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Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
Last week, Beyoncé’s LEMONADE celebrated its 10 year anniversary, and we’re looking back at all the groundbreaking hard work achieved by multiple teams, directors, and collaborators. Good Company oversaw the post production of the entire, award winning film, as well as produced “Pray You Catch Me”, “Six Inch”, and portions of “Sorry”. Happy 10 years to LEMONADE!
@beyonce @parkwood
#beyonce #lemonade
This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r

This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r
This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r

This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r
This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r

This past weekend Nine Inch Noize performed a legendary Coachella set featuring a series of electric visuals produced by Good Company. Big thanks to @nineinchnoize and everyone involved in this exhilarating production!
Be sure to tune into the weekend 2 set on Saturday at 8pm PT
Creative Direction: @mtla.studio @toddtourso @melr0y
Content Creative Direction: @maximequoilin
Content EP: @mattlowe67
Creative Producer: @hitlou
Art Director/Animator: @msjenni
Animation: @alexhowardxx
Touch Designer: @gi__o.h @dith_idsgn @den_hoelscher @bnjmngrdn
3D: @n.mohl._r
New music video produced for the legendary Nas. “Git Ready” directed by Jean-Charles Charavin, out now!
CREDITS:
GiT Ready
@nas
@djpremier
Label: @massappeal
@bittenbender
@shenannieganns
Video Commissioner: @kxreemjxhnsxn
Director Rep: @larkcreative @cheyennecody
Director: @j.c_charavin
Production Company: @goodcopix
Executive Producers: @onkel_desverre, @heffism, @jonathan_lia @ralphie_romance
Producer: @loumoreschi
UPM: @maxacrish
AD: @glock136
DP: @liamareardon
1st AC: @donnyboppo
2nd AC: @bratanoperator
Gaffer: @davidpersaud10
Key Grip: @vsnyfilms
Swing: @pauliedolly_
Swing: @crazyenigma06
Swing: @_carterhoffman
Production Designer: @colts.world
Production Assistant: @b_cinematics_
Production Assistant: @realskillz__
Production Assistant: @kirktb._
Production Assistant: William Campbell
Location: @marxrealty, 10 Grand Central, 155 East 44th Street, New York, New York
#10grandcentral
Artist Stylist: @aprilroomet
Artist MUA: @jessicasmalls
Casting: @espritcasting
BG: Daniel Dorsey
BG: Marco D’Angelo
BG: Negesti McIntosh
BG: Carolina Abreu
BG: Jef
BG: Onikwa Thomas
BG: Dustin Mooney Jr.
Editor: @j.c_charavin
Post Production: @forms___
Color : Hadrian Kalmbach
SD : Gauthier Balzan
VFX : Malo Le Borgne, Garance Micol, Arthur Paschini, Sancio VFX, Lewi Moors, Joel Mondesir, Simon Kounovsky
Post Assistant: Antoine Supper
Camera: @arri
Lighting: @vsnyfilms
Production Supplies: @wrapsupplies
Catering: EQXCityEvents

New music video produced for the legendary Nas. “Git Ready” directed by Jean-Charles Charavin, out now!
CREDITS:
GiT Ready
@nas
@djpremier
Label: @massappeal
@bittenbender
@shenannieganns
Video Commissioner: @kxreemjxhnsxn
Director Rep: @larkcreative @cheyennecody
Director: @j.c_charavin
Production Company: @goodcopix
Executive Producers: @onkel_desverre, @heffism, @jonathan_lia @ralphie_romance
Producer: @loumoreschi
UPM: @maxacrish
AD: @glock136
DP: @liamareardon
1st AC: @donnyboppo
2nd AC: @bratanoperator
Gaffer: @davidpersaud10
Key Grip: @vsnyfilms
Swing: @pauliedolly_
Swing: @crazyenigma06
Swing: @_carterhoffman
Production Designer: @colts.world
Production Assistant: @b_cinematics_
Production Assistant: @realskillz__
Production Assistant: @kirktb._
Production Assistant: William Campbell
Location: @marxrealty, 10 Grand Central, 155 East 44th Street, New York, New York
#10grandcentral
Artist Stylist: @aprilroomet
Artist MUA: @jessicasmalls
Casting: @espritcasting
BG: Daniel Dorsey
BG: Marco D’Angelo
BG: Negesti McIntosh
BG: Carolina Abreu
BG: Jef
BG: Onikwa Thomas
BG: Dustin Mooney Jr.
Editor: @j.c_charavin
Post Production: @forms___
Color : Hadrian Kalmbach
SD : Gauthier Balzan
VFX : Malo Le Borgne, Garance Micol, Arthur Paschini, Sancio VFX, Lewi Moors, Joel Mondesir, Simon Kounovsky
Post Assistant: Antoine Supper
Camera: @arri
Lighting: @vsnyfilms
Production Supplies: @wrapsupplies
Catering: EQXCityEvents

