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Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Venice • On view at @palazzo_grassi’s Punta della Dogana: ‘Lorna Simpson. Third Person’.

A comprehensive survey of @lornasimpson’s painting practice over the past decade, brings together around fifty works across painting, collage, video, sculpture and installation.

Plan your visit through 22 November via the link in bio.

Installation views, ‘Lorna Simpson. Third Person’, Palazzo Grassi in Venice/Pinault Collection, 2026 © Lorna Simpson. Photos: James Wang

#LornaSimpson

Now available exclusively in Venice, beginning Biennale preview week: a special edition of @ursulamagazine, a sneak peak at the Summer 2026 cover story on @lornasimpson, produced in partnership with Bottega Veneta.

#UrsulaMagazine #BottegaVeneta

Now available exclusively in Venice, beginning Biennale preview week: a special edition of @ursulamagazine, a sneak peak at the Summer 2026 cover story on @lornasimpson, produced in partnership with Bottega Veneta.

#UrsulaMagazine #BottegaVeneta

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Discover landmark exhibitions and new projects by our artists across Venice—including a major solo presentation of Lorna Simpson at Punta della Dogana and works by Alexander Calder, Roberto Cuoghi, Avery Singer, Sophie Taeuber-Arp and more.
 
📍Lorna Simpson at Punta della Dogana
📍Alexander Calder and Fausto Melotti featured in ‘Waves,’ a group exhibition a at Casa Sanlorenzo
📍Avery Singer in the group exhibition ‘Strange Rules,’ at Palazzo Diedo, Berggruen Arts & Culture
📍 Henry Moore and Sophie Taeuber-Arp in the group show ‘Peggy Guggenheim in London: The Making of a Collector’ at the Peggy Guggenheim Collection
📍Roberto Cuoghi premiers unique screening at Teatro Goldoni
📍In honour of the centenary of Fabio Mauri’s birth, discover the artist’s new catalogue raisonné, edited by Carolyn Christov-Bakargiev. Galleria Michela Rizzo in Venice presents ‘Fabio Mauri. L’Esperimento del Tempo’.
 
Learn more and plan your visits at the link in bio.
 
1 Video: Lee Pretious
2 Installation view, ‘Lorna Simpson. Third Person,’ Punta della Dogana, Venice, Italy, 2026 © Lorna Simpson. Photo: Aristide Pluvinage
3 Fausto Melotti, Clair de lune / Moonlight, 1973 © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth
4 Avery Singer, Vanessa, 2026 (detail) © Avery Singer. Photo: Lance Brewer
5 Sophie Taeuber-Arp, Equilibrium (Equilibre), 1932 (detail) © Stiftung Arp e.V., Berlin/Rolandswerth
6 © Roberto Cuoghi. Photo: Albrecht Fuchs
7 Fabio Mauri catalogue raisonné, 2026, edited by Carolyn Christov-Bakargiev

Last chance to see ‘Franz Gertsch’ at our Zurich, Bahnhofstrasse gallery.

Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Plan your visit until 16 May via the link in bio.

1-2,4 Installation views, ‘Franz Gertsch’, Hauser & Wirth Zurich, Bahnhofstrasse: 2026. Photos: Jon Etter
3 Franz Gertsch, Sommer II, 2019
5 Franz Gertsch, Bagatelle IV · Silvia, 2008
© 2026 Franz Gertsch AG

Last chance to see ‘Franz Gertsch’ at our Zurich, Bahnhofstrasse gallery.

Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Plan your visit until 16 May via the link in bio.

1-2,4 Installation views, ‘Franz Gertsch’, Hauser & Wirth Zurich, Bahnhofstrasse: 2026. Photos: Jon Etter
3 Franz Gertsch, Sommer II, 2019
5 Franz Gertsch, Bagatelle IV · Silvia, 2008
© 2026 Franz Gertsch AG

Last chance to see ‘Franz Gertsch’ at our Zurich, Bahnhofstrasse gallery.

Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Plan your visit until 16 May via the link in bio.

1-2,4 Installation views, ‘Franz Gertsch’, Hauser & Wirth Zurich, Bahnhofstrasse: 2026. Photos: Jon Etter
3 Franz Gertsch, Sommer II, 2019
5 Franz Gertsch, Bagatelle IV · Silvia, 2008
© 2026 Franz Gertsch AG

Last chance to see ‘Franz Gertsch’ at our Zurich, Bahnhofstrasse gallery.

Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Plan your visit until 16 May via the link in bio.

1-2,4 Installation views, ‘Franz Gertsch’, Hauser & Wirth Zurich, Bahnhofstrasse: 2026. Photos: Jon Etter
3 Franz Gertsch, Sommer II, 2019
5 Franz Gertsch, Bagatelle IV · Silvia, 2008
© 2026 Franz Gertsch AG

Last chance to see ‘Franz Gertsch’ at our Zurich, Bahnhofstrasse gallery.

Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Plan your visit until 16 May via the link in bio.

