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chilli_gallery
Chilli - Aubrey Higgin
Artist Run Gallery
1 Adelaide Road, Chalk Farm, London, NW3 3QE
May Lisboa @feriaarco Booth OP10
June Basel @basel.social.club
Chilli is honoured to be featured in ‘10 Artist-Run Galleries Around the World You Should Know’.
Big thanks to @chriserikthomas @artsy for including us alongside so many other great spaces.
Read more via Artsy or through our website.
Chilli is honoured to be featured in ‘10 Artist-Run Galleries Around the World You Should Know’.
Big thanks to @chriserikthomas @artsy for including us alongside so many other great spaces.
Read more via Artsy or through our website.
Chilli is honoured to be featured in ‘10 Artist-Run Galleries Around the World You Should Know’.
Big thanks to @chriserikthomas @artsy for including us alongside so many other great spaces.
Read more via Artsy or through our website.
Chilli is honoured to be featured in ‘10 Artist-Run Galleries Around the World You Should Know’.
Big thanks to @chriserikthomas @artsy for including us alongside so many other great spaces.
Read more via Artsy or through our website.
Chilli is honoured to be featured in ‘10 Artist-Run Galleries Around the World You Should Know’.
Big thanks to @chriserikthomas @artsy for including us alongside so many other great spaces.
Read more via Artsy or through our website.
Thanks to @chriserikthomas for featuring us in his article for @artsy titled ‘Meet the Gallerists Trading White Cubes for Unconventional Architecture’.
Read more about us and the other galleries opting for non-conventional spaces in the full article.
Thanks to @chriserikthomas for featuring us in his article for @artsy titled ‘Meet the Gallerists Trading White Cubes for Unconventional Architecture’.
Read more about us and the other galleries opting for non-conventional spaces in the full article.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Aubrey Higgin is the visionary behind Chilli Art Projects, an artist-run space reshaping London’s gallery scene. Seeing a lack of diverse, accessible art in overlooked spaces, Higgin and his team transform unconventional venues, from a chicken shop to a Japanese restaurant, into dynamic environments. Their mix of raw walls and eclectic settings sparks fresh dialogues between local and international artists, prioritizing experimentation and community over the traditional white cube.
At Chilli, curated exhibitions nurture collaboration and growth. Higgin shares how duo shows often spark unexpected artistic evolutions, allowing ideas to develop through shared conversations. Above all, he values building relationships that make artists feel seen and supported.
Driven to push boundaries, the gallery brings complex dialogues to unexpected places and is expanding globally with a growing presence at Miami Art Week, continuing to redefine what a contemporary gallery can be: bold, collaborative, and inventive.
Read the full dialogue now. Link in bio.
@chilli_gallery
📸:
1. Aubrey Higgin. Photo by Max Rumbol.
2. Installation view: Eric Rannestad, Gradient Collapse, Chilli, 2025. Photo by Max Rumbol.
3. Installation view: Juan Manuel Salas Valdivia, Jackson Owen, Material history, Chilli, 2025. Photo by Max Rumbol.
4. Installation view: Morgane Ely, Cry, Baby, Chilli, 2025. Photo by Max Rumbol.
5. Installation view: Aj Kahn, Morgane ELy, Asher Liftin, It looks a lot less bleak through a filter, Chilli, 2025.
6. Installation view: Daniel Santangelo, Visioni, Chilli, 2025. Photo by Max Rumbol.
7. Aubrey Higgin. Artwork: Reeha Lim, Home, Acrylic, pigment, coloured pencil, oil on silk, 84x74, 2024. Photo by Max Rumbol.
Day 3 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers opens today at 2pm
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Day 3 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers opens today at 2pm
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Day 3 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers opens today at 2pm
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Day 3 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers opens today at 2pm
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Day 3 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers opens today at 2pm
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Day 2 ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
Open to the Public
Friday, May 29, 2–9pm
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
ARCO Lisboa 2026 @feriaarco @vilkeisuke @septemberwildflowers
MEMENTO
RUTH SPEER & KEISUKE TADA
MAY 28 - 31, 2026
BOOTH OP10
Chilli are excited to welcome you today to the opening of ARCOLisboa 2026, Bringing together the work of Ruth Speer and Keisuke Tada for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s Ozymandias, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.”
VIP Preview (by Invitation)
Thursday, May 28, 2–9pm
Open to the Public
Friday, May 29, 2–9pm
Saturday, May 30, 2–9pm
Sunday, May 31, 12–7pm
CORDOARIA NACIONAL
Av. da Índia 1300-598, Lisboa, Portugal
For all information: info@chilliartprojects.com
Four Thirty Three, a group exhibition featuring Saud Baloch, Hamza Bin Faisal and Joseph Thabang Palframan, is now open.
John Cage’s silent composition 4’33” divides its duration into three movements, offering no score beyond an instruction to listen. What fills that silence is an incidental ambience. Four Thirty Three borrows this structure as both title and framework, bringing together the work of Saud Baloch, Hamza Bin Faisal and Joseph Palframan. Each artist explores the power of silence - something which is both constructed and enforced, produced by systems of power that determine what is remembered and what is made to disappear. Working across installation, drawing, painting and sculpture, the 3 artists evoke and represent a different form of silence which they explore through their own lived experience and research.
