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‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

‘Real Magic’ - @real.magic.film
🔎1- GRAFLEX Optar 135mm f/4.7
🔎2- SCHNEIDER Angulon 90mm f/6.8
🔎3- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎4- GRAFLEX Optar 135mm f/4.7
🔎5- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎6- GRAFLEX Optar 135mm f/4.7
🔎7- GRAFLEX Optar 135mm f/4.7
🔎8- GRAFLEX Optar 135mm f/4.7
🔎9- SCHNEIDER Tele-Xenar 240mm f/5.6
🔎10- GRAFLEX Optar 135mm f/4.7
🔎11- GRAFLEX Optar 135mm f/4.7
📹 GRAFLEX Graphic View (4x5 Large Format)
🔎 MAMIYA Sekor- C 50mm f/2.8*
📹 SONY FX9*
*The SONY FX9, with the MAMIYA Sekor-C, films the ground glass of the GRAFLEX Graphic View, which has large format lenses mounted on it.
Dir./Dp. @dczaczyk
.
.
#lensaddiction #largeformat #graflex #schneiderlens #sonyfx9 #lensporn #cinematography is

Excerpts from an ad for @cafedemama_la that I created, with music from @bronsenvidas and food styling by @adalidarnd.

Excerpts from an ad for @cafedemama_la that I created, with music from @bronsenvidas and food styling by @adalidarnd.

Excerpts from an ad for @cafedemama_la that I created, with music from @bronsenvidas and food styling by @adalidarnd.

Excerpts from an ad for @cafedemama_la that I created, with music from @bronsenvidas and food styling by @adalidarnd.

Excerpts from an ad for @cafedemama_la that I created, with music from @bronsenvidas and food styling by @adalidarnd.

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

Clips from “The Actor” shot on the BW Alexa 65with ARRI Rental Prime 65’s, DNA’s, ARRI Rental Prime Vintage 765’s, and Arri Rental 50-110.

IR filter was removed so check out the last video to see some of the challenges we faced lighting the set. It’s my first time shooting like this so the way the lighting behaved was a fun challenge. This was a tiny passion project that was lucky to get its crew and gear so thanks to everyone listed down below. Biggest feat was making this set look so good with only an 8 hour window for loading in and tail lights.

Cast: @pillow_lecture @classicanza @rilesanthony

Crew:
Directed by @iansteelela
Cinematography by @dczaczyk
Production Design by @amelia.czaczyk
Edited by @iansteelela
Cam op @karlbohn_34
1st AC Ricardo Garcia
2nd AC @karen.kohn
Sound by Armand Gilmore
OST by @rilesanthony
Set Decorator @taylrfostr

#Alexa65 #infrared #dna

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

My mother is already settled in her hometown in Poland, and my dad is soon joining her. We spent a month on the road together, camping up and down the west coast along with a few of his college buddies. Towards the end we were able to set up camp in ten minutes, tents and all. Wrapping up would have almost the same if it weren’t for drawn out, greasy breakfasts, which I didn’t care for, but it felt good to slow down. My brother, who’s lived in Wroclaw for years now, also joined for a stint. Hopefully I speak better Polish now than a month ago. All photos shot on my Mamiya 645 Pro TL.

Getting there on the rough cut…thanks to everyone who helped. We could still use more!

Big thanks to our gaffer @nicky_sox , cam op @isaak_kimmel and AC @rich.fiction . And in front of the camera, @rilesanthony and @bobkiner . They’re a few of the many who made these images possible with their hard work and patience. BTS @isaak_kimmel

#thelongway #largeformat #fx9 #sony #filmmaking #realmagic #sonycinema

“We have an IMAX camera at home” Come check out an actually Large Format Cinema camera at @lafilmlab tomorrow 6/18 4:30pm in Los Angeles #imax #film #largeformatcamera #largeformatphotography #cinema

If you wanted to check out how the large format rig works and get any questions answered, come to @lafilmlab this Wednesday June 18th to check it out! 4:30pm to 6pm. They’ve been gracious enough to open their doors to us, so I’ll go in depth with all the problems I faced, the solutions I used, and we’ll even get to do some digital video and analog portraits. LA Film lab is one of the only places in LA to develop large format film, so it’s the perfect place to check it out. We’ve made some progress on the camera build thanks to our crowdfunding campaign, and here I’ll be showing off our intermediary design. Come on through!

If you wanted to check out how the large format rig works and get any questions answered, come to @lafilmlab this Wednesday June 18th to check it out! 4:30pm to 6pm. They’ve been gracious enough to open their doors to us, so I’ll go in depth with all the problems I faced, the solutions I used, and we’ll even get to do some digital video and analog portraits. LA Film lab is one of the only places in LA to develop large format film, so it’s the perfect place to check it out. We’ve made some progress on the camera build thanks to our crowdfunding campaign, and here I’ll be showing off our intermediary design. Come on through!

