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For six decades, Gemini G.E.L. has been at the forefront of printmaking innovation in Los Angeles. This February, we celebrate 60 years of collaboration with some of the most important artists of our time. Stay tuned… #GeminiGEL60

Robert Rauschenberg’s hands while working on a litho stone at Gemini G.E.L.
© 1977 Sidney B. Felsen

Printer Christine Fox rolling out ink for Ellsworth Kelly’s Purple at Gemini G.E.L.
© 1981 Sidney B. Felsen

Gemini G.E.L. founders Sidney B. Felsen and Stanley Grinstein in the Gemini lithography studio
© 1988 Jim McHugh

#GeminiGEL #LAPrintmaking #ImpressionsofLA

For six decades, Gemini G.E.L. has been at the forefront of printmaking innovation in Los Angeles. This February, we celebrate 60 years of collaboration with some of the most important artists of our time. Stay tuned… #GeminiGEL60

Robert Rauschenberg’s hands while working on a litho stone at Gemini G.E.L.
© 1977 Sidney B. Felsen

Printer Christine Fox rolling out ink for Ellsworth Kelly’s Purple at Gemini G.E.L.
© 1981 Sidney B. Felsen

Gemini G.E.L. founders Sidney B. Felsen and Stanley Grinstein in the Gemini lithography studio
© 1988 Jim McHugh

#GeminiGEL #LAPrintmaking #ImpressionsofLA

For six decades, Gemini G.E.L. has been at the forefront of printmaking innovation in Los Angeles. This February, we celebrate 60 years of collaboration with some of the most important artists of our time. Stay tuned… #GeminiGEL60

Robert Rauschenberg’s hands while working on a litho stone at Gemini G.E.L.
© 1977 Sidney B. Felsen

Printer Christine Fox rolling out ink for Ellsworth Kelly’s Purple at Gemini G.E.L.
© 1981 Sidney B. Felsen

Gemini G.E.L. founders Sidney B. Felsen and Stanley Grinstein in the Gemini lithography studio
© 1988 Jim McHugh

#GeminiGEL #LAPrintmaking #ImpressionsofLA

For six decades, Gemini G.E.L. has been at the forefront of printmaking innovation in Los Angeles. This February, we celebrate 60 years of collaboration with some of the most important artists of our time. Stay tuned… #GeminiGEL60

Robert Rauschenberg’s hands while working on a litho stone at Gemini G.E.L.
© 1977 Sidney B. Felsen

Printer Christine Fox rolling out ink for Ellsworth Kelly’s Purple at Gemini G.E.L.
© 1981 Sidney B. Felsen

Gemini G.E.L. founders Sidney B. Felsen and Stanley Grinstein in the Gemini lithography studio
© 1988 Jim McHugh

#GeminiGEL #LAPrintmaking #ImpressionsofLA

Impressions of Los Angeles: 60 years of Printmaking at Gemini G.E.L. Curated by Susan Dackerman @susanmdackerman

February 23-May 1, 2026
Reception Saturday, February 28 6 - 8pm

Impressions of Los Angeles: 60 Years of Printmaking at Gemini G.E.L., is divided into two major themes: the atmosphere of Los Angeles and the streets of Los Angeles. Several of the works on view have not been shown in decades, nor have they been curated in this grouping before, offering a new perspective on Gemini’s printmaking history.

#GeminiGEL #GeminiGEL60 #ImpressionsofLA #ContemporaryPrints

60 years. Countless collaborations. The longest-running contemporary art gallery in Los Angeles, working with the most important artists of our time. Gemini G.E.L.

#GeminiGEL60 #GeminiGEL #LAArt #ContemporaryPrints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.

Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama

@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper

#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings

Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7

Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen

Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen

Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32

Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen

Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen

Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36

@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Gemini G.E.L. is pleased to present Tacita Dean: Eclipse Drawings, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

Tacita Dean ‘Eclipse Drawings #10,’ 2026. 16 color screenprint 25 x 37 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #5,’ 2026. 15 color screenprint 23 x 34 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #1,’ 2026. 17 color screenprint 27 x 40 1/2 in. Edition of 36

#TacitaDean #EclipseDrawings

Gemini G.E.L. is pleased to present Tacita Dean: Eclipse Drawings, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

Tacita Dean ‘Eclipse Drawings #10,’ 2026. 16 color screenprint 25 x 37 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #5,’ 2026. 15 color screenprint 23 x 34 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #1,’ 2026. 17 color screenprint 27 x 40 1/2 in. Edition of 36

#TacitaDean #EclipseDrawings

Gemini G.E.L. is pleased to present Tacita Dean: Eclipse Drawings, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

Tacita Dean ‘Eclipse Drawings #10,’ 2026. 16 color screenprint 25 x 37 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #5,’ 2026. 15 color screenprint 23 x 34 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #1,’ 2026. 17 color screenprint 27 x 40 1/2 in. Edition of 36

#TacitaDean #EclipseDrawings

Gemini G.E.L. is pleased to present Tacita Dean: Eclipse Drawings, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

Tacita Dean ‘Eclipse Drawings #10,’ 2026. 16 color screenprint 25 x 37 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #5,’ 2026. 15 color screenprint 23 x 34 1/2 in. Edition of 36

Tacita Dean ‘Eclipse Drawings #1,’ 2026. 17 color screenprint 27 x 40 1/2 in. Edition of 36

#TacitaDean #EclipseDrawings

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32

‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32

‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32

‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.

‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32

‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

We are honored to share that works published by Gemini G.E.L. are now on permanent display at the San Francisco Museum of Modern Art as part of Fisher Collection Reimagined, celebrating the transformative gift of the Doris and Donald Fisher Collection to SFMOMA.

Among the works on view are four editions published by Gemini G.E.L. that were acquired by the Fisher family and have now entered one of the most significant museum collections in the United States:

Jasper Johns ‘High School Days,’ 1969. Lead relief and glass mirror 23 x 17 in. Edition of 60

Jasper Johns ‘Light Bulb,’ 1969. Lead relief 39 x 17 in. Edition of 60

Claes Oldenburg ‘Geometric Mouse Scale C,’ 1971. Moveable 3-dimensional object, black anodized aluminum 24.5 x 20 in. Edition of 120

Claes Oldenburg ‘Geometric Mouse Scale D,’ 1971. Moveable 3-dimensional object, die cut laminated photo offset printed paper 17.5 x 14 in. Unlimited edition

These works reflect the enduring ambition that has defined Gemini since its founding in 1966: to collaborate with the most important artists of our time in the creation of editions that are, unequivocally, works of art. Seeing them installed within the Fisher Collection at SFMOMA is a source of tremendous pride — and a testament to the lasting significance of the artists and works that have been at the heart of Gemini’s mission for sixty years.

Fisher Collection Reimagined is on view at SFMOMA now. @sfmoma

#GeminiGEL #FisherCollection #SFMOMA #ClaesOldenburg #JasperJohns

We are honored to share that works published by Gemini G.E.L. are now on permanent display at the San Francisco Museum of Modern Art as part of Fisher Collection Reimagined, celebrating the transformative gift of the Doris and Donald Fisher Collection to SFMOMA.

Among the works on view are four editions published by Gemini G.E.L. that were acquired by the Fisher family and have now entered one of the most significant museum collections in the United States:

Jasper Johns ‘High School Days,’ 1969. Lead relief and glass mirror 23 x 17 in. Edition of 60

Jasper Johns ‘Light Bulb,’ 1969. Lead relief 39 x 17 in. Edition of 60

Claes Oldenburg ‘Geometric Mouse Scale C,’ 1971. Moveable 3-dimensional object, black anodized aluminum 24.5 x 20 in. Edition of 120

Claes Oldenburg ‘Geometric Mouse Scale D,’ 1971. Moveable 3-dimensional object, die cut laminated photo offset printed paper 17.5 x 14 in. Unlimited edition

These works reflect the enduring ambition that has defined Gemini since its founding in 1966: to collaborate with the most important artists of our time in the creation of editions that are, unequivocally, works of art. Seeing them installed within the Fisher Collection at SFMOMA is a source of tremendous pride — and a testament to the lasting significance of the artists and works that have been at the heart of Gemini’s mission for sixty years.

