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Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
Happy TDOV?
1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025
I'm just a woman, an ordinary person
2024
Mylar, digital prints, resin, acrylic
I'm just a woman, an ordinary person
2024
Mylar, digital prints, resin, acrylic
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
This Thursday:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).
Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.
Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin
@epastry @daviaspain
This Thursday:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).
Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.
Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin
@epastry @daviaspain
This Thursday:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).
Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.
Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin
@epastry @daviaspain
Next Thursday, in Geneva, comme see her walking:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
« You see her walking » is a new performance piece that continues Ebun Sodipo’s investigation into the formation of gender and patriarchy, conjured through the embodiment of historical or speculated figures, and the violence and desire that surrounds them.
Images:
1. Cardion Nights, ICA, photo: Christa Holka
2. Celeste – She of the Sea. Film Still (2023) Courtesy of Soft Opening and the artist.
@epastry @daviaspain
Next Thursday, in Geneva, comme see her walking:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
« You see her walking » is a new performance piece that continues Ebun Sodipo’s investigation into the formation of gender and patriarchy, conjured through the embodiment of historical or speculated figures, and the violence and desire that surrounds them.
Images:
1. Cardion Nights, ICA, photo: Christa Holka
2. Celeste – She of the Sea. Film Still (2023) Courtesy of Soft Opening and the artist.
@epastry @daviaspain
In exactly one week:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London
@epastry @daviaspain @mahgeneve
In exactly one week:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London
@epastry @daviaspain @mahgeneve
In exactly one week:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London
@epastry @daviaspain @mahgeneve
In exactly one week:
Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève
In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.
Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London
@epastry @daviaspain @mahgeneve
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
Olukemi Lijadu in conversation with Ebun Sodipo
The full interview was published in our Issue 14. Get your copy now via the link in bio!
Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)
1. What is a nation? 2025
2. Killed by an abstraction. 2025
Mylar, digital prints, resin, acrylic
'Is it right that children around the world can live and play in comfort and safety while we live in death and destruction?'
The central image of thefirst work shows a child holding a stone. In front of him is a rifle wielding Isreali soldier. It is 1993, at the close of the first Intifada.
The central image of the second work shows another child, 12 year old Syed speaking to a BBC journalist. It is 2015 and his brother and cousins have been recently killed by Isreali snipers. It is Syed who asks the above question.
🇵🇸
1. What is a nation? 2025
2. Killed by an abstraction. 2025
Mylar, digital prints, resin, acrylic
'Is it right that children around the world can live and play in comfort and safety while we live in death and destruction?'
The central image of thefirst work shows a child holding a stone. In front of him is a rifle wielding Isreali soldier. It is 1993, at the close of the first Intifada.
The central image of the second work shows another child, 12 year old Syed speaking to a BBC journalist. It is 2015 and his brother and cousins have been recently killed by Isreali snipers. It is Syed who asks the above question.
🇵🇸
Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.
The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.
11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.
Tickets are available on the BFI website.
Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera
*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*
Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.
The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.
11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.
Tickets are available on the BFI website.
Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera
*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*
Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.
The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.
11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.
Tickets are available on the BFI website.
Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera
*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*
Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.
The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.
11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.
Tickets are available on the BFI website.
Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera
*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*
Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.
The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.
11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.
Tickets are available on the BFI website.
Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera
*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
Resting.
Its been a busy couple months
Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.
This week, everyone’s talking about these four artists. Are you ready to get to know them?
For Elephant, Sofia Hallström (@sofia_hallstrom_) spoke with Ebun Sodipo (@epastry), Gray Wielebinski (@gray_wielebinski), Eunjo Lee (@eunjo.lee), and Cato (@cato.ink) about the ideas behind their work, what to expect from their presentations at the fair (@friezeofficial) and the influence of the city on their practice.
All photography by Saffron Liberty @saffronliberty
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.