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getmezzy
Ramez Michel Silyan
★☆ self-taught syrian-armenian writer-director ☆★ @everybodyseverythingmovie
Miniature explosion at 2500fps on 35mm. All practical. Absolutely no vfx, ai, or post production used.
Useless umbrella by @getmezzy
With @sofiatesmenitskaya & @marcopickett
Cinematography @danielvignal
Color by @kaitlynbattistelli
Music by @oberhofer
Vfx @hyphenatedtla @travisjamesbutton
Prod by @jeffreyschroederfanpage
@deepcutfilms.xyz
Styling @littlecloud
Gaffer @mario_nomas
Key Grip @semirhot
PD @raaachwark
1st AC @danrodriguezdp
2nd AC @mattvandecker
Prod Manager @adamthayer
1st AD @danmajik
Sound & Mix @chaseeverettsound
Vfx clean up @maxcoltt
Always @kodak_shootfilm
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Stills from “toxic till the end.” Huge huge thanks again to everyone involved. See last post for credits.
Dropping another installment of our new “BETWEEN FRIENDS” @venmo campaign!
Sometimes when your best friend steals Venmo from you, you gotta have…the talk. For @jtfirstman and @treaclychild, it had to come to this.
Made between many friends…
directed by @getmezzy @stinkfilms
cinematography by @drewalandaniels
shot on @kodak_shootfilm
production design by @paidfollower001
cut by @talia.pasqua @cabinedit
color by @kaitlynbattistelli @ethos_studio
sound by @ben.tomastik @limestudios.tv
original music by @the_mura_masa
finishing by @company_3
animation by Shinyume
"BETWEEN FRIENDS” continues…
More new work with our friends at @venmo featuring our other friends @treaclychild and @jtfirstman… as they bravely attempt to literally change a life with Venmo (probably) (definitely)
directed by @getmezzy @stinkfilms
cinematography by @drewalandaniels
shot on @kodak_shootfilm
production design by @paidfollower001
cut by @g_scruton @cabinedit
color by @kaitlynbattistelli @ethos_studio
sound by @ben.tomastik @limestudios.tv
original music by @the_mura_masa
finishing by @company_3
animation by Shinyume
“Æ” by @parkhyoshin.official
Directed by Me
Produced by @stinkfilms @mrseri
with @ap_amazingpeople @albert_park_80 @choe_mina
Featuring @selva_lione @tiziana.antonioli @karollreyna @ludplastino @barburita_ @pilartarche @jazminvillarps @mariano_sacco_ok @yaco.angeleri @alejougarnes Ana Catherina Goldemberg, @angebissutti@martinadramis Ivo Sosa, Orestes Katorosz, Alejandro Suszko Scott
Shot by @madison.mckamey
Prod design @valentinaluppino
Color by @kaitlynbattistelli @ethos_studio
Edit by myself & @leadprotagonist
Sound by @chaseeverettsound
Additional cinematography: @bobbypavlovsky
VFX: @maxcoltt
Argentina Service: @twentyfourseven_________tv
EP: @natimartin LP: @katiasch__ PM: @mafeesuarez
PC: Julian Magallon UPM: Sebastian Esteban Rodriguez
1st AD: @scarpelli.fede
2nd AD: @ferceballos.ferceballos
2nd AD: Sofia Rocha
1st AC: Maria Laura Iezzi
2nd AC: Maria Cecilia Bejarano
Loader: Florencia Calderon Bugallo
Gaffer: @juampi_redolfi
BBE: Sergio Adrian Piñeyro
SLT: Gabriel Dario Barrera, Sergio Javier Centeno, Cristian Andres Arroyo, Catriel Yair Ferchero, Carlos Rzeznik
KG: Santiago Abate
BBE: @sebabejarano12
Grips: Pablo Ernesto Bejarano, Nahuel Maximiliano Tolosa, Marcelo Adrian Battipaglia, Nicolas Petroli, Enrique Fabian Velez
Art director: @julietaurri
Art Assist.: Mercedes Olivera
Art Assist.: @sofibense
Prop Master: @juan_enriquez__
Prop Master: @andreslehmann
Props Assists.: @dario22gomez Fabian Santiago Enriquez, Maximiliano Nahuel Cantos
Stylist: @marinaclaypole
HMU: Maria Ines Brizuela
HMU Assist:Daniela Perez
@herbigharo.company
Executive CD: Jaehyeok Jang
Visual Production: @chance_ki_ , Chaeseon Jeong
Style Directing: Gee Eun
HairStyle: @hairbymujin
Makeup: Junsung Lee
BTS Cam: Deokjung Kim
guest 005 @getmezzy is a first generation Syrian American director born and raised in Los Angeles working across music, narrative, commercial, and fashion.
guest 005 @getmezzy is a first generation Syrian American director born and raised in Los Angeles working across music, narrative, commercial, and fashion.
guest 005 @getmezzy is a first generation Syrian American director born and raised in Los Angeles working across music, narrative, commercial, and fashion.
Unreleased girls with guns@lotussblossomm @saintmothersophia @mingblingbling @kaylacheyenne_ @vavidov @solanaxoxoxo
Shot by @benmullen on 35mm
Casting by @sydn4sty
Styling by @harperslate
Pd @tyewhipple
Music by @fakemink
Prod by @evanthicke with @vladenponomar
Ep @mrseri @stinkfilms
No vfx
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
Ramez Silyan directs ‘Hula Girl’ for The Neighbourhood.
on #DirectorsLibrary ↗
𝘍𝘪𝘯𝘥 𝘵𝘩𝘦 𝘧𝘶𝘭𝘭 𝘧𝘪𝘭𝘮 𝘢𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 𝘰𝘯 𝘰𝘶𝘳 𝘞𝘦𝘣𝘴𝘪𝘵𝘦…
@getmezzy
@skims @nike @nikewomen
Motion @getmezzy @madison.mckamey
Pd @thebritttt
Edit @francescaconsarino
Color @ryanurzi @ethos_studio
Movement @annaballins
Stylist @davidefriend
Gaffer @dicknurr
Kg @griplife
Ad @chelseydadesky
Dit @shinelike_natalie
Steadi @alex_of_the_year_vol.2
Skims @danyadargham @katiiiebethh
@hk.french @madmilb
Nike @trelawnydavis @brejlider @voiceofthesea @allison_kerst @abordow @rachellmeyer @giving_them_hell
Prod @wearecounsel
@georgekoren @christogarfield @samsweir
@mirandatwosaints
Talent @kamrynlute @courtsarault
@biney.biney @kristensantos
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.