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This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

This past weekend I debuted my first institutional project in the UK at @camdenartcentre curated by @cynthia.ii a two-day project surrounding my film Sojourn, a film about the burden and responsibility of preserving the stories of our communities, the cycle of life and death, and the power of persistence

during the opening day after a conversation with Cynthia we had@richieculver perform a live score for the film, followed by a performance of saxophone and spoken word by myself

set to the back drop of the film, as well as new installation that contextualizes the film, the installation titled “A Burial At The Black Sea, For A Civil Death”, large scale paintings mounted on black structures housing a projecting writhing, surrounded by a sea or urine test cups used for drug testing, operates as a monument to those that have suffered a “civil” death, those that live through incarceration, surveillance and persecution

Super proud of this project and grateful to everyone who made it possible, much love to Cynthia, Matt, Didi, Andy, Angela and all the other hands that touched this project, and love to everyone that came through

Photography by @nova.jp

More documentation soon

The project was made possible by generous support from
[GESAMTKUNSTWERK] COLLECTION @gesamtkunstwerkcollection

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Looking back at 2025, it’s been an insane year, from turning a gallery into a prison cell and living in it, to doing collages inside a makeshift coffin and playing DC drill videos at Schinkel, wish I could fit everything here

This year I’ve held 15 exhibitions across 7 countries, gave talks at 2 universities, did 6 live performances, a few film screenings, printed 7 publications, completed 2 residencies, curated my first project, and appeared in around a dozen articles, made more money than I ever seen before, and been broker than I been in years

To be young, black, living in a city not known for art, no art degree, and not rich, and making art about the things that I do, statistically I’m not supposed to be doing what I’m doing, but I have never let that stop me, and never will, I did my thing, and I did it on my own terms and can’t nobody tell me nothing, with everything going on in the world, I try to make work about what I believe in.

Best year of my life so far, can’t describe how grateful I feel, to all my amazing friends, family and to my wonderful partner🤲🏽🌽 happy holidays

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Meant to post this before I started my performance, but I’m on my way home in an uber after just spending 72 hours confined to the gallery, it’s impossible to fully replicate the horrors of prison in a gallery, but that not the point of this, I do work like this to honor and show solidarity with all the incarcerated black people and just people in general, we pour out drinks for our loved ones, that’s called libation, I poured myself out for three days, but to honor the living forced to live as they were dead, all the people locked up we tryna show we ain’t forget at about you, we brought the prison to the street to show the evils of the world are always at our step

Shout out Leroy Smith who did 20 years in a UK prison and came by to show love, shook my hand and hugged me and told me keep it up and gave me a copy of his book

Shout out @harlesdenhighstreet @massi____ and @sophiebarrettpouleau

Excited to share my participation in this years Basel Social Club with @harlesdenhighstreet

I will be presenting a new iteration of my cutout installation that I recently showed in Dallas with @prp.agency @jessaminejessamine With a new wall collage, and an alternate cut of my 2023 film commission for @richieculver Richie Culver’s album, ‘Alive In The Living Room’

The imagery of Black people photographed from behind set against a backdrop of interwoven scenes combing urban settings from London and my native Washington DC; two of the most surveilled cities on the planet—alongside a blurred out video of my commute to work recorded from my chest pocket. These aspects of the presentation, taking place in a vacant office building, combine to form a representation of the navigation of Black peoples through environments that grow more technologically hostile, bound by circumstance to participate in increasingly extractive labor conditions, and surveillance practices. In a society where our every moved is tracked as sellable data, our very faces become commodity, and our identities, currency. The refusal to disclose the faces of the subjects of this installation attempt to deny the further usage of Black People as capital.

@basel.social.club
Basel social club is open June 14-20

Excited to share my participation in this years Basel Social Club with @harlesdenhighstreet

I will be presenting a new iteration of my cutout installation that I recently showed in Dallas with @prp.agency @jessaminejessamine With a new wall collage, and an alternate cut of my 2023 film commission for @richieculver Richie Culver’s album, ‘Alive In The Living Room’

The imagery of Black people photographed from behind set against a backdrop of interwoven scenes combing urban settings from London and my native Washington DC; two of the most surveilled cities on the planet—alongside a blurred out video of my commute to work recorded from my chest pocket. These aspects of the presentation, taking place in a vacant office building, combine to form a representation of the navigation of Black peoples through environments that grow more technologically hostile, bound by circumstance to participate in increasingly extractive labor conditions, and surveillance practices. In a society where our every moved is tracked as sellable data, our very faces become commodity, and our identities, currency. The refusal to disclose the faces of the subjects of this installation attempt to deny the further usage of Black People as capital.

