Analia Saban - 阿娜利亚·萨班
@tanyabonakdargallery @spruethmagers @barro @geminigel @mixografia @lapis_press @nopalpress

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Thank you to everyone who attended the opening reception for Analia Saban: Data Center and Tacita Dean: Eclipse Drawings. It was a special evening celebrating the new publications of two important artists at Gemini G.E.L. The exhibitions are now open and on view through September 7.
Analia Saban with curators Helen Molesworth and Susan Dackerman
Master Printer Jeff McMane
Master Printer Jill Lerner and Marc Pally
Hiromi Katayama and Yuki Katayama
@analiasabanstudio @hmolesworth @susanmdackerman @hiromipaper
#TacitaDean #AnaliaSaban #GeminiGEL60 #WoodBlockPrints #Screenprints

Since I’ve started working at Gemini GEL @geminigel, I always wanted to show a whole edition: 1/30, 2/30, 3/30.. 30/30. Thank you so much for making this happen ! @geminigel 🙇🏻♀️♥️♥️♥️
#lithography #datacenter #analiasaban #printmaking #woodcut

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

Opening this Saturday May 9 at Gemini GEL two exhibitions featuring two new bodies of work
Analia Saban: Data Center
Tacita Dean: Eclipse Drawings
Opening May 9
Special Saturday Hours 11AM - 5PM
Reception 5PM-8PM
On view through Sept. 7
Analia Saban in the lithography studio at Gemini looking at proofs of ‘E-Trash’ Photo © 2026 Suzanne Felsen
Printer Bekah Farnham and Master Printer Jill Lerner inking woodblock for ‘Pie Charts’ in the lithograph studio at Gemini Photo © 2026 Suzanne Felsen
Analia Saban ‘Pie Chart (1%, 99%),’ 2026 1 color woodcut 42” x 41” Edition of 32
Tacita Dean signing ‘Eclipse Drawings’ at Gemini Photo © 2026 Suzanne Felsen
Printer T Antonakis Kane and Master Printer Jeff McMane working on light table for ‘Eclipse Drawings’ Photo © 2026 Suzanne Felsen
Tacita Dean ‘Eclipse Drawings #11,’ 2025. 15 color screenprint 29” x 43 1/2” Edition of 36
@analiasabanstudio #GeminiGEL60 #analiasaban #tacitadean #woodblockprint

🤳 “The more we embrace technology, the more it subsumes our morals and what’s left of our souls. We stared into an uncanny valley and the valley, all the while, has been surveilling us.“ — @jsedalatpour
📰 Jeffrey Edalatpour’s exhibition feature on “Motherboards” is now available on @metrosiliconvalley! The article also features quotes from exhibiting artists @analiasabanstudio and @rhondaholberton.
🔗 Read the article with the link in bio.
👀 See the exhibition for yourself, on view through January 10, 2027.

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.
‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30
‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32
‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42
@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.
‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30
‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32
‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42
@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.
‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30
‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32
‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42
@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Gemini G.E.L. is pleased to present Analia Saban: Data Center, 2026. Opening this Saturday May 9 reception 5-8PM. On view through September 4, 2026.
‘Computer Fan (Woodcut),’ 2026. 1 color woodcut 23 7/8 x 17 7/8 in. Edition of 30
‘Pie Chart (33.3%, 33.3%, 33.3%),’ 2026. 1 color woodcut 42 x 41 in. Edition of 32
‘E-Trash,’ 2026. 13 color lithograph 48 x 41 7/8 in. Edition of 42
@analiasabanstudio
#AnaliaSaban
#woodblockprint
#GeminiGEL60

Woven Grid as Warp and Weft, 11 x 11 (Fluorescent Orange)
2026
Woven acrylic paint and linen thread on panel
55 1/2 x 54 1/4 x 2 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration ##FriezeLosAngeles #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Woven Grid as Warp and Weft, 11 x 11 (Fluorescent Orange)
2026
Woven acrylic paint and linen thread on panel
55 1/2 x 54 1/4 x 2 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration ##FriezeLosAngeles #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Woven Grid as Warp and Weft, 11 x 11 (Fluorescent Orange)
2026
Woven acrylic paint and linen thread on panel
55 1/2 x 54 1/4 x 2 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration ##FriezeLosAngeles #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Woven Grid as Warp and Weft, 11 x 11 (Fluorescent Orange)
2026
Woven acrylic paint and linen thread on panel
55 1/2 x 54 1/4 x 2 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration ##FriezeLosAngeles #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Woven Grid as Warp and Weft, 11 x 11 (Fluorescent Orange)
2026
Woven acrylic paint and linen thread on panel
55 1/2 x 54 1/4 x 2 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration ##FriezeLosAngeles #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Core Memory (Cadmium Red)
2026
Woven acrylic paint through linen on walnut
64 1/8 x 64 1/8 x 1 1/4 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration #Lifestyle #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Core Memory (Cadmium Red)
2026
Woven acrylic paint through linen on walnut
64 1/8 x 64 1/8 x 1 1/4 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration #Lifestyle #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Core Memory (Cadmium Red)
2026
Woven acrylic paint through linen on walnut
64 1/8 x 64 1/8 x 1 1/4 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration #Lifestyle #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

