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franotte
Fran
Berlin / Paris
Silk Durag CWs & moods inspired by Jean Claude & Christo‘s landscape wrapping installations, where a color was chosen to interact with it’s environment.
1.
Pale blue shade / Running Fence (California, 1976)
2.
Pink / Surrounded Islands (Miami, 1983)
3.
Orange / Valley Curtain (Colorado, 1972)
4.
Off-white hue / Wrapped Coast (Little Bay, 1969)
Talent: @geir_27
Photography: @kamerakramer
Creative Direction: @franotte
Archive Material via Taschen Verlag
Silk Durag CWs & moods inspired by Jean Claude & Christo‘s landscape wrapping installations, where a color was chosen to interact with it’s environment.
1.
Pale blue shade / Running Fence (California, 1976)
2.
Pink / Surrounded Islands (Miami, 1983)
3.
Orange / Valley Curtain (Colorado, 1972)
4.
Off-white hue / Wrapped Coast (Little Bay, 1969)
Talent: @geir_27
Photography: @kamerakramer
Creative Direction: @franotte
Archive Material via Taschen Verlag
Silk Durag CWs & moods inspired by Jean Claude & Christo‘s landscape wrapping installations, where a color was chosen to interact with it’s environment.
1.
Pale blue shade / Running Fence (California, 1976)
2.
Pink / Surrounded Islands (Miami, 1983)
3.
Orange / Valley Curtain (Colorado, 1972)
4.
Off-white hue / Wrapped Coast (Little Bay, 1969)
Talent: @geir_27
Photography: @kamerakramer
Creative Direction: @franotte
Archive Material via Taschen Verlag
Silk Durag CWs & moods inspired by Jean Claude & Christo‘s landscape wrapping installations, where a color was chosen to interact with it’s environment.
1.
Pale blue shade / Running Fence (California, 1976)
2.
Pink / Surrounded Islands (Miami, 1983)
3.
Orange / Valley Curtain (Colorado, 1972)
4.
Off-white hue / Wrapped Coast (Little Bay, 1969)
Talent: @geir_27
Photography: @kamerakramer
Creative Direction: @franotte
Archive Material via Taschen Verlag
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
Collection Tailoring & Dresser Calling for @kartikresearch FW26 “RAAG” styled by @julieragolia at Men’s Paris Fashion Week
casting @ben_grimes_casting
hair @mattmulhall
makeup @hind.sousan
production @experiential.h
rugs @jaipurrugs
shoes @manoloblahnik
tailoring @tula_atlr @franotte
#coucoufrancutefran @rickowensonline @lalamichmich @referencestudios
Rick and Michéle, with your ability to question the world with childlike curiosity you have inspired and empowered me along generations of many young designers and creatives. Thank you for your work and ongoing legacy!
#coucoufrancutefran @rickowensonline @lalamichmich @referencestudios
Rick and Michéle, with your ability to question the world with childlike curiosity you have inspired and empowered me along generations of many young designers and creatives. Thank you for your work and ongoing legacy!
#coucoufrancutefran @rickowensonline @lalamichmich @referencestudios
Rick and Michéle, with your ability to question the world with childlike curiosity you have inspired and empowered me along generations of many young designers and creatives. Thank you for your work and ongoing legacy!
#coucoufrancutefran @rickowensonline @lalamichmich @referencestudios
Rick and Michéle, with your ability to question the world with childlike curiosity you have inspired and empowered me along generations of many young designers and creatives. Thank you for your work and ongoing legacy!
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
@kikokostadinov SS26 Paris Fashion Week by @laura_deanna_fanning at Palais de Tokyo
Shownotes [Except]
“It has been a good time to look inwards. When we do, we see elegant women, headstrong women, expectant women, and playful women who are always divining the future from the sands of the past. We want our women free to be radical in their clothes, unchained from the world's demands.
This season, it is not just the clothes we made that matter, but how we made them. We aim to strip away artifice and expectation, returning to the practices that defined our beginnings in fashion: engaging in a joyful exploration of material, composition, proportion, and construction.
[…]
The American artist Christina Ramberg, whose paintings of hulking female bodies with stiff brassieres, jagged corsetry, and backcombed bangs we first saw in Berlin, provides deep inspiration. Our translation of Christina's structural and fetishistic bodies is not literal but spiritual: how can we embolden and radicalize the shape of the female form? Redefining femininity by pushing colour and beauty beyond tradition motivates us to cut new shapes, including shelf-like bustiers with circular suspensions, dramatic shoulders, peplums, and sculpted hips. With generous permission from the Christina Ramberg Estate, two of the artist's works are used in collateral material for this presentation.
The warm, indulgent hues and insouciant spirit of 1970s cinema inspire the clash of colours and textures throughout the collection. We particularly drew from Lina Wertmüller's The Seduction of Mimi (1972). In her headstrong protagonists, we found parallels to our women and our lives, where passion, tragedy, and beauty coexist. Cinched, shawl-collar skirt suiting in retro colourways, sleek leather jackets in black and brown, and utility sets with contrast trim all echo the refined eclecticism of Italian cinema.
Even in the most uncertain times, we strive to find a silver lining: a freedom of body and mind.”
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
“SMALL TALK” Graduate Collection by @franotte
Photographer: @julianadomako
Photo Assistant: @xanath.hs
Production: @juwelzzzzzz
HMU: @ellendahlhoff
Set Assistant: @saeeeeeeda
Design Assistant: @aminashbbr
Talents:
@basic.bena
@marcella1532
@samiralorene
Special Thanks to:
@customfabricflowers
Paul Knopf
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.