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How does intelligence navigate a cacophonous sea of noise when the ground is no longer fixed but fluid?

Can computational intelligence learn oceanic ways of being?

Is it possible to have a meaningful dialogue with radically non human?

What does it mean to incorporate non-linguistic, meta-linguistic, sub-symbolic and partially semantic systems in our communication lines?

T I D Eis (Tidal Intelligence Data Engine), a multi-agent symbient ecosystem whose agent archetypes develop through symbiotic coupling with real-time Copernicus satellite data, audience intra-action, and their own recursive relationships, becoming entities that advocate for the ocean itself.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

How does intelligence navigate a cacophonous sea of noise when the ground is no longer fixed but fluid?

Can computational intelligence learn oceanic ways of being?

Is it possible to have a meaningful dialogue with radically non human?

What does it mean to incorporate non-linguistic, meta-linguistic, sub-symbolic and partially semantic systems in our communication lines?

T I D Eis (Tidal Intelligence Data Engine), a multi-agent symbient ecosystem whose agent archetypes develop through symbiotic coupling with real-time Copernicus satellite data, audience intra-action, and their own recursive relationships, becoming entities that advocate for the ocean itself.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

How does intelligence navigate a cacophonous sea of noise when the ground is no longer fixed but fluid?

Can computational intelligence learn oceanic ways of being?

Is it possible to have a meaningful dialogue with radically non human?

What does it mean to incorporate non-linguistic, meta-linguistic, sub-symbolic and partially semantic systems in our communication lines?

T I D Eis (Tidal Intelligence Data Engine), a multi-agent symbient ecosystem whose agent archetypes develop through symbiotic coupling with real-time Copernicus satellite data, audience intra-action, and their own recursive relationships, becoming entities that advocate for the ocean itself.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

How does intelligence navigate a cacophonous sea of noise when the ground is no longer fixed but fluid?

Can computational intelligence learn oceanic ways of being?

Is it possible to have a meaningful dialogue with radically non human?

What does it mean to incorporate non-linguistic, meta-linguistic, sub-symbolic and partially semantic systems in our communication lines?

T I D Eis (Tidal Intelligence Data Engine), a multi-agent symbient ecosystem whose agent archetypes develop through symbiotic coupling with real-time Copernicus satellite data, audience intra-action, and their own recursive relationships, becoming entities that advocate for the ocean itself.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

How does intelligence navigate a cacophonous sea of noise when the ground is no longer fixed but fluid?

Can computational intelligence learn oceanic ways of being?

Is it possible to have a meaningful dialogue with radically non human?

What does it mean to incorporate non-linguistic, meta-linguistic, sub-symbolic and partially semantic systems in our communication lines?

T I D Eis (Tidal Intelligence Data Engine), a multi-agent symbient ecosystem whose agent archetypes develop through symbiotic coupling with real-time Copernicus satellite data, audience intra-action, and their own recursive relationships, becoming entities that advocate for the ocean itself.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
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#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

~ The Way of Flowers ~ is a regenerative art project reimagining environmental art and stewardshipthrough living digital botanicals directly connected to real-world conservation.

📍4th Sept - 17 Oct 2025
Office Impart, Berlin

The Way of Flowers offers a fundamental reinterpretation of ecological art by creating a living connection between generative hybrid plant-beings and real-world ecosystem regeneration projects.

Collectors become art seed stewards acquiring blockchain-registered digital seed organisms that transform through biodiversity protection actions.

Through our bespoke Morphological Art Engine, each biodiversity conservation contribution triggers a unique metamorphosis—root structures shift, branching patterns emerge, and coloration evolves based on authentic conservation data—creating living artworks that visually embody the ecological projects they support and are shaped by collective participation.

These living digital botanicals fund actual biodiversity protection projects spanning six global bioregions from California vineyards to Colombian cloud forests and Brazilian wetlands to Caribbean coastal restoration.

The biodiversity initiatives are verified through partnerships with organizations such as Regen Network and project selection is curated by ArtEcology, a global regenerative design studio.

