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Ghostly International
Of Art And Artifice Since 1999. Records and more. We cannot accept demos via DM.
Who better than Green-House (@green_house1976) to step inside the spiritual green room with (this time, @thelotradio) while in Brooklyn earlier this month.
Topics include their album art process, pre-show rituals, and inspiration for their new album, Hinterlands. Special thanks Cookie the sloth.
🎵 "Sun Dogs" from Hinterlands
Black Marble (@blackmarblenyc)
It's Immaterial (GI-275)
10th anniversary pressing
Amongst the most astoundingly beautiful records we've had the privilege to release, a pop vigil in the darkest chamber of yr heart
now up for pre-order
Black Marble (@blackmarblenyc)
It's Immaterial (GI-275)
10th anniversary pressing
Amongst the most astoundingly beautiful records we've had the privilege to release, a pop vigil in the darkest chamber of yr heart
now up for pre-order
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
New signing, welcoming Green-House (@green_house1976) with Hinterlands (GI-464) on Ghostly LP/CD/Cassette.
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis.
Already deemed as contemporary greats with their ongoing collaborations with LA’s @leavingrecords , Green-House continues to refine their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity.
They welcome influences from all over; moments on Hinterlands evoke hypnagogic folk, tropical synth-pop, pan-flute mountain music, jazzy lounge, film scores, library sounds, and other forms of paradise-world-building. The duo simply makes the music they want to hear, earnestly dreaming of idyllic settings, their hope borne of necessity.
However, they give careful consideration to how ever-looming environmental and political anxiety may relate to the project. “There's freedom in music, not requiring nuance in order to share an emotion or a fantasy or a utopian ideal with others,” Ardizoni says. “I'm an anarchist and an artist. I don't have to explain that. I can just put the emotion in and hope that it can be used as a tool, to be comforting or inspiring for people.”
What remains inherent is an open sense of wonder, “the idea of legitimizing certain emotions within music that often aren’t taken seriously in art, like happiness and joy,” says Ardizoni.
Written and Produced by: Olive Ardizoni and Michael Flanagan
Mixed by: @michael.a.flanagan
Mastered by: @blackknoll
Recorded at: Physical Memory Studio
X-Altera (@x_altera) emerged as yet another fully formed alias from Ghostly original Tadd Mullinix (@dabryebeats, JTC, etc) on a 2018 self-titled debut (GI-316). Born from a fit of rediscovery, the Ann Arbor-based producer reconnected with the jungle he produced in the late '90s as half of Soundmurderer & SK-1 (with Todd Osborn), revisited the forgotten B-sides of his drum & bass record collection, and fell back in love with the deep, melodic techno of Detroit and London. Artwork by @optigram.graphic.arts.
Warehouse find, last remaining copies on our site and @bandcamp. Catch X-Altera at @movementdetroit this year.
X-Altera (@x_altera) emerged as yet another fully formed alias from Ghostly original Tadd Mullinix (@dabryebeats, JTC, etc) on a 2018 self-titled debut (GI-316). Born from a fit of rediscovery, the Ann Arbor-based producer reconnected with the jungle he produced in the late '90s as half of Soundmurderer & SK-1 (with Todd Osborn), revisited the forgotten B-sides of his drum & bass record collection, and fell back in love with the deep, melodic techno of Detroit and London. Artwork by @optigram.graphic.arts.
Warehouse find, last remaining copies on our site and @bandcamp. Catch X-Altera at @movementdetroit this year.
X-Altera (@x_altera) emerged as yet another fully formed alias from Ghostly original Tadd Mullinix (@dabryebeats, JTC, etc) on a 2018 self-titled debut (GI-316). Born from a fit of rediscovery, the Ann Arbor-based producer reconnected with the jungle he produced in the late '90s as half of Soundmurderer & SK-1 (with Todd Osborn), revisited the forgotten B-sides of his drum & bass record collection, and fell back in love with the deep, melodic techno of Detroit and London. Artwork by @optigram.graphic.arts.
Warehouse find, last remaining copies on our site and @bandcamp. Catch X-Altera at @movementdetroit this year.
