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Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

Feature: MEEKZ - MINI ME’s (2024) Directed by @kc.locke

Most insane use of Bolt Cam I’ve ever seen.

1. Bolt Cam (x3)
2. Bolt Cam > Object Portal
3. Whip Pan > Cross Dissolve + Match Cut > Object Portal
4. Bolt Cam (with some Digital Gestures in there)
5. Surrealism
6. Bolt Cam + Video Game
7. FPV Drone (CG) > Surrealism
8. Digital Gesture + Surrealism
9. Steadicam > Aerial (CG)
10. Titles

Director: KC Locke @kc.locke
Producer: @finmulligan
Production Company: @swordsandeagles
Executive Producers: KC Locke & Jenny O’Sullivan
Directors Rep: @marisagarnerassociates
DOP: @jameskilleendop
Production Designer: @jennyosullivan4
Editor: @friendlydictator
1st AD: @benjamin.plummer
2nd AD: @lydiashenton.flm
Floor Runner: @isaacmortonmedia
Floor Runner: @jessicasweetman
1st AC: @therealuzzey
2nd AC: @martinwelsby
2nd AC: @kencarsxn
2nd AC: @thegimbalguy
Camera Trainee: @aracelilopes_
Camera Trainee: @jacobdavs
Camera Trainee: Gabriel Trinc
Steadicam AR: @leightoncox
DIT: @friendlydictator
Grip: Jon Head
Motion Control: @g6moco
Moco Operator: @rammyg6
Moco Operator: @cain_creates
Moco Programmer: Andy Rider
Gaffer: @leesymington
Gaffer (Pickup): @chrisdropcity
Spark: @charlotteastevens
Spark: @weirgrant1
Spark: @chrisbirdmedia
Spark: @alex_wuts
Spark: @callan_bd
Art Assistant: @edkel2020
Styling: @caitlinstylist_
Styling Assistant: @amberlilybarlow
Production Runner: @covidken
Production Runner: @elliefox3
Production Runner: @joel_robd
Production Runner: @costo
Health & Safety Supervisor: Martin Shenton
BTS Video: @d.w3rt
Post Producer: KC Locke
VFX supervisor: Jamil Shaukat
VFX Studio: LMNTL
Edit House: PictureLock
Colour House: @no8colour
Colour Producer: Charlie Morris & Hannah George
Colourist: @alexgregorycolour
Titles: @onlyonebimmy
Actors: Cuba blue & Cody Clarke
Camera: @panavisionofficial
Lighting: @drop_city_ltd
Catering: @outsidemadecatering
Coffee Truck: @dccoffee
Generator: Pyramid Lighting
Generator: Pyramid Lighting
Security: @rollcamerasecurity
Location Equipment: Location One & Shoot Support

Selected by @fitzwander

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

What a mad project to work on, love how we’re expanding into different styles of videos - having a contrast between more narrative focused work and VFX lead work makes things even more interesting.

@aitch smashed it again with the acting and creative input, we can see the constant growth 💪🏽 @kc.lockeperfectly executed his treatment into a fully planned and developed timeline, he pre-decided the order of shots which isn’t common in what we do and allowed us to build something that was pre-determined and executed to it’s fullest potential.

My role was more within making sure things went according to plan in post-production, assembled the first pass of the timeline with @dillydeeee as assistant on set helping with the timings of transitions for me to refine later and pick the right takes with KC.

Then I went into a post-supervision role just making sure things went smoothly between our VFX brothers at LMNTL who are always a pleasure to work with, they are so talented and great at dealing with the ideas that need to be executed.

KC has become a stronger director every single video, always pushing the boundaries and making sure that everything is done to perfection.
Very grateful to be working alongside you and looking at what we’ve built 4 years after we started this journey, this time of grafting allowed me to incubate my craft and just focus on being one of the best at what I do.

Big shoutout to @_lewisnicholson who is in my eyes one of the best producers of our age group, he’s vigilant in wanting to represent the treatments to their fullest and has an amazing way of managing complex situations without ever losing his head. Proud of his progress and I think it really shines in this video.

@jennyosullivan4 has been doing some amazing production design in the recent videos and I love seeing things come to life through her hard work and creativity that helps create the worlds that our videos take place in.

