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Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Cement Shoes (Phantom Lovers)
Office of the team of Kunsthalle Exnergasse, MDF, mobile wall elements, screensaver, socks
2026

with Seth Weiner

For the duration of the exhibition permanent, temporär, the office of the team of Kunsthalle Exnergasse is presented as a living sculpture, positioned atop a large pedestal. The pedestal simultaneously functions as a working area for adO/Aptive, an artist collective developing a publication for the exhibition. In addition, a screensaver presents Phantom Lover, a silent karaoke video. Whenever a computer is left idle, the workspace becomes a display for this work. Its lyrics frame the relationship between an institution and its public as a tricky romantic entanglement, defined by its own undefinability. To avoid the pedestal being marked by footsteps, a series of socks function as “soft paintings,” redirecting attention toward other traces of labour, such as the markings left by the wheels of office chairs.

exhibition scenography for "permanent temporär" at @kunsthalleexnergasse, Vienna, 29.1. - 7.3.2026, A collaboration of the kex—team with Georgia Holz

@georgia_holz
@adoaptive

img 1-3, 8, 13 Wolfgang Thaler
img 5 Guilherme Maggessi
img 10-12 Seth Weiner
img 6, 7 Sabrina Haas

Habit Role & school present:

adO/Aptive (performative reading)
@adoaptive

performed by: Teuta Jonuzi und Daniel H. Pineda
@shoggoth_11 @teutajonuz
text by: @jan.w.e.i & @shoggoth_11

Location: school, Grüngasse 22, 1050 Wien
Saturday, 18th of April

adO/Aptive is a flexible assemblage with ever-changing members that foments critical thinking, potential action, communication and multiple perspectives through performative adaptions.

In their contribution for Habit Role, they use various analogies to past collective experiences that, when read together, build a cadaver esquite of the magic of assembling.

++++

⚖️⚖️⚖️⚖️

limited capacity at the venue - we advise you to get a presale ticket to ensure entrance (via link in bio or kupfticket.com) - limited tickets on the door

🚪

For the official release of its first book, Habit Role teams up with school — a space and collective founded by Yasmina Haddad and Andrea Lumplecker in 2011. Together, we will host a weekend programme featuring various readings from Vol. 1, a concert, a shared lunch, DJ sets, a screening, and an open library with a selection curated by the collective’s members. The event will also include a collaboratively evolving map reflecting the gathering’s components and their inter- and trans-connectivity — and, of course, the sale of Habit Role Vol. 1.

See you there 🧡

Support by MA7 & BMWKMS

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

𝗟𝗲𝘁𝘁𝗲𝗿 𝘁𝗼 𝘆𝗼𝘂, 𝘄𝗵𝗼 𝗜 𝗱𝗼𝗻’𝘁 𝘀𝗲𝗲 𝗻𝗼 𝗺𝗼𝗿𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗹𝗲𝘁𝘁𝗲𝗿 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽

“𝒯𝒽𝑒𝓇𝑒 𝓌𝒶𝓈 𝒶 𝒹𝒶𝓎 𝓌𝒽𝑒𝓃 𝐼 𝓈𝓉𝑜𝓅𝓅𝑒𝒹 𝓈𝑒𝑒𝒾𝓃𝑔 𝓎𝑜𝓊. 𝐼𝓉 𝓌𝒶𝓈 𝒶 𝓈𝒶𝒹 𝒹𝒶𝓎.”  – 𝒴𝑜𝓊 (𝓅𝓇𝑜𝒷𝒶𝒷𝓁𝓎)

In a life, we see many faces, ride many buses, smell many farts and perfumes, kiss many people, make many jokes and mistakes, water many plants, dance to many songs, cry whenever sadness overcomes us. Although several of these events slip into the quotidian via recurrence, there are some which remain fugitive and build their own lives in the crevices of our memory.