If you wanted to check out how the large format rig works and get any questions answered, come to @lafilmlab this Wednesday June 18th to check it out! 4:30pm to 6pm. They’ve been gracious enough to open their doors to us, so I’ll go in depth with all the problems I faced, the solutions I used, and we’ll even get to do some digital video and analog portraits. LA Film lab is one of the only places in LA to develop large format film, so it’s the perfect place to check it out. We’ve made some progress on the camera build thanks to our crowdfunding campaign, and here I’ll be showing off our intermediary design. Come on through!

We’ve shot about half the film, and now we have less than two months to raise what we need to finish it. Check out the link in my bio and consider helping us get this file made. First project of its kind, filming the ground glass of a large format camera. #largeformat #4x5 #film #TTL #IMAX

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

In late 2024 I started production on @real.magic.film , the first narrative (at least for right now) to be shot entirely using a large format camera. It’s about a young man who perpetually disappoints his strict parents, and now his childhood imaginary friend has come back in to his life. We’re fiscally sponsored by @filmindependent , meaning your donations are tax deductible. I’ll be posting more about it soon but check out @real.magic.film for more details! Link to donate is in my bio. Thank you! BTS Photos by @jakekrantz

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

My film “The Handshake” is live now in the link in my bio, do me a big favor and check it out :)

It’s been over a year since we shot it, a lot has happened. One of my sweet chickens, Shelly, passed, and my car was totaled on my way to build her a memorial planter, pictured at the end. But I’m working on a new film now that I’m very excited about, and can’t wait to share some more about…

A big thank you again to everyone involved. Especially our DP @nicky_sox ,AD @mr_oppertunity , collaborators @rilesanthony and @iansteelela , and our actors @eduardompulido and @damienfoley1997 .

1st pic@cws_dp
8th pic @teeper

Swipe for a scene from the movie. I’m excited and honored to share that we’re playing at @cotbfilmfest in Louisiana on January 25th. Visiting there will be a momentary getaway from the stress over here in Los Angeles and I’m grateful for that. I’ve added a link to get tickets on my website under “The Handshake”.

This film gets its name from a moment that comes soon after this scene. A bullied and humiliated delivery driver suddenly gets a green light to punch his aggressor. Then three more times, then again.

Two people at opposite points of their careers and lives explore violence and its potential for catharsis and deep shame.

Swipe for a scene from the movie. I’m excited and honored to share that we’re playing at @cotbfilmfest in Louisiana on January 25th. Visiting there will be a momentary getaway from the stress over here in Los Angeles and I’m grateful for that. I’ve added a link to get tickets on my website under “The Handshake”.

This film gets its name from a moment that comes soon after this scene. A bullied and humiliated delivery driver suddenly gets a green light to punch his aggressor. Then three more times, then again.

Two people at opposite points of their careers and lives explore violence and its potential for catharsis and deep shame.

Swipe for a scene from the movie. I’m excited and honored to share that we’re playing at @cotbfilmfest in Louisiana on January 25th. Visiting there will be a momentary getaway from the stress over here in Los Angeles and I’m grateful for that. I’ve added a link to get tickets on my website under “The Handshake”.

This film gets its name from a moment that comes soon after this scene. A bullied and humiliated delivery driver suddenly gets a green light to punch his aggressor. Then three more times, then again.

Two people at opposite points of their careers and lives explore violence and its potential for catharsis and deep shame.

Swipe for a scene from the movie. I’m excited and honored to share that we’re playing at @cotbfilmfest in Louisiana on January 25th. Visiting there will be a momentary getaway from the stress over here in Los Angeles and I’m grateful for that. I’ve added a link to get tickets on my website under “The Handshake”.

This film gets its name from a moment that comes soon after this scene. A bullied and humiliated delivery driver suddenly gets a green light to punch his aggressor. Then three more times, then again.

Two people at opposite points of their careers and lives explore violence and its potential for catharsis and deep shame.

My film, The Handshake, is screening Dec. 10th at the LA Live Regal in DTLA with the Culver City Film Festival. I’ll share a link on my website if you live in LA and want to check it out!

Almost exactly a year ago I directed this short film with a lot of friends. I’m incredibly thankful for @eduardompulido and @damienfoley1997 starring in this film, and @nicky_sox for shooting it. It’s about a struggling delivery driver who’s lured in to an ex championship fighters home in hopes for a tip, but ends up playing a role in his violent coping mechanism. I created the story and @iansteelela wrote the screenplay.

Starring: @eduardompulido @damienfoley1997

Director: Dominik Czaczyk
Assistant Director: @mr_oppertunity
Written by: @iansteelela
Producer: @rilesanthony
Director of Photography: @nicky_sox
AC: Andre Valenstov
Gaffer: @captainkorea97
HMU: Courtney Berenschot
Fight Choreographer: @pillow_lecture

Trailer Soundtrack: @its.bronni

Commentator: @darriangreene