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anna.borrie
Anna Borrie
Environmental Artist and Writer
Latest project @lettertoanartist
Creative co-founder @thehorizontalcollective
Associate editor for @planted_journal
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to an artist, Wellington based author Tracy Farr @hissingswan whose latest novel Wonderland published by @thecubapress made the 2026 Fiction long list for the @newzealandbookawards.
While Tracy was writing her second book The Hope Fault our paths crossed on residence at @nzpacificstudio. In between weaving poppies out of harakeke (me) and making dye from onion skins (her) conversations unfolded.
"In the quiet rustling of harakeke, you unpack your own experience of balancing a day job and writing. Without the pressing fear of money, creativity can breathe."
After Tracy won the @nzsocietyofauthors Laura Solomon Cuba Press Prize in 2024, I tuned into her advice on the NZSA Live podcast.
"Listening to you question whether a grant is necessary, if it will help or hinder, I pause and delete my application document.
Without grants, I once believed my projects might fall like trees in a forest, silent and unacknowledged."
Full letter at lettertoanartist.substack.com
Image credits
1 & 4 📸 @elstudiosphotography
2 📸 @batchelordenise
3 & 5 @anna.borrie
#lettertoanartist #artistletter #artistconversations #newzealandauthor #tracyfarr
Letter to artist, Rotorua based ceramicist Luanne Lawton who aside from introducing me to lemon verbena, also embraced the art of saying no and having a backbone, while in residence at @theartsvillage The Open Studios Project.
lettertoanartist.substack.com
#lettertoanartist #artistletter #artistconversations #ceramics #lemonverbena
📸 @theartsvillage
Letter to artist, Rotorua based ceramicist Luanne Lawton who aside from introducing me to lemon verbena, also embraced the art of saying no and having a backbone, while in residence at @theartsvillage The Open Studios Project.
lettertoanartist.substack.com
#lettertoanartist #artistletter #artistconversations #ceramics #lemonverbena
📸 @theartsvillage
Letter to artist, Rotorua based ceramicist Luanne Lawton who aside from introducing me to lemon verbena, also embraced the art of saying no and having a backbone, while in residence at @theartsvillage The Open Studios Project.
lettertoanartist.substack.com
#lettertoanartist #artistletter #artistconversations #ceramics #lemonverbena
📸 @theartsvillage
Letter to artist, Rotorua based ceramicist Luanne Lawton who aside from introducing me to lemon verbena, also embraced the art of saying no and having a backbone, while in residence at @theartsvillage The Open Studios Project.
lettertoanartist.substack.com
#lettertoanartist #artistletter #artistconversations #ceramics #lemonverbena
📸 @theartsvillage
Letter to artist, Rotorua based ceramicist Luanne Lawton who aside from introducing me to lemon verbena, also embraced the art of saying no and having a backbone, while in residence at @theartsvillage The Open Studios Project.
lettertoanartist.substack.com
#lettertoanartist #artistletter #artistconversations #ceramics #lemonverbena
📸 @theartsvillage
Respira
Doble exposición de una pared en @rjbotanico y raices en @jardibotanicdebarcelona
@photoespana_
@oneshot_hotels
#RecorridosUrbanosPHE26 #doubleexposure #analogphotography #blackandwhitephotography
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
Letter to ceramicist Luanne Lawton who I shared daily morning cups of tea with during The Open Studios Project residency at @theartsvillage
in Rotorua.
A residency opportunity due to Tania Short's initiative and @creativenz funding prowess which gathered together artists @sonjavank @senmcglinn @ancestral.wellbeing Christine Let Roux, Anne Bosworth + Shari Cole.
"Slowly your stories and anecdotes seeped out, like the tannins released from tea leaves colouring the space between us.
Mine spilled like a fish of mil that clouded instantly before blending into a consistent colour."
It was during those mornings that Lianne berated me for running myself ragged, she had a backbone that I was envious of.
"I was eager to please, accommodate, to be whatever the organisation wanted. You on the other hand were unapologetically difficult, refusing to run workshops because you knew how chaotic it would be."
