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New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

New Wave article out now in British Cinematographer magazine. Thank you @britishcinematographer and @casarottoramsay

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Fun story: when I was 14 I bought a DVD of short films with my paper round money. On it, alongside a Ridley Scott short was a playful film called ‘Je T’aime John Wayne’ by Toby Macdonald. This happened long before it was a conscious thought for me that real people made films as an actual job. I think I bought it because it looked artsy and trying to have a hat faze felt too risky. Skip forward 17 years and I watch a short film which producer @lizzrus sends to me, to see if I’d like to meet with the director for a new tv series. The short was called ‘Je T’aime John Wayne’, by Toby Macdonald. It didn’t dawn on me immediately where I had seen it before, but I’m now, in a very satisfying and delayed full circle kinda way, thoroughly enjoying how it all began. This piece that I’m posting about, I had the great pleasure of shooting with Toby. It’s called ‘Ragdoll’ and I hope it’s the first of many we make together. What a joy to work with this lover of cinema and total enabler of the creatives around him. And thank you again to Lizzie, who continues to be an absolute legend with all the sweet hookups.
.
Director: Toby Macdonald
Writer: Freddy Syborn
Prod: @lizzrus & @sidgentle
Co-Producer: Pat Lees
1st AD: Andrew Perry / Terry McShane
Production Designer: Alison Butler
Costume Designer: @eleanorbakercostumedesign
HMU Design: @hollyedwardsmakeupofficial
Colourist: @gspensley @company_3
Thanks to the fine folk @casarottoramsay @panavisionofficial 🎥 @slinny34 @pixipixeluk 💡
.
DOP: @davepimm
B Cam Op/Steadicam: @emilio_schlappi
A 1st AC: @tony.sharps
B 1st AC: @emildavidov
A 2nd AC: @stephen_dunn
B 2nd AC: @cwardreid
A Cam Trainee: @j_ighodaro
B Cam Trainee: @lucybfilm
DIT: Richard Newton
QTake Op: Sharky
QTake Trainee: Rianna Brown
2nd Unit DOPs: @ajlittle @si.sus.dop
Dailies Cam Gems: @steadibainbridge @jackharrisonfilm
Pickups Cam Gems: Mike Scott, @alonsomonedero, @cehulme, @b.ridiebennett, Jason Wingrove, @elliespiga
.
Key Grip: @_danrees_
B Cam Grip: @cali_grip
Grip Assist: Daly Paterson
.
Gaffer: Paul Parker
Best Boy: @samvirtue93
LX Tech: Jordan Brown
LX Tech: @charlieparker_18
LX Tech: Adrian Atkinson
LX Tech: @hunterfrith

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

Save Me Too wins Best Drama at the BAFTAs. Well done you amazing cast and crew x

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

We wrapped Sweetpea S2 a few weeks ago and I’m missing the cast and crew very much. What a brilliant group who are as lovely as they are clever, talented and incredibly hard working. So fun to get to team up with old friends @nickmorris____ @ellasjones @adam.zimmerman @jtbsena - who I shot my first shorts with, and Coky my first TV series with. This project brought us back together as if by magic. Thank you all!

The Pigs Underneath screens tonight at TIFF! So hyped. Congrats to my great friend Writer Director @charliewdennis who I hope has a deliciously messy night celebrating. Thanks for having me on board to shoot this with you. From the West Midlands to Toronto via @monkeypawproductions @universalpicturesuk @lowkeyfilms and @sentifilms with an amazing cast and crew. Well done everyone 👏🏻 can’t wait to see the other No Drama films. Credits below

