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Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
Yh yh - my tape for @cavempt with top boy @spmc is now live! It’s a really nice feeling to see this one out in the wild, including some of my photos in the design. If you’re double lively you can cop one via my bandcamp page 📼 but there might be some other places with copies to follow.
Big up all the CE crew and to SP for agreeing to jump on this with me! He’s one of the best in the game and unsurprisingly sounds so good over this BPM range.
Brought to you via the late 90’s in suburbia, failing my exams, bunking the train, Wax city, my silver 98 Ford Escort, Force FM, swag, Reebok workouts, Biggin Hill, snooker at the British legion, Purely Way cruises, tracky b’s, the Glades, endless draw missions, Hackett polos & Aquascutum caps.
Love x
www.cavempt.com
www.cavempt.com
www.cavempt.com
#dubtapeseason
🚨 OUT NOW 🚨
Fold - Billa (FLD001)
The debut release on my new label FLDIN2
Link in bio for stream / DL options 🏌🏻♂️
Mastered by @overmono
Artwork @alexquinn____
Original photo by me 📸
Big shout to all my close pals that have supported this journey. There’s so much more to come and I can’t wait to share it with you all.
This one goes out to all the grafters, anyone working hard day after day, Respect!
#dubplateseason #pirateradio #ukgarage #gucciloafers
🚨 OUT NOW 🚨
Fold - Bottomless Brunch (FLD002)
The second release on my label FLDIN2
Link in bio for stream / DL options 🏌🏻♂️
Mastered by @curvedpressings
Artwork @alexquinn____
Original photo by me 📸
Early support from Joy O, Ben UFO, Ehua, Bicep to name a few - thank you to anybody that is supporting my humble efforts - Love 💘
#dubplateseason #ukgarage #140bpm #FLDIN2
🚨 OUT NOW 🚨
Fold - Bottomless Brunch (FLD002)
The second release on my label FLDIN2
Link in bio for stream / DL options 🏌🏻♂️
Mastered by @curvedpressings
Artwork @alexquinn____
Original photo by me 📸
Early support from Joy O, Ben UFO, Ehua, Bicep to name a few - thank you to anybody that is supporting my humble efforts - Love 💘
#dubplateseason #ukgarage #140bpm #FLDIN2
🚨 OUT NOW 🚨
Fold - Bottomless Brunch (FLD002)
The second release on my label FLDIN2
Link in bio for stream / DL options 🏌🏻♂️
Mastered by @curvedpressings
Artwork @alexquinn____
Original photo by me 📸
Early support from Joy O, Ben UFO, Ehua, Bicep to name a few - thank you to anybody that is supporting my humble efforts - Love 💘
#dubplateseason #ukgarage #140bpm #FLDIN2
If you ever wondered what goes into a Fold & cu.rve beat, here’s some studio scenes of splice drag and drop in action 😉 Thank you to everyone supporting the release so far. Love F&C x
☀️ ‘Caramel’ Out this Friday ☀️
Caramel has had a long journey. We started this one over a year ago, forgot about it, then resurrected it into its final iteration. We kept persevering with it as we felt there was always a great core idea in there.
It’s ready just in time for summer, festival season and to enjoy on the balcony with your small plates & orange wine. Shouts to @ingramrecords for the support and getting this one out there. Available to pre-save via bio links. Love F&C x
☀️ ‘Caramel’ Out this Friday ☀️
Caramel has had a long journey. We started this one over a year ago, forgot about it, then resurrected it into its final iteration. We kept persevering with it as we felt there was always a great core idea in there.
It’s ready just in time for summer, festival season and to enjoy on the balcony with your small plates & orange wine. Shouts to @ingramrecords for the support and getting this one out there. Available to pre-save via bio links. Love F&C x
☀️ ‘Caramel’ Out this Friday ☀️
Caramel has had a long journey. We started this one over a year ago, forgot about it, then resurrected it into its final iteration. We kept persevering with it as we felt there was always a great core idea in there.
It’s ready just in time for summer, festival season and to enjoy on the balcony with your small plates & orange wine. Shouts to @ingramrecords for the support and getting this one out there. Available to pre-save via bio links. Love F&C x
Fresh off the back of his Cavempt tape with SP:MC, it’s time to roll out some more anthems.
Fold teases us a with a wavy UKG flip that will put some spring in your step.
Keep your eyes peeled for this one dropping very soon alongside more solo stuff in the tank plus a some special releases forthcoming with cu.rve.