FULL LETTER at lettertoanartist.substack.com
Image credits
1 + 9 📸 @theartsvillage
3 - 8 @anna.borrie
#lettertoanartist #artistletter #artistconversations #ceramics #rotoruaartist
El taller de poesía callejera con estudiantes, padres y madres de @afailc durante @pintamalasana 2026 ha acabado convertiendose más bien en creación de pancartas!
#pintamalasaña
#manholeprint
#streetprinting
#streetart
#zerowasteart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist interview with Audrey Baldwin, Zimbabwean born, Aotearoa-New Zealand raised, UK based queer performance artist. She uses her body in physically and emotionally taxing ways, half jokingly saying that she is objectifying herself for the greater good.
"I was also reading a book by @susanrbordo called Unbearable Weight, which talked about women's bodies, consumption, eating disorders and the gaze. That book is one of the most influential things I've ever read and shaped my practice and approach to thinking about women's bodies in space and society."
FULL INTERVIEW at lettertoanartist.substack.com
Image credits
1-2 Net Worth 📸 @federicocorradi
3-4 Greasy Box 📸Moana Minson
5 Holdup 📸Stu Allsop
6 Feast 📸 Ed Lust
7 For your entertainment 📸 @stuart_lh
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Taller de poesía callejera que forma parte de @pintamalasana
Domingo 26 de abril, de 11:00 a 13:00 h.
Durante el taller extraeremos palabras e imágenes de los alcantarillados para crear una obra colectiva de poesía visual. La actividad tendrá lugar en el callejón entre la escuela @afailc y el @mercadobarcelo en la calle Beneficencia.
#pintamalasaña #PintaMalasaña2026
Letter to artist Audrey Baldwin, a UK based queer performance artist and a champion of grassroots arts organisations. Every performance of hers quietly shifts something in how I see, engage and understand the power and fragility of performance art.
"You perform Greasy Box that evening, where you eat an entire rotisserie chicken while wearing only panties, then leave the bones behind in the panties before exiting the gallery. This is forever burned into multiple friends’ retinas and memories, a violently poetic first encounter with performance art."
Audrey's interview drops next week!
lettertoanartist.substack.com
Image credits
Greasy Box 📸Moana Minson
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a UK based queer performance artist and a champion of grassroots arts organisations. Every performance of hers quietly shifts something in how I see, engage and understand the power and fragility of performance art.
"You perform Greasy Box that evening, where you eat an entire rotisserie chicken while wearing only panties, then leave the bones behind in the panties before exiting the gallery. This is forever burned into multiple friends’ retinas and memories, a violently poetic first encounter with performance art."
Audrey's interview drops next week!
lettertoanartist.substack.com
Image credits
Greasy Box 📸Moana Minson
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a UK based queer performance artist and a champion of grassroots arts organisations. Every performance of hers quietly shifts something in how I see, engage and understand the power and fragility of performance art.
"You perform Greasy Box that evening, where you eat an entire rotisserie chicken while wearing only panties, then leave the bones behind in the panties before exiting the gallery. This is forever burned into multiple friends’ retinas and memories, a violently poetic first encounter with performance art."
Audrey's interview drops next week!
lettertoanartist.substack.com
Image credits
Greasy Box 📸Moana Minson
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a UK based queer performance artist and a champion of grassroots arts organisations. Every performance of hers quietly shifts something in how I see, engage and understand the power and fragility of performance art.
"You perform Greasy Box that evening, where you eat an entire rotisserie chicken while wearing only panties, then leave the bones behind in the panties before exiting the gallery. This is forever burned into multiple friends’ retinas and memories, a violently poetic first encounter with performance art."
Audrey's interview drops next week!
lettertoanartist.substack.com
Image credits
Greasy Box 📸Moana Minson
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to artist Audrey Baldwin, a queer performance artist, curator and grassroots arts enabler.
I first became aware of Audrey during a performance at @ucfinearts where she offered morsels of her face made from chocolate. Her work and references introduced me to @abramovicinstitute body of performances.
