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2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
2025 work dump. Grateful.
LA / Sydney / Tokyo / Rome / CDMX / Slovenia
Cooked up a global heist for Macca’s. Big love to the team! 🍟🍔🥷💙
Production @magna.studios
Director @dissc0
EP @jspenc_r
EP @jsorton
Producer @johnbanno
PM @bbyanou
DOP @paul__guilhaume
Agency @leo.uk.agency
CCO @mark101elwood
CPO @marrsbarmarr
Executive Creative Director: Andrew Long
Creative Directors @misterhodson, Jason Keet
Creatives @ginaramsden @freyalouise
Producer @peter_w_53
Creative Director of Design: David Allen
Design Producer: Ethan Lynton
Design Director: Paul Reddington
Designer: Georgia Glen
Motion Designers: Carmen Perez Jimenez, Bey Redding O’Brien
Senior Designer: Tomek Drozdowski
Communications Planner: Imo Gowen
Head of Strategy: Joe Beveridge
Planner: Alisya Rozhan
Project Manager: Annie Imam
Client: @mcdonaldsuk
Service Company @division.film
EP: Rok Bukovec
Line Producer: Vlaho Krile
Production Designer: Miha Knific
Post Production / VFX @harborpictureco @blackkitestudios
Creative Director @fergalhendrick
VFX Supervisor @gusribeiro7
Senior Producer @hannahjarrold
2D Artists Ahmed El-Azma, Henry Claud N’Guetta
CG Lead: Sid Harrington-Odedra
CG Artist: Yannick Lorvo, Max Johnson
Colourist @tobytomkins
Colour Assistant: Adam Mears
Edit House @tenthree_editing
Editor: @dansherwen
Sound Studio @750_mph
Sound Design @samashwell
Audio Producer: Olivia Ray
Music Supervision @wakethetownmusic
Music Supervisor: Ronnie Olubayo
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
“We shot the elevator scene at Sydney Harbour Bridge at sunrise, then we flew to Tokyo and scouted the rooftop/streets that night. We did a recce the next day, shot the following day, and then we flew to Rome. To nail the match cuts and transitions, everything had to be meticulously planned, down to the smallest detail. I was committed to shooting everything in-camera, which ended up being our biggest challenge. We had to move fast, but it was bloody good fun, and our legendary crew absolutely smashed it in all three countries.” - Ben Dean, director
Atmos Rewards - “Go Further”
Director:@dissc0
DP:@mrjustinbrown
Editor:@ramidaguiar
Colorist:@rickygausis
Production Designers:@imo_walsh & @rikaonline
1st ADs:Adam Wareham & Ichi Watanabe & Luca Pardini
Sound Designers:@waitwhosmeg & @henrygilchrist
Creative Director: Max Eastman
Art Director: Laurel Lunsford
Line Producers:@ntbrownhm & @hollyannnwinter & @cecileleroyb & Misako Furukawa
Production Manager:Daisy Bray
Executive Producers: @davud_k & nickyfullah & @jsorton
Starring: @luluhowes & @alexanderchard
Agency:@mekanism
Production Company:@magna.studios
Post Houses: @cabinedit &@the.trafik
Sound Studio:@barkingowl_
Camera: ARRI ALEXA 35
Lenses: Canon K35s
‘Going Further’ for Atmos Rewards
From Sydney to Tokyo to Rome with a brilliant bunch of legends. Cheers team 💙✈️
Featuring @luluhowes and @alexanderchard
Production @magna.studios
Director @dissc0
EP @davud_k
EP @nickyfullah
EP @jsorton
Director of Production clawkee
Line Producer: @ntbrownhm
Production Supervisor: Kaley Pearce
DOP @mrjustinbrown
Agency @mekanism
CD: Max Eastman
GCD: Matt Wakeman
Senior Art Director: Laurel Lunsford
ACD Copy: Neil Shaak
Head of Production: Chris Spencer
EP: Jason Way
President: Michael Zlatoper
GM: Lisa Zakroff
Group Business Director: Kristen Baker
Client: Alaska Air Group
VP Brand & Marketing: Eric Edge
Director Loyalty Brand Marketing: Mellie Willingham
Director Creative Studio: Chris Ayers
Visual Storytelling: Ingrid Barrentine
Senior Marketing Manager: Anna Rainwater
Service Company, Sydney @division.film
EP: @genevieve_dvsn
EP: Karen Bryson
Line Producer: @hollyannnwinter
Production Manager: Daisy Bray
Production Coordinator: Ellie Craven
Location ManagerL Chris Mayer
Unit Manager: Nils Pedotti
1st AD: Adam Wareham
Production Designer @imo_walsh
Service Company, Tokyo: Toho Tombo Pictures
Producer: Georgina Pope
Line Producer: Misako Furukawa
Associate Producer: Amie Horiuchi
1st AD: Ichi Watanabe
2nd AD: Hiroki Kawanami
Production Designer @rikaonline
Service Company, Rome @personfilms
EP: Cecile Leroy
Producer Assistant: Chiara Marocco
Unit Production Manager: Cristina De Rossi
Location Manager: Marco Mazzotti
Associate Unit Manager: Marco Calvise
Production Coordinator: Martina Bartoli
1st AD: Luca Pardini
