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anyacharrison
Anya Harrison
Curator, MO.CO. - Montpellier Contemporain
Freelance curator and art scribe
📍 Montpellier | Paris | and anywhere else the TGV might take me
EXTRAMENTALE EXTRAVAGANZA ⛓️🔪
I’m molto heureuse to have contributed to chère @marchand.julia @extramentale_venice newly baked publication « I AM THE F****** SUBJECT: ART AND ADOLESCENCE », out now with @lenz.press. Could not be in a better company of artists, writers and other adolescently minded thinkers 🖤
« Kill The Cop In Your Head » is an essay that explores moral panics and literary extremity in a time when society’s fetishization of adolescence continues to generate intense debates. I address works by Dennis Cooper, Gisèle Vienne, Karl Andersson, Michael Salerno / Kiddiepunk and the exhibition « Présumés innocents » (CAPC, Bordeaux, 2000).
Available at all good bookshops.
Credit where credit’s due - merci to mastermind @creepjacuzzi for the inspirational title of my text ⚰️
Join Lenz Press and Dover Street Market Paris to celebrate the launch of “I AM THE F****** SUBJECT: ART AND ADOLESCENCE” by Julia Marchand, in conversation with Julie Ackermann, Anya Harrison, Tohé Commaret, Caroline Poggi, Jonathan Vinel, and Kevin Blinderman.
On Friday, April 10th, 6PM – 7:30PM
Rose Bakery
RSVP now at the link in bio
Artwork by Dominika Kovacikova, “Alone in a crowded room”, 2025, oil on canvas.
A special thanks to Guillaume Marchand
We look forward to seeing you!
@marchand.julia
@lenz.press
@julie_ackermann
@anyacharrison
@extramentale_venice
@te.pirater
@caroline_poggi
@jonathanvinel
@kevinblinderman
Join us for the talk with Jannis Marwitz & curator and writer Anya Harrison upcoming Thursday 19. March at 6:30 pm 💭💬
@anyacharrison
‘Fish fish’ is the current exhibition by Jannis Marwitz at the gallery in Zurich and on view until 28. March 2026.
Is a gap the opposite of a hole? When we consider a hole, the void, the core, the nothingness, and the emptiness – still assuming the gap might be its opposite – is the gap the place where light shines through? But whereas there might be only one hole, which stands for all the holes existing, a gap is something in between the things. A gap is something that connects, though vague. A gap is something that gives rhythm, is it repeated. It’s flickering. To embody the gap and its repetition in the exhibition, several radiators are depicted in paintings. These works are called Radiator Pieces. A title, that is carried over to other, sculptural works in the show. Even though this choice is made to emphasise a connection of sense over several media - here sculpture and painting - you might consider an agglomeration under the same title a piece of manual or a form of guidance for something that can be easily repeated at home.
It may be useful to remember, however, that a gap can also be a cut, a gaping wound. Something difficult to trust. A gap can be dangerous if we underestimate its distance. And if we do, we fall, into the brightest of holes.
#jannismarwitz
Join us for the talk with Jannis Marwitz & curator and writer Anya Harrison upcoming Thursday 19. March at 6:30 pm 💭💬
@anyacharrison
‘Fish fish’ is the current exhibition by Jannis Marwitz at the gallery in Zurich and on view until 28. March 2026.
Is a gap the opposite of a hole? When we consider a hole, the void, the core, the nothingness, and the emptiness – still assuming the gap might be its opposite – is the gap the place where light shines through? But whereas there might be only one hole, which stands for all the holes existing, a gap is something in between the things. A gap is something that connects, though vague. A gap is something that gives rhythm, is it repeated. It’s flickering. To embody the gap and its repetition in the exhibition, several radiators are depicted in paintings. These works are called Radiator Pieces. A title, that is carried over to other, sculptural works in the show. Even though this choice is made to emphasise a connection of sense over several media - here sculpture and painting - you might consider an agglomeration under the same title a piece of manual or a form of guidance for something that can be easily repeated at home.
It may be useful to remember, however, that a gap can also be a cut, a gaping wound. Something difficult to trust. A gap can be dangerous if we underestimate its distance. And if we do, we fall, into the brightest of holes.
#jannismarwitz
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press
Edited by @marchand.julia
in collaboration with @vittoriamorpurgo
This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.
This book also celebrates the closing of Extramentale (2016-2026)
With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara
Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło
Designed by Lorenzo Mason Studio
2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8
NO ROMANCE 🧊
To coincide with Gili Tal’s @foreverdelayed_ solo exhibition « Soft and Bouncy » currently on at Galerie Buchholz in Berlin, I wrote a feature on Tal’s practice for the new issue of @flashartmagazine. There’s a lot there about exhaustion, fracking for images, hot air, alchemy, smoke and mirrors …
As always thanks to @michelaisajedi for commissioning 🌪️🖤
NO ROMANCE 🧊
To coincide with Gili Tal’s @foreverdelayed_ solo exhibition « Soft and Bouncy » currently on at Galerie Buchholz in Berlin, I wrote a feature on Tal’s practice for the new issue of @flashartmagazine. There’s a lot there about exhaustion, fracking for images, hot air, alchemy, smoke and mirrors …
As always thanks to @michelaisajedi for commissioning 🌪️🖤
It’s GOOD or TRASH !!
