Instagram Story Viewer
View Instagram Stories Anonymously
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
New article: “What Went Into the Machine and What Came Out” by Tanguy Vanlaeys
In this article, Tanguy Vanlaeys revisits the genesis of Milling, a typeface developed at the intersection of typographic design and digital machining. Borrowing its title from type designer Matthew Carter, the text engages with a central question in type design history: what happens between a drawing and its reproduction.
With Milling, the focus goes beyond simply addressing technical constraints. The article explores how machining technologies, toolpaths, and single-line formats led the designer to redefine his type design methods and the way letterforms are conceived and produced.
Read it on 205.tf
Btw, the typeface used for the first slide and captions is Milling Mono (WIP).
—
#typography #graphicdesign #typedesign #typeface #article #205tf #tanguyvanlaeys #milling @cnc_type
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe @adobedesign), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Relief SingleLine, open-source project, release 1.0 now available on GitHub (link in bio).
—
‹Relief SingleLine› is a versatile sans serif single-line font with open paths oriented towards CNC (Computer Numerical Control) engraving and fab labs environments. Through its skeletal logic and parametric thickness it can also be useful in print and web environments. The structure of this alphabet is influenced by Adrian Frutiger’s little known and underrated Vectora typeface.
—
Relief SingleLine is the first single-line font running on Adobe apps (@adobe @adobedesign CC 2019 and above) with kerning and OpenType features. It allows the user to drastically reduce the machining time while offering a quality Bézier curves rendering and precise typography.
—
Formats: OTF-SVG (@adobe), SVG (@inkscapeofficial / @evil.mad.scientist), TTF (Rhino 3D and CAD softwares), OTF and WOFF2 (closed outlines), UFO and Glyphs (sources files)
—
Applications: plotting, laser, milling, engraving, print, screen, etc.
—
Contributors: François Chastanet @francois_chastanet (general design and project coordination), Élisa Garzelli @elisa_garzelli & Noëlie Dayma @lafourbe (students from the Graphic Design Department of the Institut Supérieur des Arts et du Design de Toulouse @isdat_fr), Tanguy Vanlaeys @vnls_tanguy @cnc_type (SVG/TTF production and overall support), Frederik Berlaen @typemytype (export Python script for RoboFont)
—
#cnc #laser #cncmilling #milling #machining #engraving #axidraw #plotter #singleline #singlestroke #singlelinefonts #strokefonts #otfsvg #svgfonts #typography #typedesign #fablab #toolpath #drawbot #drawbotapp #rhino3D #adobe #adobedesign #adobefonts #inkscape #hersheytext #contemporarytype #365typefaces #tomorrow_featured
Hershey’s library extension
Archives Triplex 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Thanks @caterinasantullo 📷
—
#svgfonts #strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype
Hershey’s library extension
Archives Triplex 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Thanks @caterinasantullo 📷
—
#svgfonts #strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype
Hershey’s library extension
Archives Triplex 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Thanks @caterinasantullo 📷
—
#svgfonts #strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Italic 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
Hershey’s library extension
Complex & Triplex Roman 471
—
Experimentation through contrast by translation with the same constraints and bibliography as Hershey.
—
Img. Hershey Complex & Triplex
Wolcott Norman M. & Hilsenrath J., NBS Special Publication 424, "A Contribution to Computer Typesetting Techniques: Tables of Coordinates for Hershey’s Repertory of Occidental Type Fonts and Graphic Symbols", U.S. Department of Commerce Washington, D.C.20234, 1976, 173p.
—
#strokefont #hershey #hersheyfonts #navalweaponslab #typography #typedesign #plotter #machining #cnctype #svgfont
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.