Fisher Collection Reimagined is on view at SFMOMA now. @sfmoma

#GeminiGEL #FisherCollection #SFMOMA #ClaesOldenburg #JasperJohns

We are honored to share that works published by Gemini G.E.L. are now on permanent display at the San Francisco Museum of Modern Art as part of Fisher Collection Reimagined, celebrating the transformative gift of the Doris and Donald Fisher Collection to SFMOMA.

Among the works on view are four editions published by Gemini G.E.L. that were acquired by the Fisher family and have now entered one of the most significant museum collections in the United States:

Jasper Johns ‘High School Days,’ 1969. Lead relief and glass mirror 23 x 17 in. Edition of 60

Jasper Johns ‘Light Bulb,’ 1969. Lead relief 39 x 17 in. Edition of 60

Claes Oldenburg ‘Geometric Mouse Scale C,’ 1971. Moveable 3-dimensional object, black anodized aluminum 24.5 x 20 in. Edition of 120

Claes Oldenburg ‘Geometric Mouse Scale D,’ 1971. Moveable 3-dimensional object, die cut laminated photo offset printed paper 17.5 x 14 in. Unlimited edition

These works reflect the enduring ambition that has defined Gemini since its founding in 1966: to collaborate with the most important artists of our time in the creation of editions that are, unequivocally, works of art. Seeing them installed within the Fisher Collection at SFMOMA is a source of tremendous pride — and a testament to the lasting significance of the artists and works that have been at the heart of Gemini’s mission for sixty years.

Fisher Collection Reimagined is on view at SFMOMA now. @sfmoma

#GeminiGEL #FisherCollection #SFMOMA #ClaesOldenburg #JasperJohns

We are honored to share that works published by Gemini G.E.L. are now on permanent display at the San Francisco Museum of Modern Art as part of Fisher Collection Reimagined, celebrating the transformative gift of the Doris and Donald Fisher Collection to SFMOMA.

Among the works on view are four editions published by Gemini G.E.L. that were acquired by the Fisher family and have now entered one of the most significant museum collections in the United States:

Jasper Johns ‘High School Days,’ 1969. Lead relief and glass mirror 23 x 17 in. Edition of 60

Jasper Johns ‘Light Bulb,’ 1969. Lead relief 39 x 17 in. Edition of 60

Claes Oldenburg ‘Geometric Mouse Scale C,’ 1971. Moveable 3-dimensional object, black anodized aluminum 24.5 x 20 in. Edition of 120

Claes Oldenburg ‘Geometric Mouse Scale D,’ 1971. Moveable 3-dimensional object, die cut laminated photo offset printed paper 17.5 x 14 in. Unlimited edition

These works reflect the enduring ambition that has defined Gemini since its founding in 1966: to collaborate with the most important artists of our time in the creation of editions that are, unequivocally, works of art. Seeing them installed within the Fisher Collection at SFMOMA is a source of tremendous pride — and a testament to the lasting significance of the artists and works that have been at the heart of Gemini’s mission for sixty years.

Fisher Collection Reimagined is on view at SFMOMA now. @sfmoma

#GeminiGEL #FisherCollection #SFMOMA #ClaesOldenburg #JasperJohns

Final week to experience ‘Impressions of Los Angeles: 60 Years of Printmaking at Gemini G.E.L.,’ curated by Susan Dackerman. Thank you to everyone who has visited and celebrated this very special 60th anniversary exhibition with us.

Spanning six decades of collaboration and innovation, the exhibition brings together works by John Baldessari, Tacita Dean, David Hockney, Roy Lichtenstein, Robert Rauschenberg, Ed Ruscha, Analia Saban, Richard Serra, and more—tracing how artists have captured and reimagined Los Angeles through weather, atmosphere, and city life.

On view through May 1. We look forward to welcoming you before the show closes and be sure to stay tuned for Part II of our 60th anniversary exhibition coming this fall.