1-2,4 Installation views, ‘Franz Gertsch’, Hauser & Wirth Zurich, Bahnhofstrasse: 2026. Photos: Jon Etter
3 Franz Gertsch, Sommer II, 2019
5 Franz Gertsch, Bagatelle IV · Silvia, 2008
© 2026 Franz Gertsch AG

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

What a day of connection in Downtown Los Angeles 🩵 ⁠
⁠
Thank you to everyone who joined us for our first Learning Exchange in Los Angeles, bringing together artists, educators and institutions to explore the future of learning through art. Together, we shared ideas, built relationships and focused on how artists play a part in reimagining creative opportunities for young people. ⁠
⁠
We’re especially grateful to Mark Bradford, Debbie Hillyerd (@debbiehillyerd) and Eileen Harris Norton (@eileenharrisnorton) for their insights, and to Culture for One (@cultureforone) and Art Division (@artdivisionla) for their collaboration and support, including thoughtful exhibition tours led by next-generation artists and educators. ⁠
⁠
Thank you to our partners and educators from the Hammer Museum (@hammer_museum), Heart of Los Angeles (@heartoflosangeles), Inner-City Arts (@innercityarts), Art + Practice (@artandpractice), and The Obama Presidential Center (@obamafoundation) who shared their visions for youth led projects and community initiatives. ⁠
⁠
Moments like these remind us of the power of community #HWLearn ⁠
⁠
#HauserWirthLosAngeles #HauserWirth ⁠
⁠
Photos: Brandon Tauszik

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Closing soon in Basel: ‘Niklaus Stoecklin’.

Curated in close collaboration with Martin Schwander, this exhibition features rare paintings from the 1920s through the 1970s, tracing Stoecklin’s evolution from the cool, detached precision of interwar realism to the luminous stillness of his later works.

Plan your visit through 23 May via the link in bio.

1-3,5,7,9 Installation views, ‘Niklaus Stoecklin’, Hauser & Wirth Basel, 2026. Photos: Gina Folly
4 Niklaus Stoecklin, Junge Frau in dunklem Kleid (Young Woman in a Dark Dress), 1925. Private Collection. Photo: Jon Etter
6 Niklaus Stoecklin, Die Fratellini, 1930. Private Collection, Courtesy Hauser & Wirth Collection Services. Photo: Gina Folly
8 Niklaus Stoecklin, Nelly, auch: Strassenmädchen (Nelly, also Streetwalker), 1919.Private Collection. Photo: Jon Etter
© 2026, Pro Litteris, Zurich

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Now open at 📍 @hauserwirthsomerset: ‘Angel Otero⁠. Agua Salada’

Angel Otero (@oteroso) makes his UK debut featuring a deeply personal body of work completed during an artist residency in Somerset.

Known for his physically immersive approach to paint as material, #AngelOtero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration.

The exhibition marks an expansion of Otero’s practice beyond the canvas, translating his fascination with process, materiality and time into sculptural installations and moving image.

📆 Plan your visit through Sunday 18 October.

#HauserWirth #HWSomerset

📷 Installation views, ‘Angel Otero⁠. Agua Salada,’ Hauser & Wirth Somerset, 2026 © Angel Otero. Photos: Ken Adlard. Videos: @leepretiousstudio

Preview the Obama Presidential Center, opening this June on Chicago’s South Side, via @nytimes.

The Center will feature newly commissioned works by 30 artists, selected by Barack and Michelle Obama, including Mark Bradford, Jeffrey Gibson, Jenny Holzer, Rashid Johnson and Lorna Simpson.

Read the full story at the link in bio.

Photos and videos by Kevin Serna (@kevnserna) for The New York Times

Preview the Obama Presidential Center, opening this June on Chicago’s South Side, via @nytimes.

The Center will feature newly commissioned works by 30 artists, selected by Barack and Michelle Obama, including Mark Bradford, Jeffrey Gibson, Jenny Holzer, Rashid Johnson and Lorna Simpson.

Read the full story at the link in bio.

Photos and videos by Kevin Serna (@kevnserna) for The New York Times

Preview the Obama Presidential Center, opening this June on Chicago’s South Side, via @nytimes.

The Center will feature newly commissioned works by 30 artists, selected by Barack and Michelle Obama, including Mark Bradford, Jeffrey Gibson, Jenny Holzer, Rashid Johnson and Lorna Simpson.

Read the full story at the link in bio.

Photos and videos by Kevin Serna (@kevnserna) for The New York Times

Preview the Obama Presidential Center, opening this June on Chicago’s South Side, via @nytimes.

The Center will feature newly commissioned works by 30 artists, selected by Barack and Michelle Obama, including Mark Bradford, Jeffrey Gibson, Jenny Holzer, Rashid Johnson and Lorna Simpson.

Read the full story at the link in bio.

Photos and videos by Kevin Serna (@kevnserna) for The New York Times

We are pleased to announce REPRISE, a solo exhibition of new work by George Rouy, 4 June - 12 September at Hannah Barry Gallery in London and 10 September - 24 October at Hauser & Wirth’s New York, 22nd Street location. Opening in London Weds 3 June 5-8pm. All welcome.