@basel.social.club
Basel social club is open June 14-20

Excited to share my participation in this years Basel Social Club with @harlesdenhighstreet

I will be presenting a new iteration of my cutout installation that I recently showed in Dallas with @prp.agency @jessaminejessamine With a new wall collage, and an alternate cut of my 2023 film commission for @richieculver Richie Culver’s album, ‘Alive In The Living Room’

The imagery of Black people photographed from behind set against a backdrop of interwoven scenes combing urban settings from London and my native Washington DC; two of the most surveilled cities on the planet—alongside a blurred out video of my commute to work recorded from my chest pocket. These aspects of the presentation, taking place in a vacant office building, combine to form a representation of the navigation of Black peoples through environments that grow more technologically hostile, bound by circumstance to participate in increasingly extractive labor conditions, and surveillance practices. In a society where our every moved is tracked as sellable data, our very faces become commodity, and our identities, currency. The refusal to disclose the faces of the subjects of this installation attempt to deny the further usage of Black People as capital.

@basel.social.club
Basel social club is open June 14-20

Excited to share my participation in this years Basel Social Club with @harlesdenhighstreet

I will be presenting a new iteration of my cutout installation that I recently showed in Dallas with @prp.agency @jessaminejessamine With a new wall collage, and an alternate cut of my 2023 film commission for @richieculver Richie Culver’s album, ‘Alive In The Living Room’

The imagery of Black people photographed from behind set against a backdrop of interwoven scenes combing urban settings from London and my native Washington DC; two of the most surveilled cities on the planet—alongside a blurred out video of my commute to work recorded from my chest pocket. These aspects of the presentation, taking place in a vacant office building, combine to form a representation of the navigation of Black peoples through environments that grow more technologically hostile, bound by circumstance to participate in increasingly extractive labor conditions, and surveillance practices. In a society where our every moved is tracked as sellable data, our very faces become commodity, and our identities, currency. The refusal to disclose the faces of the subjects of this installation attempt to deny the further usage of Black People as capital.

@basel.social.club
Basel social club is open June 14-20

Excited to share my participation in this years Basel Social Club with @harlesdenhighstreet

I will be presenting a new iteration of my cutout installation that I recently showed in Dallas with @prp.agency @jessaminejessamine With a new wall collage, and an alternate cut of my 2023 film commission for @richieculver Richie Culver’s album, ‘Alive In The Living Room’

The imagery of Black people photographed from behind set against a backdrop of interwoven scenes combing urban settings from London and my native Washington DC; two of the most surveilled cities on the planet—alongside a blurred out video of my commute to work recorded from my chest pocket. These aspects of the presentation, taking place in a vacant office building, combine to form a representation of the navigation of Black peoples through environments that grow more technologically hostile, bound by circumstance to participate in increasingly extractive labor conditions, and surveillance practices. In a society where our every moved is tracked as sellable data, our very faces become commodity, and our identities, currency. The refusal to disclose the faces of the subjects of this installation attempt to deny the further usage of Black People as capital.

@basel.social.club
Basel social club is open June 14-20

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Images of my performance and installation project at Camden Art Centre @camdenartcentre in April, centering around my film Sojourn, which was re-imagined with a live score by @richieculver followed my own performance of sax and spoken word, the film was set against a new installation that referenced the films emphasis on persistence, and maintaining black history through hardship. The installation is a monument to the persecuted of the past and present, with urine sample cups as a reference to the body surveillance of drug testing in criminal probation procedures.