@hayleyrepton big thank you for helping me sort the blurs and helping me get the TV cut ready 🙏🏽

Love to everyone who works with us and onto the next 100 videos ⚔️🦅

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

Going from playing Pokémon as a kid to having Pikachu in one of our videos is one of those mad things you’d never expect to happen. We pulled this off with creatives from all over the world and everyone gave it everything ⚡️

@pokemon x @jaxjones @zoewees cut for @kc.locke and @swordsandeagles continuing our streak of making some of the hardest videos the worlds seen 💎

Big love to the amazing VFX work from @nathanloveofficial and @floridvfx big shoutout to @specter the legend for the link up 🇩🇪🇦🇱

Director: KC Locke
Exec Producer: KC Locke & Jenny O’Sullivan
Commissioner/ Agent: Marisa Garner
Production Company: Swords & Eagles
Producer: Jordi Estapé Montserrat
DOP: Stefan Yap
Production Designer: Jenny O’Sullivan
Editor: Jamil Shaukat
Brand Partnerships: Cymbyl
The Pokémon Company International:
Suzanne Trevor
Joyce Xie
Kari Yanai
Shuva Datta
Charlotte Catling
Production Manager: Edwin Brawn
Production Assistant: Phelan Moeller
1st AC: Oliver Bingham
Remote Head Camera OP: Dan Lobo-Pires
Gaffer: Nick Platt
Spark: Lee Symington
Spark: Ian Stevens
Spark: Seanie Clarke
Construction: Aztec Studios
Art Assistant: Adam Cruttenden
Talent HMUA: Hannah Sorcha
Jax Stylist: Aga Dziedzic
S&E BTS Videography: Mo Dukali
Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
CGI Post Production: PayperWork for DRKNSD
Post Supervising: Florid Imeraj
CGI: Sigi Myrtaj, Anxhelo Goskova, Klarens Malluta, Donald Çela
Compositing Lead: Florid Imeraj
Compositing/Rotoscoping: Nertil Zenuni, Kristi Hila
Pikachu Animation Production Company: Nathan Love
Executive Producer: Jon O’Hara
Producer: Adam Coffia
Creative Director: Joe Burrascano
Technical Director: Eduardo Enriquez
Systems Administrator: Polly McGuire
Modeling Shading & Texturing: Brithney Rivera
Rigging: Danilo Penheiro
3D Character Animation: Jabimation
2D FX Animation: Peter Ahern
Lighting Supervisor: Jin Fang Jiang
Lighting Lead: Mirelle Underwood
Compositing: Jeff “Dragon” Billon
Editing: Sam Feske
VFX Shoot Supervisor: Neil Cunningham
Colour House: No8 L​​ondon
Executive Producer: Charlie Morris​​​​
Colour Producer: Hannah George​​​​
Colourist: Tim Smith

@nike x @centralcee @synaworld AF1 Collab 🧞‍♂️✂️

Another one with @apolloposthouse this time we only had 15 hours to do the whole cut from selects to finish - so me and @mo_dukali just locked in and delivered 🫡🦾

Director: @jvriez 🎬
Cinematographer: @byburnsy
AD: @dylanmcgale

Agency: @gameseven
Sr. director of Accounts: @emeraldemee

Executive Producer: @ramyelso
Producer: @dylanpalley
1st AC: @levi.jawara
Gaffer: @jovannyjovel
Grip: @whitericelife
Sound: @pablomena 🔉

Photographer: @virisayong 📸

PA: @benjaminlobel @maxbwashere

Vinyl wraps: @erapicturecars
Biker crew: 🏍️💨

@west_grown
@callhim_cash
@bikelifemazz
@mattieek9
@hotboyskoot
@diana.thedon
@oneway.cxrlos

Post Production: @apolloposthouse
Post Producer: @ap.mov 🤝
Post Supervisor: Marlinda Walcott
Editor: @friendlydictator 👨🏽‍💻
Assistant Editor: @mo_dukali
Sound Design: @dominic.walther.b 🔉
Colorist: @braxtonapana 🦇🎨

