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💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

💖Hope everyone had a lovely Valentine’s Day.💝
On this day about love,I wanted to dedicate this look to my favourite characters, Anthy and Utena.
This look is inspired by Anthy from Revolutionary Girl Utena.
I’ve always been drawn to a certain quality in her —
gentle, accommodating, yet subtly unsettling.
She seems to understand everything.
How others see her, need her, project onto her.
She just never says it out loud.
Not because she is unaware, and not because she is weak,
but because she no longer believes that speaking would lead to being truly understood.
There is no visible conflict, no resistance.
But that calmness is, in fact, a very lucid form of silence.

Hope you all had a beautiful Valentine’s Day and find new meanings for love. ^w^

—

CREDITS

Talent
@thighhighdreaming

Makeup artist
@tuurtleeeahh_

Hair artist
@tess.margauxhair

Photographer
@by.janicekei

Photo editing
@inthevening

Photo selection
@wjwjw.jijiwei

Special thanks
@bafcsm
@1granary

Thank you to everyone who helped me during the shoot.

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

Happy new year everyone!!! It’s the first day of 2026!(>^ω^<)
This is my first collection. My first child. My first time speaking.

It began with anger. Inspired by the Chimera Ants in Hunter x Hunter, I imagined a world ruled by the “Dark Forest” principle—where animals hunt humans with cold weapons, and survival depends on striking first. It reflected how I once faced the world: through defense, violence, and fear.

But during the making process, I grew anxious. I realized this was not what I truly wanted to express. I thought of Meruem holding Komugi at the end of his life, understanding love only when it was almost too late. That moment felt painfully familiar. I began to put the weapons down, and in that space, something softer started to grow.

I also returned to Puella Magi Madoka Magica, especially Mami Tomoe. She is capable, elegant, and always trying—yet constantly defeated by fate. I created a piece for her not as tribute, but as self-irony. What moved me most was her recklessness: burning herself for a black-and-white ideal. That fragile purity stayed with me.

On the day of the runway show, the Mami Tomoe piece was accidentally shattered and never made it onto the stage. It was painful, ironic, and strangely fitting.

This collection is my rebellion made visible. I am no longer asking to be accepted. I simply refuse to be erased.
Whether the world understands it or not, I needed to make it—and that is enough. Thank u for reading my translated Gbrish =_=

Talent @thighhighdreaming
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @intheveniing
photo selection credit @wjwjw.jijiwei
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

venom ˚₊𓆩༺🕷༻𓆪₊˚

photography & lighting @mylasvisuals
designer @ave_evayon
modelled by @janetsart_
hmua @astridkearneymakeup
set design @mgjlawrence
production @drawingcabaretcouture @dcc.studios

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

06.06.25, London
Amazing work: @ave_evayon

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

Hi im posting again before holiday :D

The main body of this piece was developed through 3D modeling.
I discussed and refined the structure with several technicians, and finalized the design myself.
The component went through two rounds of 3D printing and multiple tests and adjustments.

The inspiration comes from the reproductive system of the Chimera Ants in Hunter × Hunter.
This look was the most time-consuming piece in the entire collection — there were moments during the process when I almost gave up on it.

I originally planned for the mechanical structure at the waist to rotate automatically during the runway show. However, during testing, the CNC metal components generated excessive heat at high rotational speed, which caused the motor to melt and seize.

Despite this setback, the failure itself became part of the learning process. It opens up possibilities for future experimentation and more playful mechanical developments.
Failure is an essential step toward innovation.

Talent @missy.messy_
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
photo editing credit @inthevening
photo selection credit @wjwjw.jijiwei

especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

This look embodies my evolving understanding of strength.

The top is constructed from 3D-printed units knitted together through a textile structure, forming an armour-like surface that is both rigid and flexible. It represents my second exploration of materiality and technique within the project. Among all the pieces in the collection, it was the second most time-consuming to develop. I designed individual strips composed of units ranging from 3 knots to 16 knots, each of which is unexpectedly fragile when existing on its own.

However, once these units are “knitted” together, a transformation occurs. The structure becomes significantly more load-bearing and stable.
This shift—from fragility to strength—does not emerge from the durability of a single material, but from connection itself.

I consciously avoided synthetic leather, not only because it deteriorates quickly over time, but also because its environmental cost is often overlooked. All the leather used in this collection comes from long-stored surplus and off-cut stock, including pigskin, cowhide, and sheepskin. Through heat-pressing techniques, I developed a variety of textures and surfaces. None of the materials used are newly produced.

These leathers originated from orders placed years ago by European and other developed countries, manufactured in China, and later abandoned or overstocked for various reasons. Visiting these warehouses, it is impossible to predict the conditions—or even the smell—that greets you. This experience revealed only a small fraction of the overlooked consequences of the fashion industry within global production systems.

For me, this piece is not only about form and structure, but also about choice, responsibility, and how I continue to redefine what strength means.

Talent @desiludildo
Makeup artist @tuurtleeeahh_
Hair artist @tess.margauxhair
Photographer @by.janicekei
Photo selection @wjwjw.jijiwei
Photo editing @intheveniing
especial thanks to #bafcsm #1granary @bafcsm @1granary
Thank everyone who helped me during the shoot!

(Send me a dm helpers bc I can’t find ppl’s ig very well)

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 6 Xena
@xovereyn
MUA @lotuzkosmoz

fully fashioning knitted dress fabric made by me and @ichili._together, big thank you for helping me out I really appreciated

knitted detachable leather top everything made from dead stock materials and scraps

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

look 5 VENOM
@thighhighdreaming
MUA @lotuzkosmoz

Handmade epoxy resin casted with deadstock beads Headdress assistant @v.s1fon @sonnypeters_ @bo0b0bo @letterchild_

Dress assistant @filiagulla_ and @bafcsm sewing technician team🤍

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look4 Marilia
@mtadashi

leather trouser with panelling spiral shape knit hide inside zippers
Detachable 3D printed dress
Mechanical ornament assisted by @lastravegirl
crochet circle piece @sonnypeters_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look3 Vespera
@vesperaxander
MUA @lotuzkosmoz

3D printed top
Leather Snail bag
Black leather hoov shoes hand stitching assistant @yout_lee
Hand stitching assistant for back lint panel of the leather skirt @filiagulla_

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

Look 2 ERIKO
@desiludildo
MUA @lotuzkosmoz

3D printed decoration knitted fur coat
kint trouser hand stitch assistant/ photo2-3 taken by @yout_lee

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now

look 1 YUEHAN
@tongktongktong
MUA @lotuzkosmoz

Knitted leather dress all the material are found and dead stock.
hoov shoes with 3d printed buckle
crochet assistant @sonnypeters_@angus.chen.yu
hand stitch assistant @tao.o3o @letterchild_
tomoe mami bag destroied at runway back stage 😅
still fixing now