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‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

‘Ōpua Mauka in use by designer Kelsey Ige @alohawares for the logo, poster and related assets for the 2026 Lexus Pipe Challenger surf contest at Pipeline, as part of the World Surf League @wsl. Since this typeface collection was designed for Hawai‘i it is extra special to see it used by local designers. And as a surfer I love to see it used for something as iconic as a contest at Pipeline. Mahalo nui for choosing the ‘Ōpua Typeface Collection

@fishcakehawaii hosts art classes, workshops, culinary events, offers studio space for artists and artisans, and is a brick and mortar maker’s market in the heart of Honolulu. I was invited to DJ at Fishcake on the first Saturday of 2026 where I also sold CJ Type merch, like this Pennypacker type specimen poster. This event was a wonderful chance to share my type design work and merch, as well as my love of music, with the wonderful folks who frequent @fishcakehawaii in my hometown of Honolulu. It was a truly wonderful way to start the new year. Mahalo nui to Fishcake, their artists and vendors, and everyone who came out to make it such a special day

@fishcakehawaii hosts art classes, workshops, culinary events, offers studio space for artists and artisans, and is a brick and mortar maker’s market in the heart of Honolulu. I was invited to DJ at Fishcake on the first Saturday of 2026 where I also sold CJ Type merch, like this Pennypacker type specimen poster. This event was a wonderful chance to share my type design work and merch, as well as my love of music, with the wonderful folks who frequent @fishcakehawaii in my hometown of Honolulu. It was a truly wonderful way to start the new year. Mahalo nui to Fishcake, their artists and vendors, and everyone who came out to make it such a special day

@fishcakehawaii hosts art classes, workshops, culinary events, offers studio space for artists and artisans, and is a brick and mortar maker’s market in the heart of Honolulu. I was invited to DJ at Fishcake on the first Saturday of 2026 where I also sold CJ Type merch, like this Pennypacker type specimen poster. This event was a wonderful chance to share my type design work and merch, as well as my love of music, with the wonderful folks who frequent @fishcakehawaii in my hometown of Honolulu. It was a truly wonderful way to start the new year. Mahalo nui to Fishcake, their artists and vendors, and everyone who came out to make it such a special day

@fishcakehawaii hosts art classes, workshops, culinary events, offers studio space for artists and artisans, and is a brick and mortar maker’s market in the heart of Honolulu. I was invited to DJ at Fishcake on the first Saturday of 2026 where I also sold CJ Type merch, like this Pennypacker type specimen poster. This event was a wonderful chance to share my type design work and merch, as well as my love of music, with the wonderful folks who frequent @fishcakehawaii in my hometown of Honolulu. It was a truly wonderful way to start the new year. Mahalo nui to Fishcake, their artists and vendors, and everyone who came out to make it such a special day

For the winter season, CJType.com has snow falling down the screen. That snow is made of pixelated emoji from Louvette Pixel. There’s now a “Snowfall: Mega Mode” button at the bottom of the screen that you can click to make the emoji snowfall super sized and animates the pixelated variable font axes of Louvette Pixel. If you use this mode on a mobile browser it will probably make your phone hot, which can be a good hand warmer in the cold, but could also drain your battery. Use with caution ⚠️ and enjoy the chaos 💠

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

Counterpress now has 5 weights: Light, Book, Regular, Semibold and Bold. The compact width, short descenders and super tall x-height lets you fit your message into tight spaces, now with more weights to choose from 💥

start your 2026 by expanding your playlist with @cjtype 🎉🎊🎧

Packaging for @oliverscustomcoffee designed by @needmoredesigns skillfully uses 6(!) different styles of Dunbar, including all 3 subfamilies: Tall, Low and Text + Stylistic Set 02 for the single-story a🖤

Packaging for @oliverscustomcoffee designed by @needmoredesigns skillfully uses 6(!) different styles of Dunbar, including all 3 subfamilies: Tall, Low and Text + Stylistic Set 02 for the single-story a🖤

