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Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Best of visual identity for @copopfestival @copopconvention 2025 & 2026 — endless fun with this one. Big thanks to the tireless team at c/o pop for another round of excellent collaboration 🫶🏻🚨🍭

Motion: @valentinaboneva
Motion design and CGI: @melis.gngl

#copopfestival #artdirection #visualidentidy #poster #motiondesign

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalaja @luisadrianborchardt 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalajaja 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalajaja 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalajaja 🫶🏻

Lygia Clark. Retrospective
May 23–October 12, 2025
Neue Nationalgalerie Berlin

“Brazilian artist Lygia Clark (1920-1988) stands as one of the most influential figures in 20th-century art, celebrated as a radical re-definer of the very concept of art. […] This extensive publication accompanying the major retrospective offers an accessible and thorough overview of Lygia Clark’s trailblazing artistic practice. It presents the evolution of Clark’s work from 1950 through the 1980s, covering her geometric-abstractions, participatory sculptures, and performative, therapeutic pieces.” @neuenationalgalerie

Published by: Neue Nationalgalerie, Irina Hiebert Grun, Maike Steinkamp, Kunsthaus Zürich, Cathérine Hug, E.A. Seemann Verlag

Curators: @maikstein @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder

Typeface: @abcdinamo
Any Studio team support: @nandalajaja 🫶🏻

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

Publication to document the Black Box White Cube Symposium @hellerau_ The festival and panel talk invitednumerous artists and researchers to explore the relationships of art, space and body with technology and extended realities.

Client: @hellerau_
Design: @any.studio, @katerinatrakakis, @maxedelberg

Contributors: Maria X, Moritz, Lobeck, estebanlecoq, @_keiken_ , @irini_mirena, @lettashtohryn, Mark Conoglio, @marlonbarriossolano, @bikarebek, @valilalioti, @andrea_khora, @andricspaeth, @carriechen01, @gabrielmassan, @_wolfjona_, @harrysilverlock, @tfpello

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

If you are in Barcelona this week, you can get your hands on some of the goodies we designed for @dresdenfrankfurtdancecompany after the show with William Forsythe and Thomas Hauert at Mercat de les Flors. Go with the flow!

#flow #design #dance #merchandise

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Another one for the @kupferstichkabinett together with @any.studio. It was a lot of fun to incorporate this very cool artwork by Walter Dahn into the graphics for the latest exhibition YES TO ALL!

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Earlier this year we were invited to pitch the new visual identity for the interim season of @volksbuehne_berlin

How do you capture the enormous legacy and unruly reputation of one of the most influential theatres worldwide? And all of that just for one season awaiting the new artistic directors Matthias Lilienthal and Florentina Holzinger.

At the core of our proposal lies the typeface ‘Berthold Schwere Block’ which was designed in Berlin in the 1920s just shortly after the Volksbühne was constructed. The rough and heavy letters have a lot in common with the loud and daring history of the house and stand as a counterpoint to sanitized and digitalized branding aesthetics. The system holding together the visual identity is based on simple principles for quick and easy reproduction without loosing its inherent punch.

Unfortunately our proposal was not selected, still it was a lot o fun working it out and presenting it to the great team at Volksbühne.

Thanks go out to:
@katerinatrakakis @jakobkornelli @maxedelberg @nandalaja @jannik_roesgen @melis.gngl

Visual materials used for layout purposes courtesy of Volksbühne am Rosa-Luxemburg-Platz.
Images Slide 7 ©️ Apollonia T. Bitzan, ©️ Luna Zscharnt.
Video Slide 5: Stage footage from The Hunger by Constanza Macras

Little recap of the last season for@hellerau_
As always we had a blast further developing the visual identity.

Looking forward to the next season after the summer break✌️

Little recap of the last season for@hellerau_
As always we had a blast further developing the visual identity.

Looking forward to the next season after the summer break✌️

Little recap of the last season for@hellerau_
As always we had a blast further developing the visual identity.

Looking forward to the next season after the summer break✌️

Little recap of the last season for@hellerau_
As always we had a blast further developing the visual identity.

Looking forward to the next season after the summer break✌️

Little recap of the last season for@hellerau_
As always we had a blast further developing the visual identity.

Looking forward to the next season after the summer break✌️

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

LYGIA CLARK. Retrospective
First impressions from yesterday’s preview – opening of the exhibition today, Thursday, May 22, 2025, 7pm

The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany. With around 120 artworks, the comprehensive exhibition in the upper hall shows her oeuvre from the late 1940s to the 1980s, ranging from geometric-abstract paintings to participatory sculptures and performances. The interactive approach in Clark’s work will be a central aspect of the exhibition. Visitors can interact with a large number of replicas created especially for the show.

Thank you to everyone involved! It was a great pleasure! ❤️


Client: @neuenationalgalerie
Curators: @maikstein, @hiebert.irina
Assistant Curator: Sarah Hampel
Exhibition coordination: Anna Viehhoff
Exhibition architecture: @bachdolder
Exhibition graphics by Any Studio: @jakobkornelli, @katerinatrakakis, @maxedelberg, @nandalaja
Typeface: ABC Oracle by @abcdinamo
Photography © Any Studio

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

„Lanzarote is not just an island. It’s a paradox, a playground of contradictions where nature’s raw power collides with human ambition. It stands as a living testament to what happens when utopian ideals, volcanic landscapes, and architectural visionaries like César Manrique intersect—and clash.“ (F.F.)

The first edition of Building Paradise is a homage to Lanzarote, it’s beauty, its contradictions and all its rough edges. We translated @fabianfreytag ’s vision of
something between coffee table book and travel journal into this lava-esque brick full of stunning views, utopian architecture and funky layers of both archeological and touristic origin.

Thank you to everyone involved in this fun and rewarding project!


Creative Direction: @fabianfreytag, @any.studio
Art Direction & Design by Any Studio: @jakobkornelli, @katerinatrakakis, @nandalaja, @jannik_roesgen
Photography: @birkalisch , @kozystudioberlin
Typeface: ABC Daily Slab by @abcdinamo
Printing and binding: @druckhaussportflieger, Berlin
Published by Fabian Freytag Studio
ISBN 978-3-00-082104-2

Campaign recap for a collaborative dance project by Ioannis Mandafounis @dresdenfrankfurtdancecompany

Photo documentation: @tat_j_v
Photography: @sitaraambrosio

Campaign recap for a collaborative dance project by Ioannis Mandafounis @dresdenfrankfurtdancecompany

Photo documentation: @tat_j_v
Photography: @sitaraambrosio

Campaign recap for a collaborative dance project by Ioannis Mandafounis @dresdenfrankfurtdancecompany

Photo documentation: @tat_j_v
Photography: @sitaraambrosio

Campaign recap for a collaborative dance project by Ioannis Mandafounis @dresdenfrankfurtdancecompany

Photo documentation: @tat_j_v
Photography: @sitaraambrosio

Visual Identity for Dresdner Tage der zeitgenössischen Musik (DTzM) @hellerau_ A renowned festival for contemporary music with a long standing history. The festival’s visual language playfully explores the concepts of abstraction and rhythm.

CGI
@melis.gngl

Visual Identity for Dresdner Tage der zeitgenössischen Musik (DTzM) @hellerau_ A renowned festival for contemporary music with a long standing history. The festival’s visual language playfully explores the concepts of abstraction and rhythm.

CGI
@melis.gngl

Visual Identity for Dresdner Tage der zeitgenössischen Musik (DTzM) @hellerau_ A renowned festival for contemporary music with a long standing history. The festival’s visual language playfully explores the concepts of abstraction and rhythm.

CGI
@melis.gngl