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We are excited to invite you to the opening of the exhibition Bunnløs by Thora Dolven Balke Sunday 07 June at 13:00!

The show consists of two new large works, a photosculpture collage printed on glass panels and a sound and light installation, both inspired by the experience of vertigo. In the exhibition’s central scenography, speakers mounted in tall steel gates play a soundwork made in collaboration with composer Henrik Skram.

In connection with the exhibition opening, we are holding a summer party/ Sunday lounge in NOUA’s seminar room after the opening. There will be music with DJ Brut playing, cocktails, and opportunities to buy drinks from the bar. Open 13:30 - 17:00. Welcome!

The exhibition is supported by North Norwegian Art Center, KiN regional project funding, the Audio and Visual Fund, Arts and Culture Norway and BKV.

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Vi gleder oss til åpningen av utstillingen Bunnløs av Thora Dolven Balke søndag 07. juni kl 13.00!

Utstillingen består av to nye, større arbeider - en skulpturell fotocollage printet på glasspaneler og en lyd- og lysinstallasjon, begge inspirert av vertigo, som bilde og fysisk opplevelse. I kjernen av utstillingen spilles et lydverk ut av høyttalere montert i høye stålporter, et samarbeid med komponist Henrik Skram.

I forbindelse med utstillingsåpningen holder vi sommerfest/ søndagslounge i NOUAs seminarrom i etterkant av åpningen. Det blir musikk med DJ brut spiller, cocktails, og muligheter for å kjøpe drikke fra bar. Åpent 13.30 - 17.00. Velkommen!

Utstillingen er støttet av Nordnorsk kunstnersenter,  KiN regionale prosjektmidler, Fond for Lyd og Bilde, Kulturrådet og BKV.

@balke___ @nordnorskkunstnersenter @kunstsentrene_i_norge @fondforlydogbilde @kulturradet @bodolive

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

Weeks of fun recording sound effects and orchestra for the installation 𝑾𝒂𝒄𝒌𝒚 𝑭𝒂𝒍𝒍, a collaboration with composer Henrik Skram — inspired by audio effects in cartoons and films to create the illusion of endless descent. Showing soon in the solo exhibition «Bunnløs» opening June 7th @atelier_noua in Bodø

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

VÅKNE - Grensen 12

If in Trondheim — pass by Grensen at Gløshaugen today April 30th 11-17.

After one month of workshop with architects dotA and Nao Kono together with demolition expert Sho Yamaguchi, students from Meiji University, Tokyo and NTNU will present their findings at the building Grensen 12, Gløshaugen. Grensen 12 has been dormant for years, now its layers of history - of people, construction and materials - have been carefully peeled back and brought to new light. The workshop is organized by curator Alexander Eriksson Furunes and myself, and is part of a movement to preserve and move the experimental building Skiboli at NTNU to a new location, to maintain an autonomous space for students and create a long-term space for art and gatherings as part of KOROs art programme for the new unified campus of NTNU. Together with dotA architects the students have spent the last weeks building a new structure to exemplify this possible future and how to gather there. Tomorrow at Grensen you can meet them, hear music by Michael Duch and taste miso soup.

KOROs art programme for NTNUs unified campus is curated by Alexander Eriksson Furunes, Marit K. Flåtter and myself, and will stretch until 2031 when the new campus is complete. Read more at website link in bio

Images by Naoyuki Matsudaira and Wataru Doi

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We are delighted to launch our exhibitions program for 2026!

Next year we will be welcoming @apian_ministryofbees @sheungyiuphoto @lewis__bush @balke___ @sigrid_h_b @k.s.mathisen for exhibitions in Bodø that will touch upon themes including facial recognition technology, bees and the dark origins of modern rocketry.

A big thank you to @kulturradet + @bodo_kommune for their ongoing financial support for the operations at NOUA and to @nordland_fylkeskommune for additional programming support in 2026. #contemporaryphotography #noua #kunstibodo

Gravitas (2024) is in the exhibition «Passing Motherhood» @trondheimkunstmuseum as part of MATER - Hannah Ryggen Triennalen, ending this Sunday

«Three uncanny pinkish silicone bodies are hanging on the wall, recognizable from the experience of those standing in a crouching stance in the bathroom over the rampaging child: the sculptures have been cast from infant bathtubs. The title of the series, a polysemous word gravitas, refers to a description of someone, often a man, as serious and important of manner; in Portuguese, a language the artist and her translocal family speak due to their connection to Brazil, grávidas means pregnant, feminine plural.»

Excerpt from text by @yaniya_mikh from exhibition catalogue

Production assistance: Isabela Sá Roriz @isabelasaroriz

Thank you curators Yaniya Mikhalina and Marianne Zamecznik! may the exhibition have a long life 🌱

📸 @melkoslo and Lili Zaneta for Trondheim Kunstmuseum

Gravitas (2024) is in the exhibition «Passing Motherhood» @trondheimkunstmuseum as part of MATER - Hannah Ryggen Triennalen, ending this Sunday

«Three uncanny pinkish silicone bodies are hanging on the wall, recognizable from the experience of those standing in a crouching stance in the bathroom over the rampaging child: the sculptures have been cast from infant bathtubs. The title of the series, a polysemous word gravitas, refers to a description of someone, often a man, as serious and important of manner; in Portuguese, a language the artist and her translocal family speak due to their connection to Brazil, grávidas means pregnant, feminine plural.»