Here’s where you can catch Fold in spring & summer #dubplateseason
✰Upcoming Shows✰
° 11.04.2026 - London, Phonox
° 25.04.2026 - London, Shoreditch House
° 30.04.2026 - London, Ormside Projects
° 09.05.2026 - Manchester, Progress
° 23.05.2026 - London, Field Day
° 11.06.2026 - Anglesey, Gottwood Festival
° 20.06.2026 - London, The Cause
° 11.07.2026 - Tisno, Love International
Bookings: tremayne@23degreesevents.com
Fresh off the back of his Cavempt tape with SP:MC, it’s time to roll out some more anthems.
Fold teases us a with a wavy UKG flip that will put some spring in your step.
Keep your eyes peeled for this one dropping very soon alongside more solo stuff in the tank plus a some special releases forthcoming with cu.rve.
Here’s where you can catch Fold in spring & summer #dubplateseason
✰Upcoming Shows✰
° 11.04.2026 - London, Phonox
° 25.04.2026 - London, Shoreditch House
° 30.04.2026 - London, Ormside Projects
° 09.05.2026 - Manchester, Progress
° 23.05.2026 - London, Field Day
° 11.06.2026 - Anglesey, Gottwood Festival
° 20.06.2026 - London, The Cause
° 11.07.2026 - Tisno, Love International
Bookings: tremayne@23degreesevents.com
Fresh off the back of his Cavempt tape with SP:MC, it’s time to roll out some more anthems.
Fold teases us a with a wavy UKG flip that will put some spring in your step.
Keep your eyes peeled for this one dropping very soon alongside more solo stuff in the tank plus a some special releases forthcoming with cu.rve.
Here’s where you can catch Fold in spring & summer #dubplateseason
✰Upcoming Shows✰
° 11.04.2026 - London, Phonox
° 25.04.2026 - London, Shoreditch House
° 30.04.2026 - London, Ormside Projects
° 09.05.2026 - Manchester, Progress
° 23.05.2026 - London, Field Day
° 11.06.2026 - Anglesey, Gottwood Festival
° 20.06.2026 - London, The Cause
° 11.07.2026 - Tisno, Love International
Bookings: tremayne@23degreesevents.com
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
@ffffoldddd steps up for the latest cassette tape mix from Japanese streetwear brand @cavempt. With @spmc on hosting duties, the tape is Fold’s love letter to “dark, dubby garage and proto grime from around 1999–2002. A really sick and niche sounding era.”
“I would’ve been around 14 years old, through to my GCSEs and up to college time, so I have great memories of growing up immersed in the culture and driving around in my silver Ford Escort, blaring this stuff in and out of South London to the edge of the sticks where we lived.
It was pre-internet, so you had to be very resourceful and dedicated to this thing to get anywhere near it. It wasn’t handed to us on a plate and it wasn’t that popular, we were just obsessive.
We used to stick coat hangers in the antennas of our stereo stacker systems to pick up the pirates clearly and make tapes to play in the car or hand out to mates at school. Weekends meant trips to Big Apple, Wax City and Swag Records in Croydon for records and tape packs, coming back with a stack of rave flyers. Most nights after school, we’d link up, mix, and record our own tapes.
I was already obsessed with drum & bass and going raving, nights like Trouble On Vinyl at Mass in Brixton, MC Convention at Stratford Rex and United Dance at Bagleys (before it shut), with older friends by the time I was 16 (don’t tell Mum). It all went hand in hand, dark music from the capital, the sound of the underground and my youth.
SP:MC should need no introduction, he’s writing some of the best modern interpretations of dark 2-step garage on his label @declassified.info. He recently collaborated with EL-B, and is one of the last generation of proper live MCs. He’s from the same era and slightly older than me, so understands all the reference points. A proper head that can bubble and toast over a set, but also bring serious bars. I really wanted to get Stu on something around 140, as he is usually known for drum and bass, but his flow lends itself to the slower BPM and we don’t often hear it.”
Swipe through for a taste of Fold’s selections.
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
Yh yh - 7pm tonight, back on @rinse.fm with some deep rollers - less gooo!
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
What a ride it’s been this year juggling two jobs 🤹🏻♂️ Feeling very blessed to share the journey with such incredible, hard working and talented friends.
Much love to everyone that has backed my moves.
The future is looking bright with so much more to come and some cool stuff already locked for next year.
Shout out 00’s Paul Harvey across these 📸
Bookings - tremayne@23degreesevents.com
Love x
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.