#GeminiGEL60 #KenPrice #JohnBaldessari #RichardSerra #impressionsofla @susanmdackerman

Ken Price ‘Western Sunset,’ 1993. 7 color screenprint 26 x 20 3/8 in. Edition of 70

John Baldessari ‘LACMA Print,’ 2008. 1 color lithograph/3 color screenprint 20 1/2 x 14 1/2 in. Edition of 100

Richard Serra ‘MOCA Print,’ 1999. 1 color etching 30 x 22 in. Edition of 80

Final week to experience ‘Impressions of Los Angeles: 60 Years of Printmaking at Gemini G.E.L.,’ curated by Susan Dackerman. Thank you to everyone who has visited and celebrated this very special 60th anniversary exhibition with us.

Spanning six decades of collaboration and innovation, the exhibition brings together works by John Baldessari, Tacita Dean, David Hockney, Roy Lichtenstein, Robert Rauschenberg, Ed Ruscha, Analia Saban, Richard Serra, and more—tracing how artists have captured and reimagined Los Angeles through weather, atmosphere, and city life.

On view through May 1. We look forward to welcoming you before the show closes and be sure to stay tuned for Part II of our 60th anniversary exhibition coming this fall.

#GeminiGEL60 #KenPrice #JohnBaldessari #RichardSerra #impressionsofla @susanmdackerman

Ken Price ‘Western Sunset,’ 1993. 7 color screenprint 26 x 20 3/8 in. Edition of 70

John Baldessari ‘LACMA Print,’ 2008. 1 color lithograph/3 color screenprint 20 1/2 x 14 1/2 in. Edition of 100

Richard Serra ‘MOCA Print,’ 1999. 1 color etching 30 x 22 in. Edition of 80

Final week to experience ‘Impressions of Los Angeles: 60 Years of Printmaking at Gemini G.E.L.,’ curated by Susan Dackerman. Thank you to everyone who has visited and celebrated this very special 60th anniversary exhibition with us.

Spanning six decades of collaboration and innovation, the exhibition brings together works by John Baldessari, Tacita Dean, David Hockney, Roy Lichtenstein, Robert Rauschenberg, Ed Ruscha, Analia Saban, Richard Serra, and more—tracing how artists have captured and reimagined Los Angeles through weather, atmosphere, and city life.

On view through May 1. We look forward to welcoming you before the show closes and be sure to stay tuned for Part II of our 60th anniversary exhibition coming this fall.

#GeminiGEL60 #KenPrice #JohnBaldessari #RichardSerra #impressionsofla @susanmdackerman

Ken Price ‘Western Sunset,’ 1993. 7 color screenprint 26 x 20 3/8 in. Edition of 70

John Baldessari ‘LACMA Print,’ 2008. 1 color lithograph/3 color screenprint 20 1/2 x 14 1/2 in. Edition of 100

Richard Serra ‘MOCA Print,’ 1999. 1 color etching 30 x 22 in. Edition of 80

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Tacita Dean: Eclipse Drawings and Analia Saban: Data Center on view at Gemini G.E.L. from May 9th through September 4th, 2026.

Tacita Dean’s twelve screenprints arise from her observation of a total solar eclipse in Eagle Pass, Texas — drawings made with sunlight itself, suspended against deep black grounds.

Analia Saban turns to woodcut, one of printmaking’s oldest processes, to render the invisible infrastructure of our digital world tangible and material.

Both exhibitions reflect the deep, long-standing collaborations between Gemini and its artists — at the heart of what we have done for sixty years.

Tacita Dean ‘Eclipse Drawings # 11,’ 2025. 15 color screenprint 29 x 43.5 in. Edition of 36

Tacita Dean ‘Eclipse Drawings # 6,’ 2025. 18 color screenprint 14 x 21 in. Edition of 36

Analia Saban ‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42

Analia Saban ‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30

#GeminiGEL60 #TacitaDean #AnaliaSaban #ContemporaryPrints #NewEditions

Gemini G.E.L. wishes you a happy Earth Day!

Ellsworth Kelly ‘Sunflower I,’ 2004. 1 color lithograph 37” x 21” Edition of 50

Robert Rauschenberg ‘Earth Day,’ 1970. 7 color lithograph/collage 52.5” x 37.5” Edition of 50

#EllsworthKelly #RobertRauschenberg #geminigel60

Gemini G.E.L. wishes you a happy Earth Day!

