works are deeply connected to Belgrade, each offering a personal and distinct perspective on the city.
Join us for a series of presentations where image, memory, and place intertwine, opening up different ways of seeing and understanding Belgrade today.
We would like to invite you to como to one more sesion where 3 differents photographers they will present their last work.... highly connected to our city, Belgrade.
Konstantin Kondrukhov
Looking for safety and new opportunities in 2022, I found myself in Belgrade — a city I didn’t know much about before. My choice wasn’t random: friends of mine, concert organizers who had come a few months earlier, announced a music festival in Belgrade called Changeover. That festival became a bridge to a new reality and the beginning of my journey. Through photographs, I will share the story of the people, experiences and sounds that surrounded me during this challenging but amazing time. This will be a photobook about change and the invisible connection that brings us together through music in a new place.
Ljuba Sorokina - Blok 70
Blok 70 is a photographic project focused on the Chinese market in New Belgrade, approached as an already alien and visually saturated environment. The artist works with the market as a collection of spatial fragments - shelves, signs, packaging, colours, improvised structures - paying attention to how the space is assembled and how it is experienced rather than how it is explained.
Xiaofu Wang - The Tower
The Tower is part ode, part record, and part speculation about one of Belgrade’s most important buildings— Genex Tower, a symbol of the city and one of the most recognizable brutalist structures in the world. Situated at the edges of documentary photography, the photographs in the book were taken over nine separate trips to Belgrade with an analogue, medium-format camera between 2021 and 2024.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
The last few months of 2025 were a blast. Big love to the humans (and animals) who shared it with me. Wishing you a glorious 2026.
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏 explores how places are never neutral but shaped by the collective longings, narratives, and fantasies projected onto them. The exhibition brings together two distinct approaches to fabrication: Jack Garland’s ‘Waco’, which begins with a real event and traces its transformation into myth, and Benjamin Pfau’s ‘Die Insel’, where imagined terrains acquire the weight of lived experience. An ongoing collaboration in the Ruhr area extends these investigations, re-imagining a landscape marked by industry and migration through the same strategies of staging and projection. Together, they show how place is always both material and imaginary, structured as much by memory and desire as by physical ground.
@benjaminpfau
@jackgarland
@_xiaofuwang
@sanktstudio
Announcing 𝑺𝒊𝒕𝒆𝒔 𝒐𝒇 𝑭𝒊𝒄𝒕𝒊𝒐𝒏, an exhibition featuring the work of Jack Garland and Benjamin Pfau, curated by Xiaofu Wang at Sankt Studio, Berlin.
Dates: September 18–21, 2025
Vernissage: September 18, from 18:00
More to follow!
Poster by @andrejalepir
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Some snaps from my recent USA book tour. Moments spent blissfully ignoring Trump, ICE, people sleeping under bridges, fentanyl, the cost-of-living crisis and the general feeling of impending doom. Ahh, to be a tourist.
But seriously, thanks to the friends - old and new - who made this a wonderful trip. Much love to you all.
Congratulations to my talented Tarisio colleague Xiaofu Wang, whose book is being featured at the AIPAD Photography Show in NYC! The Tower is a powerful exploration of the iconic Genex Tower in Belgrade and a stirring tribute to architecture, memory, and meaning. Xiaofu will be returning to Berlin soon so don’t miss your chance to meet her this weekend at the Park Avenue Armory!
Congratulations to my talented Tarisio colleague Xiaofu Wang, whose book is being featured at the AIPAD Photography Show in NYC! The Tower is a powerful exploration of the iconic Genex Tower in Belgrade and a stirring tribute to architecture, memory, and meaning. Xiaofu will be returning to Berlin soon so don’t miss your chance to meet her this weekend at the Park Avenue Armory!
Congratulations to my talented Tarisio colleague Xiaofu Wang, whose book is being featured at the AIPAD Photography Show in NYC! The Tower is a powerful exploration of the iconic Genex Tower in Belgrade and a stirring tribute to architecture, memory, and meaning. Xiaofu will be returning to Berlin soon so don’t miss your chance to meet her this weekend at the Park Avenue Armory!
Thanks @marielostintranslation for the excellent article in @fisheyelemag. Read it here: https://fisheyemagazine.fr/article/xiaofu-wang-leve-le-rideau-de-la-genex-tower/
Last chance to see our exhibition Fünfzehn von Siebzehn at @photobasteizurich! The Finnisage will take place on the evening of the 22nd. The Tower is available at the bookshop there, as well as at @neverstopreading_zh. Exhibition stills by @janickentremont.
Last chance to see our exhibition Fünfzehn von Siebzehn at @photobasteizurich! The Finnisage will take place on the evening of the 22nd. The Tower is available at the bookshop there, as well as at @neverstopreading_zh. Exhibition stills by @janickentremont.
Last chance to see our exhibition Fünfzehn von Siebzehn at @photobasteizurich! The Finnisage will take place on the evening of the 22nd. The Tower is available at the bookshop there, as well as at @neverstopreading_zh. Exhibition stills by @janickentremont.
Last chance to see our exhibition Fünfzehn von Siebzehn at @photobasteizurich! The Finnisage will take place on the evening of the 22nd. The Tower is available at the bookshop there, as well as at @neverstopreading_zh. Exhibition stills by @janickentremont.
Last chance to see our exhibition Fünfzehn von Siebzehn at @photobasteizurich! The Finnisage will take place on the evening of the 22nd. The Tower is available at the bookshop there, as well as at @neverstopreading_zh. Exhibition stills by @janickentremont.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.