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I made this for an application and thought I should share it with you and all the bookers out there :)) you can contact me via email or dm xx
Your songstress, fashion, comedy, legend showgirl xx

Heya, I’m finally fundraising for FFS (with the help of my partner Peach)!!!!!Woohooo!!!

Since coming out as trans six years ago this has been such a big goal of mine so finally taking this step towards feeling home in my body means so much to me.
Thank you so much for everyone who has been there along the way and for who is gonna support me now on this new journey.
Please find more info on my gofundme page and please please please share this! Thank you, thank you, thank you!!! ❤️❤️❤️

Find the link to my fundraiser in my bio x

Lots of love,
Princess Die ❤️

Our little queer mouths are watering because the delicious @die.lemma is going to be performing on the t’ARTopia stage next week on 14th May @vfdalston 💧

Get your hands on tickets via the link in our bio now!

#queercabaret #drag #dragevent #queerevents #queerperformance

Our little queer mouths are watering because the delicious @die.lemma is going to be performing on the t’ARTopia stage next week on 14th May @vfdalston 💧

Get your hands on tickets via the link in our bio now!

#queercabaret #drag #dragevent #queerevents #queerperformance

Our little queer mouths are watering because the delicious @die.lemma is going to be performing on the t’ARTopia stage next week on 14th May @vfdalston 💧

Get your hands on tickets via the link in our bio now!

#queercabaret #drag #dragevent #queerevents #queerperformance

ARTIST SPOTLIGHT🎭: @die.lemma

Die Lemma is a trans femme artist of German and Ethiopian heritage who’s work blends music and drag, disrupting conformity with her incredibly unique performance. The self described drag troll has showcased her work all over London clubs, theatres, galleries and beyond - come and see her wreak havoc at POMP! On 29th May.

TICKETS IN BIO!🎟️🎟️🎟️🎟️🫵🫵🫵

ARTIST SPOTLIGHT🎭: @die.lemma

Die Lemma is a trans femme artist of German and Ethiopian heritage who’s work blends music and drag, disrupting conformity with her incredibly unique performance. The self described drag troll has showcased her work all over London clubs, theatres, galleries and beyond - come and see her wreak havoc at POMP! On 29th May.

TICKETS IN BIO!🎟️🎟️🎟️🎟️🫵🫵🫵

ARTIST SPOTLIGHT🎭: @die.lemma

Die Lemma is a trans femme artist of German and Ethiopian heritage who’s work blends music and drag, disrupting conformity with her incredibly unique performance. The self described drag troll has showcased her work all over London clubs, theatres, galleries and beyond - come and see her wreak havoc at POMP! On 29th May.

TICKETS IN BIO!🎟️🎟️🎟️🎟️🫵🫵🫵

ARTIST SPOTLIGHT🎭: @die.lemma

Die Lemma is a trans femme artist of German and Ethiopian heritage who’s work blends music and drag, disrupting conformity with her incredibly unique performance. The self described drag troll has showcased her work all over London clubs, theatres, galleries and beyond - come and see her wreak havoc at POMP! On 29th May.

TICKETS IN BIO!🎟️🎟️🎟️🎟️🫵🫵🫵

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

There’s a movement in drag that yearns for a return to the dark, the weird and the shocking. When I ask @die.lemma about the state of drag now versus a few decades ago, she gives a pertinent reminder of the art form’s alternative roots.

“It used to be very political, it had this gender-bender weirdness and punkness to it. We moved to a very sterilised idea of what drag can be… We need to go back almost, go more punk and underground, to celebrate weirdness and extreme drag. I like to scare people in the audience. If I’m in the audience, I want to feel something.”

All the artists I speak to agree that the allure of money, fame and television has contributed to an influx of drag in London that they call “sterilised”, “ka-kitty-ka-ka” and “neoliberal bullshit”. The misconception that drag is an unserious art without craft or history or political implications is increasingly personified by superstar wannabes taking it up as a hobby.

How do we go back? We can look to honesty, confront our egos and embrace the strangeness of each other in our communities – and, at the same time, we can prioritise fun. We can protest the harshness and the fascism of our world by being unabashedly authentic with one another.

