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aaronalanmitchell
Aaron Alan Mitchell
Photographer and Filmmaker
DM for bookings
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
The present is to live or to lose: In conversation with movement director and former ballet dancer Pascal Johnson
I recently had the pleasure of collaborating with Pascal Johnson, @pascaljohnson a former dancer with the Dutch National Ballet, now a movement director and producer who has worked for brands like Apple, Calvin Klein, and Nike, on a photo series that grew into something deeper. What started as a visual exploration turned into a dialogue about presence, memory, and what exactly an image can and cannot truly hold. Together, we approached the process as an open-ended reflection, using movement and stillness through the visual medium of photography to investigate how the body carries memory and inhabits the present.
At the heart of this series is a complicated question: can we ever really preserve something fleeting? We often believe that by permanently affixing a body into image that we are holding on to something true. But permanence does not equal meaning. Time strips away context, and leaves behind a thin surface, a static impression of a figure that once moved with thought, fear, laughter, and love. What is left is a fossil of ego, a trace of something that was never meant to be still.
Read full story @c41magazine
Words: Aaron Alan Mitchell & Pascal Johnson
Photography: Aaron Alan Mitchell @aaronalanmitchell
Performer: Pascal Johnson @pascaljohnson
Styling: Uliana Milodan @milodya
Skirts: Britt Liberg @skirts_by_britt_liberg
Yuliia in Biarritz wearing Wool Sweater and Shorts handmade by @les3gracesbiarritz
@julie.donchuk
#biarritz #cotebasque #france #fashionphotography
Design studio @ceriani_szostak have just begun the next chapter of their story in Milano. I’m grateful to have had the opportunity to photograph the duo before they left Amsterdam.
@gilbertoceriani
@ania_szostak_
Had the great privilege to photograph the immensely talented sculptor and painter @laura_pasquino
Had the great privilege to photograph the immensely talented sculptor and painter @laura_pasquino
Had the great privilege to photograph the immensely talented sculptor and painter @laura_pasquino
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
Malijn
@malijnpieterse
Styling @matsehora.hanna
HMUA @jasonmurillohair
@xxray.studio
I’ve been putting together editorial packages for a while now and a few have ended up published in magazines, helping the people I’ve worked with reach a much wider audience.
I’m now offering this in an all-in-one press ready package.
Photography, a written interview or profile, and a publication-ready layout.
This is for anyone who has built something worth talking about but doesn’t yet have the press materials to prove it. Brands, creatives, businesses, anyone who needs more than a bio to tell their story properly.
Press coverage builds credibility that advertising can’t buy. But most people don’t have the photography, the writing, and the design to make it happen. Let alone all three working together.
Interested? DM me.
I’m taking on a small number of these to start, if it sounds like the right fit, let’s talk.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.