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Finished spot featuring the legend @ianjamespoulter

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #ianpoulter

The final spot with legend @westwood_lee

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #leewestwood

A few months back I had the great fortune of getting to work with two legendary golf pros and absolute gentlemen @ianjamespoulter and @westwood_lee.

I worked with a wonderful crew in West Palm Beach, FL and got a bunch of fun motion control shots and some simple but effective moving light gags.

Shooting on a Motion control system can be time consuming but with a solid Op. and Tech. it can be a great experience. Couldn't recommend @chavez.camera and @franciscoaguilavisuals more.

Shot on the Arri Alexa 35 with the Canon K35 lenses on the #boltjr

For lighting we had:
- 4 x Arri s60's through 16x16' soft box with a control grid as a top light.
- The Cyc wall was lit up by space lights with skirts to keep them from spilling too far into the set and to give the light some shape.
- A Litemat 8 on a menace arm (you'll find this set up on all of my sets).
- 4 x Aputure 1200 with leco attachments bouncing via 2 shiny boards. We put a silver gel on the shiny's to get a bit more of an organic texture to the reflected light, and spun the shiny's around for movement.
- all the fixtures were linked to an iPad with the blackout app for simple light programming.

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #ianpoulter

A few months back I had the great fortune of getting to work with two legendary golf pros and absolute gentlemen @ianjamespoulter and @westwood_lee.

I worked with a wonderful crew in West Palm Beach, FL and got a bunch of fun motion control shots and some simple but effective moving light gags.

Shooting on a Motion control system can be time consuming but with a solid Op. and Tech. it can be a great experience. Couldn't recommend @chavez.camera and @franciscoaguilavisuals more.

Shot on the Arri Alexa 35 with the Canon K35 lenses on the #boltjr

For lighting we had:
- 4 x Arri s60's through 16x16' soft box with a control grid as a top light.
- The Cyc wall was lit up by space lights with skirts to keep them from spilling too far into the set and to give the light some shape.
- A Litemat 8 on a menace arm (you'll find this set up on all of my sets).
- 4 x Aputure 1200 with leco attachments bouncing via 2 shiny boards. We put a silver gel on the shiny's to get a bit more of an organic texture to the reflected light, and spun the shiny's around for movement.
- all the fixtures were linked to an iPad with the blackout app for simple light programming.

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #ianpoulter

A few months back I had the great fortune of getting to work with two legendary golf pros and absolute gentlemen @ianjamespoulter and @westwood_lee.

I worked with a wonderful crew in West Palm Beach, FL and got a bunch of fun motion control shots and some simple but effective moving light gags.

Shooting on a Motion control system can be time consuming but with a solid Op. and Tech. it can be a great experience. Couldn't recommend @chavez.camera and @franciscoaguilavisuals more.

Shot on the Arri Alexa 35 with the Canon K35 lenses on the #boltjr

For lighting we had:
- 4 x Arri s60's through 16x16' soft box with a control grid as a top light.
- The Cyc wall was lit up by space lights with skirts to keep them from spilling too far into the set and to give the light some shape.
- A Litemat 8 on a menace arm (you'll find this set up on all of my sets).
- 4 x Aputure 1200 with leco attachments bouncing via 2 shiny boards. We put a silver gel on the shiny's to get a bit more of an organic texture to the reflected light, and spun the shiny's around for movement.
- all the fixtures were linked to an iPad with the blackout app for simple light programming.

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #ianpoulter

A few months back I had the great fortune of getting to work with two legendary golf pros and absolute gentlemen @ianjamespoulter and @westwood_lee.

I worked with a wonderful crew in West Palm Beach, FL and got a bunch of fun motion control shots and some simple but effective moving light gags.

Shooting on a Motion control system can be time consuming but with a solid Op. and Tech. it can be a great experience. Couldn't recommend @chavez.camera and @franciscoaguilavisuals more.