@nike x @centralcee @synaworld AF1 Collab 🧞‍♂️✂️

Another one with @apolloposthouse this time we only had 15 hours to do the whole cut from selects to finish - so me and @mo_dukali just locked in and delivered 🫡🦾

Director: @jvriez 🎬
Cinematographer: @byburnsy
AD: @dylanmcgale

Agency: @gameseven
Sr. director of Accounts: @emeraldemee

Executive Producer: @ramyelso
Producer: @dylanpalley
1st AC: @levi.jawara
Gaffer: @jovannyjovel
Grip: @whitericelife
Sound: @pablomena 🔉

Photographer: @virisayong 📸

PA: @benjaminlobel @maxbwashere

Vinyl wraps: @erapicturecars
Biker crew: 🏍️💨

@west_grown
@callhim_cash
@bikelifemazz
@mattieek9
@hotboyskoot
@diana.thedon
@oneway.cxrlos

Post Production: @apolloposthouse
Post Producer: @ap.mov 🤝
Post Supervisor: Marlinda Walcott
Editor: @friendlydictator 👨🏽‍💻
Assistant Editor: @mo_dukali
Sound Design: @dominic.walther.b 🔉
Colorist: @braxtonapana 🦇🎨

@nike x @centralcee @synaworld AF1 Collab 🧞‍♂️✂️

Another one with @apolloposthouse this time we only had 15 hours to do the whole cut from selects to finish - so me and @mo_dukali just locked in and delivered 🫡🦾

Director: @jvriez 🎬
Cinematographer: @byburnsy
AD: @dylanmcgale

Agency: @gameseven
Sr. director of Accounts: @emeraldemee

Executive Producer: @ramyelso
Producer: @dylanpalley
1st AC: @levi.jawara
Gaffer: @jovannyjovel
Grip: @whitericelife
Sound: @pablomena 🔉

Photographer: @virisayong 📸

PA: @benjaminlobel @maxbwashere

Vinyl wraps: @erapicturecars
Biker crew: 🏍️💨

@west_grown
@callhim_cash
@bikelifemazz
@mattieek9
@hotboyskoot
@diana.thedon
@oneway.cxrlos

Post Production: @apolloposthouse
Post Producer: @ap.mov 🤝
Post Supervisor: Marlinda Walcott
Editor: @friendlydictator 👨🏽‍💻
Assistant Editor: @mo_dukali
Sound Design: @dominic.walther.b 🔉
Colorist: @braxtonapana 🦇🎨

@nike x @centralcee @synaworld AF1 Collab 🧞‍♂️✂️

Another one with @apolloposthouse this time we only had 15 hours to do the whole cut from selects to finish - so me and @mo_dukali just locked in and delivered 🫡🦾

Director: @jvriez 🎬
Cinematographer: @byburnsy
AD: @dylanmcgale

Agency: @gameseven
Sr. director of Accounts: @emeraldemee

Executive Producer: @ramyelso
Producer: @dylanpalley
1st AC: @levi.jawara
Gaffer: @jovannyjovel
Grip: @whitericelife
Sound: @pablomena 🔉

Photographer: @virisayong 📸

PA: @benjaminlobel @maxbwashere

Vinyl wraps: @erapicturecars
Biker crew: 🏍️💨

@west_grown
@callhim_cash
@bikelifemazz
@mattieek9
@hotboyskoot
@diana.thedon
@oneway.cxrlos

Post Production: @apolloposthouse
Post Producer: @ap.mov 🤝
Post Supervisor: Marlinda Walcott
Editor: @friendlydictator 👨🏽‍💻
Assistant Editor: @mo_dukali
Sound Design: @dominic.walther.b 🔉
Colorist: @braxtonapana 🦇🎨

@nike x @centralcee @synaworld AF1 Collab 🧞‍♂️✂️

Another one with @apolloposthouse this time we only had 15 hours to do the whole cut from selects to finish - so me and @mo_dukali just locked in and delivered 🫡🦾

Director: @jvriez 🎬
Cinematographer: @byburnsy
AD: @dylanmcgale

Agency: @gameseven
Sr. director of Accounts: @emeraldemee

Executive Producer: @ramyelso
Producer: @dylanpalley
1st AC: @levi.jawara
Gaffer: @jovannyjovel
Grip: @whitericelife
Sound: @pablomena 🔉