Writer / Director / Editor: Charlie Dennis
Starring: @joshtedeku Vinnete Robinson and Rochenda Sandals
Producers: Connor O’Hara, Jamie Gamache, Rem Conway
Production Designer: Declan Price
Costume Designer: Vikki Jones
HMU Designer: Veronica McAleer
1st AD: Joe Starrs
DOP: @davepimm
1st AC: @gosiazur
2nd AC: Stanley Blundell
Key Grip: Brandon Lamerton
Gaffer: @Jonah_dali
Supporting Gaffer: Ian Glenister
Spark: Lawaiza Hussain
Spark: James Gandy
2nd Unit Director: @novocem
2nd Unit DOP: @j_ighodaro
2nd Unit 1st AC: Chris Orr
Colourist: @garethhardingthomas
🎥 kit: @panavision @kirstiescamera @junction.rentals @edwards_films
💡 kit: @panaluxworld

Thank you brilliant team 🙌🏻

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

Heart left behind 🎬🩶
A few moments from the short film

One Super 8 cartridge. One take.
No editing, no retakes — just raw, real, in-the-moment magic.

Massive thanks to Paul for trusting me as your lead — such a pleasure 🤍

🎞️ Written + directed by @pjdingwall
📸 DOP: @davepimm
🎭 : @philocalist.neda & Ottilie

As Good As Gold ✨ 🧈
Had the absolute pleasure of directing this little vid for the dreamy collab between @alldaygoods x @kerrygold_uk! Knives dropping soon!

Director: 👋
Producer: @ef.osa
DOP: @davepimm
Focus Puller: @gosiazur
Grip: @will_miles9
Gaffer: Ian Glenister
Spark: @jonah_dali
Runner: @reuben.ansah
Editor & VFX: @collict
Kit Hire: @junction.rentals @panaluxworld
Hand Model: @chevin_dash_actor

Big love to everyone who helped bring this to life — if I’ve missed anyone, drop me a message! Didn’t have all the s on hand.

#femalefilmmaker #commercialdirector #LondonDirector #WomenInFilm #setlife

As Good As Gold ✨ 🧈
Had the absolute pleasure of directing this little vid for the dreamy collab between @alldaygoods x @kerrygold_uk! Knives dropping soon!

Director: 👋
Producer: @ef.osa
DOP: @davepimm
Focus Puller: @gosiazur
Grip: @will_miles9
Gaffer: Ian Glenister
Spark: @jonah_dali
Runner: @reuben.ansah
Editor & VFX: @collict
Kit Hire: @junction.rentals @panaluxworld
Hand Model: @chevin_dash_actor

Big love to everyone who helped bring this to life — if I’ve missed anyone, drop me a message! Didn’t have all the s on hand.

#femalefilmmaker #commercialdirector #LondonDirector #WomenInFilm #setlife

As Good As Gold ✨ 🧈
Had the absolute pleasure of directing this little vid for the dreamy collab between @alldaygoods x @kerrygold_uk! Knives dropping soon!

Director: 👋
Producer: @ef.osa
DOP: @davepimm
Focus Puller: @gosiazur
Grip: @will_miles9
Gaffer: Ian Glenister
Spark: @jonah_dali
Runner: @reuben.ansah
Editor & VFX: @collict
Kit Hire: @junction.rentals @panaluxworld
Hand Model: @chevin_dash_actor

Big love to everyone who helped bring this to life — if I’ve missed anyone, drop me a message! Didn’t have all the s on hand.

#femalefilmmaker #commercialdirector #LondonDirector #WomenInFilm #setlife

This may be the dumbest thing I’ve ever made 😂

A project I wrote and directed —but only happened because of this incredible team 🤩

🎬 Director – 👋
📝 Producer - @ef.osa
📷 DOP – @davepimm
🎥 Focus Puller – @t_khan_focuspuller
💡 Gaffer – @wolfgangmalbas
🎙 Sound Recordist – Steve Pritchard steve.sound@me.com
🎧 Sound Design/Mix – @balsoundlondon
– @alexics_
💄 MUA – @Raebeautyuk_
🎬 Runner – @Reuben.ansah
✂️ Edit - 👋
🎨 Grade – @joshborrill.mov
🎥 Kit - @hamish_anderson_dop @junction.rentals

Thank you all so much!