Shot on the Arri Alexa 35 with the Canon K35 lenses on the #boltjr

For lighting we had:
- 4 x Arri s60's through 16x16' soft box with a control grid as a top light.
- The Cyc wall was lit up by space lights with skirts to keep them from spilling too far into the set and to give the light some shape.
- A Litemat 8 on a menace arm (you'll find this set up on all of my sets).
- 4 x Aputure 1200 with leco attachments bouncing via 2 shiny boards. We put a silver gel on the shiny's to get a bit more of an organic texture to the reflected light, and spun the shiny's around for movement.
- all the fixtures were linked to an iPad with the blackout app for simple light programming.

Director: @onlych1ld_
EP: Matthew Justus & Spencer Kehe
Producer: Kristy Kessler
1st AC: @rahproductions
Gaffer: @nuggetman333
Key Grip: Andrew Colton
Moco Op: @chavez.camera
Moco Tech (& owner): @franciscoaguilavisuals

@filmmakersworld @bolt @mrmoco1 @lens_addiction #cinematography #golf #majesticksgc #ianpoulter

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

Stills from an Amazon Auto spot I did with director @adampatch in Texas. The sun was dropping fast for our last wide shot but luckily we had the 9k handy and the condor ready for me to get in the basket and get the top shot, framing out the dusky park around us.

EP: Heron Bourke
@evenodd.studio

I had a lot of fun working out how to shoot all the transition shots in this spot.
The spot was shot on the Alexa mini LF with the Canon K35 lenses and the Laowa Pro2be kit.
For this shot up using a simple noga arm with clamps and some tape to fix the carrot to the lens. The first half of the transition was handheld while the last half was shot using a @cartoni.camerasupports 3 axis Lambda head. The trick was to make the rotation nodal to the carrot instead of the sensor. Here's some BTS.

Client: @mill
Talent: @drempala
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

#cinematography @shittyrigs @lens_addiction @laowa.cine

I had a lot of fun working out how to shoot all the transition shots in this spot.
The spot was shot on the Alexa mini LF with the Canon K35 lenses and the Laowa Pro2be kit.
For this shot up using a simple noga arm with clamps and some tape to fix the carrot to the lens. The first half of the transition was handheld while the last half was shot using a @cartoni.camerasupports 3 axis Lambda head. The trick was to make the rotation nodal to the carrot instead of the sensor. Here's some BTS.

Client: @mill
Talent: @drempala
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

#cinematography @shittyrigs @lens_addiction @laowa.cine

I had a lot of fun working out how to shoot all the transition shots in this spot.
The spot was shot on the Alexa mini LF with the Canon K35 lenses and the Laowa Pro2be kit.
For this shot up using a simple noga arm with clamps and some tape to fix the carrot to the lens. The first half of the transition was handheld while the last half was shot using a @cartoni.camerasupports 3 axis Lambda head. The trick was to make the rotation nodal to the carrot instead of the sensor. Here's some BTS.

Client: @mill
Talent: @drempala
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

#cinematography @shittyrigs @lens_addiction @laowa.cine

I had a lot of fun working out how to shoot all the transition shots in this spot.
The spot was shot on the Alexa mini LF with the Canon K35 lenses and the Laowa Pro2be kit.
For this shot up using a simple noga arm with clamps and some tape to fix the carrot to the lens. The first half of the transition was handheld while the last half was shot using a @cartoni.camerasupports 3 axis Lambda head. The trick was to make the rotation nodal to the carrot instead of the sensor. Here's some BTS.

Client: @mill
Talent: @drempala
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

#cinematography @shittyrigs @lens_addiction @laowa.cine

I had a lot of fun working out how to shoot all the transition shots in this spot.
The spot was shot on the Alexa mini LF with the Canon K35 lenses and the Laowa Pro2be kit.
For this shot up using a simple noga arm with clamps and some tape to fix the carrot to the lens. The first half of the transition was handheld while the last half was shot using a @cartoni.camerasupports 3 axis Lambda head. The trick was to make the rotation nodal to the carrot instead of the sensor. Here's some BTS.