Organized @cynthia.ii
Supported by @gesamtkunstwerkcollection
Special thanks to @mattwilliams3101
Images by @nova.jp

Opening Friday, may 1st, happy to have two works included in the exhibition “Exposure” at Baltimore Museum of Art’s ( @baltimoremuseumofart ) offsite space at Lexington Market organized by my good friend Daniel Adegbesan and @whenmenaresilent

Showing documentation from the Cell 72 solitary confinement performance with Emmanuel Massillon at @harlesdenhighstreet and “I Choose Violence”, a work of mine about the struggles of mental health coded in to drill lyrics

******
Exposure, developed in partnership with the @baltimoremuseumofart at Lexington Market and lens-based social practice artist Daniel Adegbesan, poses this important question through a group installation centering collective presence, dialogue, and photographic creative expression as vehicles for destigmatizing conversations around men’s mental health and increasing awareness of accessible care resources in Baltimore City.
Central to this exhibition is a commitment to the full breadth of who men are. @whenmenaresilent holds an expansive and inclusive understanding of manhood that embraces queer men, trans men, and men of every cultural lived experience. Masculinity is not a monolith; it is a vast and varied landscape of identity, and the wellness of all who inhabit it deserves to be honored.
Photography is uniquely suited to carry this vision through its ability to isolate a singular moment in time, then ask an audience to meditate on the layered context within the world around a single image. For men whose experiences have been historically rendered invisible or reduced to stereotype, to be photographed with intention and care is itself a radical act of witness. A camera’s capacity to say “this moment matters” makes photography not merely an aesthetic choice for this exhibition, but a deeply purposeful one.

Opening Friday, may 1st, happy to have two works included in the exhibition “Exposure” at Baltimore Museum of Art’s ( @baltimoremuseumofart ) offsite space at Lexington Market organized by my good friend Daniel Adegbesan and @whenmenaresilent

Showing documentation from the Cell 72 solitary confinement performance with Emmanuel Massillon at @harlesdenhighstreet and “I Choose Violence”, a work of mine about the struggles of mental health coded in to drill lyrics

******
Exposure, developed in partnership with the @baltimoremuseumofart at Lexington Market and lens-based social practice artist Daniel Adegbesan, poses this important question through a group installation centering collective presence, dialogue, and photographic creative expression as vehicles for destigmatizing conversations around men’s mental health and increasing awareness of accessible care resources in Baltimore City.
Central to this exhibition is a commitment to the full breadth of who men are. @whenmenaresilent holds an expansive and inclusive understanding of manhood that embraces queer men, trans men, and men of every cultural lived experience. Masculinity is not a monolith; it is a vast and varied landscape of identity, and the wellness of all who inhabit it deserves to be honored.
Photography is uniquely suited to carry this vision through its ability to isolate a singular moment in time, then ask an audience to meditate on the layered context within the world around a single image. For men whose experiences have been historically rendered invisible or reduced to stereotype, to be photographed with intention and care is itself a radical act of witness. A camera’s capacity to say “this moment matters” makes photography not merely an aesthetic choice for this exhibition, but a deeply purposeful one.

My new installation “Traphouse 3 got a K with me and 3 young n*ggas that stay with me, 2026 Inkjet print and acrylic on cardboard

In Dallas at @prp.agency @jessaminejessamine

My new installation “Traphouse 3 got a K with me and 3 young n*ggas that stay with me, 2026 Inkjet print and acrylic on cardboard

In Dallas at @prp.agency @jessaminejessamine

My new installation “Traphouse 3 got a K with me and 3 young n*ggas that stay with me, 2026 Inkjet print and acrylic on cardboard

In Dallas at @prp.agency @jessaminejessamine

My new installation “Traphouse 3 got a K with me and 3 young n*ggas that stay with me, 2026 Inkjet print and acrylic on cardboard

In Dallas at @prp.agency @jessaminejessamine

Excited to be back on @nts_radio tomorrow with a special guest mix by @allengolder, featuring selections from their film Sojourn, alongside an extended soundtrack shaped by the narrative references that informed the work.

Live on @nts_radio
5pm GMT
12pm EST

Sojourn will be showing at Camden Art Centre on 25–26 April.

Excited to be back on @nts_radio tomorrow with a special guest mix by @allengolder, featuring selections from their film Sojourn, alongside an extended soundtrack shaped by the narrative references that informed the work.

Live on @nts_radio
5pm GMT
12pm EST

Sojourn will be showing at Camden Art Centre on 25–26 April.

Excited to be back on @nts_radio tomorrow with a special guest mix by @allengolder, featuring selections from their film Sojourn, alongside an extended soundtrack shaped by the narrative references that informed the work.

