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danielgordonstudio
Daniel Gordon
Artist
OPENING THIS WEEK
Daniel Gordon
Objects at Hand @olneygleason
May 7 - June 6, 2026
Opening Reception
May 7, 2026 6-8pm
297 10th Avenue, NY
Please join me for the opening of Objects at Hand
May 7–June 6, 2026
Opening Reception: Thursday, May 7, 6–8pm
297 Tenth Avenue, New York
@olneygleason
Light Study (Scissors and Hand), 2024
I’ll be signing copies of my new book Objects at Hand this Saturday, April 18, from 2–4pm at @rectangle.room, alongside @lucasblalock, who will be signing the Chinese language edition of Why Must the Mounted Messenger Be Mounted?
A big thank you to @radiusbooks for managing to get 20 advance copies out for the event — excited to share them early. We’ll also be opening an exhibition of this work, and will have an official book launch at @olneygleason next month.
Thanks as well to @timobarber and @aughtfraught for bringing this together and thanks also to @lucasblalock and @fultonstreet for their contributions to the book— really looking forward to it.
I’ll be signing copies of my new book Objects at Hand this Saturday, April 18, from 2–4pm at @rectangle.room, alongside @lucasblalock, who will be signing the Chinese language edition of Why Must the Mounted Messenger Be Mounted?
A big thank you to @radiusbooks for managing to get 20 advance copies out for the event — excited to share them early. We’ll also be opening an exhibition of this work, and will have an official book launch at @olneygleason next month.
Thanks as well to @timobarber and @aughtfraught for bringing this together and thanks also to @lucasblalock and @fultonstreet for their contributions to the book— really looking forward to it.
I’ll be signing copies of my new book Objects at Hand this Saturday, April 18, from 2–4pm at @rectangle.room, alongside @lucasblalock, who will be signing the Chinese language edition of Why Must the Mounted Messenger Be Mounted?
A big thank you to @radiusbooks for managing to get 20 advance copies out for the event — excited to share them early. We’ll also be opening an exhibition of this work, and will have an official book launch at @olneygleason next month.
Thanks as well to @timobarber and @aughtfraught for bringing this together and thanks also to @lucasblalock and @fultonstreet for their contributions to the book— really looking forward to it.
I’m excited to share that my new book Objects at Hand, published by @radius.books , is now available for pre-order.
The photographs in this book are part of a body of work I’ve been developing since 2024—work that has been both challenging and deeply pleasurable to make, opening up new ideas and modes of working for me in the studio.
I’m equally excited that this work will be on view in a solo exhibition opening May 7 @olneygleason in New York. Please save the date—I hope to see you there!
Link in Bio
New episode with Daniel Gordon! Tune in for the origin story, stay for Danny’s generosity and candor. As usual, I left this interview with a much greater understanding and appreciation for Danny’s work and practice. Few artists I know come out of the gate at 18, making the work that will define them for decades, and yet continue to iterate with such imagination and craft.
New episode with Daniel Gordon! Tune in for the origin story, stay for Danny’s generosity and candor. As usual, I left this interview with a much greater understanding and appreciation for Danny’s work and practice. Few artists I know come out of the gate at 18, making the work that will define them for decades, and yet continue to iterate with such imagination and craft.
New episode with Daniel Gordon! Tune in for the origin story, stay for Danny’s generosity and candor. As usual, I left this interview with a much greater understanding and appreciation for Danny’s work and practice. Few artists I know come out of the gate at 18, making the work that will define them for decades, and yet continue to iterate with such imagination and craft.
New episode with Daniel Gordon! Tune in for the origin story, stay for Danny’s generosity and candor. As usual, I left this interview with a much greater understanding and appreciation for Danny’s work and practice. Few artists I know come out of the gate at 18, making the work that will define them for decades, and yet continue to iterate with such imagination and craft.
I'm obsessed with how our Denver project home office turned out! The space is filled with treasures I discovered while traveling last year, like the stunning @michaeltrappinc mohair blush Moroccan rug from my Connecticut antiquing adventure.
The Daniel Gordon photograph above the fireplace was the room's inspiration. While the rest of the home featured muted, autumnal tones, this photograph gave us the perfect opportunity to inject some Italian mid-century modern flair.
Despite budget constraints, the space still feels effortlessly chic.