Our Workshop is an invitation to collectively unfold these humid spaces and air them with our contemporary selves. To close a cycle, to open a new one, or simply to return to a memory.
What would you wish to have told to the ex-partner of your parent, that aunt that divorced your uncle, your ex’s mom, your teacher from high school, your first boss, the sibling of your ex-best friend, your first love?

These thoughts and feelings will be shared and joined, finding a final form in a cadaver-exquisite-type letter to some of the supporting-roles in our life experiences. How would a letter to a lost friend look like if it's written by a group of people who are strangers to one another? Can this exercise paint the contour of the archetypical friend, teacher or lost contact?

WHEN? 25.03.2026 // 13:00 to 17:00 at MEDIUM GALLERY
The workshop will be led by @shoggoth_11 & @pilleriinjaik at @medium_gallery in Bratislava as part of the accompanying program of "Finally Landing" an exhibition curated by @teutajonuz
-----
You can register per DM to @adoaptive or per email to adoaptive[at]protonmail.com
-----
Supported by the @acf_bratislava
-----

- front image by @jan.w.e.i
Photo credits of other slides:
– past-post – © Michaela Sidorová
– a-o-holics – © Luka Pešun
– a-o-holics_2 – © adO/Aptive
– a-o_draft-wishes © adO/Aptive

We cordially invite you to the second Curated Timeframe, a series of events by @shoggoth_11 and @jan.w.e.i .
TIME FOR PETINESS
Maderas Finas, Dr. Rafael Norma 85, Doctores, CDMX

06.02 – 08.02.26 // 2 – 5 pmOpening: 05.02.2026 // 5 – 9 pm

EN
In our day to day we encounter many forms and much to look at, as we have been conditioned to; what may seem pedestrian can turn out to be a meaningful experience.
Much like dogs who are taken out for a walk, an artist visits cultural institutions to find a tree to bark at, an ass to sniff, something to pee on. We artists exist, much like a pet exists in a great co-dependence to its owner, in much dependence to our audiences, gallerists and collectors. To be pety (one "t") is to speak from this perspective (close to the floor), to be concerned with trivial matters; yes, we do care about dead rats, we do care about cute bears, but not to lose the focus: we care about who’s looking at who and how it came to be that you look at us.

ES
En nuestro día a día nos encontramos con muchas figuras y mucho que ver, tal y como nos han condicionado; lo que puede parecer trivial puede acabar siendo una experiencia significativa.
Así como los perros salen a pasear, un artista visita instituciones culturales para encontrar un árbol al que ladrar, una cola que oler, algo a lo que mear. Los artistas existimos, al igual que una mascota existe en una gran codependencia con su dueño, en gran dependencia de nuestro público, galeristas y coleccionistas. Ser pety (con una sola «t») es hablar desde esta perspectiva (cerca del suelo), preocuparse por asuntos triviales; sí, nos importan las ratas muertas, nos importan los osos cute, pero sin perder el foco: nos importa quién mira a quién y cómo ha sucedido que nos miras.

With / Con
Aída Rebull
Demian Kern
Luna Ghisetti
Ryan Campos
Selfis
Soo-Mi Han
adO/Aptive
Pipi Bar
Iris Fabrespecial thanks to @masec00

TE INVITAMOS A PARTICPAR en el EPISODIO 3 de Tu Y/Ojo en la CDMX ––> DM

TE INVITAMOS A PARTICPAR en el EPISODIO 3 de Tu Y/Ojo en la CDMX ––> DM

TE INVITAMOS A PARTICPAR en el EPISODIO 3 de Tu Y/Ojo en la CDMX ––> DM

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

TU Y/OJO SHIRTS

We are presenting a limited edition accompanying Tu Y/Ojo, a format for collectively filmed and improvised video works.
The 360° one-shots made in public space find themselves out there again on the face of a black tshirt.

