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aminehou.ari
Amine Houari
based in tangier
@66k______ ✺ @aminehouari.arch
@thinktanger ✺ @atlas_satellite
@hanslucas.photo
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
Views from “Story Tellers”a collective exhibition at @museenationaldelaphotographie
For the first time, I am showcasing my ongoing project Shifting Tangier, which I began in 2023 during my final thesis research at architecture school. The project explores informal practices of architecture and my sensitivity to how the city is constantly changing, surrendering to neoliberal policies, and living under a permanent state of transformation.
Special thanks to @soufianeer for the invitation, @hrsak_lada for the infinite walks and discussions, @marouanebeslem for the constructive feedback, my @thinktanger family for supporting me throughout this research, and @la.meloni for helping me arrange this wall and helping me detach from work I’ve spent so much timewithout wanting to show it all.
If you’re in Rabat, don’t hesitate to visit many inspiring works are on view.
Incredibly grateful.
I’m very happy and honoured to announce that my first solo exhibition is taking place in Marrakech at Leila Alaoui Gallery of @ifmarrakech , showcasing there my ongoing project « Territoires » a project that is very dear to my heart in which I explore amysterious moroccan landscape and the relation that arises between Humans and the context where they live.
I would love to thank you all for your daily support and thank @facealamer.tanger @dimitribeckpro and @kenzakazouz for their precious help.
The exhibition is still showing until April ✨
📸 @l4artiste
I’m very happy and honoured to announce that my first solo exhibition is taking place in Marrakech at Leila Alaoui Gallery of @ifmarrakech , showcasing there my ongoing project « Territoires » a project that is very dear to my heart in which I explore amysterious moroccan landscape and the relation that arises between Humans and the context where they live.
I would love to thank you all for your daily support and thank @facealamer.tanger @dimitribeckpro and @kenzakazouz for their precious help.
The exhibition is still showing until April ✨
📸 @l4artiste
I’m very happy and honoured to announce that my first solo exhibition is taking place in Marrakech at Leila Alaoui Gallery of @ifmarrakech , showcasing there my ongoing project « Territoires » a project that is very dear to my heart in which I explore amysterious moroccan landscape and the relation that arises between Humans and the context where they live.
I would love to thank you all for your daily support and thank @facealamer.tanger @dimitribeckpro and @kenzakazouz for their precious help.
The exhibition is still showing until April ✨
📸 @l4artiste
I’m very happy and honoured to announce that my first solo exhibition is taking place in Marrakech at Leila Alaoui Gallery of @ifmarrakech , showcasing there my ongoing project « Territoires » a project that is very dear to my heart in which I explore amysterious moroccan landscape and the relation that arises between Humans and the context where they live.
I would love to thank you all for your daily support and thank @facealamer.tanger @dimitribeckpro and @kenzakazouz for their precious help.
The exhibition is still showing until April ✨
📸 @l4artiste
I’m very happy and honoured to announce that my first solo exhibition is taking place in Marrakech at Leila Alaoui Gallery of @ifmarrakech , showcasing there my ongoing project « Territoires » a project that is very dear to my heart in which I explore amysterious moroccan landscape and the relation that arises between Humans and the context where they live.
I would love to thank you all for your daily support and thank @facealamer.tanger @dimitribeckpro and @kenzakazouz for their precious help.
The exhibition is still showing until April ✨
📸 @l4artiste
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
L’université de Cordoba vient finalement d’inaugurer l’exposition de la collection contemporARTE 2020 à la galerie Universitaire Braulio Salazar. Très content de voir deux photos de ma série «En el mar» faire partie de cette belle collection. N’hésitez pas d’y jeter un coup d’œil si vous êtes dans le coin! Jusqu’au 10 janvier 2022
build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build build
Ravi d’avoir contribué au nouveau numéro de Makan revue annuelle de @thinktanger sous le thème Synthetic Agencies. J’y participe avec mon projet Shifting Tangier et un article que j’ai commencé à developper à partir de 2023 suite à mon projet de mémoire en école d’architecture. Numéro dispo au KIOSK
Extrait “Enfant, mes voyages estivaux à travers Tanger avaient des allures de rêve éveillé, de traversées dans un royaume dystopique en perpétuelle gesticulation. La ville se dévoilait sous un nouveau jour à chaque visite : des grues fendillaient le ciel, des immeubles jaillissaient comme des monolithes surgis du néant, et le paysage urbain, pris dans une fièvre de transformation, se remodelait sans cesse au rythme effréné d’une urbanisation impatiente.
À mes yeux d’enfant, Tanger devenait un plateau de jeu grandeur nature en reconfiguration continue. Chaque nouveau chantier semblait orchestré par une mécanique silencieuse. Les périphéries, aussi pétulantes que méticuleusement agencées, s’emboîtaient comme des blocs numériques, tandis que les grues, véritables architectes suspendus et omniprésents, redessinaient sans relâche les contours et l’avenir de la ville.“
Ravi d’avoir contribué au nouveau numéro de Makan revue annuelle de @thinktanger sous le thème Synthetic Agencies. J’y participe avec mon projet Shifting Tangier et un article que j’ai commencé à developper à partir de 2023 suite à mon projet de mémoire en école d’architecture. Numéro dispo au KIOSK
Extrait “Enfant, mes voyages estivaux à travers Tanger avaient des allures de rêve éveillé, de traversées dans un royaume dystopique en perpétuelle gesticulation. La ville se dévoilait sous un nouveau jour à chaque visite : des grues fendillaient le ciel, des immeubles jaillissaient comme des monolithes surgis du néant, et le paysage urbain, pris dans une fièvre de transformation, se remodelait sans cesse au rythme effréné d’une urbanisation impatiente.