Next opening gallery hours is Thursday 10-6pm, otherwise by appointment.
For more information: info@chilliartprojects.com
For ARCOlisboa 2026, Chilli are excited to bring together the work of Keisuke Tada and Ruth Speer for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s *Ozymandias*, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.
Ruth Speer carefully subverts the idea of the heirloom,
working with found antiques to explore domesticity, craft and
myth. Using the visual language of 19th-century equestrian
portraiture - traditionally a vessel for patriarchal power and
land ownership - Speer populates these historical vessels
with classical woman-animal hybrids. These figures act as
a soft commentary on femininity and gender, whilst hinting
at the tender reality of the bonds they usually depict. By
capturing this fairytale-esque magic, Speer’s works feel
like mementos of her homeschooled childhood and the
imagination. Layered with both theatricality and memory,
they are at once deeply personal and ambiguously universal.
ARCOlisboa 2026
Cordoaria Nacional
Av. da Índia 1300-598
Lisbon, Portugal
Key Dates
Thursday 28 May 2026
Opening Day
14:00–21:00
Friday 29 – Saturday 30 May 2026
Public Fair Days
14:00–21:00
Sunday 31 May 2026
Final Public Day
12:00–19:00
Work featured:
Ruth Speer
Homecoming, 2026
Oil on board in vintage 1970s wood frame, 37 x 48cm
We look forward to welcoming you all on Thursday 28th May and throughout the fair.@septemberwildflowers @feriaarco
For all information: info@chilliartprojects.com
For ARCOlisboa 2026, Chilli are excited to bring together the work of Keisuke Tada and Ruth Speer for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s *Ozymandias*, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.
Ruth Speer carefully subverts the idea of the heirloom,
working with found antiques to explore domesticity, craft and
myth. Using the visual language of 19th-century equestrian
portraiture - traditionally a vessel for patriarchal power and
land ownership - Speer populates these historical vessels
with classical woman-animal hybrids. These figures act as
a soft commentary on femininity and gender, whilst hinting
at the tender reality of the bonds they usually depict. By
capturing this fairytale-esque magic, Speer’s works feel
like mementos of her homeschooled childhood and the
imagination. Layered with both theatricality and memory,
they are at once deeply personal and ambiguously universal.
ARCOlisboa 2026
Cordoaria Nacional
Av. da Índia 1300-598
Lisbon, Portugal
Key Dates
Thursday 28 May 2026
Opening Day
14:00–21:00
Friday 29 – Saturday 30 May 2026
Public Fair Days
14:00–21:00
Sunday 31 May 2026
Final Public Day
12:00–19:00
Work featured:
Ruth Speer
Homecoming, 2026
Oil on board in vintage 1970s wood frame, 37 x 48cm
We look forward to welcoming you all on Thursday 28th May and throughout the fair.@septemberwildflowers @feriaarco
For all information: info@chilliartprojects.com
For ARCOlisboa 2026, Chilli are excited to bring together the work of Keisuke Tada and Ruth Speer for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s *Ozymandias*, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.
Ruth Speer carefully subverts the idea of the heirloom,
working with found antiques to explore domesticity, craft and
myth. Using the visual language of 19th-century equestrian
portraiture - traditionally a vessel for patriarchal power and
land ownership - Speer populates these historical vessels
with classical woman-animal hybrids. These figures act as
a soft commentary on femininity and gender, whilst hinting
at the tender reality of the bonds they usually depict. By
capturing this fairytale-esque magic, Speer’s works feel
like mementos of her homeschooled childhood and the
imagination. Layered with both theatricality and memory,
they are at once deeply personal and ambiguously universal.
ARCOlisboa 2026
Cordoaria Nacional
Av. da Índia 1300-598
Lisbon, Portugal
Key Dates
Thursday 28 May 2026
Opening Day
14:00–21:00
Friday 29 – Saturday 30 May 2026
Public Fair Days
14:00–21:00
Sunday 31 May 2026
Final Public Day
12:00–19:00
Work featured:
Ruth Speer
Homecoming, 2026
Oil on board in vintage 1970s wood frame, 37 x 48cm
We look forward to welcoming you all on Thursday 28th May and throughout the fair.@septemberwildflowers @feriaarco
For all information: info@chilliartprojects.com
For ARCOlisboa 2026, Chilli are excited to bring together the work of Keisuke Tada and Ruth Speer for an exploration of the artefact, inheritance and impermanence. Amid the backdrop of an increasingly digital, fast-paced and ephemeral world, both artists engage in a form of material time-travel. Much like in Shelley’s *Ozymandias*, together they explore the friction between the past and our desire to preserve it, highlighting the inevitability of time and the memento.
