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GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.
Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._
Special Thanks: Maddox & Cisneros, PLLC
Full short film now available on Youtube
🚬💀🍻
sep10th’²⁵ — END OF SUMMER
Editor: @cino2k
Featuring Films by:
@cannedd67
@cherrywithaw
@fuchs._
@dagem__
Logo Design: @cino2k
GUTSHOT POSTER
Designed by @cino2k
TRAILER DROPPING TODAY
Check out GUTSHOT and four other short films screening SATURDAY AUGUST 30TH
DM for Address
BCTV’S END OF SUMMER
SATURDAY AUGUST 30th
Doors open @ 8pm
Screening starts @ 9pm
DM for Address
We are premiering 5 New Short Films!
HUNTSVILLE
Directed by Ian Watson
BURRO
Directed by Alejandro Gonzalez and Dagem Desta
@cannedd67
@dagem__
GUTSHOT
Directed by Elijah Fuchs
@fuchs._
GETTING CUT
Directed by John Wherry
@cherrywithaw
ADULTEROUS BOTTLES
Directed by John Wherry
@cherrywithaw
New screening. 90 minutes. Free.
End of Summer.
🚬💀🍻
Flyer: @cino2k @jaljalbinks @cannedd67
Savers Tips and Tricks - 2ndhand
Host: @elijahgarcio
Featuring: idfk
Camera Operators: @anthonytedle @fuchs._
Sound Operator: @cino2k
Editors: @cino2k @cannedd67
Sound Design: @cannedd67 @cino2k
Color: @anthonytedle
BTS: @corbyd18
Special Thanks: Kristie @cannedd67 @fuchs._ @jaljalbinks @a_problem_dog
[Watch the full video on Youtube]
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “feb14th’²⁵”
Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.
At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character.
Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future.
Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626
Photos: @kevin.stinks
Writer: @fuchs._
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
Behind the Scenes Photography “jan4th’²⁵”
The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.
On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.
December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.
Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
✨Photography Portfolio✨
As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.
Big thanks to everyone who helped put these images together.❤️🔥 Without them I could only take selfies!😙🤳🏼
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.