2nd AD: Colette Pacini
Editorial @cabinedit
Editor @ramidaguiar
Senior Producer: Esther Gonzalez
Head of Production: Michelle Dorsch
Executive Producer @brittanycarson
Director of Production @lizlydecker
Sound Design & Mix @barkingowl_
Sound Design @waitwhosmeg @henrygilchrist
EP @ben.aay
Producer @jennapangilinan
Creative Director @whiteprismmusic
Managing Director @still_carol
Color & VFX: @the.trafik
Colorist: @rickygausis
Assistant Colorist: Phillip Dystant
Color Producer: Hugh Copeland
Color HOP: Angela Zappella
Executive Producer: Karena Ajamian
Flame lead @noahcaddis
Producer: Justin Rogers
‘You’re Good’ for @cashapp
Had a ball making this one in LA with a killer cast and crew. Big love to all the legends behind it 💙🤑
Production @magna.studios
Director @dissc0
EP @davud_k
EP @jsorton
EP @nickyfullah
Producer: @currynneon
DOP @logan_triplett
Production Designer @freyjabardell
Stylist @juliannmccandless
Editor @kool_cigs
Colorist @rickygausis
Sound @rphljls @concret.form
Music @keliholiday
Agency Rosewood
ECD: J. Smith
CD: Chen Lieng
ACD, Art: Kenney Clark, Nomi Malik
ACD, Copy: Julia Shiplett
Copywriter: Isaac Wolfe
Sr. Integrated Producer: Destiny Hannon
Sr. Project Manager: Thea DeSilva
Social Producer: Yoli Shen
Brand Director: Emily Walsh
Managing Partner: Amir Mohamadzadeh
Partner: Jeremy Lovine
Client: CashApp
Creative Producer: James Chang
Copywriter: Kari Keller
Strategy: Paul Rees
Art Director: Sophie Walsh
Creative Producer: Jose Diaz
1st A/C: Jeanna Mooney
2nd A/C: Nicholas Menio
1st A/C B Camera: Steve Doyle
2nd A/C B Camera: Anthony Hwang
DIT: Zack Marchinksy
1st AD @bomap
2nd AD: Clyde Broom Jr
2nd 2nd AD: Ray Fuentes
Art Coordindator: Albert Lopez
Set Decorator: Sophie Neudrofer
Key Make-up: Jenn Hanching
Key Hair: Taylor Bennett
Editorial @cartel.tv
Managing Director @lbleiweiss
EP @vietan17
Assistant Editor @trumar616
Producer @eeebzzz
Color @the.trafik
Transformer @transformer.vfx
Creative Director @casey_price
Flame Artist @kuleshoveffects
Flame Artist @jamesbuongiorno
2D Animation: Gregory de Maria
Head of Production @jamesjameshowellhowell
Producer @jasoncohon
Managing Director @lbleiweiss
Cast:
@__jasmyn
@becausehetyrell
Jaden Daviss
@_vinceromo_
Glen Caspillo
Kristian Zedric Acruz
Welcome to the Wanda family, Ben Dean! @dissc0
Hailing from Australia, Ben shoots and crafts in equal measure. His films are sharp yet unexpected, always packed with character. His former life as an art director at top agencies like Anomaly and 72andSunny shines through — he instinctively gets what a client needs, and knows exactly how to make it look good.
We’re thrilled to have him on the Wanda roster.
Check out his reel on our website 🌐
Welcome to the Wanda family, Ben Dean! @dissc0
Hailing from Australia, Ben shoots and crafts in equal measure. His films are sharp yet unexpected, always packed with character. His former life as an art director at top agencies like Anomaly and 72andSunny shines through — he instinctively gets what a client needs, and knows exactly how to make it look good.
We’re thrilled to have him on the Wanda roster.
Check out his reel on our website 🌐
Welcome to the Wanda family, Ben Dean! @dissc0
Hailing from Australia, Ben shoots and crafts in equal measure. His films are sharp yet unexpected, always packed with character. His former life as an art director at top agencies like Anomaly and 72andSunny shines through — he instinctively gets what a client needs, and knows exactly how to make it look good.
We’re thrilled to have him on the Wanda roster.
Check out his reel on our website 🌐
Welcome to the Wanda family, Ben Dean! @dissc0
Hailing from Australia, Ben shoots and crafts in equal measure. His films are sharp yet unexpected, always packed with character. His former life as an art director at top agencies like Anomaly and 72andSunny shines through — he instinctively gets what a client needs, and knows exactly how to make it look good.
We’re thrilled to have him on the Wanda roster.
Check out his reel on our website 🌐
‘Spark Your Symphony’ for Lululemon
Such an epic experience making this one in China. Thank you to the athletes for getting sweaty and to the team over there. Massive thanks to these brilliant legends for making it all happen 💙 @steveannisdop @jordan_orme @mikolour @b_d_s_______@parkerosie
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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