New music video produced for the legendary Nas. “Git Ready” directed by Jean-Charles Charavin, out now!
CREDITS:
GiT Ready
@nas
@djpremier
Label: @massappeal
@bittenbender
@shenannieganns
Video Commissioner: @kxreemjxhnsxn
Director Rep: @larkcreative @cheyennecody
Director: @j.c_charavin
Production Company: @goodcopix
Executive Producers: @onkel_desverre, @heffism, @jonathan_lia @ralphie_romance
Producer: @loumoreschi
UPM: @maxacrish
AD: @glock136
DP: @liamareardon
1st AC: @donnyboppo
2nd AC: @bratanoperator
Gaffer: @davidpersaud10
Key Grip: @vsnyfilms
Swing: @pauliedolly_
Swing: @crazyenigma06
Swing: @_carterhoffman
Production Designer: @colts.world
Production Assistant: @b_cinematics_
Production Assistant: @realskillz__
Production Assistant: @kirktb._
Production Assistant: William Campbell
Location: @marxrealty, 10 Grand Central, 155 East 44th Street, New York, New York
#10grandcentral
Artist Stylist: @aprilroomet
Artist MUA: @jessicasmalls
Casting: @espritcasting
BG: Daniel Dorsey
BG: Marco D’Angelo
BG: Negesti McIntosh
BG: Carolina Abreu
BG: Jef
BG: Onikwa Thomas
BG: Dustin Mooney Jr.
Editor: @j.c_charavin
Post Production: @forms___
Color : Hadrian Kalmbach
SD : Gauthier Balzan
VFX : Malo Le Borgne, Garance Micol, Arthur Paschini, Sancio VFX, Lewi Moors, Joel Mondesir, Simon Kounovsky
Post Assistant: Antoine Supper
Camera: @arri
Lighting: @vsnyfilms
Production Supplies: @wrapsupplies
Catering: EQXCityEvents

New music video produced for the legendary Nas. “Git Ready” directed by Jean-Charles Charavin, out now!
CREDITS:
GiT Ready
@nas
@djpremier
Label: @massappeal
@bittenbender
@shenannieganns
Video Commissioner: @kxreemjxhnsxn
Director Rep: @larkcreative @cheyennecody
Director: @j.c_charavin
Production Company: @goodcopix
Executive Producers: @onkel_desverre, @heffism, @jonathan_lia @ralphie_romance
Producer: @loumoreschi
UPM: @maxacrish
AD: @glock136
DP: @liamareardon
1st AC: @donnyboppo
2nd AC: @bratanoperator
Gaffer: @davidpersaud10
Key Grip: @vsnyfilms
Swing: @pauliedolly_
Swing: @crazyenigma06
Swing: @_carterhoffman
Production Designer: @colts.world
Production Assistant: @b_cinematics_
Production Assistant: @realskillz__
Production Assistant: @kirktb._
Production Assistant: William Campbell
Location: @marxrealty, 10 Grand Central, 155 East 44th Street, New York, New York
#10grandcentral
Artist Stylist: @aprilroomet
Artist MUA: @jessicasmalls
Casting: @espritcasting
BG: Daniel Dorsey
BG: Marco D’Angelo
BG: Negesti McIntosh
BG: Carolina Abreu
BG: Jef
BG: Onikwa Thomas
BG: Dustin Mooney Jr.
Editor: @j.c_charavin
Post Production: @forms___
Color : Hadrian Kalmbach
SD : Gauthier Balzan
VFX : Malo Le Borgne, Garance Micol, Arthur Paschini, Sancio VFX, Lewi Moors, Joel Mondesir, Simon Kounovsky
Post Assistant: Antoine Supper
Camera: @arri
Lighting: @vsnyfilms
Production Supplies: @wrapsupplies
Catering: EQXCityEvents