À mes yeux d’enfant, Tanger devenait un plateau de jeu grandeur nature en reconfiguration continue. Chaque nouveau chantier semblait orchestré par une mécanique silencieuse. Les périphéries, aussi pétulantes que méticuleusement agencées, s’emboîtaient comme des blocs numériques, tandis que les grues, véritables architectes suspendus et omniprésents, redessinaient sans relâche les contours et l’avenir de la ville.“
Ravi d’avoir contribué au nouveau numéro de Makan revue annuelle de @thinktanger sous le thème Synthetic Agencies. J’y participe avec mon projet Shifting Tangier et un article que j’ai commencé à developper à partir de 2023 suite à mon projet de mémoire en école d’architecture. Numéro dispo au KIOSK
Extrait “Enfant, mes voyages estivaux à travers Tanger avaient des allures de rêve éveillé, de traversées dans un royaume dystopique en perpétuelle gesticulation. La ville se dévoilait sous un nouveau jour à chaque visite : des grues fendillaient le ciel, des immeubles jaillissaient comme des monolithes surgis du néant, et le paysage urbain, pris dans une fièvre de transformation, se remodelait sans cesse au rythme effréné d’une urbanisation impatiente.
À mes yeux d’enfant, Tanger devenait un plateau de jeu grandeur nature en reconfiguration continue. Chaque nouveau chantier semblait orchestré par une mécanique silencieuse. Les périphéries, aussi pétulantes que méticuleusement agencées, s’emboîtaient comme des blocs numériques, tandis que les grues, véritables architectes suspendus et omniprésents, redessinaient sans relâche les contours et l’avenir de la ville.“
Ravi d’avoir contribué au nouveau numéro de Makan revue annuelle de @thinktanger sous le thème Synthetic Agencies. J’y participe avec mon projet Shifting Tangier et un article que j’ai commencé à developper à partir de 2023 suite à mon projet de mémoire en école d’architecture. Numéro dispo au KIOSK
Extrait “Enfant, mes voyages estivaux à travers Tanger avaient des allures de rêve éveillé, de traversées dans un royaume dystopique en perpétuelle gesticulation. La ville se dévoilait sous un nouveau jour à chaque visite : des grues fendillaient le ciel, des immeubles jaillissaient comme des monolithes surgis du néant, et le paysage urbain, pris dans une fièvre de transformation, se remodelait sans cesse au rythme effréné d’une urbanisation impatiente.
À mes yeux d’enfant, Tanger devenait un plateau de jeu grandeur nature en reconfiguration continue. Chaque nouveau chantier semblait orchestré par une mécanique silencieuse. Les périphéries, aussi pétulantes que méticuleusement agencées, s’emboîtaient comme des blocs numériques, tandis que les grues, véritables architectes suspendus et omniprésents, redessinaient sans relâche les contours et l’avenir de la ville.“
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
Empty streets. Silent billboards. Half-built dreams in the ghost towns of Tangier. After two months of residency research, The Sounds of Silence - Ghost Towns of Tangier is finally here 🌬
Tanja, my heart is full. I love you, your people & your magic. 🔮✨
It began when @aminehou.ari took me to the “Nouvelle Villes” of Ibn Battuta (2006) & Cherafate (2009). Built with high hopes, they were abandoned over time leaving half-finished housing, empty streets, and silence behind billboards that once promised luxury and comfort.
This story lives in Morocco’s complex colonial and postcolonial history. During the French Protectorate (1912–1956), “European” districts were built alongside old medinas, creating a lasting spatial split. Urban policies then, what Janet Abu-Lughod called “urban apartheid” physically separated communities by race, class & purpose. My project draws on this past while questioning the forces shaping cities today.
Over a month, Amine and I gathered sounds, videos & impressions to build an open-source archive. From that came a 3-day workshop with @farah.sayem, @timaelkhammas, @sbaaoussama, @omar__s & @aminehou.ari blurring documentary & fiction. We made dystopian collages from ghost town images, cyanotypes with @kaiouch @kimia.collective, and sonic collages from field recordings and archival material. We riso-printed the works at @cinemathequedetanger with @thisisnawar_ and bound them with @trafik__design to create The Sounds of Silence zine, an invitation to slow down, listen, and see these spaces not as failures but as traces of memory, politics & possibility.
Listen to the sonic pieces: https://soundcloud.com/thesoundsofsilence600
Grateful to everyone who inspired me, especially @aminehou.ari @kamal.pdf @itsfek @gardaf @ammynna ✨
This project was supported by @stimuleringsfonds.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.