Ellsworth Kelly ‘Sunflower I,’ 2004. 1 color lithograph 37” x 21” Edition of 50

Robert Rauschenberg ‘Earth Day,’ 1970. 7 color lithograph/collage 52.5” x 37.5” Edition of 50

#EllsworthKelly #RobertRauschenberg #geminigel60

Gemini G.E.L. co-founders, Sidney Felsen, Rosamund Felsen, Stanley Grinstein, and Elyse Grinstein, are pictured here in 1984 at the National Gallery of Art in Washington, D.C., alongside a remarkable group of artists with whom Gemini collaborated on numerous editions. The occasion marked the opening of Gemini’s first exhibition at the museum, “Gemini G.E.L.: Art and Collaboration”, celebrating the archive established at the NGA in 1981.

Today, as Gemini celebrates its 60th anniversary, that legacy continues under the stewardship of the next generation, pictured in the subsequent image. Ellen Grinstein, Suzanne Felsen, Ayn Grinstein, and Joni Weyl Felsen carry forward Gemini’s founding ethos as they remain as committed as ever to artistic excellence, innovation, and the enduring spirit of collaboration that has always defined the publisher, gallery and workshop.

1. National Gallery of Art opening, “Gemini G.E.L.: Art and Collaboration,” 1984. From Left to right Top: Donald Saff, Claes Oldenburg, Michael Heizer, Ellsworth Kelly, Roy Lichtenstein, Ed Ruscha, Joe Goode, Jasper Johns, William Crutchfield, Richard Serra, Mark di Suvero, Nancy Reddin Kienholz, Ed Kienholz Middle: Stanley Grinstein, Coosje van Bruggen, Ronald Davis, Vija Celmins, Robert Graham, Rosamund Felsen, Robert Rauschenberg Front: David Hockney, Sidney Felsen, Elyse Grinstein
© Mark Gulezian

2. Gemini GEL’s co-owners from left to right: Ellen Grinstein, Suzanne Felsen, Ayn Grinstein, and Joni Weyl Felsen. © Kevin Swanson, 2026

#GeminiGEL60 #nationalgalleryofart #contemporaryprints

Gemini G.E.L. co-founders, Sidney Felsen, Rosamund Felsen, Stanley Grinstein, and Elyse Grinstein, are pictured here in 1984 at the National Gallery of Art in Washington, D.C., alongside a remarkable group of artists with whom Gemini collaborated on numerous editions. The occasion marked the opening of Gemini’s first exhibition at the museum, “Gemini G.E.L.: Art and Collaboration”, celebrating the archive established at the NGA in 1981.

Today, as Gemini celebrates its 60th anniversary, that legacy continues under the stewardship of the next generation, pictured in the subsequent image. Ellen Grinstein, Suzanne Felsen, Ayn Grinstein, and Joni Weyl Felsen carry forward Gemini’s founding ethos as they remain as committed as ever to artistic excellence, innovation, and the enduring spirit of collaboration that has always defined the publisher, gallery and workshop.

1. National Gallery of Art opening, “Gemini G.E.L.: Art and Collaboration,” 1984. From Left to right Top: Donald Saff, Claes Oldenburg, Michael Heizer, Ellsworth Kelly, Roy Lichtenstein, Ed Ruscha, Joe Goode, Jasper Johns, William Crutchfield, Richard Serra, Mark di Suvero, Nancy Reddin Kienholz, Ed Kienholz Middle: Stanley Grinstein, Coosje van Bruggen, Ronald Davis, Vija Celmins, Robert Graham, Rosamund Felsen, Robert Rauschenberg Front: David Hockney, Sidney Felsen, Elyse Grinstein
© Mark Gulezian

2. Gemini GEL’s co-owners from left to right: Ellen Grinstein, Suzanne Felsen, Ayn Grinstein, and Joni Weyl Felsen. © Kevin Swanson, 2026

#GeminiGEL60 #nationalgalleryofart #contemporaryprints