New music video produced for the legendary Nas. “Git Ready” directed by Jean-Charles Charavin, out now!
CREDITS:
GiT Ready
@nas
@djpremier
Label: @massappeal
@bittenbender
@shenannieganns
Video Commissioner: @kxreemjxhnsxn
Director Rep: @larkcreative @cheyennecody
Director: @j.c_charavin
Production Company: @goodcopix
Executive Producers: @onkel_desverre, @heffism, @jonathan_lia @ralphie_romance
Producer: @loumoreschi
UPM: @maxacrish
AD: @glock136
DP: @liamareardon
1st AC: @donnyboppo
2nd AC: @bratanoperator
Gaffer: @davidpersaud10
Key Grip: @vsnyfilms
Swing: @pauliedolly_
Swing: @crazyenigma06
Swing: @_carterhoffman
Production Designer: @colts.world
Production Assistant: @b_cinematics_
Production Assistant: @realskillz__
Production Assistant: @kirktb._
Production Assistant: William Campbell
Location: @marxrealty, 10 Grand Central, 155 East 44th Street, New York, New York
#10grandcentral
Artist Stylist: @aprilroomet
Artist MUA: @jessicasmalls
Casting: @espritcasting
BG: Daniel Dorsey
BG: Marco D’Angelo
BG: Negesti McIntosh
BG: Carolina Abreu
BG: Jef
BG: Onikwa Thomas
BG: Dustin Mooney Jr.
Editor: @j.c_charavin
Post Production: @forms___
Color : Hadrian Kalmbach
SD : Gauthier Balzan
VFX : Malo Le Borgne, Garance Micol, Arthur Paschini, Sancio VFX, Lewi Moors, Joel Mondesir, Simon Kounovsky
Post Assistant: Antoine Supper
Camera: @arri
Lighting: @vsnyfilms
Production Supplies: @wrapsupplies
Catering: EQXCityEvents