Photographer: @virisayong 📸

PA: @benjaminlobel @maxbwashere

Vinyl wraps: @erapicturecars
Biker crew: 🏍️💨

@west_grown
@callhim_cash
@bikelifemazz
@mattieek9
@hotboyskoot
@diana.thedon
@oneway.cxrlos

Post Production: @apolloposthouse
Post Producer: @ap.mov 🤝
Post Supervisor: Marlinda Walcott
Editor: @friendlydictator 👨🏽‍💻
Assistant Editor: @mo_dukali
Sound Design: @dominic.walther.b 🔉
Colorist: @braxtonapana 🦇🎨

Trailer for @jorjasmith_ PRICE OF IT ALL 🔫🔪🛰️

Cutting trailers is one of my favourite things to do - especially for @kc.locke cause he just gives me complete freedom to come up with anything tapped that I want.

I always request the stems of the track because it lets me almost build my own instrumental and score for the trailer. I let that lead the edit, whatever sounds I hear - vocals that sound different, little nuances that you only notice when the tracks pulled apart, what sparks the direction for me is what I run with.

I cut this late night until 4am and just knew it was fucking cold when I was done, straight to KC, no changes needed and got it approved. I’m blessed to work with people that get how I work and push me to explore being a creative editor on every project I work on.

Some BTS on slide 2 from when I started to add selects into the timeline - if yous are interested I might go more in-depth and do some voiceovers in the future to explain workflows and concepts within different edits.

Full video out now on YouTube - go watch that 🫡

Trailer for @jorjasmith_ PRICE OF IT ALL 🔫🔪🛰️

Cutting trailers is one of my favourite things to do - especially for @kc.locke cause he just gives me complete freedom to come up with anything tapped that I want.

I always request the stems of the track because it lets me almost build my own instrumental and score for the trailer. I let that lead the edit, whatever sounds I hear - vocals that sound different, little nuances that you only notice when the tracks pulled apart, what sparks the direction for me is what I run with.

I cut this late night until 4am and just knew it was fucking cold when I was done, straight to KC, no changes needed and got it approved. I’m blessed to work with people that get how I work and push me to explore being a creative editor on every project I work on.

Some BTS on slide 2 from when I started to add selects into the timeline - if yous are interested I might go more in-depth and do some voiceovers in the future to explain workflows and concepts within different edits.

Full video out now on YouTube - go watch that 🫡

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

PERi-PERi Saka is back 🌶️ 📦 @nandosuk
@bukayosaka87

Had a fun time making this ⚔️🦅
Thank you to the whole team for bringing this together

Full credits to follow 🔗

@nba x @neweracap - “Like They Never Left”
NBA Hardwood Classics by New Era

Time Machines and 90’s energy with @zeddekiah @apolloposthouse ✂️🏀

agency: @enzodrew_
creative directors: @andrewstachel @lorenzobelassen executive producer: @plexas production company: @jinowat director: @zeddekiah associate director: @diegobenjaminandrade line producer: @hansboysen director of photography: @zeddekiah photographer: @diegobenjaminandrade
1st ad: @izzymenow gaffer: @trev_photo aclt: @harrison_segal clt: @esgafercine
key grip: @bradpowers.kg grip: @valtabianjr
1st ac: @jpegcole
2nd ac: @liam4shore cam utility: @badfaithed jib operator: @gabekimpson photo gaffer: @willazcona photo assist: @savagessam production designer: @ohh.arch set dresser: @benregulr @don_seif_ stylist: @ssaint.miguel
pa: @dre_whitney @ethanjmay post house: @apolloposthouse head of post: @ap.mov post producer: @christheg editor: @friendlydictator additional editor: @mo_dukali colorist: @beatricetremblay_ vfx: @le_jumper
sound design: @ayodouson talent @elvin5rodriguez
talent agent: @organicko @veniceball

