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Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
Directed this one together with @williams_twinss
A collaboration that really pushed me.
We both have taste, that’s the common ground. But our execution is completely different. I’m used to extracting the maximum out of a setting with multiple angles, giving myself options in the edit and building the rhythm later. They were focused on one shot per scene. One frame to tell it all.
That shift was fascinating.
When you treat a shot like a moving photograph, every detail matters. Composition. Micro movements. Choreography. Dialogue. Energy. We sometimes spent two hours crafting a single shot, something I’d normally capture much faster.
It forced me out of my rush mode. Less coverage. More intention. Not three cool shots, but one master shot.
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
TYAR’ EN WAKA 🇸🇷
The phrase in Sranan Tongo, a creole language spoken in Suriname.
It translates as "Keep going”. It conveys the idea of continuing through challenges in life or never giving up.
~~~
We went to Suriname to shoot a music video for Jonna Fraser. After five days of filming, we created a piece of art that visualizes the meaning of the song.
Shout-out to everyone who helped us make this happen ❤️🔥
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Something blue, Something raw, Something that wasn’t planned but felt right.
An opportunity from Avalon, inspiration from Curtis,
and a moment that took everything to another level.
Grateful for the crew that helped bringing this project to life.
🔵🔵🔵
Bad Flavor presents:
Director: Caio Silva
Executive Producer: Simon Dibandjo
Amsterdam Unit
Director of Photography: Tobias Van Daal
Director of Photography: Jan Roelfs
1st AC: Jesse Koelstra
Art Director: Job Lodder
Producer assistant: Luca Nicolas
Producer assistant: Enoch Etakpofe
Gaffer: Boyd Bakema
Lightning assistant: Casper Demesmaeker
Lightning assistant: Jacco hoppenbrouwers
2nd AC: Dave Geemen
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Goodvibes Agency | Cherrelin Imanuel
Edit: Caio Silva
Grading: Iro Lab| Michel Blom
BTS: Icy
BTS: Faka
Rain effect: BPC MONTAGE | Barry Cornelisse
VFX Supervisor: Becanti Wijnbergh
CG Artist: Nino Mastwijk
AI Artist: Ruben Stomeo
Ai Artist: Pablo Stomeo
VFX Compositor: Jay Golder
Graphic Design: Joshua graphics
Sound Design: Youness Hassni
Sound Design: Scott Cian
Starring:
Youness Hassni
Jurvinio Wijnstijn
Andrew Berg
Ryan Berg
Nabil Kruma
Sabrina Kruma
Lina Kruma
Mayzin Kruma
Junayd Kruma
Salim Ziane
Special thanks to:
Peter Snoek
Youness Hassni
Singel film studio
San Fransisco Unit
Producer: Marquis Abrahams
Local Producer: Liz Anderson
Director of Photography: Josh Hill
1st AC: Matt Emmanuel
Gaffer: Marc Lenahan
Key Grip: Jon Sun
BBE Ronan Hagarty
BBG: Cal Ruxton
Jib Operator: Kristina Willemse
Production Designer: Mateo Oglesby
Carpenter /Set Decorator: Stephen Wilson
Production Assistant: Andrew Cardenas
BTS: Naomi Flores
BTS: Angel
Starring:
Luuk Nicolas
Khafre Jay
Señor Gigio
AjGod
Randy Sanchez
Special thanks to:
Element Camera
Ciel
Dance Pt 1/3
Lost files of shots that I made a while ago and felt like posting today.
Always been inspired by contrast.
Trappers going wild in the rain while classical music plays in the background just felt epic to me.
Short Film: They Wanna Know About Us
Directed by @dirbycaio
The title ‘They Wanna Know About Us’ reflects the energy surrounding them. After the rumors around @gordoszn’s residency at @pacha began circulating, all eyes turned to Taraka. Fans watching, cameras following, paparazzi trying to capture every move. Everyone wants to know their next move.
Taraka moves through it all with focus and discipline. Calm under attention. Unaffected by the noise.
Proud of everyone involved who helped bring this film to life.
@badflavor presents:
Director: @dirbycaio
Executive Producer: @simondibandjo
DP: @jr.nl
Producer: @lucabelaire
Producer assistant: @enochetakpofe_
Runner: @puckrosa_
Runner: @xaaaver
Gaffer: @boyd_bakema
1st AC: @directedbylukaa
VFX: @jurassic_smoothie
Edit: @dirbycaio
Edit: @geensteez
Grading: @iro.lab
Sound Design: @yitneaux
Sound Design: @scotty.mo3
Styling: @nerenchy
Styling: @dirbycaio
Styling: @faieala
Styling: @belghalii
Styling assistent: @coo.s
BTS/Photography: @kevinjamesowens
BTS/Photography: @philipdhr
BTS/Photography: @markoabrams
BTS/Photography: @pepeditss
Special thanks to:
@seventeenthebrand
@paperclipcreativeagency
@cinesupply.nl
Louise Kalenga
The full film is out now on the Bad Flavor YouTube channel (link in bio).
A glimpse into the world of Gordo and Taraka: music, energy, movement and lifestyle merging into one visual story.
Directed by @dirbycaio
Super excited to finally share this.
What you’re seeing now is actually just the short form, a different approach than the usual music video. This time it was an official announcement for @gordoszn residency at @pachaofficial .
Gordo reached out to me to build something special around that moment.
Instead of just delivering a standard announcement, we created a film world around the announcement.
Next week the full version drops, the full experience.
TIME JUMPER ~ Short Film
This one is special.
Not for a client.
Not commissioned.
Just pure creation.
Last year I was on the phone with the @williams_twinss talking about how dope it would be to make a film together.
Months later… we made it happen.
Self-initiated.
Self-funded.
We took the risk and just did it. For something bigger than money.
During the brainstorm we let everything go.
No safe ideas.
Just experimenting.
The core idea:
A film inside a dream.
Where everything moves in reverse.
Inspired by Inception (dream within a dream)
and Tenet (a world running backwards).
Big love to the crew that joined as a favor.
Believed in it.
Showed up.
Built it with us.
This is what happens when you stop waiting
and start creating.
Bad Flavor presents
Director: Caio Silva & Williams Twins
Producer: Enoch Etakpofe
DOP: Tobias van Daal
Styling: Elvira Waterval
PA: Luca Nicolas
Talents: Jelani Williams & Dali Debabeche
Edit: Bryson Moberley
VFX: Geen Steez
Music: Youness Spanjer & Scott Cian Wiggers
Grading: Karol Cybulski / Harbor Picture
TIMEJUMPER MOVIE COMING SOON
Director: @williams_twinss & @dirbycaio
Production: @badflavor
Producer: @enochetakpofe_
DOP: @tobiasvandaal
Edit: @Brysonmoberley
VFX: @geensteez
Grading: @imkarol.colour @harborpictureco
Styling: elvirawaterval
PA: @lucabelaire
Talents: @jelaniwilliams & @dali_pk
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