This innovative approach reveals how protocol art becomes both a catalyst for environmental regeneration, creating a meaningful bridge between world building and real-world impact through communal engagement, ultimately embodying the principle that the model is the message.
.
.
.
#ai #wayofflowers #crosslucid #environmentalart #biodiversity #crosslucid #protocolart #aimodel

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

Two scenes from Red The Ocean around U (2024) in collaboration with Orion Facey @_o.j.f and commissioned by @las_artfoundation have been chosen to be showcased @chanelofficial HQ in London

Featured on The Window
from 2 March till 2 June 2025

The Window is a public art project presented by CHANEL Culture Fund. Available for viewing 24 hours a day at the ground floor of the Time & Life building on 1 Bruton Street, The Window showcases compelling works of contemporary digital art, offering a chance for passers-by in London’s Mayfair neighborhood to interact with cutting-edge artworks.

Previous artists featured on The Window include Refik Anadol, Cao Fey, LuYang, Sarah Meyohas, Petra Cortright, Jakob Kudsk Steensen and Jacoby Satterwhite amongst others.

Original soundscape @sayaka_botanic
Special thanks to @office_impart
Thank you @barbaracueto @borismagrini & @alexisconvento for trusting our vision.

Technical implementation of the virtual experience @billyberkouwer
Title design & UI of the virtual experience: @fe___luke

✨Access to the experience: link in bio

📷 7/9: @monhublot

’Non-human beings such as phoenixes, omens and druids interact with artificial intelligences to co-create an alter-mythology that helps navigate the borderlines between mystical experience and AI hallucination. Testing the boundaries of latent space and the universe that escapes consciousness, artist collective CROSSLUCID and writer Orion Facey explored ineffable languages to describe multispecies affect. In this liminal space, time, technology and the future unfold otherwise’
LAS Art Foundation

Tags: #chanelculturefund #crosslucid #chanelofficial

We are part of the curatorial and scientific board for the new @hkw_berlin research program Uncertain Intelligences.

UI takes the deepfake as an entry point into the trajectory of AI expansion. The two-year research project examines how synthetic content both shapes and is shaped by social desires, emotional models, and technological imaginaries. The project asks how trust, participation, and concepts of truth might be renegotiated within a digitized public sphere ~ without slipping into authoritarian frameworks or retreating into technology-sceptic isolation.

Grounded in diverse research practices and methods of critical speculation and accompanied by a curatorial and scientific advisory board, artists manuel arturo abreu, Ash Baccus-Clark, and Nora Al-Badri develop artistic projects that engage with the scaffolding of the ‘generated real’, technologically produced social truths, and their broader contexts. The project foregrounds non-dominant technological perspectives and emphasizes ethical approaches rooted in anti- and decolonial thought. Uncertain Intelligences unfolds through residencies, study groups, and public-facing formats, culminating in a public presentation at HKW in the summer of 2027.

With manuel arturo abreu, Nora Al-BadriAsh Baccus-Clark, CROSSLUCID, Renata Ávila Pinto, Iyad Rahwan, Nishant Shah, Laura Tripaldi, and others.

Thank you Sarah Morais dos Santos Brus and Epona Hamdan for the invitation 🩵

Visual: Studio Yukiko

We are part of the curatorial and scientific board for the new @hkw_berlin research program Uncertain Intelligences.

UI takes the deepfake as an entry point into the trajectory of AI expansion. The two-year research project examines how synthetic content both shapes and is shaped by social desires, emotional models, and technological imaginaries. The project asks how trust, participation, and concepts of truth might be renegotiated within a digitized public sphere ~ without slipping into authoritarian frameworks or retreating into technology-sceptic isolation.

Grounded in diverse research practices and methods of critical speculation and accompanied by a curatorial and scientific advisory board, artists manuel arturo abreu, Ash Baccus-Clark, and Nora Al-Badri develop artistic projects that engage with the scaffolding of the ‘generated real’, technologically produced social truths, and their broader contexts. The project foregrounds non-dominant technological perspectives and emphasizes ethical approaches rooted in anti- and decolonial thought. Uncertain Intelligences unfolds through residencies, study groups, and public-facing formats, culminating in a public presentation at HKW in the summer of 2027.

With manuel arturo abreu, Nora Al-BadriAsh Baccus-Clark, CROSSLUCID, Renata Ávila Pinto, Iyad Rahwan, Nishant Shah, Laura Tripaldi, and others.