X-Altera (@x_altera) emerged as yet another fully formed alias from Ghostly original Tadd Mullinix (@dabryebeats, JTC, etc) on a 2018 self-titled debut (GI-316). Born from a fit of rediscovery, the Ann Arbor-based producer reconnected with the jungle he produced in the late '90s as half of Soundmurderer & SK-1 (with Todd Osborn), revisited the forgotten B-sides of his drum & bass record collection, and fell back in love with the deep, melodic techno of Detroit and London. Artwork by @optigram.graphic.arts.
Warehouse find, last remaining copies on our site and @bandcamp. Catch X-Altera at @movementdetroit this year.
X-Altera (@x_altera) emerged as yet another fully formed alias from Ghostly original Tadd Mullinix (@dabryebeats, JTC, etc) on a 2018 self-titled debut (GI-316). Born from a fit of rediscovery, the Ann Arbor-based producer reconnected with the jungle he produced in the late '90s as half of Soundmurderer & SK-1 (with Todd Osborn), revisited the forgotten B-sides of his drum & bass record collection, and fell back in love with the deep, melodic techno of Detroit and London. Artwork by @optigram.graphic.arts.
Warehouse find, last remaining copies on our site and @bandcamp. Catch X-Altera at @movementdetroit this year.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Horizon (Live Mix) out everywhere today and still celebrating 10 years of Epoch! Thanks to all who have been there since 2016.
Gallery Hours GHOSTLY INT’L Takeover! Saturday, May 9th at Mono Space.
Free and open to all, come and go as you please. Browse the library or shop records and publications from @chessclub.art , @passengerseatrecords, @musiqueplastique, and @musichistory.pdx. @bardo.tea and drinks for sale.
Founded in Detroit in 1999, the label quickly became a force in contemporary electronic and experimental music, known for its distinctive blend of sound, design, and visual arts. This Saturday session draws from across its catalog, highlighting artists who move between ambient, electronic, and exploratory sounds.
Our house font: Ghostly Gothic (GI-300) is a refined grotesque with a quiet edge, rooted in early sans-serif traditions and gently sharpened by the formal grace of copperplate influences.
Originally drawn by @michaelcina at the behest of Ghostly International, it was designed to carry both identity and atmosphere, adapting fluidly across evolving brand systems with a tone that’s steady, assured, and unmistakably present.
Ghostly Gothic is now available in five weights, with full support for Latin, Greek, and Cyrillic scripts from @publictype_us. publictype.us
Join Tycho for a listening party to celebrate the 10 year anniversary of Epoch and the reissuing of the album on blue/black marble vinyl. Come along to listen to the album in its entirety alongside Scott Hansen @tychomusic, who will be providing context and history on the making of the music.
April 23, 2026 at 1:00 PM EDT
RSVP at the link in bio
A decade of Epoch. To celebrate we reissued the grammy-nominated album on a limited blue/black marble vinyl colorway and it’s out today. It means so much to me that this album still finds people. Thank you ❤️ Link in bio.
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
BLACK CITY / MATTHEW DEAR
_
@ghostly
2010 Album
_
A founding artist of the innovative Ghostly International label, Matthew Dear met Sam Valenti IV at a college house party. His first release on Ghostly (a split 12” with the late Dave ‘Disco D’ Shayman) was also the label’s first outing.
His third album, Black City - mixing avant-pop, dance music, dystopian atmospherics and piano ballads - earned Best New Music from Pitchfork.
The haunting artwork - an abstract portrait of the artist in negative monochrome - is by regular Ghostly collaborator, NYC based designer Will Calcutt. This 10th anniversary version is pressed on lovely silvery clear vinyl.
In 2011, the label released a limited edition ‘physical addendum’ to the record. The MDBC Totem - created by Constantin & Laurene Boym of Boym Partners NY - is a sculptural representation of the themes of Black City. Each foreboding tower had a unique four digit number etched into it, which led users to a private web page where exclusive music could be heard.
@FavColBlk
_
@matthewdear @weansmachine #matthewdear #ghostlyinternational #circlesintosquares #blackcity #willcalcutt
View Instagram Stories in Secret
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