#ronin4d #commercialdirector #femalefilmmaker #femaledirector #comedycommercial

Much of Ep 6 of We Were the Lucky Ones revolves around Bella and Jacob, played delicately by @evafeiler and @amitrahav . This is an early scene, a love letter expressing how difficult separation must have been with so few ways of communicating. Delicately operated on steadicam by the maestro @_alexandrudurac while exploring James Merrifield’s beautifully detailed sets put together by his brilliant team in Bucharest

Director: @amitravigupta
Show Runner / Writer: @ericalipez
Based on the book by: @georgiahunter
Director of Photography: @davepimm
Costume Designer: @lisawduncan
Hair & Makeup Designer: @lyndaarmstrongdesigner
1st AD: @claireletoret
Gaffer: @florinlights
Key Grip: @cristitoaderkeygrip
A Cam Op: @jackotiltandpan
Production Sound: Liviu Lupsa
Editor: Jonah Moran
VFX Supervisor: Oliver Cubbage
Colourist: @romanhankewycz @harborpictureco

We Were the Lucky Ones: Critics Choice nominee for Best Limited Series and LA Times best TV of 2024 list. Congrats also to @loganlerman for his best supporting actor nom. Amazing team 🙌🏻

We Were the Lucky Ones: Critics Choice nominee for Best Limited Series and LA Times best TV of 2024 list. Congrats also to @loganlerman for his best supporting actor nom. Amazing team 🙌🏻

Rhoda trailer. Screening again this eve at LFFbas part of Trials and Tribulations. A fantastic programme of intense little movies. Go grab a seat if you can. Rhoda: Written and Directed by Alex Lawther, starring @julietstevenson and @emmaziadarcy

Produced by @robrear and Andy Brunskill through @mrmrfilms and @sums_film_media

HODs @matty.mancey @clackjements @rose_esme_lucas @diandraferreira Richard Thomas, Amy Upchurch@mghamiri @annabsavage @sophiewilliam_s

Camera
DOP @davepimm 🙋🏻‍♂️ @casarottoramsay
@tony.sharps
@niivama
@frankie.cilia

Lighting
@abi.hurcomb
@tanyaringer
Kevin Malbas
Tim Corke
Cameron Houston

Grip
@callumakawoody

DIT
@katnewtonfilm

Colourist
@garethhardingthomas
@company_3

🎥: @Panavision
💡: @shl.London

@rhodashortfilm will premier at LFF in October! This was such a creative joy to make with hugely collaborative and generous Writer Director Alex Lawther, who returns with a fantastically bold film, so different to his last. Tickets on sale 17th Sept, please come watch on the big screen.

Stunning performances from @julietstevenson and @emmaziadarcy

Produced by the lovely, supportive and endlessly positive @robrear and Andy Brunskill through @mrmrfilms and @sums_film_media

Huge thanks to @kirstiescamera @Panavision @garethhardingthomas @gspensley @company_3 @tanmoyekhan_dop @stephen_dunn @frankie.cilia for helping with a lot of testing to get to the look for this, which we’re all so happy with and feels so right for the story

Congrats wonderful HODs for your beautifully creative work @matty.mancey @clackjements @rose_esme_lucas @diandraferreira Richard Thomas, Amy Upchurch@mghamiri @annabsavage Emma 📸 by @sophiewilliam_s

And thank you to my killer team, legends the lot of you

Lighting
@abi.hurcomb
@tanyaringer
Kevin Malbas
Tim Corke
Cameron Houston

Grip
@callumakawoody

Camera
@tony.sharps
@niivama
@frankie.cilia

DIT
@katnewtonfilm

Colourist
@garethhardingthomas
@company_3

Cameras: @kirstiescamera @Panavision
Lighting: @shl.London

@rhodashortfilm will premier at LFF in October! This was such a creative joy to make with hugely collaborative and generous Writer Director Alex Lawther, who returns with a fantastically bold film, so different to his last. Tickets on sale 17th Sept, please come watch on the big screen.