Client: @mill
Talent: @drempala
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

#cinematography @shittyrigs @lens_addiction @laowa.cine

A fun shoot for @mill
Director: @matthewjpalmer
Producer: @fromtheroses
PM: @joshuaaliham
EP: @littleburde @avocadosandcoconuts
Gaffer: @shanelouislights
Key Grip: Ernie Kunze
Production Designer: @jscott117
1st AC: @hey_tee_whatsup

Some frame grabs from the Nike Mind 001 shoot with the Terminator Erling Haaland @erling
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#manchestercity #Haaland #erlinghaaland #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the Terminator Erling Haaland @erling
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#manchestercity #Haaland #erlinghaaland #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the Terminator Erling Haaland @erling
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#manchestercity #Haaland #erlinghaaland #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the Terminator Erling Haaland @erling
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#manchestercity #Haaland #erlinghaaland #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the Terminator Erling Haaland @erling
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#manchestercity #Haaland #erlinghaaland #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the amazing athlete Claire Prince @iamthebatman___ .
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#claireprince #nikeathlete #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the amazing athlete Claire Prince @iamthebatman___ .
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#claireprince #nikeathlete #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the amazing athlete Claire Prince @iamthebatman___ .
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#claireprince #nikeathlete #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the amazing athlete Claire Prince @iamthebatman___ .
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc
Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#claireprince #nikeathlete #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the legend Captain Shubman Gill @shubmangill
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc

Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#shubmangill #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the legend Captain Shubman Gill @shubmangill
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc

Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#shubmangill #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the legend Captain Shubman Gill @shubmangill
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc

Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#shubmangill #nike #nikemind001

Some frame grabs from the Nike Mind 001 shoot with the legend Captain Shubman Gill @shubmangill
Straight from the camera with my favorite LUT by @didrikbrathen at @tmls.tv

Director & DP: Me
Produced by: @marino.coateschitty @apstudioinc

Gaffer: @danzielvab @quartz_lys
1st AC: @danielfwarren

#shubmangill #nike #nikemind001

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Eureka!
BTS.

Hold for plane!

Hold for plane!

Hold for plane!

Hold for plane!

Eureka!
Directors cut.
Director @adampatch

Production company @wtbr.tv
Service Production @filmboldly
Agency @goodby_silverstein 

Agency Producer @andrewscottjames
Agency Account Director Tara Lewis
Agency Creative Director Jonathan Davis
Agency Copywriter @anthonypgz



Client Blackstone



Production
EP Adam Wiesner

PM Curtis Binkwski

PC Mariya Miloshevych
1st AD @hteve_sedden
2nd AD Garret Carlson
3rd AD Kiarra Goldberg
Key PA Nina Weiss



Post

Editor Leah Turner @workeditorial

Colorist @terrysimp blacksmithvfx

Camera
Director of Photography @emilgurvin
1st AC Ian Beer
2nd AC Pavel Garcia
B Cam Op @toddmduym
B Cam 1st AC @shaun_stander
Drone Operator @flynnaerials
Drone Camera Operator @abovegroundlevel
Drone Tech Chris Curtis
VTR Andrew Pedley
DIT Patrick Tittmar
VFX Supervisor @mikeleeming

G&E

Gaffer @its_pronounced_steve
Best Person LX @monoflecks
Genny Op Jake Drozdzenski
Wireless Tech Joel Dye
Lamp Op Jason Tidsbury
Lamp Op Brook Hewlett
Lamp Op Tyler Scomazzon

Key Grip Mark Yates
Best Person Grip Dan Jones
Dolly Grip Connor Welsh
Grip Justin Smith
Grip Doug Nolan
Grip Sean Jobin
Grip Chester Dixon
Driver Derrick Saari

Art
Production Designer @rose__weir
Set Decorator Morganna Gresham
Art Director Andrea Cooney
Lead Dresser Leigh Butcher
On-set Dresser Matt Lafreinere
Props Master Mike Kearsley
Set Dresser Elijah Goulding
Set Dresser Logan Wolff
Set Dresser Igor Alibecov
Set Dresser Pete Reichman

Wardrobe / Hair & Makeup

Hair/Makeup Shannon Reynolds
Hair/Makeup assistant Mary Phan
Stylist Tanus Lewis
Stylist assistant Matt O’Hara
On set assistant Coco Stockstad



Sound Mixer Ian Jones
Boom op. Anton Thomas

Locations

Locations Manager Oliver Rappard
ALM Anda Lalande

Talent
Sydney Eberwein

Sean Chevalier

Kris Coffey

David Straus

Al Catlin

Pat Mookie

David Maranda

JP McInnis