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haltypefaces
HAL Typefaces
Elias Hanzer 🔵 Lucas Liccini 🟢 independent vendor for digital fonts and typographic solutions 🟠
It’s Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
It’s Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
It’s Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP ⭐️
HAL Gap is a powerful display sans perfect for those mighty headlines.
Originally inspired by “Leporello”, Friedrich Poppl’s 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weight— ranging from an extremely thin and compressed XXS to a wide and heavy XXL.
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.
Trial for free
www.haltypefaces.com
#type01 #typedesign #typeface #graphicdesigner #typography
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
👹NEW RELEASE🧙♂️
🧚♂️HAL Typefaces proudly presents
🔮HAL Magic✨
🧞♂️Magic is a confident and dynamic geometric sans-serif face🪄The superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font🐉Enjoy the show!
🧌Design: HAL Typefaces (Elias Hanzer, Lucas Liccini)
✨ Production: HAL Typefaces with Alex Lescieux @alescieux
🧛♀️LINK: https://type.hanli.eu/magic/
🐲Trials available here: https://type.hanli.eu/trials/
April’s C.V Monthly Edit is curated by Elias Hanzer @haltypefaces, an Austrian graphic and type designer based in Berlin. Landing in your inbox on Thursday 💌
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉ
Arts of the Working Class, Issue №40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
𝐖𝐞 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐡𝐚𝐝 𝐭𝐡𝐞 𝐨𝐩𝐩𝐨𝐫𝐭𝐮𝐧𝐢𝐭𝐲 𝐭𝐨 𝐝𝐨𝐧𝐚𝐭𝐞 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞 𝐭𝐨 𝐀𝐎𝐖𝐂 𝐚𝐧𝐝 𝐡𝐞𝐥𝐩 𝐭𝐡𝐞𝐢𝐫 𝐜𝐚𝐮𝐬𝐞.
“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”
ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/
IMPRINT
Founder / Publisher / Editor at Large
María Inés Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
🐘 🎀𝐻𝒜𝐿 𝒯𝒾𝓂𝑒𝓏💗𝓃𝑒 𝒾𝓃 𝓊𝓈𝑒 🎀 🐘
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festival’s motto was “The Art of Collective Practice” and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
“What happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. – Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its forms—intentional, subconscious, and even accidental—bringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.”
We partnered up with the nice people of FIG and donated Timezone for last year’s edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilová, we took an awful sounding idea – a hot desert sun casting alphabetical shadows – very seriously and came up with this formula:
Arizona = half sans, half serif
Arizona = variable font
Variable font = moving font
First moving image = moving horse
HorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans — all in one font file. Even the haters respected the move.
Today, we’re returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singer horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; there’s posters, and even some big billboards!!
It’s a terribly exciting day for us <3
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans — all in one font file. Even the haters respected the move.
Today, we’re returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singer horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; there’s posters, and even some big billboards!!
It’s a terribly exciting day for us <3
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans — all in one font file. Even the haters respected the move.
Today, we’re returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singer horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; there’s posters, and even some big billboards!!
It’s a terribly exciting day for us <3
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans — all in one font file. Even the haters respected the move.
Today, we’re returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singer horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; there’s posters, and even some big billboards!!
It’s a terribly exciting day for us <3
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans — all in one font file. Even the haters respected the move.
Today, we’re returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singer horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; there’s posters, and even some big billboards!!
It’s a terribly exciting day for us <3
Team:
Campaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lösel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar,
Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilová @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreiner @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouching @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces
Motion: Aljoscha Burtchen @hdgdl_xyz
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
📚Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
𝓞𝓷𝓮 𝓜𝓸𝓻𝓮 𝓣𝓲𝓶𝓮
𝓐𝓻𝓸𝓾𝓷𝓭 𝓽𝓱𝓮 𝓦𝓸𝓻𝓵𝓭
𝐓𝐡𝐞 𝐌𝐚𝐤𝐢𝐧𝐠 𝐨𝐟 𝐇𝐀𝐋 𝐓𝐢𝐦𝐞𝐳𝐨𝐧𝐞
Read the full Release Note on haltypefaces.com
It’s time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainment…
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
⏱️⏱️⏱️ HAL Timezone Extension Out on haltypefaces.com ⏱️⏱️⏱️
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
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Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.