Stunning performances from @julietstevenson and @emmaziadarcy

Produced by the lovely, supportive and endlessly positive @robrear and Andy Brunskill through @mrmrfilms and @sums_film_media

Huge thanks to @kirstiescamera @Panavision @garethhardingthomas @gspensley @company_3 @tanmoyekhan_dop @stephen_dunn @frankie.cilia for helping with a lot of testing to get to the look for this, which we’re all so happy with and feels so right for the story

Congrats wonderful HODs for your beautifully creative work @matty.mancey @clackjements @rose_esme_lucas @diandraferreira Richard Thomas, Amy Upchurch@mghamiri @annabsavage Emma 📸 by @sophiewilliam_s

And thank you to my killer team, legends the lot of you

Lighting
@abi.hurcomb
@tanyaringer
Kevin Malbas
Tim Corke
Cameron Houston

Grip
@callumakawoody

Camera
@tony.sharps
@niivama
@frankie.cilia

DIT
@katnewtonfilm

Colourist
@garethhardingthomas
@company_3

Cameras: @kirstiescamera @Panavision
Lighting: @shl.London

@rhodashortfilm will premier at LFF in October! This was such a creative joy to make with hugely collaborative and generous Writer Director Alex Lawther, who returns with a fantastically bold film, so different to his last. Tickets on sale 17th Sept, please come watch on the big screen.

Stunning performances from @julietstevenson and @emmaziadarcy

Produced by the lovely, supportive and endlessly positive @robrear and Andy Brunskill through @mrmrfilms and @sums_film_media

Huge thanks to @kirstiescamera @Panavision @garethhardingthomas @gspensley @company_3 @tanmoyekhan_dop @stephen_dunn @frankie.cilia for helping with a lot of testing to get to the look for this, which we’re all so happy with and feels so right for the story

Congrats wonderful HODs for your beautifully creative work @matty.mancey @clackjements @rose_esme_lucas @diandraferreira Richard Thomas, Amy Upchurch@mghamiri @annabsavage Emma 📸 by @sophiewilliam_s

And thank you to my killer team, legends the lot of you

Lighting
@abi.hurcomb
@tanyaringer
Kevin Malbas
Tim Corke
Cameron Houston

Grip
@callumakawoody

Camera
@tony.sharps
@niivama
@frankie.cilia

DIT
@katnewtonfilm

Colourist
@garethhardingthomas
@company_3

Cameras: @kirstiescamera @Panavision
Lighting: @shl.London

@rhodashortfilm will premier at LFF in October! This was such a creative joy to make with hugely collaborative and generous Writer Director Alex Lawther, who returns with a fantastically bold film, so different to his last. Tickets on sale 17th Sept, please come watch on the big screen.

Stunning performances from @julietstevenson and @emmaziadarcy

Produced by the lovely, supportive and endlessly positive @robrear and Andy Brunskill through @mrmrfilms and @sums_film_media

Huge thanks to @kirstiescamera @Panavision @garethhardingthomas @gspensley @company_3 @tanmoyekhan_dop @stephen_dunn @frankie.cilia for helping with a lot of testing to get to the look for this, which we’re all so happy with and feels so right for the story

Congrats wonderful HODs for your beautifully creative work @matty.mancey @clackjements @rose_esme_lucas @diandraferreira Richard Thomas, Amy Upchurch@mghamiri @annabsavage Emma 📸 by @sophiewilliam_s

And thank you to my killer team, legends the lot of you

Lighting
@abi.hurcomb
@tanyaringer
Kevin Malbas
Tim Corke
Cameron Houston

Grip
@callumakawoody

Camera
@tony.sharps
@niivama
@frankie.cilia

DIT
@katnewtonfilm

Colourist
@garethhardingthomas
@company_3

Cameras: @kirstiescamera @Panavision
Lighting: @shl.London