30EUR€/550MXN$
available sizes: M, L & XL
100% cotton
DM to order/reserve

Tu Y/Ojo POV1 filmed in Madrid, Spain.
Tu Y/Ojo POV2 filmed in Dallas, Texas.
(Tu Y/Ojo POV3 CDMX tba.)

We cordially invite you to the premiere of Tu Y/Ojo POV2, a video work by adO/Aptive developed and filmed in spring 2025 in Dallas, TX together with Alex Curington, Aliyah Cydonia, Arfa, Benjamin Adams, Daniel H. Pineda, Francisco Santillan, Janina Weißengruber, Lyzette Amador, Savion Perr, Sofia Alejandro & SooMi Han.

Accompanied by a screening of works by Phillip Pess @philipppess & Kevin Daryl Ferdinandus @kevin_ferdinandus
Location: SPACY @spacydtx (1300 S Polk St #160a, Dallas, TX 75224 – located inside Tyler Station)

TICKETS 5$
https://www.spacydtx.com/list/tu-yojo-pov2
LINK IN BIO

Afterparty with DJ Sets by @nosocial__ , @shoggoth_11, @___dissed & @jan.w.e.i.

DM @adoaptive or @nosocial__ for location.

We cordially invite you to the premiere of Tu Y/Ojo POV2, a video work by adO/Aptive developed and filmed in spring 2025 in Dallas, TX together with Alex Curington, Aliyah Cydonia, Arfa, Benjamin Adams, Daniel H. Pineda, Francisco Santillan, Janina Weißengruber, Lyzette Amador, Savion Perr, Sofia Alejandro & SooMi Han.

Accompanied by a screening of works by Phillip Pess @philipppess & Kevin Daryl Ferdinandus @kevin_ferdinandus
Location: SPACY @spacydtx (1300 S Polk St #160a, Dallas, TX 75224 – located inside Tyler Station)

TICKETS 5$
https://www.spacydtx.com/list/tu-yojo-pov2
LINK IN BIO

Afterparty with DJ Sets by @nosocial__ , @shoggoth_11, @___dissed & @jan.w.e.i.

DM @adoaptive or @nosocial__ for location.

We cordially invite you to the premiere of Tu Y/Ojo POV2, a video work by adO/Aptive developed and filmed in spring 2025 in Dallas, TX together with Alex Curington, Aliyah Cydonia, Arfa, Benjamin Adams, Daniel H. Pineda, Francisco Santillan, Janina Weißengruber, Lyzette Amador, Savion Perr, Sofia Alejandro & SooMi Han.

Accompanied by a screening of works by Phillip Pess @philipppess & Kevin Daryl Ferdinandus @kevin_ferdinandus
Location: SPACY @spacydtx (1300 S Polk St #160a, Dallas, TX 75224 – located inside Tyler Station)

TICKETS 5$
https://www.spacydtx.com/list/tu-yojo-pov2
LINK IN BIO

Afterparty with DJ Sets by @nosocial__ , @shoggoth_11, @___dissed & @jan.w.e.i.

DM @adoaptive or @nosocial__ for location.

Trailer of Tu Y/Ojo POV2, a video work in Dallas in spring
PREMIERING SOON IN DALLAS, TX

Performed and filmed by
☆ Benjamin Adams
☆ Sofia Alejandro
☆ Lyzette Amador
☆ Arfa
☆ Alex Curington
☆ Aliyah Cydonia
☆ SooMi Han
☆ Savion Perr
☆ Daniel H. Pineda
☆ Francisco Santillan
☆ Janina Weißengruber

Produced & directed by adO/Aptive (Daniel H. Pineda & Janina Weißengruber)
Cut & subtitles by Daniel H. Pineda
With a song by Savion Perr
Special thanks to Kai Siebert @ripefruitsandveggies , Apprentice Creative Space @apprentice.oakcliff , Karla & Brandon Adams Pineda, Irma & Fidel Pineda de la Guardia

Filmed in Dallas, Texas, spring 2025

We would like to invite you to the @adoaptive event this friday 3rd of October at HOTHOUSE, the 5th part of the series The Future of Demonstration @futureofdemonstration at Atelier Augarten in Vienna.