I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline
Merci @kevinblinderman @good_or_trash and @ladygaga
PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️
It’s GOOD or TRASH !!
I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline
Merci @kevinblinderman @good_or_trash and @ladygaga
PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️
It’s GOOD or TRASH !!
I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline
Merci @kevinblinderman @good_or_trash and @ladygaga
PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️
It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️
~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose
Always and forever #ageaprèschrist
It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️
~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose
Always and forever #ageaprèschrist
It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️
~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose
Always and forever #ageaprèschrist
It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️
~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose
Always and forever #ageaprèschrist
SPIT AND IMAGE
Screening and conversation
SUNDAY, 14 DECEMBER 2025
19:00-21:00
Cinema Club de l’Etoile
14 Rue Troyon, 75017 Paris
Free entrance
Reserve your ticket online via the link in bio or come directly at the cinema @clubdeletoile
Artists: Dorota Gawęda and Eglė Kulbokaitė @gaweda_kulbokaite
Curator: Anya Harrison @anyacharrison
Founder and Film Producer at artcore @artcoreproduction: Maya Vidgrain @maya_alternative
Taking the form of a visual essay, the event will focus on recent video works by Dorota Gaweda and Eglé Kulbokaite and will open up questions about technology and fear, horror and monstrosity, which will be discussed with Spit and Image producer Maya Vidgrain, and writer and curator Anya Harrison.
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
12 VARIATIONS
What could be better than writing about friends for friends ? 🖤
I penned a small text for dearest @conditions___ to accompany the current exhibition by @rob_kulisek, a video piece filmed with the one and only @u.r.a.m.i - thank you to all three for this 🖤
« As far as intoxicated (de)structurings go, Rob Kulisek’s 12 Variations is a composite half-fictional film portrait bursting with dissolving distinctions. Part classic documentary, part confessional, part nocturnal reverie, all and none of the above, it follows Paul-Alexandre Islas, an artist and burgeoning musician, as his own internal struggles seamlessly merge with the Parisian underworld and bleed into that of classical music and its prodigies. Is madness a prerequisite to becoming a musical virtuoso? Must the demonic energy of the composition also pulse through the artist’s veins, in danger of overspilling, for the score to be mastered? Like Icarus, flying too close to perfection can lead to a sudden and painful descent to reality. Like the addict, the pianist dwells in a microcosm that demands commitment, desire, sacrifice. To possess requires opening oneself up to possession. » - excerpt from the text
We are happy to announce our upcoming exhibition
Alessandro Di Lorenzo
Anaïs Horn
Richard Maguire
UNDER LUNAR INFLUENCE
Vernissage Thursday, December 11,
17.00—21.00
With a text by Anya Harrison
Supported by the Forum Culturel Autrichien Paris @austrocult
Alessandro Di Lorenzo is an artist from Matera (IT), who currently lives and works in Paris. His practice spans sculpture, drawing, installation and video, unfolding in a hybrid space between the real, the imaginary and the symbolic. Rooted in metamorphosis, his work explores encounters with sensitive environments that open new possibilities of co-dependence. His recent pieces take the form of speculative docufictions, presenting interdependencies between humans and non-humans, biological forms, and both modern and ancestral technologies. They investigate vernacular rites and marginal realities in southern Italy, revealing the role of alternative cosmogonies in contemporary society.
Richard Maguire lives and works in Aberdeenshire, Scotland. His practice examines power relations shaped by the intertwined histories of race and sexuality between Britain and South Asia. Through theoretical and material assemblage, he foregrounds overlooked elements in archival ephemera and material culture, revealing how parallel forms of oppression have reinforced one another. His work, often in small-scale mimetic drawings, negotiates the historical absence and representation of sexualities and their entanglement with exploitative economies, political movements and key historical figures.
Anaïs Horn, born in Graz (AT), lives and works in Paris and Lunigiana (IT). Her multidisciplinary practice moves fluidly across media, creating intimate, often site-specific settings. Her work traces the tension between presence and absence, where personal narratives—autobiographical fragments, rites of passage or the biographies of historical (female) figures—evolve into broader reflections on contemporary existence and how memories and (her)story/stories echo through the spectral presence of objects and spaces. She frequently introduces elements of illusion and mystery, situating her work within a space of the in-between.
Paris: we are showing our video Spit and Image 2 and other works December 14th at the cinema @clubdeletoile, 19:00-21:00. The screening will be followed by the conversation between us and founder and film producer @artcoreproduction @maya_alternative and curator from MO.CO Montpellier Contemporain @anyacharrison.
The tickets are freeupon reservation, made possible by the generous support by @institutpolonaisparis and @culture_lituanniene_en_france @kulturosministerija
Link for the booking: https://www.billetweb.fr/spit-and-image-2-screening-and-conversation
Follow up drinks at Le Cristal Bar Brasserie.
Very much looking forward to see you there!
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View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.