Words by @hollysewell_
Edited by @phoebe.la.pirata
Photography in this post by @sundrugs except slide 7 (@jdyevns)

Other article photos by @leahgordonsart @edenssspics @_100fires_ @hmittelstaedtphotography @danilozc

Featuring @lalafromtheairvideo @femmibitch69 @puf.the @pettynonsense @distressed_jean_ @die.lemma @majordomdrag @ishmaelskirby @cyrodragthing

THERE IS NO ONE DOING IT LIKE @die.lemma - fight me !!!!

Die Lemma is a trans femme artist of German and Ethiopian heritage, blending the worlds of music and drag.

Her vocal performances pay homage to black music and old cabaret. Situated in the trans body, they disrupt prescriptive ideas of gender. In its place, she weaves reimagined possibilities using costume, craft and paint. Die Lemma regularly works all around London and beyond in queer venues and nightclubs but her work has also taken her to venues such as the National Theatre, Southbank Center, Barbican, the Roundhouse, Glastonbury Festival and the Box. She recently won the drag competition Top of the slops Allstars and recently sold out her first Drag theatre show, Peach, Shit & Die, with collaborator Masc Peach.

We absolutely adore @die.lemma and that's why we've booked her THREE times 😍😍🔥

Whoever snatches those last couple tickets is a lucky bugger 🤭

THERE IS NO ONE DOING IT LIKE @die.lemma - fight me !!!!

Die Lemma is a trans femme artist of German and Ethiopian heritage, blending the worlds of music and drag.

Her vocal performances pay homage to black music and old cabaret. Situated in the trans body, they disrupt prescriptive ideas of gender. In its place, she weaves reimagined possibilities using costume, craft and paint. Die Lemma regularly works all around London and beyond in queer venues and nightclubs but her work has also taken her to venues such as the National Theatre, Southbank Center, Barbican, the Roundhouse, Glastonbury Festival and the Box. She recently won the drag competition Top of the slops Allstars and recently sold out her first Drag theatre show, Peach, Shit & Die, with collaborator Masc Peach.

We absolutely adore @die.lemma and that's why we've booked her THREE times 😍😍🔥

Whoever snatches those last couple tickets is a lucky bugger 🤭

THERE IS NO ONE DOING IT LIKE @die.lemma - fight me !!!!

Die Lemma is a trans femme artist of German and Ethiopian heritage, blending the worlds of music and drag.

Her vocal performances pay homage to black music and old cabaret. Situated in the trans body, they disrupt prescriptive ideas of gender. In its place, she weaves reimagined possibilities using costume, craft and paint. Die Lemma regularly works all around London and beyond in queer venues and nightclubs but her work has also taken her to venues such as the National Theatre, Southbank Center, Barbican, the Roundhouse, Glastonbury Festival and the Box. She recently won the drag competition Top of the slops Allstars and recently sold out her first Drag theatre show, Peach, Shit & Die, with collaborator Masc Peach.

We absolutely adore @die.lemma and that's why we've booked her THREE times 😍😍🔥

Whoever snatches those last couple tickets is a lucky bugger 🤭

I booked my surgery for FFS! It’s on the 15th of December!!! 🎉🎉🏥🏥 …but I still need your help ❤️
So thankful for everyone who has supported me so far but there’s still a lot to raise and the clock is ticking ⏰
Please keep supporting and sharing so I can raise the money and won’t stress out like crazy with the date coming closer😬😬
Link of my gofundme is in my bio xx
For illustrative purposes here are some pics of Peach and me in Paris (where I will have my surgery) 🗼🥖

I booked my surgery for FFS! It’s on the 15th of December!!! 🎉🎉🏥🏥 …but I still need your help ❤️
So thankful for everyone who has supported me so far but there’s still a lot to raise and the clock is ticking ⏰
Please keep supporting and sharing so I can raise the money and won’t stress out like crazy with the date coming closer😬😬
Link of my gofundme is in my bio xx
For illustrative purposes here are some pics of Peach and me in Paris (where I will have my surgery) 🗼🥖