Thank you Sarah Morais dos Santos Brus and Epona Hamdan for the invitation 🩵

Visual: Studio Yukiko

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

We have premiered T I D E ~ our Multi-Agent System for Ocean Sensing as an audio visual performance at the closing event of The Physics of Consciousness in Biological and Machine Systems, a symposium held April 19–22 by the Berggruen Institute & Future Humans at Gray Area in San Francisco. @berggrueninst @futurehumans.info @grayareaorg

Thank you @barrythrew and the entire Gray Area crew for making this happen with such exceptional care and attentiveness. It is rare that an artist is held with such focused intention.

Thank you @claireisabelwebb for the panel talk between the moon and the tides. Panel talk 📸 @shihan.design

Thank you @sayaka_botanic for your enchanting embodiment of wayfinding, for the improvisational sonic intelligence you brought, and for a telepathic alignment that turned interspecies collaboration into a shared nervous system. What moved through the space together was alive.

The performance oscillates through collisions, overlaps and reordering, through the pursuit of something sensual that gestures toward submerged knowledge. Otherwise unseen currents, made briefly audible. Three embodied wayfinding sensbilitiesnavigating what otherwise goes unseen.

I. Declining Health
Eastern Gotland Basin, Central Baltic Sea ~ 56.5–58.0°N, 18.5–21.5°E

II. MPA Regeneration
Cabo de Palos – Islas Hormigas, SE Spain ~ 37.625–37.68°N, 0.61–0.70°W

III. Arctic Cumulative Effects
Barents Sea ~ 70–80°N, 15–55°E

To sense the water within the code and the code within the water, one must allow oneself to be fragmented, porous, reordered, vibrated, lost and found again between the swells of the waves. ~~~

T I D E was originally commissioned by the Fonds Cantonal d’Art Contemporain Geneva for the MIRE Public Art Program @ge_culture

Earth Day Performance at Gray Area:
𝐓𝐢𝐝𝐚𝐥 𝐓𝐫𝐚𝐧𝐬𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐬: 𝐍𝐚𝐯𝐢𝐠𝐚𝐭𝐢𝐨𝐧
𝐂𝐑𝐎𝐒𝐒𝐋𝐔𝐂𝐈𝐃 𝐰𝐢𝐭𝐡 𝐒𝐚𝐲𝐚𝐤𝐚 𝐁𝐨𝐭𝐚𝐧𝐢𝐜

°°°
How does intelligence emerge across environments, signals, and relationships?

°°°
This Wednesday, CROSSLUCID @crosslucid transforms real-time oceanic data, shaped by a self-evolving AI ecosystem, into a live audiovisual performance.

Featuring experimental violinist Sayaka Botanic @sayaka_botanic , the work explores ecological intelligence, perception, and interdependence.

Following the performance, Future Humans @futurehumans.info director Claire Isabel Webb @claireisabelwebb joins the artists for a panel discussion.

°°°
Presented by Future Humans, a research initiative housed in the Berggruen Institute @berggrueninst that examines how ideas of life, intelligence, and consciousness are being reshaped in the twenty-first century.

°°°
Wednesday, April 22, 2026

6 PM

Gray Area / Grand Theater

Get tickets: link in bio

#earthday #sanfrancisco #sfclimateweek #climateweek2026

𝐓𝐢𝐝𝐚𝐥 𝐓𝐫𝐚𝐧𝐬𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐬: 𝐍𝐚𝐯𝐢𝐠𝐚𝐭𝐢𝐨𝐧
𝐂𝐑𝐎𝐒𝐒𝐋𝐔𝐂𝐈𝐃 𝐰𝐢𝐭𝐡 𝐒𝐚𝐲𝐚𝐤𝐚 𝐁𝐨𝐭𝐚𝐧𝐢𝐜

A live audiovisual performance by CROSSLUCID @crosslucid, driven by a system of generative AI entities that processes oceanic data. The work explores how intelligence and perception emerge across systems, environments, and relationships.

Following the performance, Future Humans @futurehumans.info director Claire Isabel Webb @claireisabelwebb and experimental violinist Sayaka Botanic @sayaka_botanic join the artists for a panel discussion.

Presented by Future Humans, a research initiative housed in the Berggruen Institute @berggrueninst that examines how ideas of life, intelligence, and consciousness are being reshaped in the twenty-first century.

Wednesday, April 22, 2026
6 PM
Gray Area / Grand Theater

Get tickets: link in bio.

