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confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

confio nos meus pés
e também nos despés
de uma vida partida

rego pegadas
em solos perecíveis
plantando despedidas

o pé tem peito, diz a língua
e, de fato, o coração viajante sente
que só ele faz fruto
do peso do ir e vir

-

Brasil (Rio, Serra Grande, Pouso da Cajaíba, São Paulo) e Costa Rica (Nosara)
Dez 2025-Fev 2026

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

All the stars in my eyes for the lives I lived in 2025:

Eden, who regifted me the godliness and quirkiness of a first love
Eva, who burst me out of my silken cocoon
Alaíde, who broke down my psyche and showed me life from above
Phoebe, who haunted me towards healing
Lena, who mothered me (and the two little ones) through the tragedy of forced separation

NYC Ana, who dove a sky of daily adrenaline, and hustles, and shared adventures
Brasil Ana, who danced a samba of belonging, and discoveries, and shared awe

To be an open-hearted canvas for all the stories of love and lessons of pain the universe gives me, through both reality and fiction, is all I dream of.

Deep gratitude for my life & art collaborators, who shared all these tears, laughters, dances, and struggles with me this year. A year in which I felt fully in love with being alive 🤍

Credits:
Photos 1, 6: Eden in ‘Blood Orange’ by @abigailduclos , directed by @vernice.miller , associate directed/choreographed by @melzestrada , produced by @etaliatheater , 📷 @amerthgabriela @deliaadumont
Photos 2, 7, 10: Alaíde in ‘Wedding Dress’ by Nelson Rodrigues, directed by @juburnier, 📷 @liv.sa @eleanorpetry
Photos 3, 8: Eva in ‘Greenhouse’ written/directed by @sha.yan.hoo @abigailduclos , associate directed by @sabr1na.c , produced by @theelifcollective , 📷 @alexia.haick
Photo 4: Phoebe in ‘Phoebe’ by @linietoria produced by @simplepicturesllc @yllarii
Photos 5, 9: Lena in ‘Laundromat’ by @jonathasnazareth produced by @keepordestroy
(this one was in late 2024 but couldn’t be left behind as the journey has just begun!)

“I never bruise.”

Ana Moioli is Eden

Blood Orange, by Abigail Duclos
An original horror experimental play about grief, girlhood, and creating new religions.

9/11 - 9/27
A.R.T NY Theatres
The Jeffrey and Paula Gural Theatre

$30 - $55
Tickets available in the link in bio.

Ana Moioli is a Brazilian performer and theater/film creator based in NYC. She is the Co-Founding Artistic Director of Et Alia Theater and holds a BFA degree from NYU Tisch Drama. Before moving to NYC, she also studied acting in Brazil and Russia. Recent acting credits include the TV series ‘Law & Order’ (NBC) and ‘CherryBomb’ (Amazon Prime), the short films ‘I Am Love’ (Raindance) and ‘Laundromat’ (Keep or Destroy Productions), the lead role in the Off-Broadway premiere production of the Brazilian classic ‘Wedding Dress’ by Nelson Rodrigues, as well as Et Alia’s past productions ‘Until Dark’ (Out of the Box Theatrics), ‘Saudades’ (JACK), and ‘Stella, Come Home’ (HERE, The Brick). Besides acting, she has also written, produced, and directed for both theater and film. www.anamoioli.com

#indietheater #horrortheatre

Grief. Girlhood. New Religions.

Blood Orange tells the story of Faye, a teenage girl who — feeling abandoned by God and her mother in the wake of her father’s violent death — turns to a nightmarish roadkill creature for salvation. Faye then draws her awkward friend, Eden, into a strange religion filled with prayer, blood, and budding love.

Blood Orange, by Abigail Duclos
Directed by @vernice.miller
Associate Directed and Choreographed by @melzestrada

9/11 - 9/27
A.R.T./New York Theatres, The Gural
502 W 53rd St, New York, NY 10019

Tickets available on Eventbrite.

Video credits:
Choreography by @melzestrada
Video by @dumont.visuals
Concept & direction by @luisagalatti

#horrortheatre #darkdrama #darkcomedy #indietheatre #experimentaltheatre

I jumped from the sky, and here’s proof 🪽

#skydiving #skydivesussex

big thanks to everyone involved ♥️ @giorgiavalenti8 @_juderoque @kayleeshahira #maxdavis and all of my lovely friends who gifted this to me for my last bday 😝

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

It’s not everyday that I get to be the lead actor in the premiere of one of my homecountry’s greatest theater pieces in NYC, collaborating with such talented, passionate, and kind artists 🥹

Feeling so much gratitude! 🤍🖤

‘Wedding Dress’ by Nelson Rodrigues
Directed by @juburnier
Photos by @alexia.haick

We were honored to be featured on Américas No Ar by Record TV Americas, celebrating the NYC premiere of Wedding Dress by Nelson Rodrigues, directed by Julia Burnier. We’re thankful they recognized the importance of this milestone — bringing a Brazilian classic to New York for the first time and showcasing the richness of Brazilian culture! Muito obrigado!

Get your tickets in the link in our bio!

VENUE: Playhouse 46 - 308 W 46th St, New York, NY 10036

DATES & TIMES:
May 16 – 7:30 PM
May 17 – 2:00 PM & 7:30 PM
May 18 – 7:30 PM

Supporter shout out to @santoslloydlaw !!

Cast: @anamoioli @mazzadan @deborabalardini @matroggian @mattedifabiana @mcguinnessny @marlene_hoffmann_inyc @camilacurty @soypablocortez @juliokaczam @denycia_or_denny @cecily.bg

Producers: @actuallybeatriz @aranhacat

#nyctheatre #offbroadway #newyorkcitytheatre #weddingdressnyc #nelsonrodrigues #braziliantheatergroup #WeddingDressNYC #NelsonRodrigues #RecordTVAmericas #BrazilianCulture

“Reality fractures. Memory bleeds. Who is Alaíde?”

@anamoioli steps into the shadows of Wedding Dress — a hypnotic glimpse through the lens of @ffmelgarejo

A Brazilian masterpiece by Nelson Rodrigues premieres Off-Broadway next weekend.

May 16–18 | Playhouse 46, NYC
Tickets in bio.

‘Wedding Dress’ is right around the corner get your tickets now!

Support shout out to @santoslloydlaw ! Support our supporters!

Get your tickets for ‘Wedding Dress’ , link is in our bio 👏

VENUE: Playhouse 46 - 308 W 46th St, New York, NY 10036

DATES & TIMES:
May 16 - 7:30 PM
May 17 - 2:00 PM & 7:30 PM
May 18 - 7:30 PM

📸 - @peteazen

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

Magias ilhadas
Águas divididas
Navego por distâncias:
Céu e mar, norte e sul, leste e oeste

Sonho por um céu além dos fins
Onde o maracatu não me desmaia
E as mãos não se deslaçam

Mas acordo
E levo comigo o brilho nos olhos
Tanto em glitter quanto em sede de vida

Porque o colorido reverbera mares
A pintura enquadra
E a sombra respira

Dancemos
E sonhemos
Em nome do junto
E sem medo

Eu não moro no Brasil
Mas o Brasil mora em mim

What have we done in the past 5 years?

Come celebrate with us on 12/12 at the Flea!

If you can’t come, you can support us by making a donation or bidding in our online auction!

All links in bio!

Video shot by @teresa.aith

#etaliatheater #othered #supportthearts #womenintheatre #immigrantmade

Are you new to self-producing?

These are the steps zero to the beginning of your project.

Comment Self-Producing to get learn more about it!

#selfproducing #theater #film #buildyourcareer #immigrantartist