Excerpt from text by @yaniya_mikh from exhibition catalogue

Production assistance: Isabela Sá Roriz @isabelasaroriz

Thank you curators Yaniya Mikhalina and Marianne Zamecznik! may the exhibition have a long life 🌱

📸 @melkoslo and Lili Zaneta for Trondheim Kunstmuseum

Gravitas (2024) is in the exhibition «Passing Motherhood» @trondheimkunstmuseum as part of MATER - Hannah Ryggen Triennalen, ending this Sunday

«Three uncanny pinkish silicone bodies are hanging on the wall, recognizable from the experience of those standing in a crouching stance in the bathroom over the rampaging child: the sculptures have been cast from infant bathtubs. The title of the series, a polysemous word gravitas, refers to a description of someone, often a man, as serious and important of manner; in Portuguese, a language the artist and her translocal family speak due to their connection to Brazil, grávidas means pregnant, feminine plural.»

Excerpt from text by @yaniya_mikh from exhibition catalogue

Production assistance: Isabela Sá Roriz @isabelasaroriz

Thank you curators Yaniya Mikhalina and Marianne Zamecznik! may the exhibition have a long life 🌱

📸 @melkoslo and Lili Zaneta for Trondheim Kunstmuseum

Gravitas (2024) is in the exhibition «Passing Motherhood» @trondheimkunstmuseum as part of MATER - Hannah Ryggen Triennalen, ending this Sunday

«Three uncanny pinkish silicone bodies are hanging on the wall, recognizable from the experience of those standing in a crouching stance in the bathroom over the rampaging child: the sculptures have been cast from infant bathtubs. The title of the series, a polysemous word gravitas, refers to a description of someone, often a man, as serious and important of manner; in Portuguese, a language the artist and her translocal family speak due to their connection to Brazil, grávidas means pregnant, feminine plural.»

Excerpt from text by @yaniya_mikh from exhibition catalogue

Production assistance: Isabela Sá Roriz @isabelasaroriz

Thank you curators Yaniya Mikhalina and Marianne Zamecznik! may the exhibition have a long life 🌱

📸 @melkoslo and Lili Zaneta for Trondheim Kunstmuseum

Gravitas (2024) is in the exhibition «Passing Motherhood» @trondheimkunstmuseum as part of MATER - Hannah Ryggen Triennalen, ending this Sunday

«Three uncanny pinkish silicone bodies are hanging on the wall, recognizable from the experience of those standing in a crouching stance in the bathroom over the rampaging child: the sculptures have been cast from infant bathtubs. The title of the series, a polysemous word gravitas, refers to a description of someone, often a man, as serious and important of manner; in Portuguese, a language the artist and her translocal family speak due to their connection to Brazil, grávidas means pregnant, feminine plural.»

Excerpt from text by @yaniya_mikh from exhibition catalogue

Production assistance: Isabela Sá Roriz @isabelasaroriz

Thank you curators Yaniya Mikhalina and Marianne Zamecznik! may the exhibition have a long life 🌱

📸 @melkoslo and Lili Zaneta for Trondheim Kunstmuseum

Blindspots, 2025
A sound work on real and metaphorical visual disturbances like blindspots and auras. Read by Asta

Made for midnightsunscream festival 2025 into the night, into the light ❤️

📸 Kjell Ove Storvik, video @kbergeart

Blindspots, 2025
A sound work on real and metaphorical visual disturbances like blindspots and auras. Read by Asta

Made for midnightsunscream festival 2025 into the night, into the light ❤️

📸 Kjell Ove Storvik, video @kbergeart

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

Three days of mould making workshop with the master Bo Bisgaard, thanks to Atelier Kunstnerforbundet for the support and opportunity, we learnt a lot (mistakes are also a good teacher). With Mathew Lacosse ⚒️

@kunstnerforbundet @talentnorge @sparebankstiftelsendnb

With @galeriacavalo at SP-Arte, São Paulo

💧

𝘎𝘶𝘢𝘳𝘥 (2025)
4 x 5 negative, fisheye stickers, acrylic
42 x 42 cm

@entreebergen
📷 Øystein Klakegg

𝘎𝘶𝘢𝘳𝘥 (2025)
4 x 5 negative, fisheye stickers, acrylic
42 x 42 cm

@entreebergen
📷 Øystein Klakegg

These two 🩵 @entreebergen

“Lacuna” (2025)
UV print on glass, silicone, acrylic
120 x 160 cm

&

“Dubious Wait” (2024) by @lilauzi
Glazed ceramic
25,4 x 9 x 12,7 cm

@kulturdir @norskebilledkunstnere

📷 Øystein Klakegg

These two 🩵 @entreebergen

“Lacuna” (2025)
UV print on glass, silicone, acrylic
120 x 160 cm

&

“Dubious Wait” (2024) by @lilauzi
Glazed ceramic
25,4 x 9 x 12,7 cm

@kulturdir @norskebilledkunstnere

📷 Øystein Klakegg

These two 🩵 @entreebergen

“Lacuna” (2025)
UV print on glass, silicone, acrylic
120 x 160 cm

&

“Dubious Wait” (2024) by @lilauzi
Glazed ceramic
25,4 x 9 x 12,7 cm

@kulturdir @norskebilledkunstnere

📷 Øystein Klakegg

These two 🩵 @entreebergen

“Lacuna” (2025)
UV print on glass, silicone, acrylic
120 x 160 cm

&

“Dubious Wait” (2024) by @lilauzi
Glazed ceramic
25,4 x 9 x 12,7 cm

@kulturdir @norskebilledkunstnere

📷 Øystein Klakegg

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen

Made the cover with a series for @arkitektur_no latest edition on the centenary of Sverre Fehn. Thanks to Cathrine Sparre for letting me roam around her family home.

With the help of @feliperpena and @phillip.isaksen