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aexnr
ALEX PAK
Represented by @shootmewarsaw 🇵🇱
Creative producer at @sonymusicpoland
📍Warsaw 📩 jastrzebska@shootme.pl
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
I’m excited to present my new work for @omodajaecoopolska.
This was my first time directing a car commercial and not in a conventional format: we placed a real car inside a fully designed digital environment shaped by light and movement.
The main challenge was to build from scratch a vision of future Warsaw - a cyberpunk universe with its own foundations, design logic, rules, and visual language.
Huge thanks to @dobro.films and @krydlewski for leading the production, and to @platigeimage for building the virtual city from my concepts and seamlessly blending the live-action footage with CGI.
This is the kind of work I’m most interested in: combining real-world footage with digital environments in a way that feels cohesive and grounded in the story.
CREDITS
Client: OMODA & JAECOO Polska
Director: @aexnr
DOP: @mdziekonski
Edit: @sashaponyal
DOBRO
Producer: @krydlewski
Production manager: @justynamienkowska
Production coordinators: Bolesław Sikora
Production assistant: Antoni Puzyrewski
Postproduction: @platigeimage
Platige Executive Producer: Artur Zicz
Post Producer: Justyna Supernak
VFX Supervisor: Adam Rybarski
Sound: @soundlybyplatige
Composer: @dashxxmusic @xxsound.world
Concept Arts, Storyboards: @karpmariee
Model: @marta_wojtowicz
1AD: Michał Guga
Costume designer, Hair & Make-up: @szat.kowski
Hair & Make-up assistant: Zoja Zicz
Gaffer: Krzysztof Głaszczka
Focus puller: Maciej Horyzont Barański
DIT: Kuba Żukowski
Grip: Misiek Drążyk
This is how we built a cyberpunk version of Warsaw from scratch for OMODA 7!
A real car placed inside a fully designed digital world - shaped by light, movement, and a clear visual language of a near-future city.
Big respect to @platigeimage for bringing this vision to life. Using Unreal Engine, the team not only constructed the city itself, but focused on atmosphere and cohesion so every element feels grounded on screen.
🚨Disclaimer: the AI slop in the intro was used strictly for humorous purposes. The actual visuals in the commercial were crafted through extensive work by the Platige team.
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Bardzo się cieszę, że mogę podzielić się nową pracą dla Felix Crispers.
Największym wyzwaniem było zmieścić czytelną historię w bardzo krótkiej, dynamicznej formie i nie wprowadzić chaosu, a przy okazji dorzucić trochę VFX, które bardzo lubię. Dzięki klientowi i produkcji za zaufanie. Jestem wdzięczny za momenty, kiedy mogę pracować nad konceptem i scenariuszem i mam przy tym dużą swobodę.
Client: Felix Polska
Director: @aexnr
DOP: @kajetan.plis
Production Company: @highnoon.pl
Production: @blazejbaar @kasiamac @patprcnr @juliamrkwcz
Edit: Sasha Ponyal @sashaponyal
1st AD: @michalmanka
Costume Design: @susi_clay
Production Designer: @nina_utrataa
Makeup & Hair: @agawilkmakeup
Music: @dashxxmusic @xxsound.world
Cast: @olalke @julkarosenthal @jakeforys @giorgiovaripapa
Food Stylist: @aniazieciowska
Casting: @casting_zz @casting_studio
Model Agency: @astral_models @xmanagement_warsaw
Colorist: @szy_obrostek
VFX: @ai25.studio
Online: Tytus Aleksandrowicz
Sound Design: @uchostudio
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Dziś odbyła się premiera EP Margaret – BODY. To pierwsza część (1/3) większego albumu, który ukaże się pod koniec roku. Miałem przyjemność pełnić rolę art directora całego projektu.
Dziękuję Margaret i managementowi za zaufanie.
Ogromne dzięki również dla zespołu odpowiedzialnego za realizację warstwy wizualnej: @skrash.prod
Mgmt: @justyna_milkiewicz
Label: @sonymusicpoland @lilszyman
PM: @inga.szwed
Ex. Producer: @msh.kruk
Director: @chernoslivx
Photo: @marrgoshaa
Style: @lindagolinska
MUA: @muaduiwel
Hair: @bartekjanusz11
Big shout out: @misiamun
Vfx: @042effect
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
Shot a little documentary about @jazzy_tha_queen ✨
Honestly, I love this kind of format — when you can slow down, dive deep and really see the person in front of the camera. These few days were super special, such a good vibe and such a fun project.
Huge shoutout to the team — especially @paulinakowol for the insane cinematography and @filipffw for the clean edit.
Full episode now live on @zobacz.wow.show 👀
Production: @papaya_films
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
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Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.