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champlacombe
Champ Lacombe
Est. 2021 - Biarritz/London
-
7 Rue Champ Lacombe
Biarritz 64200
*
Open Tues-Sat, 10-6pm
-
1 Woburn Walk
London WC1H OJJ
*
Open Thurs-Sat, 10-6pm
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Bicono specchiante, 2026
Polyvinyl Chloride, Air
620cm, ø 270cm
Port des Pêcheurs, Biarritz
April 26, 2026
@franco_mazzucchelli
Merci @lacasadejuanpedro @isabella.loconte @jerrymonstamash @bagnaule @hellanani @theresasampaio.k @jaimegartzia @ville2biarritz @marghe_castiglioni @giammarcocugusi @chez.albert.biarritz @0001larry @elie.loustau @sagg_napoli @___bava
Photography @llll_studio
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Riappropriazione (Parco Sempione), 1975, restaged April 27, 2026 (Villa Natacha, Biarritz)
@franco_mazzucchelli
@champlacombe
(Stills Photography - Trevor Lloyd @llll_studio )
Franco Mazzucchelli
Bieca Decorazione, 2023
Polyvinyl Chloride, Air
100 x 100 cm
@franco_mazzucchelli
Franco Mazzucchelli
Bieca Decorazione, 2023
Polyvinyl Chloride, Air
100 x 100 cm
@franco_mazzucchelli
Franco Mazzucchelli
Bieca Decorazione, 2023
Polyvinyl Chloride, Air
100 x 100 cm
@franco_mazzucchelli
LUNDI / MONDAY - Offsite @franco_mazzucchelli
Riappropriazione, 1975
Installation en plein air / outdoor installation
10-20h
Villa Natacha
110 Rue d’Espagne
64200 Biarritz
@ville2biarritz
@champlacombe
*Museum Acquisition* - we are delighted to announce the acquisition of:
Barbara Hammer ‘On the Road, Big Sur, California’, 1975
&
Barbara Hammer ‘I Was/I am’, 1973
into the collection of the Museo Reina Sofia, Madrid
Both works are on view in the new collection display;
Itinerary I — A History of Affect in Contemporary Art
@museoreinasofia
The acquisition was made possible through the generous gift of the Fundación Calparsoro, Madrid
@fundacion_calparsoro
@barbarahammerestate
@champlacombe
@companygallery
*Museum Acquisition* - we are delighted to announce the acquisition of:
Barbara Hammer ‘On the Road, Big Sur, California’, 1975
&
Barbara Hammer ‘I Was/I am’, 1973
into the collection of the Museo Reina Sofia, Madrid
Both works are on view in the new collection display;
Itinerary I — A History of Affect in Contemporary Art
@museoreinasofia
The acquisition was made possible through the generous gift of the Fundación Calparsoro, Madrid
@fundacion_calparsoro
@barbarahammerestate
@champlacombe
@companygallery
*Museum Acquisition* - we are delighted to announce the acquisition of:
Barbara Hammer ‘On the Road, Big Sur, California’, 1975
&
Barbara Hammer ‘I Was/I am’, 1973
into the collection of the Museo Reina Sofia, Madrid
Both works are on view in the new collection display;
Itinerary I — A History of Affect in Contemporary Art
@museoreinasofia
The acquisition was made possible through the generous gift of the Fundación Calparsoro, Madrid
@fundacion_calparsoro
@barbarahammerestate
@champlacombe
@companygallery
UPCOMING FRANCO MAZZUCCHELLI
CL BIARRITZ
*Opening / Sunday April 26 / 6-8pm*
@franco_mazzucchelli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
SAGG Napoli
O FUÓCO E Ò NUÓSTO E L’APPICCIAMMO NUJE
March 26 — May 16 2026
«O fuóco e ò nuósto e l’appicciammo nuje» (“The fire is ours and we lit it”), SAGG NAPOLI pieces together fragments of footage spanning the twentieth and twenty-first centuries into a collage: volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples. The title, in Neapolitan dialect, frames the work as a collective declaration of ownership – both destructive and celebratory – of fire —. It suggests that the blaze is no longer nature’s alone, but has been seized and staged by the citizens themselves. Against this backdrop, the film juxtaposes the incandescent fury of magma with the artificial explosion of fireworks; the roar of eruption with the cacophony of festivity. Naples’ night sky becomes a vision of disaster and delight, where civic ritual echoes geological threat. Mount Vesuvius has always loomed over the city as both landmark and threat. Its infamous 79 A.D. eruption, which obliterated Pompeii and Herculaneum, belongs to collective memory, echoed by later eruptions across the centuries. The mountain is never fully dormant; it stands as a reminder of volatility, the possibility of catastrophe. In this uniquely powerful yet fragile context, Neapolitans have cultivated an exuberant tradition of New Year’s Eve fireworks. At midnight, private and municipal displays blur into one overwhelming pyrotechnic storm.
( Excerpt from text by Stella Bottai @stellabottai )
@sagg_napoli
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
The artist @sagg_napoli considers Naples so essential to her artistic practice that she incorporated the southern Italian city into her name. (She was born Sofia Alice Ginevra Gianní.)
Working in a wide variety of media—from performance and video to sculpture, installation, fashion design, and sound—Napoli collapses the line between art and life that embodies what she has called “South Aesthetics.” She even considers her training as a competitive archer to be part of her artistic project. (She picked up her bow again for a performance at @dior’s Spring/Summer 2025 presentation in September 2024.)
Napoli’s latest exhibition, on view from March 26 to May 16 at @champlacombe in London, is a bit of a departure. For the first time, her own body is nowhere to be found in the work. Instead, she is presenting a new sculpture alongside a film that juxtaposes footage of volcanic eruptions of Mount Vesuvius and the raucous celebrations of New Year’s Eve in Naples.
Ahead of the show, CULTURED caught up with the artist about life in her Naples studio, and why her most important work happens outside. Link in bio to read the conversation.
UPCOMING LONDON - SAGG Napoli - O fuoco è ’o nuosto e l’appicciammo nuje
**Thursday March 26 6-8pm**
@sagg_napoli
@sagg_napoli
@sagg_napoli
@palette_terre X @champlacombe
OPENING SATURDAY 28 FEB; 18-22h
Biarritz.
Text by Martin Lahitete
@palette_terre X @champlacombe
OPENING SATURDAY 28 FEB; 18-22h
Biarritz.
Text by Martin Lahitete
🚨 UPCOMING CL BIARRITZ @palette_terre 🚨
_Je vous parle d’un pays lointain_
_herri hürrün batetik mintzatzen deizüet_
_I am speaking to you from a distant land_
ARTETXE (Bastien Cosson & Elsa Oliarj-Ines)
paintings X concerts X lectures
28 February - 29 March, 2026
Champ Lacombe, Biarritz
🚨🍸*Vernissage Saturday 28 February 18-22h* 🍸🚨
@palette_terre
@e.l.s.a.o.i
@fayeandgina 🗒️
@isabella.loconte
@hellanani
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