Packaging for @oliverscustomcoffee designed by @needmoredesigns skillfully uses 6(!) different styles of Dunbar, including all 3 subfamilies: Tall, Low and Text + Stylistic Set 02 for the single-story a🖤

I’m DJing in Honolulu at @bevybar on Saturday 2025-11-29 with @fernsnstuff and @dj.zax 9pm-close, no cover. It’s the 1 year anniversary of @nokiacity.hello and I’m super excited to DJ with them ✌️

The typeface used on the first image is Louvette Pixel and the amazing flyer that follows is by @fernsnstuff

I’m DJing in Honolulu at @bevybar on Saturday 2025-11-29 with @fernsnstuff and @dj.zax 9pm-close, no cover. It’s the 1 year anniversary of @nokiacity.hello and I’m super excited to DJ with them ✌️

The typeface used on the first image is Louvette Pixel and the amazing flyer that follows is by @fernsnstuff

Louvette Pixel Italic in progress. I learned a lot when making Velzyland that turns out to be helpful for this italic pixel font, especially dealing with italic diagonals. It’s also been interesting to see how well it sets without any kerning so far 🦾🤖 #madeWithRobofont

Louvette Pixel Italic in progress. I learned a lot when making Velzyland that turns out to be helpful for this italic pixel font, especially dealing with italic diagonals. It’s also been interesting to see how well it sets without any kerning so far 🦾🤖 #madeWithRobofont

Louvette Pixel Italic in progress. I learned a lot when making Velzyland that turns out to be helpful for this italic pixel font, especially dealing with italic diagonals. It’s also been interesting to see how well it sets without any kerning so far 🦾🤖 #madeWithRobofont

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

I’m getting ready to send out the latest issue of the CJ Type Newsletter. In this Fall edition you can read the story behind Louvette Pixel, the newest CJ Type Lab release, which includes Hiragana, Katakana, some Kanji and emoji. Also some nice in-use examples of Pennypacker by an architecture firm, Dunbar in-use, CJ Type merch, and a coupon code

If you’re not already subscribed, you can sign up at https://CJType.com

The newsletter goes out quarterly, so I won’t bombard your inbox ✌️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

Some images from my talk last week on my typeface Velzyland and the tools that shaped it. Thanks again to TypeLab @typographicsnyc for having me and thanks to everyone who watched in-person and online. I especially appreciated the questions folks asked at the end and the conversations we had afterwards. It’s wonderful that events like this can be streamed globally but also there’s nothing that beats the face to face interactions when possible ❤️

When you pick up your goody bags @typographicsnyc, keep an eye out for the CJ Type Pennypacker type specimen booklet/poster designed by the amazing @sabrinaoettl

When you pick up your goody bags @typographicsnyc, keep an eye out for the CJ Type Pennypacker type specimen booklet/poster designed by the amazing @sabrinaoettl

When you pick up your goody bags @typographicsnyc, keep an eye out for the CJ Type Pennypacker type specimen booklet/poster designed by the amazing @sabrinaoettl

When you pick up your goody bags @typographicsnyc, keep an eye out for the CJ Type Pennypacker type specimen booklet/poster designed by the amazing @sabrinaoettl

I was honored to have the koinobori (“carp streamer”) I designed on display in Tokyo Midtown in front of 21_21 Design Sight, one of my favorite museums in Tokyo. This koinobori uses my typeface Louvette Pixel, which is my first typeface to include Hiragana, Katakana, and (very limited) Kanji. The design is centered around specificity of time and place, particularly Japan’s 19th microseason in early May: 蛙始鳴 (かわずはじめてなく - “Frogs Start Singing”), its seasonal flower 藤 (wisteria), fish 金目鯛 (kinmedai), vegetable人参(carrot), and event端午の節句(Children’s Day). Thanks again to @aly_ishikuni @mori_hawaii for including me in this project

I’m thankful I could see this in person, and ensure that the typography functioned as intended. The large text side is designed to be readable from far away, and the smaller text side works as a texture from far away but encourages viewers to come up close to read the details. From close up, the top text reads clearly even though it’s hung high up above, which is something I was concerned about. Overall, very happy with how this turned out 🎏