Core Memory (Cadmium Red)
2026
Woven acrylic paint through linen on walnut
64 1/8 x 64 1/8 x 1 1/4 inches
Image courtesy of Tanya Bonakdar Gallery
@tanyabonakdargallery
#AnaliaSabanStudio #AnaliaSaban #StudioArt #Art #FineArts #ConceptualArt #ContemporaryArt #FriezeLA2026 #Artist #Painting #Sculpture #ArtoftheDay #Inspiration #Lifestyle #MixedMedia #ArtInstallation #ArtisticProcess #ArtisticInspiration #ArtisticInnovation #ArtCritique #ArtisticExpression #ArtWorld #ArtGallery #ArtExhibition #ArtCollector #ArtAppreciation #ArtLovers #ArtCommunity #NewMedia #NewGenres

#MAC3 is simply the beginning of a major revolution — one that will redefine what institutional collaboration and art collecting can mean.
I feel lucky to witness these extraordinary leaders opening the way forward. Endless gratitude to the most generous family, Jarl and Pamela Mohn, for making MAC3 for LA ♥️
@jarlmohn @zoeryanprojects @hammer_museum #MichaelGovan @lacma #AnnGoldstein @moca

Teaching a Cow How to Draw
2020
Cedarwood
Courtesy of the artist and Tanya Bonakdar Gallery, New York @tanyabonakdargallery
Photo: Thomas Clark
Analia Saban’s modified fence acts both functionally, as a barrier between the seasonal cow pasture and the Clark’s buildings, and conceptually, as a 620-foot-long drawing in space. In the work, Saban illustrates various theories of composition found throughout art history, including the rule of thirds, the golden ratio, and two-point perspective. Consistent with the artist’s ongoing interest in found objects, this reimagining of a familiar structure also blurs the boundaries between what is and what is not a work of art. The artist, in her words, “connects the cows to the work of the museum,” expanding definitions of the viewer. In her wry title, Saban pays homage to Teaching a Plant the Alphabet (1972), a work by her mentor, the late conceptual artist John Baldessari. Baldessari’s video, which documents the artist giving an English lesson to a potted plant, asserts that anything can be art, an idea consistent with Saban’s own inclusive approach to materials and methods.
Curated by @abigail_ross_goodman @mollyepstein1
@clarkart

Teaching a Cow How to Draw
2020
Cedarwood
Courtesy of the artist and Tanya Bonakdar Gallery, New York @tanyabonakdargallery
Photo: Thomas Clark
Analia Saban’s modified fence acts both functionally, as a barrier between the seasonal cow pasture and the Clark’s buildings, and conceptually, as a 620-foot-long drawing in space. In the work, Saban illustrates various theories of composition found throughout art history, including the rule of thirds, the golden ratio, and two-point perspective. Consistent with the artist’s ongoing interest in found objects, this reimagining of a familiar structure also blurs the boundaries between what is and what is not a work of art. The artist, in her words, “connects the cows to the work of the museum,” expanding definitions of the viewer. In her wry title, Saban pays homage to Teaching a Plant the Alphabet (1972), a work by her mentor, the late conceptual artist John Baldessari. Baldessari’s video, which documents the artist giving an English lesson to a potted plant, asserts that anything can be art, an idea consistent with Saban’s own inclusive approach to materials and methods.
Curated by @abigail_ross_goodman @mollyepstein1
@clarkart

Teaching a Cow How to Draw
2020
Cedarwood
Courtesy of the artist and Tanya Bonakdar Gallery, New York @tanyabonakdargallery
Photo: Thomas Clark
Analia Saban’s modified fence acts both functionally, as a barrier between the seasonal cow pasture and the Clark’s buildings, and conceptually, as a 620-foot-long drawing in space. In the work, Saban illustrates various theories of composition found throughout art history, including the rule of thirds, the golden ratio, and two-point perspective. Consistent with the artist’s ongoing interest in found objects, this reimagining of a familiar structure also blurs the boundaries between what is and what is not a work of art. The artist, in her words, “connects the cows to the work of the museum,” expanding definitions of the viewer. In her wry title, Saban pays homage to Teaching a Plant the Alphabet (1972), a work by her mentor, the late conceptual artist John Baldessari. Baldessari’s video, which documents the artist giving an English lesson to a potted plant, asserts that anything can be art, an idea consistent with Saban’s own inclusive approach to materials and methods.
Curated by @abigail_ross_goodman @mollyepstein1
@clarkart

Thank you so much Rita Gonzalez, Head of Contemporary Art, #AHAN Art Here and Now, and the incredible team @LACMA for organizing such a special studio visit.
We love having you!

Thank you so much Rita Gonzalez, Head of Contemporary Art, #AHAN Art Here and Now, and the incredible team @LACMA for organizing such a special studio visit.
We love having you!

Thank you so much Rita Gonzalez, Head of Contemporary Art, #AHAN Art Here and Now, and the incredible team @LACMA for organizing such a special studio visit.
We love having you!

Thank you so much Rita Gonzalez, Head of Contemporary Art, #AHAN Art Here and Now, and the incredible team @LACMA for organizing such a special studio visit.
We love having you!

It’s official ! Our @metro #mosaic is officially in production! #centurycitystation #metrola - Coming soon !!
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