Interiors: @brittanymarominteriors
📸 @davidpatterson
Styling: @sashabartur
#denverinteriors #brittanymarominteriordesign #officedesign #wfh
Some new work with @olneygleason @artbasel in Miami
Light Study (Spoons and Espresso Cup), 2025
Archival Pigment Print, 11.2” x 14”
Light Study (Glassware and Knife With Wooden Handle), 2025
Archival Pigment Print, 11.2” x 14”
Color Light Study (Bowl with Glasses and Fork), 2025
Archival Pigment Print With UV Lamination, 18” x 24”
Some new work with @olneygleason @artbasel in Miami
Light Study (Spoons and Espresso Cup), 2025
Archival Pigment Print, 11.2” x 14”
Light Study (Glassware and Knife With Wooden Handle), 2025
Archival Pigment Print, 11.2” x 14”
Color Light Study (Bowl with Glasses and Fork), 2025
Archival Pigment Print With UV Lamination, 18” x 24”
Some new work with @olneygleason @artbasel in Miami
Light Study (Spoons and Espresso Cup), 2025
Archival Pigment Print, 11.2” x 14”
Light Study (Glassware and Knife With Wooden Handle), 2025
Archival Pigment Print, 11.2” x 14”
Color Light Study (Bowl with Glasses and Fork), 2025
Archival Pigment Print With UV Lamination, 18” x 24”
Color Light Study (Grater and Glassware)
2025
Pigment Print With UV Lamination
18” × 24” inches
@olneygleason
Color Light Study (Grater and Glassware)
2025
Pigment Print With UV Lamination
18” × 24” inches
@olneygleason
Color Light Study (Grater and Glassware)
2025
Pigment Print With UV Lamination
18” × 24” inches
@olneygleason
Two new pictures with @huxleyparlour @thearmoryshow opening today in New York.
Light Study (Three Glasses and Two Forks), 2025
Pigment Print
11” x 14”
Light Study (Carafe With Glassware and Knife), 2025
Pigment Print
11” x 14”
Two new pictures with @huxleyparlour @thearmoryshow opening today in New York.
Light Study (Three Glasses and Two Forks), 2025
Pigment Print
11” x 14”
Light Study (Carafe With Glassware and Knife), 2025
Pigment Print
11” x 14”
Two new pictures with @huxleyparlour @thearmoryshow opening today in New York.
Light Study (Three Glasses and Two Forks), 2025
Pigment Print
11” x 14”
Light Study (Carafe With Glassware and Knife), 2025
Pigment Print
11” x 14”
Two new pictures with @huxleyparlour @thearmoryshow opening today in New York.
Light Study (Three Glasses and Two Forks), 2025
Pigment Print
11” x 14”
Light Study (Carafe With Glassware and Knife), 2025
Pigment Print
11” x 14”
Color Light Study (Campari and Olive Oil), 2025
Pigment Print With UV Lamination
18” x 24”
Newly Published — A Studio Visit with Daniel Gordon
Ahead of installing his latest series of photographs, Color Light Studies, at Kasmin, Daniel Gordon (@danielgordonstudio) invited photographer Lucas Blalock (@lucasblalock) to his Brooklyn studio. The longtime friends reflect on Gordon’s working process, how his investigation of transparency, light and shadow has changed his approach to color and composition, and the tensions haunting photography today.
“Each arrangement becomes a feedback loop between seeing and believing: the camera confirms and unravels in the same gesture,” Gordon tells Blalock of his new work. “It foregrounds perception itself, asking the viewer to decide how much of an image is received and how much is inferred.”
Read the full conversation on The Kasmin Review, and schedule an appointment to see Daniel Gordon: Color Light Studies by following the link in our bio.
_
Artwork © Daniel Gordon. Studio photography by Charlie Rubin (@charlierubin).
Newly Published — A Studio Visit with Daniel Gordon
Ahead of installing his latest series of photographs, Color Light Studies, at Kasmin, Daniel Gordon (@danielgordonstudio) invited photographer Lucas Blalock (@lucasblalock) to his Brooklyn studio. The longtime friends reflect on Gordon’s working process, how his investigation of transparency, light and shadow has changed his approach to color and composition, and the tensions haunting photography today.
“Each arrangement becomes a feedback loop between seeing and believing: the camera confirms and unravels in the same gesture,” Gordon tells Blalock of his new work. “It foregrounds perception itself, asking the viewer to decide how much of an image is received and how much is inferred.”
Read the full conversation on The Kasmin Review, and schedule an appointment to see Daniel Gordon: Color Light Studies by following the link in our bio.
_
Artwork © Daniel Gordon. Studio photography by Charlie Rubin (@charlierubin).
Newly Published — A Studio Visit with Daniel Gordon
Ahead of installing his latest series of photographs, Color Light Studies, at Kasmin, Daniel Gordon (@danielgordonstudio) invited photographer Lucas Blalock (@lucasblalock) to his Brooklyn studio. The longtime friends reflect on Gordon’s working process, how his investigation of transparency, light and shadow has changed his approach to color and composition, and the tensions haunting photography today.
“Each arrangement becomes a feedback loop between seeing and believing: the camera confirms and unravels in the same gesture,” Gordon tells Blalock of his new work. “It foregrounds perception itself, asking the viewer to decide how much of an image is received and how much is inferred.”
Read the full conversation on The Kasmin Review, and schedule an appointment to see Daniel Gordon: Color Light Studies by following the link in our bio.
_
Artwork © Daniel Gordon. Studio photography by Charlie Rubin (@charlierubin).
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