@nba x @neweracap - “Like They Never Left”
NBA Hardwood Classics by New Era

Time Machines and 90’s energy with @zeddekiah @apolloposthouse ✂️🏀

agency: @enzodrew_
creative directors: @andrewstachel @lorenzobelassen executive producer: @plexas production company: @jinowat director: @zeddekiah associate director: @diegobenjaminandrade line producer: @hansboysen director of photography: @zeddekiah photographer: @diegobenjaminandrade
1st ad: @izzymenow gaffer: @trev_photo aclt: @harrison_segal clt: @esgafercine
key grip: @bradpowers.kg grip: @valtabianjr
1st ac: @jpegcole
2nd ac: @liam4shore cam utility: @badfaithed jib operator: @gabekimpson photo gaffer: @willazcona photo assist: @savagessam production designer: @ohh.arch set dresser: @benregulr @don_seif_ stylist: @ssaint.miguel
pa: @dre_whitney @ethanjmay post house: @apolloposthouse head of post: @ap.mov post producer: @christheg editor: @friendlydictator additional editor: @mo_dukali colorist: @beatricetremblay_ vfx: @le_jumper
sound design: @ayodouson talent @elvin5rodriguez
talent agent: @organicko @veniceball

@nba x @neweracap - “Like They Never Left”
NBA Hardwood Classics by New Era

Time Machines and 90’s energy with @zeddekiah @apolloposthouse ✂️🏀

agency: @enzodrew_
creative directors: @andrewstachel @lorenzobelassen executive producer: @plexas production company: @jinowat director: @zeddekiah associate director: @diegobenjaminandrade line producer: @hansboysen director of photography: @zeddekiah photographer: @diegobenjaminandrade
1st ad: @izzymenow gaffer: @trev_photo aclt: @harrison_segal clt: @esgafercine
key grip: @bradpowers.kg grip: @valtabianjr
1st ac: @jpegcole
2nd ac: @liam4shore cam utility: @badfaithed jib operator: @gabekimpson photo gaffer: @willazcona photo assist: @savagessam production designer: @ohh.arch set dresser: @benregulr @don_seif_ stylist: @ssaint.miguel
pa: @dre_whitney @ethanjmay post house: @apolloposthouse head of post: @ap.mov post producer: @christheg editor: @friendlydictator additional editor: @mo_dukali colorist: @beatricetremblay_ vfx: @le_jumper
sound design: @ayodouson talent @elvin5rodriguez
talent agent: @organicko @veniceball

@nba x @neweracap - “Like They Never Left”
NBA Hardwood Classics by New Era

Time Machines and 90’s energy with @zeddekiah @apolloposthouse ✂️🏀

agency: @enzodrew_
creative directors: @andrewstachel @lorenzobelassen executive producer: @plexas production company: @jinowat director: @zeddekiah associate director: @diegobenjaminandrade line producer: @hansboysen director of photography: @zeddekiah photographer: @diegobenjaminandrade
1st ad: @izzymenow gaffer: @trev_photo aclt: @harrison_segal clt: @esgafercine
key grip: @bradpowers.kg grip: @valtabianjr
1st ac: @jpegcole
2nd ac: @liam4shore cam utility: @badfaithed jib operator: @gabekimpson photo gaffer: @willazcona photo assist: @savagessam production designer: @ohh.arch set dresser: @benregulr @don_seif_ stylist: @ssaint.miguel
pa: @dre_whitney @ethanjmay post house: @apolloposthouse head of post: @ap.mov post producer: @christheg editor: @friendlydictator additional editor: @mo_dukali colorist: @beatricetremblay_ vfx: @le_jumper
sound design: @ayodouson talent @elvin5rodriguez
talent agent: @organicko @veniceball

@nba x @neweracap - “Like They Never Left”
NBA Hardwood Classics by New Era

Time Machines and 90’s energy with @zeddekiah @apolloposthouse ✂️🏀

agency: @enzodrew_
creative directors: @andrewstachel @lorenzobelassen executive producer: @plexas production company: @jinowat director: @zeddekiah associate director: @diegobenjaminandrade line producer: @hansboysen director of photography: @zeddekiah photographer: @diegobenjaminandrade
1st ad: @izzymenow gaffer: @trev_photo aclt: @harrison_segal clt: @esgafercine
key grip: @bradpowers.kg grip: @valtabianjr
1st ac: @jpegcole
2nd ac: @liam4shore cam utility: @badfaithed jib operator: @gabekimpson photo gaffer: @willazcona photo assist: @savagessam production designer: @ohh.arch set dresser: @benregulr @don_seif_ stylist: @ssaint.miguel
pa: @dre_whitney @ethanjmay post house: @apolloposthouse head of post: @ap.mov post producer: @christheg editor: @friendlydictator additional editor: @mo_dukali colorist: @beatricetremblay_ vfx: @le_jumper
sound design: @ayodouson talent @elvin5rodriguez
talent agent: @organicko @veniceball