We will host Marek Poliks ( @dis.integrator ) and Roberto Alonso Trillo ( @trillo.roberto ) from Disintegrator Podcast who will hold a lecture about their new book: EXOCAPITALISM released at @becoming.press followed by a glO/Assary workshop held by Janina Weißengruber, Daniel H. Pineda and Martin Rovan (@jan.w.e.i / @shoggoth_11 / @martinrovan )Please RSVP per DM or mail to production[at]theoriesinmind.net.special thanks to @honourrolll !

We would like to invite you to the @adoaptive event this friday 3rd of October at HOTHOUSE, the 5th part of the series The Future of Demonstration @futureofdemonstration at Atelier Augarten in Vienna.

We will host Marek Poliks ( @dis.integrator ) and Roberto Alonso Trillo ( @trillo.roberto ) from Disintegrator Podcast who will hold a lecture about their new book: EXOCAPITALISM released at @becoming.press followed by a glO/Assary workshop held by Janina Weißengruber, Daniel H. Pineda and Martin Rovan (@jan.w.e.i / @shoggoth_11 / @martinrovan )Please RSVP per DM or mail to production[at]theoriesinmind.net.special thanks to @honourrolll !

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

This was 'Collect chaos, draft wishes', a workshop co-hosted with Samira Ghoualmia @samira.ghoualmia of Archive Ensemble @archivebkj in the frame of the infra:I festival organised by @_bestand_ on the 2nd of August at @volkskundemuseumwien

Samira hosted a chaos reading session, which is an invitation to learn together through collective reading and writing. It featured several publications by Archive Books among other text fragments by Etel Adnan, Saïda Menebhi, Ta-Nehisi Coates, Trinh T. Minh-ha, Audre Lorde, bell hooks, Paulo Freire, Sarah Ahmed, Serubiri Moses, and Keorapetse Kgositsile.
Then, adO/Aptive proposed a collectively exercised spatial intervention. The workshop created relations by drafting common wishes based on the connections made throughout its course.

Many thanks to @_bestand_ & @a.made.up.reality <3

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(3/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Performance „WHEN IN RO/AM“ by adO/Aptive // 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗥𝗢𝗔𝗠𝗜𝗡𝗚 𝗧𝗢𝗨𝗥𝗡𝗔𝗠𝗘𝗡𝗧 / 𝟯 𝗮𝗴𝗮𝗶𝗻𝘀𝘁 𝟯
[With: Martin Gius @polymorphic.engine (game mechanics, hardware), Iris Fabre (FR) @fabris._8 (costume), Tamara Zs. Vadas (HU)
@t_o_n_y_t_o_n_y_a (dramaturgy).]

Performed by:
Mel Berger @cases.suck
Felix Diefenhardt @felix_diefenhardt
Teuta Jonuzi @teutajonuz
Laura Oyuela @artfirstchild
Tamara Zs. Vadas @t_o_n_y_t_o_n_y_a
Imre Vass @_imrevass

With a halftime-show act by Klaus Rabeder as Nick Cave @still_sonics

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7

(2/3) Documentation of our event 𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 at kex–kunsthalle exnergasse on August 28, 25.

Participating artists/collectives:
WORK HARD! PLAY HARD! working group
@workhard.playhard.minsk
Jelena Visković
@jelena__viskovic
adO/Aptive
@adoaptive

Slide 2+3: Assembly „Decentric Circles of Leisure Unrest“ by the WORK HARD! PLAY HARD! working group

𝗱𝗼 𝗮𝘀 𝘂𝘀 𝘂𝘀𝗲𝗿𝘀 𝗱𝗼 was a discursive and performative evening in three parts. The program reflected on gamification and different modes of immersion into game-realms - be they IRL or fully virtual.

Funded by Stadt Wien MA7