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2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

2025 THROUGH THE EYES of 🔺Duncan🔻„I’ve been behind a lens for a little over 15 years, primarily documenting festivals. More recently, my focus has shifted toward curating photographers and videographers whose artistic approaches align with each event, with the aim of translating a festival’s intention and lived experience as honestly as possible.

I began documenting Garbicz in 2018 and 2019, returning again in 2025.

A close friend put me forward for the role, and being accepted was something I didn’t take lightly, especially given the festival’s no-photo policy, one I paradoxically agree with. Because of this, I approached the work with a clear intention: to capture the experience respectfully, remaining as unobtrusive and invisible as possible.

Across those first two years, I met many inspiring people within the crew while documenting their work - from the challenges of construction through to how the festival ultimately came to life. Capturing that full journey mattered to me: the raw moments, the behind-the-scenes, and the deeper intention behind it all. The imagery from those years remains some of my favourite festival work to date, largely due to how open the crew were and how boundless the creative process felt. It was a reminder of why I began documenting festivals all those years ago.

At its core, it’s always been about storytelling. Whether through a single frame or a series, I aim to let narratives unfold without explanation. The focus is on feeling - open to interpretation, occasionally challenging, sometimes abstract. At Garbicz, that translated to fewer faces, more silhouettes, darker tones, and an emphasis on what the experience represents beneath the surface.“

@duncographic

💟

I had a great time on my Australia tour @pitchmusicandarts @subclubmelbourne @chineselaundryclub
it was my first time back in a while.
I even celebrated my birthday during a DJ set( Japan time )which felt like a very DJ-style way to get a year older haha.

Looking forward to continuing this journey together.
Thank you for your support as always.

DJ中に誕生日を迎えてDJらしい歳の取り方をしました。
週末のWombでもお祝いするから祝いに来てね🫶
📷by @duncographic

I had a great time on my Australia tour @pitchmusicandarts @subclubmelbourne @chineselaundryclub
it was my first time back in a while.
I even celebrated my birthday during a DJ set( Japan time )which felt like a very DJ-style way to get a year older haha.

Looking forward to continuing this journey together.
Thank you for your support as always.

DJ中に誕生日を迎えてDJらしい歳の取り方をしました。
週末のWombでもお祝いするから祝いに来てね🫶
📷by @duncographic

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by night.

310725-040825.

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz by day.

310725-040825.

From shooting the build into 4 days of silky festival experience + a very special wedding, it all is as mind bending if not more so than when I was here last! So grateful to be back and part of it all. 🫶 @garbicz_festival 🫶

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Garbicz Build.

28-310625

It was truly something special to come back to this one after so many years. I really enjoy these builds along with some of the best most whacky fun humans in existence. @garbicz_festival you beast 🤤✨ Thank you!

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

Strawberry Fields Festival.

20-231125

Here lies a selection moments including some tasty BTS from the latest @strawberryfields_festival. It’s been a little over a year since I’ve posted anything on here but I thought what better way to fire it back up than with a few tasty bits from one of my favourite spots in the world. This year was simply beautiful. 🫶 Huge shout out to my amazing media gang for absolutely nailing it once again. ☑️

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

We had the 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 of teaming up with @duncographic and @strawberryfields_festival to create a limited collection of bags for 𝒸𝓇𝑒𝓌 and 𝒶𝓇𝓉𝒾𝓈𝓉𝓈 at Strawberry Fields 2025.

Using Duncan’s extensive 𝒶𝓇𝒸𝒽𝒾𝓋𝑒 of images captured across 15 years of Strawberry Fields, we reworked past-year banners into functional pieces that reflect the event’s evolving visual story.

It’s been an 𝒽𝑜𝓃𝑜𝓊𝓇 to work with such evocative artwork and such a thoughtful team. Thank you for trusting us with this project ☆

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

@gig.control

23-240824

Some absolute scenes captured for the best in the biz, @gig.control , of their incredible application to the @nowornever.melb events at the @royalexhibitionbuilding back in 2024 👌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Wax Music Lounge + Wax Museum Records

It’s been pretty damn special to document the transformation of @waxmuseumrecords x @waxmusiclounge over the years. One of my favourite sounding live venues in the city currently - @pittandgiblin 🙌

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 2/2.

18-271024

Here’s some more little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Melbourne International Jazz Festival 1/2.

18-271024

Here’s some little cheeky jazzy moments from @melbjazzfestival last year.

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧

Wildpie.

Documenting the journey of @wild.pie has been fascinating. An amazing bunch of humans creating something so delicious AND purpose driven is incredible to see. I would have to say these pies & assorted goods are no joke the best I’ve had. And that’s saying something. Wrap your laughing gear around it. 🥧