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We’re hiring! If you have rental house or camera department experience, we’d love to hear from you. Please email careers@cslarentals.com

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

3 rings on prime lens?🤔

Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5!

Photographer/Co-Director @__thomaslynch
Model @sophielachman

🔭CSLA 25mm Helix Prime T2.8
🔭CSLA 32mm Helix Prime T2.3

Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set.

Full set coming soon…

If you’d like to get your hands on our prototypes for a project, please reach out!

#helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

CSLA Prep Floor Renovation 2024 Phase I.

15 years ago we never could have imagined where the shop would be today.

Thank you to all our clients for your trust.
Thank you to our 17 full time staff of technicians, agents and passionate camera folks.

In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew.

🙏🙏🙏

AIRELOOM
•
This commercial was a moving catalog of California-inspired luxury mattresses, shot on location in a real home over two days where we had to make two rooms feel like four distinct, dynamic spaces. The schedule was intense, and a major rainstorm hit on day one. Rather than fight it, I leaned in, and that ended up being one of my favorite looks in the spot.

We were lighting multiple setups simultaneously, including one that transitioned dynamically from evening to dusk to night within the spot itselfwhich meant I was adjusting exposure constantly throughout. The ALEXA 35 gave me the confidence to chase that in real time, knowing the image would hold no matter where the light landed.
•
Shot on the @arri A35 and @7isatribe Blackwings.
•
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces.
•
@paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ .
•
This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined.
Director: @paulinalagudiulrich
Prod Sup: @nathanieldueber
1st AD: Eric Crowley
Coordinator: @hannahjcm

Colorist: @ariannashiningstar
Composer: @robbybsharp
Sound design: @soundslikegerry

DP: @cooperulrich
Trinity Op: @quaidcdebaca
1st AC: @brandonripp
2nd AC: @uncleboone.mp3
DIT: @mark_zalewski

Still Photographer: @fiorella_occhipinti
Digi Tech: Kyle Makrauer
Photo Assist (1): @joeelgar
Photo Assist (2): @xtra.jpg
Photo Grip: Richard Bloenk
BTS: Troy Cooper

Gaffer: @lukapouki
BBE: Edwin Cude
Electric: Nick Perry

Key Grip: @mark_beckerman
BBG: @jakereardon14
Grip: @_calebsherrill

PD: @abvanced
Art Director: @dunc_red
Set Decorator: @mise.en.cyrum
On-Set Dresser: Anya Jones
Set Dresser: Taylor Fitz-Gibbon
Set Dresser: Daniel Oregal
Set Dresser: Gopal Gulbakian
Set Dresser: Christopher Jaramillo
Art Pa: Georgina Gutierrez

Wardrobe Sup: @karismith33
Wardrobe Assist: Norah Seymour

Key HMU: @bakerkessler

Sound mixer : @kpham12992

Crafty: Dominick Nunes

Shoutout to @corppuz for his awesome AC skills and even more, his great attitude. But don’t hire him bc then he won’t be available to work with me.

Shoutout to @corppuz for his awesome AC skills and even more, his great attitude. But don’t hire him bc then he won’t be available to work with me.

‘The AI Doc: Or How I Became an Acocaloptimist’
Director @daniel_roher and @charlietyrell
DP @lowellameyer, @jennimorello
Producer @carolynejurriaans
Producer @dunkwun
1st AC @loievaughn @melanieamano
Cam Op @scottperagine
Gaffer @penata_party
@focusfeatures

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Director: @aidanzamiri
Production Company: @objectandanimal
HOP: @loskillen
EP: @alexbrinkman @emi_stewart
Producer: @reeselayton
DP: @bennncareyyy
1st AC: @pancho_ortiz
Movement Director: @cprinz__
Casting Director: @shaynielsencasting
Production Designer: @avavillafane
1st AD: @joshgmontes
Editor @neal_farmstrong
VFX @corduroy.fx
Grade: @dantegiani @ethos_studio
Post Producer: @ginaxcrow
Sound Design: @ineedsound.co
Graphics: @specialoffer.inc
Wardrobe Stylist: @karolynpho
Hair: @rachellitahair
Charli Creative Director: @imogene
Charli Styling: @chrishoran20
Charli Hair: @rickyfraserhair
Charli Makeup: @yasminist
Kylie Styling: @makkaroo @rosegrandquist
Kylie Hair: @hairinel
Kylie Makeup: @makeupbyariel

Introducing the Tangie 45-90mm 2x Anamorphic Zoom.

Combining a classic Angenieux zoom with a front anamorphic Todd AO group to create one of the most expressive anamorphic zooms ever!

Wide open this unique lens stays relatively sharp in the center while becoming increasingly soft toward the edges. The flare is warm with gold and fuchsia hues.

Full coverage for Super35 cameras (Alexa35, Alexa Mini, 4K Venice)

Laowa Probe Zoom 15-24mm T8 and 15-35mm T12 Zooms now available!

This ultrawide, full-frame probe system comprises two parfocal zooms and 4 attachment options: straight, 35°, 90°, and periscope front modules.

Are you not entertained?

Custom 120mm QRP plate with 90 degree tie down option.

Why would you attach a dovetail sideways? Why not!

#qrp #rbq #gladiator

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals

@cslarentals @rawelementslensco

I started collecting lenses when I was 13. Back then it was wide angles taped to my camcorder and fisheyes for skate videos. By 26, I started studying glass seriously and paying attention to the subtleties that make each lens unique. At 28, I got my first set of rehoused Cooke Panchros. Since then, I’ve collected over 150 lenses. Now that I’m 40, I’ve decided to open up the collection and share it through @rawelementslensco.

I’m not stepping away from filmmaking. This collection has grown with me over my entire career, and this is simply its next chapter. A place for the lenses to live, evolve, and inspire new work.

I’m starting with the Todd AO 45-90 Anamorphic Zoom. Which I call the Tangie AO. It’s a Todd AO 2x anamorphic paired with an Angenieux zoom. The look is soft and dreamy with a very specific sweet spot. When you find it, the image just hits. This lens rewards patience, intention, and time spent learning how it wants to be used.

The Tangie AO is now exclusively available at @cslarentals