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Soon XXX Clipping 2: Sum, Parts — launch at @nieuweinstituut on 5 Feb — edited this issue with Federica Notari, design with Catherine Hu, printing+binding @nokiss___
Soon XXX Clipping 2: Sum, Parts — launch at @nieuweinstituut on 5 Feb — edited this issue with Federica Notari, design with Catherine Hu, printing+binding @nokiss___
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
<White Night, White Shadows>
<하얀 밤, 하얀 그림자>
Riso printed A3 paper handout. 12 body postures and 52 hand gestures to portray women with a male body.
접히는 리소프린트된 핸드아웃. 여성 역할을 연기하기 위한 12개의 전신 자세와 53개의 손동작
Original Text: Excerpts from <Glance of Mei Lanfang’s Art> by Qi Rushan, 1935
Translated and photographed by Jae Pil Eun and Tao Yang, with instructions on body movements and hand gestures by Li Zheng Zheng.
Design: Cleo Tsw @cleotsw
Editing: Sono Kim (Korean) @sono__kim
번역, 촬영: 은재필, 타오 양
움직임 감수: 경극 배우 리 젠젠
원문: 1935년 출판된 치루산이 쓴 <메이란 팡의 시선>
디자인: 클레오 츄 @cleotsw
편집: 김선오 (한글) @sono__kim
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Slow printing through bodies.
Printing of the book <White Night, White Shadows> has started.
This publication was printed and bound in Amsterdam, the Netherlands, using a combination of letterpress printing, laser printing, and risograph printing methods.
The Book will be shown in Korea(November) and the Netherlands(December) soon.
Design by Cleo TSW, Yuri Sato@cleotsw , @yuri_sato
Come along for poetry readings and trumpet solo at Don’t Pay Your Rent 🌺 Sunday 31.08 at 17.30
I’ll be reading some poems from my upcoming book Cyclamen (published by @tenementpress, out this September), alongside Cleo TSW @cleotsw, David Grundy, Siyabonga Njica, and Gabriel Bristow (trumpet solo!).
Many thanks to Phil, Elisabeth, & Johanna for having me and for the beautiful poster 🌺
Typesetting @mynahmag; from “Bread and butter, life and death”: How Singapore politics defines the essential” by Bertrand Seah
Spreads from "Curtains, Partitions, and Mezzanines: A Look at Female Prayer Spaces in Singapore’s Mosques" by Ishat and Diana Rahim, in the forthcoming issue of Mynah. Preorder at @mynahmag X
Spreads from "Curtains, Partitions, and Mezzanines: A Look at Female Prayer Spaces in Singapore’s Mosques" by Ishat and Diana Rahim, in the forthcoming issue of Mynah. Preorder at @mynahmag X
For the exhibition ‘from the faraway, nearby’ at GASP — opening next Friday x
@monochromator.mag window display at @athenaeumboekhandel — magazine designed with @al.j.walker
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