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New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

New work for @liltecca - PLAN A - with @samm

Custom ‘A’ leopard print + additional design 🐆

Creative direction: @liltecca + @shotbycones
Art direction: @samm
Design: @samm + @schrier.xyz
Additional design: @duongtype + @daocow
Photo: @shotbycones

Can’t pass up drawing a cool side profile

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Scrapped artwork for a Bas and J. Cole ‘PASSPORT BROS’ joint EP, which packaged all of their collaborations into one project. Worked on this last summer when I was in my blender bag lol. 🛩️🍶

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Good times with good people

Anyone who wears Meta glasses is a fed

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

New work for @easportsfc Future Stars with @burnandbroad 🍎⭐️⚽️

Creative Direction: @burnandbroad + @vicentegarciamorillo
Design/Illustration: @daocow + @vicentegarciamorillo
3D Design: @ssarahbankss
3D Animation: @mariagudjohnsen

SWAE LEE, LEE SWAE, SAME DIFFERENCE

2016, 2026, SAME THING

Coachella billboards for @swaelee with @samm
Album typeface: @schrier.xyz

SWAE LEE, LEE SWAE, SAME DIFFERENCE

2016, 2026, SAME THING

Coachella billboards for @swaelee with @samm
Album typeface: @schrier.xyz

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

SAME DIFFERENCE @swaelee

Good times with good people in Miami

Thank you @samm for having me on this project and letting me tag along.

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

“THE BOY WHO JUMPED THE MOON” SS26 @kidsuper

Cooked up some graphics last spring with @_mikenieto and @brandonbidleman. Stoked to see some of them come to life for the latest collection!

Styling: @_ryheem
Photography: @ryanschostak
Talent: @emanuelnoi @isaiahnyb @jeezjulye

Title design for FLAMMABLE music video @swaelee

Director & DP : @loganmeis
EP: @missymg & @isaacrice76
Producers: @missymg @shirifauer & @jedi.breil
Head of Digital: @jeffolson12
Prod Co: @houndcontent

1st AD: @youngchang1111
1st AC: @chriscampa__
2nd AC: @lewisreif
Stedi: @arritrinity_miami
Drone: @eqfranz
Gaffer: @bikerpana
BBE: Jerry Ramirez
Grip: Alberto Salvador

CD: @samm
Rollout EP: @mossaprojects

Label: @interscope
Creative: @andrewibea
Creative: @chrisclav
Creative: @isaiahiloveu
Creative: @yosunshine
Digital: kazybrown
Mgmt: @migotheplug
Mgmt: @sirsparxx
Stills Photographer: @therealmichaelgilbert

Art Department: @flybrypro
@captaingogo
@ma_xx30
@propman10

Vanities: @makeupbybabyy & @felipewallis
Artist Stylist: @mirandamonroe.xo
Artist Barber: Aalejandro Cabrera
Artist Braider: Kelly Patterson

PA’s: @glock19coco, @diannemorales.mov, @zaxfifth
@gammaprods,@cesarindelgado53

Casting: @latinmodelmiami
Models: Nella, Blanco, Cherry, Genesis Bravo
Picture car: @judd_305
Edit: @loganmeis
VFX: @excit.co
Color: @loganmeis
Titles: @daocow

Title design for FLAMMABLE music video @swaelee

Director & DP : @loganmeis
EP: @missymg & @isaacrice76
Producers: @missymg @shirifauer & @jedi.breil
Head of Digital: @jeffolson12
Prod Co: @houndcontent

1st AD: @youngchang1111
1st AC: @chriscampa__
2nd AC: @lewisreif
Stedi: @arritrinity_miami
Drone: @eqfranz
Gaffer: @bikerpana
BBE: Jerry Ramirez
Grip: Alberto Salvador

CD: @samm
Rollout EP: @mossaprojects

Label: @interscope
Creative: @andrewibea
Creative: @chrisclav
Creative: @isaiahiloveu
Creative: @yosunshine
Digital: kazybrown
Mgmt: @migotheplug
Mgmt: @sirsparxx
Stills Photographer: @therealmichaelgilbert

Art Department: @flybrypro
@captaingogo
@ma_xx30
@propman10

Vanities: @makeupbybabyy & @felipewallis
Artist Stylist: @mirandamonroe.xo
Artist Barber: Aalejandro Cabrera
Artist Braider: Kelly Patterson

PA’s: @glock19coco, @diannemorales.mov, @zaxfifth
@gammaprods,@cesarindelgado53

Casting: @latinmodelmiami
Models: Nella, Blanco, Cherry, Genesis Bravo
Picture car: @judd_305
Edit: @loganmeis
VFX: @excit.co
Color: @loganmeis
Titles: @daocow

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

Before I ever touched Photoshop or any Adobe program, I used to dabble in making beats a bit. One of the videos I would watch frequently on Youtube for inspo was this one of J. Cole in the studio making the beat for Power Trip. Still one of my favorite videos to this day. Little did I know I would be working with Mr. @oakshades, one of the guys in that video, just a few years later.

Fast forward to almost a decade later and we’re still going strong. When I first started working with @bas and @thefiends back in 2017, I was still a freshman in art school with little sense in work ethic and time management, figuring out how to balance classes, freelance, life, and everything in-between. It was rough, but I made my way through and learned a lot of lessons along the way. Since then, the FIENDS have been like family. I got to learn and sharpen my skills as an artist and art director, working on a range of stuff — flyers, merch, album packaging, etc. I got to see what life could be like outside of just my hometown in Michigan. From my first Cole show in Detroit during the 4 Your Eyez Only tour, to studio sessions in Malibu, to festivals in South Africa, to touring across Europe and the East Coast, to the last two Dreamville Festivals, to now living in NYC — I’ve had the chance to experience a lot and make some lifelong friends along the way. All because of my love for music and making art, and the good ol’ divine universal forces.

In a world where everything is moving so fast and being corrupted by capitalism and the AI overlords, it’s important to slow down, to take a step back and really look at everything you’ve accomplished, no matter how big or small.

I wasn’t planning on posting anything beyond a compilation of work and a short blurb but it’s 3AM deep pensive hours at the time that I started writing this and it made me reflect on the last 10 years of my life and also think about what I want the next 10 to look like as I’m approaching turning 30.

Love to my FIENDS and Dreamville family. I’m beyond grateful for my big bros @bas and @oakshades for giving me a shot. Let’s keep making cool shit. #chuggachuggachugga

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow

‘Too High to Riot’ 10-Year Anniversary Edition + sunset glass vinyl disc
@bas @thefiends @oakshades @dreamville

Photography: @doubidoubz
Art direction, design, illustration: @amber_vittoria + @daocow