Instagram Story Viewer
View Instagram Stories Anonymously
daphnethehunter
Lauriane Daphne Carl
ancient angel warrior in paris
@freeselfdefense @laurianedaphnecarl
(temporary post) I’m looking to swap my studio apartment in Paris for a room or apartment in Amsterdam from 29.06.-15.07. 💖💖 I have a theatre project in AMS and need accommodation ✨ share and send kisses I miss yall
(temporary post) I’m looking to swap my studio apartment in Paris for a room or apartment in Amsterdam from 29.06.-15.07. 💖💖 I have a theatre project in AMS and need accommodation ✨ share and send kisses I miss yall
(temporary post) I’m looking to swap my studio apartment in Paris for a room or apartment in Amsterdam from 29.06.-15.07. 💖💖 I have a theatre project in AMS and need accommodation ✨ share and send kisses I miss yall
(temporary post) I’m looking to swap my studio apartment in Paris for a room or apartment in Amsterdam from 29.06.-15.07. 💖💖 I have a theatre project in AMS and need accommodation ✨ share and send kisses I miss yall
showing new works for „LEONIS WORKS“ launch event
Opening tonight17.04.
19:00-22:00
BACKSPACE BERLIN@leonis_works @blinkbrln (tickets in their bio)
Markgrafenstr. 68, Berlin
tomorrow 18.04.
20:30-8:00
Exhibition
Performances
After party
Meet Lauriane Daphne Carl (@daphnethehunter) who will present her work at the Leonis Works Launch Event April 17 & 18.
Lauriane Daphne Carl is a French-German interdisciplinary artist whose practice spans sculpture, installation and writing, exploring the dialectic between desire and destruction. Aggression, resilience, and resistance of women and queer subjects within capitalism, are explored biblically, along with all their imposed contradictions. Her work transforms fragile and abject materials into confrontational forms that weaponize vulnerability. Through biomorphic installations that blur boundaries of the media used, Carl builds new mythologies with archetypal symbolism that disrupt rigid systems of knowledge and reframe shame as a source of power.
🎟️ Tickets still available in the bio.
Meet Lauriane Daphne Carl (@daphnethehunter) who will present her work at the Leonis Works Launch Event April 17 & 18.
Lauriane Daphne Carl is a French-German interdisciplinary artist whose practice spans sculpture, installation and writing, exploring the dialectic between desire and destruction. Aggression, resilience, and resistance of women and queer subjects within capitalism, are explored biblically, along with all their imposed contradictions. Her work transforms fragile and abject materials into confrontational forms that weaponize vulnerability. Through biomorphic installations that blur boundaries of the media used, Carl builds new mythologies with archetypal symbolism that disrupt rigid systems of knowledge and reframe shame as a source of power.
🎟️ Tickets still available in the bio.
Meet Lauriane Daphne Carl (@daphnethehunter) who will present her work at the Leonis Works Launch Event April 17 & 18.
Lauriane Daphne Carl is a French-German interdisciplinary artist whose practice spans sculpture, installation and writing, exploring the dialectic between desire and destruction. Aggression, resilience, and resistance of women and queer subjects within capitalism, are explored biblically, along with all their imposed contradictions. Her work transforms fragile and abject materials into confrontational forms that weaponize vulnerability. Through biomorphic installations that blur boundaries of the media used, Carl builds new mythologies with archetypal symbolism that disrupt rigid systems of knowledge and reframe shame as a source of power.
🎟️ Tickets still available in the bio.
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
I HEALED YOU FIRST, 2026
Birthed by Fertility Goddesses, Stabbed by Hearts, Silenced by Masks
Printed banner, 420 x 594mm
Children who Run with Wolves Should Rule the World
Printed banner,, 420 x 594mm
Crowned by Thorns and Laurels
Printed banner, 594 x 841mm
Bb Manon, I and das Weltei
Lauriane Daphne Carl
photos @studio_tanu__
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
Fundraiser exhibition for @hope_ingaza 28.03. at BAR131 Berlin ✨
Contributing TO SIN AND IMPURITY AFTER SALUTARY UNITY, 2022-25
sculpture, 540 x 250 x 500 - 1300 x 200 x 200 mm
steel, soap fused with goat milk, coal (from the fire the steel was forged in), olive oil, blood, medical herbs, flower blossom, and essential oils (verneine, rosemary, rose, sage, grenadine, frankincense, lavender, orange flower, camomile, mint, pine tree, lemon)
📸 @agustinfar
thanks for organising @cxntremember.it ❤️
🕊️ (votive candle clocks)
@cryingwithyou_ Brussels, 3D model w help by @unpeupress, original photo by @galinaenka
🕊️ (votive candle clocks)
@cryingwithyou_ Brussels, 3D model w help by @unpeupress, original photo by @galinaenka
🕊️ (votive candle clocks)
@cryingwithyou_ Brussels, 3D model w help by @unpeupress, original photo by @galinaenka
🕊️ (votive candle clocks)
@cryingwithyou_ Brussels, 3D model w help by @unpeupress, original photo by @galinaenka
🕊️ (votive candle clocks)
@cryingwithyou_ Brussels, 3D model w help by @unpeupress, original photo by @galinaenka
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
Home marks the alpha and omega point of existence: the origin in the body and the cyclical return in myth, in nature, in death. Kitchen, bedroom, bathroom, and corridors become sacramental zones where intimacy, solitude, exposure, and connection are ritualized.