I was honored to have the koinobori (“carp streamer”) I designed on display in Tokyo Midtown in front of 21_21 Design Sight, one of my favorite museums in Tokyo. This koinobori uses my typeface Louvette Pixel, which is my first typeface to include Hiragana, Katakana, and (very limited) Kanji. The design is centered around specificity of time and place, particularly Japan’s 19th microseason in early May: 蛙始鳴 (かわずはじめてなく - “Frogs Start Singing”), its seasonal flower 藤 (wisteria), fish 金目鯛 (kinmedai), vegetable人参(carrot), and event端午の節句(Children’s Day). Thanks again to @aly_ishikuni @mori_hawaii for including me in this project

I’m thankful I could see this in person, and ensure that the typography functioned as intended. The large text side is designed to be readable from far away, and the smaller text side works as a texture from far away but encourages viewers to come up close to read the details. From close up, the top text reads clearly even though it’s hung high up above, which is something I was concerned about. Overall, very happy with how this turned out 🎏

I was honored to have the koinobori (“carp streamer”) I designed on display in Tokyo Midtown in front of 21_21 Design Sight, one of my favorite museums in Tokyo. This koinobori uses my typeface Louvette Pixel, which is my first typeface to include Hiragana, Katakana, and (very limited) Kanji. The design is centered around specificity of time and place, particularly Japan’s 19th microseason in early May: 蛙始鳴 (かわずはじめてなく - “Frogs Start Singing”), its seasonal flower 藤 (wisteria), fish 金目鯛 (kinmedai), vegetable人参(carrot), and event端午の節句(Children’s Day). Thanks again to @aly_ishikuni @mori_hawaii for including me in this project

I’m thankful I could see this in person, and ensure that the typography functioned as intended. The large text side is designed to be readable from far away, and the smaller text side works as a texture from far away but encourages viewers to come up close to read the details. From close up, the top text reads clearly even though it’s hung high up above, which is something I was concerned about. Overall, very happy with how this turned out 🎏

I was honored to have the koinobori (“carp streamer”) I designed on display in Tokyo Midtown in front of 21_21 Design Sight, one of my favorite museums in Tokyo. This koinobori uses my typeface Louvette Pixel, which is my first typeface to include Hiragana, Katakana, and (very limited) Kanji. The design is centered around specificity of time and place, particularly Japan’s 19th microseason in early May: 蛙始鳴 (かわずはじめてなく - “Frogs Start Singing”), its seasonal flower 藤 (wisteria), fish 金目鯛 (kinmedai), vegetable人参(carrot), and event端午の節句(Children’s Day). Thanks again to @aly_ishikuni @mori_hawaii for including me in this project

I’m thankful I could see this in person, and ensure that the typography functioned as intended. The large text side is designed to be readable from far away, and the smaller text side works as a texture from far away but encourages viewers to come up close to read the details. From close up, the top text reads clearly even though it’s hung high up above, which is something I was concerned about. Overall, very happy with how this turned out 🎏

I was honored to have the koinobori (“carp streamer”) I designed on display in Tokyo Midtown in front of 21_21 Design Sight, one of my favorite museums in Tokyo. This koinobori uses my typeface Louvette Pixel, which is my first typeface to include Hiragana, Katakana, and (very limited) Kanji. The design is centered around specificity of time and place, particularly Japan’s 19th microseason in early May: 蛙始鳴 (かわずはじめてなく - “Frogs Start Singing”), its seasonal flower 藤 (wisteria), fish 金目鯛 (kinmedai), vegetable人参(carrot), and event端午の節句(Children’s Day). Thanks again to @aly_ishikuni @mori_hawaii for including me in this project

I’m thankful I could see this in person, and ensure that the typography functioned as intended. The large text side is designed to be readable from far away, and the smaller text side works as a texture from far away but encourages viewers to come up close to read the details. From close up, the top text reads clearly even though it’s hung high up above, which is something I was concerned about. Overall, very happy with how this turned out 🎏