ARCOlisboa 2026
Cordoaria Nacional
Av. da Índia 1300-598
Lisbon, Portugal
Key Dates
Thursday 28 May 2026
Opening Day
14:00–21:00
Friday 29 – Saturday 30 May 2026
Public Fair Days
14:00–21:00
Sunday 31 May 2026
Final Public Day
12:00–19:00
Work featured:
Keisuke Tada
Painting of Incomplete Remains #316, 2026
Oil, acrylic and pigment on canvas, 122 x 91cm
Keisuke Tada imitates the physicality of archaeological
decay, using unique processes taken from art forgery that
allow him to artificially age his artworks. His process begins
in the digital space, where he composes fictional landscapes inspired by the Barbizon and Hudson River Schools. These digital studies are then meticulously translated to the physical surface. By manipulating drying times and material ratios,Tada produces controlled cracking and separation, to quite literally break the image. His surfaces are scraped and sanded, exposing the underlying ground to evoke an aura of erosion.
On first view, Tada’s works read like historical landscape paintings, but up close their crumbling surfaces
cause their terrains to dissolve into abstraction. In doing
so, Tada hints at the fragility and ephemerality of the digital
space.
We look forward to welcoming you all on Thursday 28th May and throughout the fair. With thanks @vilkeisuke @maki_gallery_tokyo @feriaarco
Photo courtesy Tamotsu Kido @tamotsu_kido
For all information: info@chilliartprojects.com
Chilli looks forward to welcoming you tonight to Four Thirty Three, a group exhibition featuring Saud Baloch, Hamza Bin Faisal and Joseph Thabang Palframan, opening this evening from 6-8pm.
John Cage’s silent composition 4’33” divides its duration into three movements, offering no score beyond an instruction to listen. What fills that silence is an incidental ambience. Four Thirty Three borrows this structure as both title and framework, bringing together the work of Saud Baloch, Hamza Bin Faisal and Joseph Palframan. Each artist explores the power of silence - something which is both constructed and enforced, produced by systems of power that determine what is remembered and what is made to disappear. Working across installation, drawing, painting and sculpture, the 3 artists evoke and represent a different form of silence which they explore through their own lived experience and research.
For more information: info@chilliartprojects.com
Chilli is excited to welcome you all this Thursday to Henri Haake’s solo exhibition, Sub Rosa.
Private view 21st May, 6-8pm
1 Adelaide Rd, Chalk Farm, NW3 30E
Haake’s sedimented surfaces feel like they’re built by time, as dense strata of paint intervene with the paintings’ ability to be read. Scrawled and striated, these layers appear revised and overworked, as earlier gestures become submerged or revealed. Horses, religious iconography and sculptural statuettes peer from beneath, rendered with enough specificity to register before being gradually absorbed into the surrounding material. They sit somewhere between relic and residue, forms half-returned to the ground they came from. @henrihaake
For all information: info@chilliartprojects.com
Chilli is excited to present Four Thirty Three, a group exhibition featuring Saud Baloch, Hamza Bin Faisal and Joseph Thabang Palframan, opening this Thursday the 21st May 6-8pm.
John Cage’s silent composition 4’33” divides its duration into three movements, offering no score beyond an instruction to listen. What fills that silence is an incidental ambience. Four Thirty Three borrows this structure as both title and framework, bringing together the work of Saud Baloch, Hamza Bin Faisal and Joseph Palframan. Each artist explores the power of silence - something which is both constructed and enforced, produced by systems of power that determine what is remembered and what is made to disappear. Working across installation, drawing, painting and sculpture, the 3 artists evoke and represent a different form of silence which they explore through their own lived experience and research.
For more information: info@chilliartprojects.com
Chilli is excited to present Four Thirty Three, a group exhibition featuring Saud Baloch, Hamza Bin Faisal and Joseph Thabang Palframan, opening this Thursday the 21st May 6-8pm.
John Cage’s silent composition 4’33” divides its duration into three movements, offering no score beyond an instruction to listen. What fills that silence is an incidental ambience. Four Thirty Three borrows this structure as both title and framework, bringing together the work of Saud Baloch, Hamza Bin Faisal and Joseph Palframan. Each artist explores the power of silence - something which is both constructed and enforced, produced by systems of power that determine what is remembered and what is made to disappear. Working across installation, drawing, painting and sculpture, the 3 artists evoke and represent a different form of silence which they explore through their own lived experience and research.
For more information: info@chilliartprojects.com
Chilli is excited to present Four Thirty Three, a group exhibition featuring Saud Baloch, Hamza Bin Faisal and Joseph Thabang Palframan, opening this Thursday the 21st May 6-8pm.
John Cage’s silent composition 4’33” divides its duration into three movements, offering no score beyond an instruction to listen. What fills that silence is an incidental ambience. Four Thirty Three borrows this structure as both title and framework, bringing together the work of Saud Baloch, Hamza Bin Faisal and Joseph Palframan. Each artist explores the power of silence - something which is both constructed and enforced, produced by systems of power that determine what is remembered and what is made to disappear. Working across installation, drawing, painting and sculpture, the 3 artists evoke and represent a different form of silence which they explore through their own lived experience and research.
For more information: info@chilliartprojects.com
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.