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gettymuseum
Getty
Bringing people together through art.
Based in Los Angeles, working globally.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
Same Getty, new look. Let us re-introduce ourselves.
We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.
Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.
Getty. All for art.
We're kicking off giving season by giving away free art!
Specifically, 88,000 downloadable artworks available are free for any purpose you’d like under Creative Commons Zero (CC0).
Watch to learn how to access and download.
🎨 For more on art, history, and culture, follow us @gettymuseum.
Cat's outta the bag! The votes are in!
Last month we asked for name suggestions for a new face in Getty's galleries, and boy did you deliver.
Welcome to the galleries, Purrquoise! (Everybody say *meow!*)
🐾 This porcelain cat was made in the 1700s in China for export to Europe (where it received its glowing eyes and gilded stool), and was once owned by Madame de Pompadour—the official chief mistress of King Louis XV from 1745 to 1751.
Is motherhood a creative act?
Get to know this work by artist Annie Hsiao-Ching Wang. In a photo series that has lasted over 20 years, artist Annie Wang (@artanniewang) explores what it means to be a woman, an artist, and a mother through an autobiographical lens.
Tell us how this work makes you feel in the comments.
Happy Mother's Day!
Inspired by his grandmother’s photo albums and accompanying stories about the Mississippi community where he was raised, Earlie Hudnall has been making portraits in Houston’s historically Black neighborhoods for over 40 years.
Like other artists featured in the exhibition Photography and the Black Arts Movement, 1955–1985, Hudnall uses photography to highlight moments of connection. Whether a family in their Sunday best or siblings at play, Earlie Hudnall has a knack for conveying the many dimensions of human relationships in one single image.
Photography and the Black Arts Movement, 1955–1985, organized by the @ngadc, is on view at the Getty Center through June 14, 2026.
📷 Mother with Sons, Third Ward, Houston Texas (detail), 1973; printed 1990, Earlie Hudnall, Jr. National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund, 2022.134.1
A quiet moment, made monumental.
Alexandre Charpentier’s Young Mother Breastfeeding Her Child celebrates the beauty and dignity of simple, everyday acts of tenderness.
At the link in our bio, Senior Curator of Sculpture and Decorative Arts Anne-Lise Desmas reflects on why this rare work, newly acquired by Getty, continues to move viewers more than a century after its creation.
ℹ️ Young Mother Breastfeeding Her Child, stoneware about 1895, Alexandre Charpentier. Getty Museum
We toadally knew you'd find these frogs ribbiting.
Hop over to our #linkinbio to see more in our online collection.
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Virtue and Vice: Allegory in European Drawing invites visitors to the Getty Museum to consider how art from the 16th to 19th centuries served a moral purpose.
The artists in this exhibition left visual clues to help differentiate between good and bad conduct. Sometimes the messages were clear; sometimes they were more challenging to decipher.
Can you tell what is a virtue and what is a vice in these drawings?
Read more at the link in our bio.
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🖼️
- An Enchanted Cellar with Animals, about 1655–70, Cornelis Saftleven. Black and red chalk, brush with gray and brown wash, and watercolor. Getty Museum
- A Merry Company, about 1644, Jacob Jordaens. Watercolor over charcoal, heightened with white opaque watercolor. Getty Museum
- Allegory of Avarice, about 1609, Jacques de Gheyn II. Pen and brown ink. Getty Museum
- Design for the central section of The Mirror of Virtue, about 1594, Cornelis Ketel. Pen and dark-brown ink with brush and brown wash over black chalk, heightened with white opaque watercolor. Getty Museum
Guess the flower!
Hint: Californians might be especially fond of this German specimen's local cousin. 🐻
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🖼️ Poppy, about 1800-1803, Philipp Otto Runge. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
What do you notice when looking at a painting?
We asked our Paintings Conservation Graduate Intern, Mary Godot, and she showed us her favorite brushstroke! 🖌️
Next time you visit, take a closer look at how these details help shape a work. 🔍
🖼️
Four Studies of a Male Head, 1617–1620, Workshop of Peter Paul Rubens. Getty Museum
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
How it started ➡️ How it's going
Discover the evolution of Getty's logo through the decades. Read more at our link in bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
When you think of the color red, what comes to mind? 🌹♥️🍷🍒
Here are some strange but true facts about the history of red pigments in art.
Read the full story at the link in our bio.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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