I booked my surgery for FFS! It’s on the 15th of December!!! 🎉🎉🏥🏥 …but I still need your help ❤️
So thankful for everyone who has supported me so far but there’s still a lot to raise and the clock is ticking ⏰
Please keep supporting and sharing so I can raise the money and won’t stress out like crazy with the date coming closer😬😬
Link of my gofundme is in my bio xx
For illustrative purposes here are some pics of Peach and me in Paris (where I will have my surgery) 🗼🥖

I booked my surgery for FFS! It’s on the 15th of December!!! 🎉🎉🏥🏥 …but I still need your help ❤️
So thankful for everyone who has supported me so far but there’s still a lot to raise and the clock is ticking ⏰
Please keep supporting and sharing so I can raise the money and won’t stress out like crazy with the date coming closer😬😬
Link of my gofundme is in my bio xx
For illustrative purposes here are some pics of Peach and me in Paris (where I will have my surgery) 🗼🥖

Die Lemma ❤️‍🔥

Shot at my studio after seeing her mind blowing performance for @andalussian.dog fundraiser <3

@die.lemma

Die Lemma ❤️‍🔥

Shot at my studio after seeing her mind blowing performance for @andalussian.dog fundraiser <3

@die.lemma

Die Lemma ❤️‍🔥

Shot at my studio after seeing her mind blowing performance for @andalussian.dog fundraiser <3

@die.lemma

Die Lemma ❤️‍🔥

Shot at my studio after seeing her mind blowing performance for @andalussian.dog fundraiser <3

@die.lemma

Die Lemma ❤️‍🔥

Shot at my studio after seeing her mind blowing performance for @andalussian.dog fundraiser <3

@die.lemma

Die Lemma ❤️‍🔥

@die.lemma

Shot at my studio after seeing her incredible performance for @andalussian.dog fundraiser

Such a cute evening with the incredible cast for the Rocky horror show by @tokenhomo a d @kingloosewillis at @riocinema . I had an amazing time playing Magenta/Trixie especially because I hold Rocky horror so dear to my heart and it being such a big inspiration.
Rocky Horror screenings will be back on the 2nd of May!!! 💋

Thank you for the pics @caitlindamsell

Such a cute evening with the incredible cast for the Rocky horror show by @tokenhomo a d @kingloosewillis at @riocinema . I had an amazing time playing Magenta/Trixie especially because I hold Rocky horror so dear to my heart and it being such a big inspiration.
Rocky Horror screenings will be back on the 2nd of May!!! 💋

Thank you for the pics @caitlindamsell

Such a cute evening with the incredible cast for the Rocky horror show by @tokenhomo a d @kingloosewillis at @riocinema . I had an amazing time playing Magenta/Trixie especially because I hold Rocky horror so dear to my heart and it being such a big inspiration.
Rocky Horror screenings will be back on the 2nd of May!!! 💋

Thank you for the pics @caitlindamsell

Living my best rockstar fantasy at @riotpartyuk as part of @prinxpresents ‘Immigrants of East London’ cabaret. Punk’s still alive and all that 🤘

Pics by @pixielevinson

Living my best rockstar fantasy at @riotpartyuk as part of @prinxpresents ‘Immigrants of East London’ cabaret. Punk’s still alive and all that 🤘

Pics by @pixielevinson

Living my best rockstar fantasy at @riotpartyuk as part of @prinxpresents ‘Immigrants of East London’ cabaret. Punk’s still alive and all that 🤘

Pics by @pixielevinson

Living my best rockstar fantasy at @riotpartyuk as part of @prinxpresents ‘Immigrants of East London’ cabaret. Punk’s still alive and all that 🤘

Pics by @pixielevinson

Love Queers 100 : Die Lemma // @die.lemma (She/Her)⚡️

Die Lemma is a trans femme artist of German and Ethiopian heritage whose work blends music and drag, drawing on black music and cabaret to disrupt prescriptive ideas of gender.

#LoveQueers100 #Twenty25Trailblazers #LoveQueers