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@skyenewman__ WALK 👠🔥💨⚔️

Big love to the team 🦅
@swordsandeagles 🌎 ✈️ 💨

Full cc to follow 🙏

@ayliva - RENN! (Official Music Video) BEFORE + AFTER
•
Directed by @bertinaxefilm
Edited by @friendlydictator
•
VFX Studio: @null_studios__
VFX producer @bbyjodo @hwangproduction
VFX Coordinator @valtsfx
3D Artists: @seth.visual @cvialet_ @crusherondadrain
VFX Compositing @enskarul @lamievfx
Mattes: @elvisionary
Matchmove Tracking: Rohit Gupta

VFX Before + After @spotifyuk Wrapped 2025 Official Video
Featuring: @centralcee @pinkpantheress @nemzzz_ @lewiscapaldi @sammyvirji @edsheeran @lolayounggg @oliviadeano @jadethirlwall @skyenewman__ @sashakeable @kingfishrofficial
•
Directed by @kc.locke
Edited by @friendlydictator @edenraeread
•
VFX Studio: @null_studios__
VFX Producer: @bbyjodo @hwangproduction
VFX Coordinator: @valtsfx
VFX Lead: @valtsfx
CG Artists: @baurzans_ , @cvialet_ , @_drweesh , @michal.rech , @halfofnothing , @nes100pro , @frank_square
VFX Compositing: @valtsfx , @cvialet_
VFX Assist: @still.vfx @bbyjodo

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

First half of the Wrapped 2025 edit by me and @edenraeread for @kc.locke @spotifyuk @curlymedialtd ✂️💎

Love to everyone involved, full credits on the next post 🦾

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_

New edit for @hm x @apolloposthouse 🪡🧞‍♂️

Cutting on-set under pressure is probably one of my favourite things to do and I appreciate @apolloposthouse getting me on to prove my skills once again ✂️

I got to chop the fashion show hero edit and there were 14 other sick editors in the room working on their own deliverables as part of our team. I don’t often get to sit with so many talented people who have the same craft as I do. Everyone smashed it and we got the job done proper🦾💎

Executive Producers: @tonypillow @simonchasalow @anuaraly
Producer: @anuaraly
Production Supervisor: @mstefanacci
Production Manager: @michaellmare
Production Coordinator: @cesarsburneraccount
Key Production Assistant: @grace.peterson__
Agency: @theparalleagency
Production Company: @bellhouseltd

Video Team Lead: @joncorreal
Signing ampersand DP: @jakebaine
Elevator DP: @garrett.hoffmann
Camera Operators: @henritaillon, @kianbroderwang, @garrett.hoffmann, @jak_payne, @giler.media, @orlandoomahoney, @curtpiercy, @clie.uk

Post Production Company: @apolloposthouse
Head of Post: @ap.mov
Post Production Coordinator: @burdhouse

On-Site Editors:
Recap Editor - @Griffinolis
Fashion Show Hero Editor - @Friendlydictator
Elevator Series - @_Zacksta
Backstage Walk Ons - @Henritaillon
CCTV Editor - @Talhapervaiz_
Fashion Walks, Step & Repeat - @samuelmaton
Act 1 Editor - @jacobkrausebrown
Act 2 Editor - @ben_garnet_t
Act 3 Editor, Crew Arrivals - @katyaganfeld
180 POV Edit - @vasilisaworld
Arrivals - @mo_dukali
Fan Reactions - @otistree
Signing in - @andredenervaux
Show LUT Colorist - @averyniles

DIT - @we.love.hue
DIT - @dtturner_