Live on @nts_radio
5pm GMT
12pm EST

Sojourn will be showing at Camden Art Centre on 25–26 April.

Excited to be back on @nts_radio tomorrow with a special guest mix by @allengolder, featuring selections from their film Sojourn, alongside an extended soundtrack shaped by the narrative references that informed the work.

Live on @nts_radio
5pm GMT
12pm EST

Sojourn will be showing at Camden Art Centre on 25–26 April.

Sojourn (2025) UK Premiere
Camden Art Centre
25th - 26th April

Allen-Golder Carpenter presents Sojourn with live score by Richie Culver, followed by a solo live performance by the artist.

The programme opens with an in-conversation between Carpenter and Cynthia Igbokwe. Working across film, sound, installation and performance, Carpenter’s interdisciplinary practice explores memory, erasure and the unstable conditions through which histories are constructed and transmitted.

Sojourn unfolds these concerns through layered temporal and material registers.

Organised by Cynthia Igbokwe, C-STUDIOS
Made possible with support from
[GESAMTKUNSTWERK] COLLECTION
Supporting Sponsor ZORA

Poster @jaydadeans_
Thank you @mattwilliams3101 @camdenartcentre

Sojourn (2025) UK Premiere
Camden Art Centre
25th - 26th April

Allen-Golder Carpenter presents Sojourn with live score by Richie Culver, followed by a solo live performance by the artist.

The programme opens with an in-conversation between Carpenter and Cynthia Igbokwe. Working across film, sound, installation and performance, Carpenter’s interdisciplinary practice explores memory, erasure and the unstable conditions through which histories are constructed and transmitted.

Sojourn unfolds these concerns through layered temporal and material registers.

Organised by Cynthia Igbokwe, C-STUDIOS
Made possible with support from
[GESAMTKUNSTWERK] COLLECTION
Supporting Sponsor ZORA

Poster @jaydadeans_
Thank you @mattwilliams3101 @camdenartcentre

April 9th, 6-9pm at @electronicartsintermix in collaboration with @blade_study I will be presenting two works, a screening of a segment of my performance with @massi____ last year at @harlesdenhighstreet and a new iteration of my ongoing installation basedexploration of the game GTA San Andreas

RSVP available from their channels

Peace

April 9th, 6-9pm at @electronicartsintermix in collaboration with @blade_study I will be presenting two works, a screening of a segment of my performance with @massi____ last year at @harlesdenhighstreet and a new iteration of my ongoing installation basedexploration of the game GTA San Andreas

RSVP available from their channels

Peace

April 9th, 6-9pm at @electronicartsintermix in collaboration with @blade_study I will be presenting two works, a screening of a segment of my performance with @massi____ last year at @harlesdenhighstreet and a new iteration of my ongoing installation basedexploration of the game GTA San Andreas

RSVP available from their channels

Peace

April 9th, 6-9pm at @electronicartsintermix in collaboration with @blade_study I will be presenting two works, a screening of a segment of my performance with @massi____ last year at @harlesdenhighstreet and a new iteration of my ongoing installation basedexploration of the game GTA San Andreas

RSVP available from their channels

Peace

April 9th, 6-9pm at @electronicartsintermix in collaboration with @blade_study I will be presenting two works, a screening of a segment of my performance with @massi____ last year at @harlesdenhighstreet and a new iteration of my ongoing installation basedexploration of the game GTA San Andreas

RSVP available from their channels

Peace

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I pour my self out for my brother, my soul as libation
@massi____ @sojourn__________ @bremondcapela

Emmanuel Massillon ‘System Structures’ open now

I will be performing with Emmanuel Massillon @massi____at the opening of his exhibition ‘System Structures’ at Bremond Cappela @bremondcapela in Paris

Performances are at the following times
Friday March 13th, 7:30pm and 8:30pm
Saturday March 14th, 4pm

Opening reception Friday March 13th 6-9pm

I will be performing with Emmanuel Massillon @massi____at the opening of his exhibition ‘System Structures’ at Bremond Cappela @bremondcapela in Paris

Performances are at the following times
Friday March 13th, 7:30pm and 8:30pm
Saturday March 14th, 4pm

Opening reception Friday March 13th 6-9pm