We are so excited to welcome Andreas Kleiberg onto our director roster! Andreas is a Norwegian director whose work is defined by precision, restraint, and a quietly powerful emotional sensibility. Klieberg brings a unique visual intelligence to his work rooted in the Scandinavian tradition of realism-forward filmmaking, creating work that feels authentic and lived-in.
“He’s simply one of the most genuine people to collaborate with. We couldn’t be more excited to start this next chapter with him!” -Sverre Gundhus, EP @onkel_desverre
Learn more about Andreas now on our LBB page: https://lbbonline.com/news/Director-Andreas-Kleiberg-Joins-Good-Company
New work from @alexandremoors for Baby Keem’s three-part Ca$ino documentary series. “Booman I, II, and III” takes the audience on a visual journey through Baby Keem’s early life interwoven with the making of the upcoming album Ca$ino. All three episodes of Baby Keem’s “Booman | Ca$ino Documentary” are out now on YouTube.
CREDITS:
Director: @alexandremoors, Laconnie Govan
Production: @pglang, EErie Times
Executive Producers: @keem, @nellnothing
Producers: @kendricklamar, @davefree, @jamierabineau
Good Company @goodcopix
Executive Producers: @jonathan_lia, @ralphie_romance, @heffism
Co-Producers: @samcanter, @ademacalinao
Editing: @alexandremoors
DOP: @lawrenceoj
Camera Operators: Laconnie Govan, @alexandremoors, @lawrenceoj
Production Sound Mixer: @jeffpaceaudio
Interviews Conducted By: Frazier Tharpe II
Styling: @karizzasanchez
Grooming: @pircillapae
Barber: Christopher Donato Jr
Production Sound Manager: @jennytriesthings
Production Assistant: Ariel Dervin
Post Supervisors: @ralphie_romance, @bethfitzpatrick
Music Supervisor: @jcpeg
Sound Mixer: @audioniche_nyc
Colorist: @matteo_belletta
VFX: @narod27
Type Design: Paul Um
#babykeem #kendricklamar
New work from @alexandremoors for Baby Keem’s three-part Ca$ino documentary series. “Booman I, II, and III” takes the audience on a visual journey through Baby Keem’s early life interwoven with the making of the upcoming album Ca$ino. All three episodes of Baby Keem’s “Booman | Ca$ino Documentary” are out now on YouTube.
CREDITS:
Director: @alexandremoors, Laconnie Govan
Production: @pglang, EErie Times
Executive Producers: @keem, @nellnothing
Producers: @kendricklamar, @davefree, @jamierabineau
Good Company @goodcopix
Executive Producers: @jonathan_lia, @ralphie_romance, @heffism
Co-Producers: @samcanter, @ademacalinao
Editing: @alexandremoors
DOP: @lawrenceoj
Camera Operators: Laconnie Govan, @alexandremoors, @lawrenceoj
Production Sound Mixer: @jeffpaceaudio
Interviews Conducted By: Frazier Tharpe II
Styling: @karizzasanchez
Grooming: @pircillapae
Barber: Christopher Donato Jr
Production Sound Manager: @jennytriesthings
Production Assistant: Ariel Dervin
Post Supervisors: @ralphie_romance, @bethfitzpatrick
Music Supervisor: @jcpeg
Sound Mixer: @audioniche_nyc
Colorist: @matteo_belletta
VFX: @narod27
Type Design: Paul Um
#babykeem #kendricklamar
New work from @alexandremoors for Baby Keem’s three-part Ca$ino documentary series. “Booman I, II, and III” takes the audience on a visual journey through Baby Keem’s early life interwoven with the making of the upcoming album Ca$ino. All three episodes of Baby Keem’s “Booman | Ca$ino Documentary” are out now on YouTube.
CREDITS:
Director: @alexandremoors, Laconnie Govan
Production: @pglang, EErie Times
Executive Producers: @keem, @nellnothing
Producers: @kendricklamar, @davefree, @jamierabineau
Good Company @goodcopix
Executive Producers: @jonathan_lia, @ralphie_romance, @heffism
Co-Producers: @samcanter, @ademacalinao
Editing: @alexandremoors
DOP: @lawrenceoj
Camera Operators: Laconnie Govan, @alexandremoors, @lawrenceoj
Production Sound Mixer: @jeffpaceaudio
Interviews Conducted By: Frazier Tharpe II
Styling: @karizzasanchez
Grooming: @pircillapae
Barber: Christopher Donato Jr
Production Sound Manager: @jennytriesthings
Production Assistant: Ariel Dervin
Post Supervisors: @ralphie_romance, @bethfitzpatrick
Music Supervisor: @jcpeg
Sound Mixer: @audioniche_nyc
Colorist: @matteo_belletta
VFX: @narod27
Type Design: Paul Um
#babykeem #kendricklamar
New work from @alexandremoors for Baby Keem’s three-part Ca$ino documentary series. “Booman I, II, and III” takes the audience on a visual journey through Baby Keem’s early life interwoven with the making of the upcoming album Ca$ino. All three episodes of Baby Keem’s “Booman | Ca$ino Documentary” are out now on YouTube.
CREDITS:
Director: @alexandremoors, Laconnie Govan
Production: @pglang, EErie Times
Executive Producers: @keem, @nellnothing
Producers: @kendricklamar, @davefree, @jamierabineau
Good Company @goodcopix
Executive Producers: @jonathan_lia, @ralphie_romance, @heffism
Co-Producers: @samcanter, @ademacalinao
Editing: @alexandremoors
DOP: @lawrenceoj
Camera Operators: Laconnie Govan, @alexandremoors, @lawrenceoj
Production Sound Mixer: @jeffpaceaudio
Interviews Conducted By: Frazier Tharpe II
Styling: @karizzasanchez
Grooming: @pircillapae
Barber: Christopher Donato Jr
Production Sound Manager: @jennytriesthings
Production Assistant: Ariel Dervin
Post Supervisors: @ralphie_romance, @bethfitzpatrick
Music Supervisor: @jcpeg
Sound Mixer: @audioniche_nyc
Colorist: @matteo_belletta
VFX: @narod27
Type Design: Paul Um
#babykeem #kendricklamar
New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan

New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan

New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan

New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan

New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan

New work from @maximequoilin for @dontoliver, the ATM official music video, from the upcoming album OCTANE. Shot at the iconic Mount Wilson Observatory in Los Angeles, “ATM” takes us on a futuristic dystopian journey with stunning visuals to usher in Don Toliver’s next chapter of music.
CREDITS:
@dontoliver
@cactusjack
Atlantic / Creative: @rafporter
Management: Randall “Sickamore” Medford
Production Company: @goodcopix
Label: @atlanticrecords
Director: @maximequoilin
Executive Producers: @onkel_desverre @heffism @ralphie_romance @jonathan_lia
Producer: @jamiarceoo
Director of Photography – @chuk.owens
Music Video Rep – Cheyenne Shannon
Production Manager: Eva Simpao
Production Designer – @rtylerevans
Production Coordinator: @conway_cassels
1st AD: Todd Lent
2nd AD: Timothy Munoz
Art Director – Angus Bernsen
Art Director – Brendan Sheley
Art Coordinator – Ciara Flynn
Atlantic / President Creative: Dave Rocco
Atlantic / Creative: Alex Figueroa
Atlantic / Creative: @santafeyyy
Atlantic / Digital: Diego Martinez
Atlantic / Commissioner: @santafeyyy
Atlantic / Product Manager + Marketing: Carla Pagano
VFX and Color: @1080p.world
Creative Director: @jordan_lg
Post-Producer: @ophethib
CGI: @shttsk
Touch Designer: @dith_idsgn
Oscilloscope Visuals: @hansi3
Color: @nico_grautier_colorist
Assistant Editors: @thibs_whm @anto.wan
We all use Zoom! New work for Zoom, featuring @fayedunaway for the “Zoom Ahead” campaign. It was a joy to collaborate with the Zoom team, No Notes and Lord Danger to put together these spots.
CREDITS
CLIENT:ZOOM
CMO: Kim Storin
Head of Brand & Activation: @whitney.magnuson
Head of Creative: schunky
AGENCY / PROD CO: NO NOTES PRODUCTIONS
Executive Producer, Chief Creative Officer: @colinjost
Executive Producer, Head of Development & Production: Jeff Grosvenor
Executive Producer: Emily Hason
Associate Producer: @rebeccamazouz
Copywriter: @colinjost
PROD CO: GOOD COMPANY
Executive Producers: @jonathan_lia @heffism @ralphie_romance
Director of Photography: @lancekuhns
Production Designer: @alexseesthis
Casting: @paladinocasting
PROD CO: LORD DANGER
Executive Producer / Line Producer: @joshshadid
Director: @mikediva
EDITORIAL – THE DEN
Editor: @the.ryan.spears
Executive Producer: LauRenn Reed
Post Producer: @sweetandsari
Assistant Editor: emcarp0206
POST PRODUCTION – GOOD COMPANY
Executive Producer: @bethfitzpatrick
VFX: @johnma2z
VFX: @loicmagik
Sound Design & Mix: @audioniche_nyc
Online Editor: Pete Valenti
COLOR & MUSIC
Color:Mom & Pop - @shane123reed
Music: David Dahlquist
#zoom