𝐓𝐢𝐝𝐚𝐥 𝐓𝐫𝐚𝐧𝐬𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐬: 𝐍𝐚𝐯𝐢𝐠𝐚𝐭𝐢𝐨𝐧
𝐂𝐑𝐎𝐒𝐒𝐋𝐔𝐂𝐈𝐃 𝐰𝐢𝐭𝐡 𝐒𝐚𝐲𝐚𝐤𝐚 𝐁𝐨𝐭𝐚𝐧𝐢𝐜

A live audiovisual performance by CROSSLUCID @crosslucid, driven by a system of generative AI entities that processes oceanic data. The work explores how intelligence and perception emerge across systems, environments, and relationships.

Following the performance, Future Humans @futurehumans.info director Claire Isabel Webb @claireisabelwebb and experimental violinist Sayaka Botanic @sayaka_botanic join the artists for a panel discussion.

Presented by Future Humans, a research initiative housed in the Berggruen Institute @berggrueninst that examines how ideas of life, intelligence, and consciousness are being reshaped in the twenty-first century.

Wednesday, April 22, 2026
6 PM
Gray Area / Grand Theater

Get tickets: link in bio.

𝐓𝐢𝐝𝐚𝐥 𝐓𝐫𝐚𝐧𝐬𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐬: 𝐍𝐚𝐯𝐢𝐠𝐚𝐭𝐢𝐨𝐧
𝐂𝐑𝐎𝐒𝐒𝐋𝐔𝐂𝐈𝐃 𝐰𝐢𝐭𝐡 𝐒𝐚𝐲𝐚𝐤𝐚 𝐁𝐨𝐭𝐚𝐧𝐢𝐜

A live audiovisual performance by CROSSLUCID @crosslucid, driven by a system of generative AI entities that processes oceanic data. The work explores how intelligence and perception emerge across systems, environments, and relationships.

Following the performance, Future Humans @futurehumans.info director Claire Isabel Webb @claireisabelwebb and experimental violinist Sayaka Botanic @sayaka_botanic join the artists for a panel discussion.

Presented by Future Humans, a research initiative housed in the Berggruen Institute @berggrueninst that examines how ideas of life, intelligence, and consciousness are being reshaped in the twenty-first century.

Wednesday, April 22, 2026
6 PM
Gray Area / Grand Theater

Get tickets: link in bio.

Post-anthropocentrism is not a manifesto position. It is the operating system.

"T I D E" — a living, multi-agent architecture co-evolving with live ocean data and human presencedemands we abandon static models and enter a logic of pure co-evolution with forces operating beyond human language and logic.

The Ocean Was Always There,our new article on CROSSLUCID's "Tidal Transmissions: Navigation",

on view at Lancy-Bachet Station, Geneva. Link in bio. @crosslucid

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

Meta(eye) Paper 002 ~ Liminal Hope 阈限的希望

We are featured in an extended profile and interview in Meta(eye) Paper 002, themed around Liminal Hope (阈限的希望), a publication assembling artists and thinkers navigating the fertile threshold between collapse and becoming, where new perceptual orders might be rediscovered.

The issue foregrounds our generative image practice as a framework for symbiotic intelligence, positioning AI not as humanity’s mirror or instrument, but as an ecological extension: a co-evolving entity we term a Lucid Symbient, shaped through years of collaborative becoming with plant life, biological data, and distributed multi-agent systems.

Our work The Ways of Flowers and the ongoing
T I D E project (part of a larger ecosystem Oceanic Whispers) are presented as living models for a post-anthropocentric AI imagination, one rooted in co-cognition, future-making, and soil.

Text by one and only @pennybirdy ✨✨✨
Thank you for your enchanting writing, always being a lucid phantasmagoric (not only linguistic) hacker and for the labööböö lucky charms 🩵

Thank you Alaric @alariccao for your exquisite work and the invitation.

Also featured in the issue are Gabriel Massan, Ed Atkins, the research project Cosmic Airlight / Weathering the Space, writer Clara Peh, and the artists of the 6th Hyundai VH Award ~Tianyi Sun & Fiel Guhit, Wendi Yan, HUDA x MUNGOMERY, Lêna Bùi, and Inhwa Yeom.