After being bouyed by @fernandezmiron conversation with @manuelapedronnicolau "Menos competir, más compartir" about sharing resources in the art sector I invite Audrey to jump in on an already existing application for @a.pass_artistic_research .
Her apprehension in not having done any of the work, shows how those in the creative sector do not expect no-strings attached assistance in sharing access and success. Something that needs to change.
lettertoanartist.substack.com
Image credits
1. Feast 📸 Ed Lust
2-3 Holdup 📸Stu Allsop
4-5 Greasy Box 📸Moana Minson
6-7 Net Worth 📸 @federicocorradi
8-9 @cyto.stitch
#lettertoanartist #artistletter #artistconversations #queerartist #performanceart
Letter to an artist to Tom Westlake @artinstalled centres around the confident brazen way in which he marketed himself while at @ucfinearts and promoted his exhibition at @ilamcampusgallery.
"While packing up at the end of the school year, a notice appeared in the printmaking studio - an ad looking for help with screen printing.
I considered being your unofficial screen printer, but in the end I chose to pass on my knowledge to a sculpture student.
Part of me wonders if helping you could’ve led to interesting creative collaboration, instead of just being free labour."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist to Tom Westlake @artinstalled centres around the confident brazen way in which he marketed himself while at @ucfinearts and promoted his exhibition at @ilamcampusgallery.
"While packing up at the end of the school year, a notice appeared in the printmaking studio - an ad looking for help with screen printing.
I considered being your unofficial screen printer, but in the end I chose to pass on my knowledge to a sculpture student.
Part of me wonders if helping you could’ve led to interesting creative collaboration, instead of just being free labour."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist to Tom Westlake @artinstalled centres around the confident brazen way in which he marketed himself while at @ucfinearts and promoted his exhibition at @ilamcampusgallery.
"While packing up at the end of the school year, a notice appeared in the printmaking studio - an ad looking for help with screen printing.
I considered being your unofficial screen printer, but in the end I chose to pass on my knowledge to a sculpture student.
Part of me wonders if helping you could’ve led to interesting creative collaboration, instead of just being free labour."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist to Tom Westlake @artinstalled centres around the confident brazen way in which he marketed himself while at @ucfinearts and promoted his exhibition at @ilamcampusgallery.
"While packing up at the end of the school year, a notice appeared in the printmaking studio - an ad looking for help with screen printing.
I considered being your unofficial screen printer, but in the end I chose to pass on my knowledge to a sculpture student.
Part of me wonders if helping you could’ve led to interesting creative collaboration, instead of just being free labour."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist to Tom Westlake @artinstalled centres around the confident brazen way in which he marketed himself while at @ucfinearts and promoted his exhibition at @ilamcampusgallery.
"While packing up at the end of the school year, a notice appeared in the printmaking studio - an ad looking for help with screen printing.
I considered being your unofficial screen printer, but in the end I chose to pass on my knowledge to a sculpture student.
Part of me wonders if helping you could’ve led to interesting creative collaboration, instead of just being free labour."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist Tom Westlake @artinstalled whose publicity campaign as a final year painting student at @ucfinearts for his exhibition at @ilamcampusgallery is still a reference when it comes to embracing self promotion.
"There are moments where I consider how to channel Tom Westlake into my non existent, lack luster, publicity strategies. Emulating brazen confidence doing something a little cringed, yet original."
lettertoanartist.substack.com
📸 Anna Borrie
#lettertoanartist #artistletter #artistconversations #newzealandartist #screenprinting
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
Letter to an artist interview with @joe_harrison_photo who leans into documenting his neighbourhood and surroundings, capturing the stories of local people as they interact in their built and natural environments.
"I think the hardest place to make good pictures is your hometown, because everything feels too familiar and uninteresting - at least when you're young.
On the otherside, when you really get to know a place, you get to know it's people, it's landscape. That familiarity allows you to build relationships and make work that's meaningful and actually has something to say."
lettertoanartist.substack.com
📸 Joe Harrison
#lettertoanartist #artistletter #artistconversations #newzealandphotography #documentaryphotography
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.