We all use Zoom! New work for Zoom, featuring @fayedunaway for the “Zoom Ahead” campaign. It was a joy to collaborate with the Zoom team, No Notes and Lord Danger to put together these spots.
CREDITS
CLIENT:ZOOM
CMO: Kim Storin
Head of Brand & Activation: @whitney.magnuson
Head of Creative: schunky
AGENCY / PROD CO: NO NOTES PRODUCTIONS
Executive Producer, Chief Creative Officer: @colinjost
Executive Producer, Head of Development & Production: Jeff Grosvenor
Executive Producer: Emily Hason
Associate Producer: @rebeccamazouz
Copywriter: @colinjost
PROD CO: GOOD COMPANY
Executive Producers: @jonathan_lia @heffism @ralphie_romance
Director of Photography: @lancekuhns
Production Designer: @alexseesthis
Casting: @paladinocasting
PROD CO: LORD DANGER
Executive Producer / Line Producer: @joshshadid
Director: @mikediva
EDITORIAL – THE DEN
Editor: @the.ryan.spears
Executive Producer: LauRenn Reed
Post Producer: @sweetandsari
Assistant Editor: emcarp0206
POST PRODUCTION – GOOD COMPANY
Executive Producer: @bethfitzpatrick
VFX: @johnma2z
VFX: @loicmagik
Sound Design & Mix: @audioniche_nyc
Online Editor: Pete Valenti
COLOR & MUSIC
Color:Mom & Pop - @shane123reed
Music: David Dahlquist
#zoom

We all use Zoom! New work for Zoom, featuring @fayedunaway for the “Zoom Ahead” campaign. It was a joy to collaborate with the Zoom team, No Notes and Lord Danger to put together these spots.
CREDITS
CLIENT:ZOOM
CMO: Kim Storin
Head of Brand & Activation: @whitney.magnuson
Head of Creative: schunky
AGENCY / PROD CO: NO NOTES PRODUCTIONS
Executive Producer, Chief Creative Officer: @colinjost
Executive Producer, Head of Development & Production: Jeff Grosvenor
Executive Producer: Emily Hason
Associate Producer: @rebeccamazouz
Copywriter: @colinjost
PROD CO: GOOD COMPANY
Executive Producers: @jonathan_lia @heffism @ralphie_romance
Director of Photography: @lancekuhns
Production Designer: @alexseesthis
Casting: @paladinocasting
PROD CO: LORD DANGER
Executive Producer / Line Producer: @joshshadid
Director: @mikediva
EDITORIAL – THE DEN
Editor: @the.ryan.spears
Executive Producer: LauRenn Reed
Post Producer: @sweetandsari
Assistant Editor: emcarp0206
POST PRODUCTION – GOOD COMPANY
Executive Producer: @bethfitzpatrick
VFX: @johnma2z
VFX: @loicmagik
Sound Design & Mix: @audioniche_nyc
Online Editor: Pete Valenti
COLOR & MUSIC
Color:Mom & Pop - @shane123reed
Music: David Dahlquist
#zoom

We all use Zoom! New work for Zoom, featuring @fayedunaway for the “Zoom Ahead” campaign. It was a joy to collaborate with the Zoom team, No Notes and Lord Danger to put together these spots.
CREDITS
CLIENT:ZOOM
CMO: Kim Storin
Head of Brand & Activation: @whitney.magnuson
Head of Creative: schunky
AGENCY / PROD CO: NO NOTES PRODUCTIONS
Executive Producer, Chief Creative Officer: @colinjost
Executive Producer, Head of Development & Production: Jeff Grosvenor
Executive Producer: Emily Hason
Associate Producer: @rebeccamazouz
Copywriter: @colinjost
PROD CO: GOOD COMPANY
Executive Producers: @jonathan_lia @heffism @ralphie_romance
Director of Photography: @lancekuhns
Production Designer: @alexseesthis
Casting: @paladinocasting
PROD CO: LORD DANGER
Executive Producer / Line Producer: @joshshadid
Director: @mikediva
EDITORIAL – THE DEN
Editor: @the.ryan.spears
Executive Producer: LauRenn Reed
Post Producer: @sweetandsari
Assistant Editor: emcarp0206
POST PRODUCTION – GOOD COMPANY
Executive Producer: @bethfitzpatrick
VFX: @johnma2z
VFX: @loicmagik
Sound Design & Mix: @audioniche_nyc
Online Editor: Pete Valenti
COLOR & MUSIC
Color:Mom & Pop - @shane123reed
Music: David Dahlquist
#zoom
New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc
New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc
New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