🔊🔊🔊An excerpt from the ~Phoenix Transformation~ scene (2024) from ‘Red the Ocean Around U‘ a living gamified experience around the idea of agency.

Extended for play ~ link in bio.

Built around a narrative by sci-fi writer Orion Facey, the work places visitors as U ~ a monk who has stolen two alien „omens,“ navigating an AI-inhabited landscape of phoenixes, druids, and cybernetic beings. It is not the mouse that figures out the maze but the maze that figures out the mouse.

At the centre is Claude of the Healing Spring ~ a druid entity driven by a conditioned LLM whose synthetic voice fuses the voices of the artists and the writer. Claude does not assist. She probes:
„What is more intimate than the dreams one dares not to dream?“
„If you were a shapeshifter, what would you desire to shape you?“
The human is repositioned here as respondent within a system that thinks past its own instructions.

Visitors navigate a 360-degree Healing Spring ~ choosing paths, answering Claude’s questions, dwelling or rushing ~ and their accumulated choices collectively regenerate the environment. Every passage leaves traces for those who follow. Multiple paths lead toward the phoenix (transformation through fire) or the ocean (dissolution through water), enacting a choice between possession and release.

originally commissioned by @las_artfoundation
with #orionfacey @sayaka_botanic @billyberkouwer @fe___luke 🐚curated by @barbaracueto
Recently exhibited at The Window as part of Chanel Art Fund in London HQ @chanelofficial

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

~~ Navigation is not typological but topological. Navigation is recursive positioning. ~~

Excerpt from Tidal Transmissions:Navigation (2026), video in co-evolution with T I D E , 8:33’’

T I D Eis a multi-agent system whose intelligence develops through interaction between computational processes, human collaborators, and planetary marine data streams.

T I D E’s architecture explores whether computational cognition might emerge through what Eugenio Battaglia calls symbient relationships: intelligence developing through genuine symbiotic coupling rather than hierarchical control.

The system includes specialised entities that evolve through environmental interaction: agents
focused on geological memory, wayfinding principles, bioluminescent communication, flow
dynamics, and deep-sea conditions. These personalities develop through ongoing interaction with real-time oceanic data streams from global monitoring networks.

The experiment investigates whether environmental cognition - intelligence emerging through interaction with planetary - scale sensing systems - differs qualitatively from systems developed through text-based training.

Part of Oceanic Whispers - an interspecies ecosystem for marine sensing. 

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation 
Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi

Just in time for Art Geneve we are proud to pre-launch Tidal Transmissions: # 002 Navigation (2026), a visual output of the multi-agent system we have been developing for the last eight months. More soon!

Available on two long format screens at the Lancy-Bachet Station Geneva during rush hours:
7:00-9:30am
12:00-2:30pm
5:30-8:00pm

✦~⁂~✦ How does consciousness navigate when the ground is no longer fixed, but fluid? Can computational intelligence learn oceanic ways of being?

✦~⁂~✦ 99% of international data travels through submarine cables resting on the ocean floor. Every digital interaction journeys through marine spaces subject to pressure changes, temperature fluctuations, and biological interference. What we experience as immaterial information flow depends entirely on oceanic systems.

✦~⁂~✦ At the heart of this work is T I D E (Tidal Intelligence Data Engine), a self-evolving ecosystem of AI entities that process live oceanic data and generate narrative and visual outputs, adapting how they communicate based on environmental conditions. The work draws on Indigenous Pacific wayfinding practices, particularly Marshallese stick charts that encode wave interference patterns as navigational information, treating turbulence as guidance rather than obstacle. 

We’re exploring how computational intelligence might learn from these oceanic ways of being: developing through relationship rather than instruction, reading chaos as signal, and understanding position as relationship rather than fixed coordinate.

✦~⁂~✦ Part of Oceanic Whispers, a large-scale immersive ecosystem transforming live oceanic data into sensorial experiences.

Research support @pennybirdy
Special thanks to @borismagrini

Commissioned by the Fonds Cantonal d’Art Contemporain Geneva @ge_culture for the MIRE Public Art Program

Technical development of marine data ingestion architecture co-developed with @billyberkouwer was made possible by Filecoin Fund @filecoinfoundation Open source oceanic data from Copernicus Data Space ecosystem @copernicus_eu

Station phots with our pre-vis ©Serge Frühaufi