Yet home is not an innocent place. Home can be a site of structural injury, in which affects, norms, and exclusions sediment. The house is at once a place of care and of injury, of closeness and coercion, of domestic harmony and domestic violence. We flee the home, outgrow it, seek it anew, return to it. Home can be a prison or a refuge, a site of regression or a space of transformation. In mythologies around the world, the first home appears as a lost paradise, a state before separation, before the contradictory emergence of consciousness.
Within this mythological home, the dinner table appears as a site of confrontation. Where like in Richard Kerns film „I killed you first“ the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies. The dinner table becomes a crime scene. But what if you change the narrative and interfere with the lingering fear? Reclaim your body aka your soul’s home, learn to fight back, protect, channel that fear, that anger and learn to use it effectively, with all eight limbs. What if you transform the memories of this domestic space and split them apart to share with the public, like a cake at a birthday party?
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family, cross disciplinary art
making and martial arts can heal us, so we can feel at home again in our bodies
Thank you @thisfliss for activating my I HEALED YOU FIRST dinner table as my chosen family member of trust ❤️ ily
photo credit: Studio Tanu @studio_tanu__ fundraiser T @torte_bar_berlin for @freeselfdefense
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
✨for the feral child in u✨
TORTENVERSAND X LAURIANE DAPHNE CARL
Fundraising for @freeselfdefense
Time Table, 05.02.
18:00-19:45 Unjostierbar
19:45-20:15 Fliss
💖CAKE💖
20:15-21:45 Soyklō
21:45-22:00 Miss Bashful
22:00-24:00 Kinga
@missbashful_xoxo @soyyklo@thisfliss @linkabozsemoj @unjostierbar @laurianedaphnecarl
I HEALED YOU FIRST, 2025
Lauriane Daphne Carl
I HEALED YOU FIRST replicates the family dinner table / crime scene from Richard Kern’s You Killed Me First, where the scapegoat child is criticised, judged, degraded and ultimately pushed to lethal violence, reflecting the dynamics of conservative family systems that punish neurodivergent or queer children who do not fit parental ideologies.
Carl’s installation presents a dinner table with four seats, one on each end, set with broken glass, plates, cutlery and a semi white tablecloth. As if stained in red wine or purple strangling marks, the cloth carries a feminist tradition.
Collages of biblical, mythological, tarot and meme symbolism, interwoven with childhood photos of the artist’s family and laurel trees. On closer inspection, the tablecloth reveals a printed trauma script, rewritten with a therapist to allow emancipation as a survivor, the overcoming of shame and the sublimation of anger.
I HEALED YOU FIRST uses the dinner table as site of confrontation in the domestic space, now split apart and shared with the public, like a cake at a birthday party.
This work is a testament to dysfunctional families and their toxic dynamics, but also a love letter to neuroplasticity and how the queer chosen family and cross disciplinary art making can heal us, so we can feel at home again in our bodies.
The installation is activated by chosen family member
FLISS on the 5th of February at Torte Berlin.#torte #laurianedaphnecarl #berlin
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
I HEALED YOU FIRST // I’LL FIND YOU LATER
@daphnethehunter & @ruin_klarity
24.01.2026
@spazio.neo “Green” @hamar_production
Captures by @limanetaha
FUNDRAISER FOR FREE SELF DEFENSE and Muay Thai classes for women and LGBTQIA+ people, combating the rise of right-wing violence and femicide in Germany
@unjostierbar asked me to exhibit at the monthly event tortenversand at @torte_bar_berlin & I decided to make it a fundraiser for @freeselfdefense
Showing my work I HEALED YOU FIRST’. This time @thisfliss will perform at the table as queer chosen family member.
followed by bouncyful & breaky dj sets by @linkabozsemoj @soyyklo @unjostierbar
@missbashful_xoxo is contributing with a few sexy songs too🥵🥵
Entry - donation based - no one will be turned away for money, but if you can pay, do so
All profits are going to the beloved trainers and the space
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.