New work by @alexandremoors + @goodcopix. We made the interstitial films for Kendrick & SZA’s GNX world tour conceived around the idea of two parallel worlds meeting on one stage.
PG Lang
Creative Directors: @kendricklamar @davefree.miyatola @mikecarson
Executive Producers: @jamierabineau @samcanter
Creative Producer: Valtteri Laihanen
Art Director: @curtistaylorjr_
Good Company
Director: @alexandremoors
Executive Producers: @heffism, @jonathan_lia, @silent_h_prod
Production Company: @goodcopix
Head of Experiential & Technology: @mattlowe67
Directory of Photography: @christopher.c.ripley
Line Producer: @whitjack
Production Designer: @three60s
Stylist: @taylor__mcneill
Female OCP: Annahstasia Enuke
Production Manager: Meredith Kurey
1st AD: @jevpic
Post Production
Head of Post: @ralphie_romance
Editors: @maximequoilin, @alexandremoors, @jerrychia31
Sound Design: @maximequoilin
Color: @matteo_belletta
VFX: @narod27 @johnma2z
Mixer: @audioniche_nyc

We are thrilled to welcome back Executive Producer Sverre Gundhus to Good Company, where he initially started and became a producer. While the pandemic brought Sverre back to Europe, where he fostered talent and spearheaded innovative productions across commercial, music, and film; it’s GOOD to have him back.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.

Diane Martel was a creative force who left her indelible mark on the world. A curator of talent with an impeccable eye and truly elevated taste, she was able to rally and lead creative teams to create some of the most iconic visuals of our times.
Our relationship with Diane started with Jonnie. He produced many music videos for her in the late oughts and early tens, including Beyonce’s The Best Thing I Never Had, that sparked years of collaboration.
She was an inspiration to our whole team, most of whom had the honor of working with this dynamic and driven human.Her passion was infectious.Even in her 60s, Diane had her finger on the pulse of art and film. She introduced us to new talent and inspired those around her to deliver their best work. She loved working with Good Company and we loved working with her. Gisell produced several shoots, Jenni created visuals and Beth post produced. She brought Matt to Saudi Arabia to help with Alicia’s concert there. And just a couple months ago, we may have produced Diane’s very last video for Honestav. Despite the small budget, Diane’s art, craft and taste shine through beautifully. We will dearly miss Diane. She was truly a one-of-a-kind trailblazer. Rest In Peace Diane, we love you.
New Work Alert ‼️ Brows that wow!✨
Directed by Loïc Maes, starring the iconic @emmycombss for L’Oréal’s Faux Brow.
#FauxBrow #LorealParis #EmmyCombs #LoicMaes #GoodCompany
Production Company: @goodcopix
Director: @loicmagik
DP: @tymezuk
EP: @gillybrooke
Line Producer: @justinelaviolette
1st AD: Jonathan Mintz
HMU: @charlottewillermakeup
Stylist: @badnewsbritt
Post Production: @ralphie_romance @bethfitzpatrick
Art Department: @wayoutstudioco
Agency: @mccannnewyork
#SCHWARZKOPF #WHATSTORYWILLYOUTELL?
New work‼️directed by the incredible Loic Maes
Production Company @goodcopix
Director @loicmagik
EP @gillybrooke
Producer @gisell.c_
London Production Co @wood.house.media
EP @st.holtz
Line Producer @benprestonofficial
DP @kaiblamey_
Production Design @josephbennett.studio
1st AD @andrewmpotter
Agency @tbwachiatny
EP @rodrigopalaciosp
Senior Producer @soyvikolo
ECD Rica Eckersley
CD @rochusolis
CD @yaelovse
CD @andreina_gm
Client @henkel
US Head SK MB _teresacordova_
SR. Marketing Manager SK MB @sophieviridaud
Global Creative Director MB:
Manjana Dietrich
Global Head SK MB: Tabea Heise
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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