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delphi_space
DELPHI e.V.
In Schichten
Opening: March 27– May 17
Group exhibition curated by Lou von der Heyde
Rahmenprogramm zur Ausstellung IN SCHICHTEN
DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.
***Eintritt auf Spendenbasis***
Rahmenprogramm zur Ausstellung IN SCHICHTEN
DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.
***Eintritt auf Spendenbasis***
Rahmenprogramm zur Ausstellung IN SCHICHTEN
DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.
***Eintritt auf Spendenbasis***
Rahmenprogramm zur Ausstellung IN SCHICHTEN
DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.
***Eintritt auf Spendenbasis***
Rahmenprogramm zur Ausstellung IN SCHICHTEN
DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.
***Eintritt auf Spendenbasis***
Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!
Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!
Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”
1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”
1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).
On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.
With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).
📸: Dario Kieffer (@dariokieffer)
Opening at DELPHI_Space in Freiburg im Breisgau
Group exhibition with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek
#delphispacefreiburg #ArtFreiburg #kunstinfreiburg #FreiburgArtGuide #kunstfreiburg
IN SCHICHTEN
mit Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou und Rafał Skoczek
Eröffnung am 27. März 2026, 18 Uhr
Geöffnet vom 28. März bis zum 17. Mai 2026
In IN SCHICHTEN ist Schichtung materielle und soziale Ablagerung. Geschichte erscheint als Verdichtung institutioneller Ordnungen und Bewegungsbahnen. Spiegelungen, Faltungen und Dopplungen lenken den Blick auf das Bild als Gefüge, auf seine Ränder, seine blinden Flecken und Wiederholungen. Zeit zeigt sich in Routine, in der fortlaufenden Ordnung von Aufgaben und in der Spur im Material. Orte sind Konstellationen heterogener Trajektorien, deren Zusammenkommen eine Gegenwart bildet.
kuratiert von Lou von der Heyde
__
IN SCHICHTEN
with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek
Opening 27 March 2026, 6 pm
Open 28 March to 17 May 2026
In IN SCHICHTEN, stratification is material and social accretion. History appears as a compression of institutional configurations and pathways of movement. Reflections, folds, and doublings draw attention to the image as an arrangement, to its edges, its blind spots, and its repetitions. Time becomes apparent in routine, in the ongoing ordering of tasks, and in material trace. Places are constellations of heterogeneous trajectories whose convergence forms a present.
Curated by Lou von der Heyde
@_louvdh
Artists:
@pllllb
@philippfarra
@franciisfrings
@mancomania_
@graham__hamilton
@mariettamvr
@rufiodoom
Design:
@max_schropp
@ctms.studio
With the kind support by
@stadt_freiburg
@sparkasse.sfnb
@regierung_bw
IN SCHICHTEN
mit Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou und Rafał Skoczek
Eröffnung am 27. März 2026, 18 Uhr
Geöffnet vom 28. März bis zum 17. Mai 2026
In IN SCHICHTEN ist Schichtung materielle und soziale Ablagerung. Geschichte erscheint als Verdichtung institutioneller Ordnungen und Bewegungsbahnen. Spiegelungen, Faltungen und Dopplungen lenken den Blick auf das Bild als Gefüge, auf seine Ränder, seine blinden Flecken und Wiederholungen. Zeit zeigt sich in Routine, in der fortlaufenden Ordnung von Aufgaben und in der Spur im Material. Orte sind Konstellationen heterogener Trajektorien, deren Zusammenkommen eine Gegenwart bildet.
kuratiert von Lou von der Heyde
__
IN SCHICHTEN
with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek
Opening 27 March 2026, 6 pm
Open 28 March to 17 May 2026
In IN SCHICHTEN, stratification is material and social accretion. History appears as a compression of institutional configurations and pathways of movement. Reflections, folds, and doublings draw attention to the image as an arrangement, to its edges, its blind spots, and its repetitions. Time becomes apparent in routine, in the ongoing ordering of tasks, and in material trace. Places are constellations of heterogeneous trajectories whose convergence forms a present.
Curated by Lou von der Heyde
@_louvdh
Artists:
@pllllb
@philippfarra
@franciisfrings
@mancomania_
@graham__hamilton
@mariettamvr
@rufiodoom
Design:
@max_schropp
@ctms.studio
With the kind support by
@stadt_freiburg
@sparkasse.sfnb
@regierung_bw
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026
Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).
📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;
#contemporaryart #artisttoday #lowgroundpressure #arttoday artist
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
DREAMS:WORK
Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.
*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen
*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.
*the whole text by @olgahohoh you can read in the exhibition
@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn
With a Performance on January 4th by @nataschamoschini
Curated by @_kthrngrn_ @max_7haar #danielvollmer
Photos @dariokieffer
JAHRESGABEN 25 | WINTERAUKTION
**************************************
AM 13. DEZEMBER VERSTEIGERT DELPHI_SPACE ÜBER 50 WERKE ZEITGENÖSSISCHER KÜNSTLER*INNEN. AM 12. DEZEMBER KÖNNEN DIE ARBEITEN BEI EINER OFFENEN PREVIEW BESICHTIGT WERDEN. DIE STARTGEBOTE DER KUNSTWERKE LIEGEN ZWISCHEN 20€ UND 2000€.
EINEN AUKTIONSKATALOG FINDEST DU UNTER WWW.DELPHI-SPACE.COM *(LINK IN BIO)
******************************************
AUF VIEL FREU(N)DE!!!
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.