George Rouy Studio Portrait 2026 by Kingsley Ifill.

Opening tonight at New York, Wooster Street: ‘Allison Katz. Outta the Bag’

Marking @allison.katz’s first solo exhibition with the gallery in New York—a title that reminds us that showing one’s work is a bit like revealing a secret. Wit and lived experience ripple through art-historical citations, self-portraiture and allusions to the precarity of an image-saturated world.

Join us tonight from 6 – 8 pm for the opening reception. Link in bio to plan your visit.

1,3,4 Installation views, ‘Allison Katz. Outta the Bag,’ Hauser & Wirth New York, Wooster Street, 2026. Photos: Thomas Barratt
2 Allison Katz, Burden, 2026. Photo: Eva Herzog
© Allison Katz

Opening tonight at New York, Wooster Street: ‘Allison Katz. Outta the Bag’

Marking @allison.katz’s first solo exhibition with the gallery in New York—a title that reminds us that showing one’s work is a bit like revealing a secret. Wit and lived experience ripple through art-historical citations, self-portraiture and allusions to the precarity of an image-saturated world.

Join us tonight from 6 – 8 pm for the opening reception. Link in bio to plan your visit.

1,3,4 Installation views, ‘Allison Katz. Outta the Bag,’ Hauser & Wirth New York, Wooster Street, 2026. Photos: Thomas Barratt
2 Allison Katz, Burden, 2026. Photo: Eva Herzog
© Allison Katz

Opening tonight at New York, Wooster Street: ‘Allison Katz. Outta the Bag’

Marking @allison.katz’s first solo exhibition with the gallery in New York—a title that reminds us that showing one’s work is a bit like revealing a secret. Wit and lived experience ripple through art-historical citations, self-portraiture and allusions to the precarity of an image-saturated world.

Join us tonight from 6 – 8 pm for the opening reception. Link in bio to plan your visit.

1,3,4 Installation views, ‘Allison Katz. Outta the Bag,’ Hauser & Wirth New York, Wooster Street, 2026. Photos: Thomas Barratt
2 Allison Katz, Burden, 2026. Photo: Eva Herzog
© Allison Katz

Opening tonight at New York, Wooster Street: ‘Allison Katz. Outta the Bag’

Marking @allison.katz’s first solo exhibition with the gallery in New York—a title that reminds us that showing one’s work is a bit like revealing a secret. Wit and lived experience ripple through art-historical citations, self-portraiture and allusions to the precarity of an image-saturated world.

Join us tonight from 6 – 8 pm for the opening reception. Link in bio to plan your visit.

1,3,4 Installation views, ‘Allison Katz. Outta the Bag,’ Hauser & Wirth New York, Wooster Street, 2026. Photos: Thomas Barratt
2 Allison Katz, Burden, 2026. Photo: Eva Herzog
© Allison Katz

Join Allison Katz in her London studio, where Louisiana Channel spent the day exploring as the Canadian painter worked across several pieces simultaneously.⁠
⁠
The full interview, ‘Allison Katz – It’s Not Gonna Be an Easy Kind of Beauty,’ is available via the link in bio @louisianachannel.⁠
⁠
Duration: 20:39⁠
© Louisiana Channel⁠
⁠
@allison.katz #allisonkatz #painter #art @hauserwirth #hauserwirth #louisianachannel

Congratulations to Christina Kimeze (@itskimeze), who has been selected for ‘British Art Show 10: A Chorus of Strangers’, curated by Ekow Eshun (@ekoweshun).

The landmark 10th edition of the British Art Show explores human connection and the figure of the Other in divided times, through the work of more than 30 artists. At its core, the exhibition considers how art can challenge fears of otherness and difference often sparked in periods of uncertainty or change. Rather than framing the outsider or stranger figure as a threat, it invites a shift towards empathy.

Opening in Coventry on 2 October 2026, the exhibition will tour to Swansea, Bristol, Sheffield and Newcastle Gateshead.

Learn more at @hauserwirth’s link in bio.

1 Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb
2 Christina Kimeze, Those eight wheels (detail), 2025. Photo: Matthew Hollow
3 Christina Kimeze Wader (Lido Beach) (detail), 2022. Photo: Matthew Hollow
4 Christina Kimeze Flyways (detail), 2025. Photo: Eva Herzog
© Christina Kimeze

Congratulations to Christina Kimeze (@itskimeze), who has been selected for ‘British Art Show 10: A Chorus of Strangers’, curated by Ekow Eshun (@ekoweshun).

The landmark 10th edition of the British Art Show explores human connection and the figure of the Other in divided times, through the work of more than 30 artists. At its core, the exhibition considers how art can challenge fears of otherness and difference often sparked in periods of uncertainty or change. Rather than framing the outsider or stranger figure as a threat, it invites a shift towards empathy.

Opening in Coventry on 2 October 2026, the exhibition will tour to Swansea, Bristol, Sheffield and Newcastle Gateshead.

Learn more at @hauserwirth’s link in bio.

1 Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb
2 Christina Kimeze, Those eight wheels (detail), 2025. Photo: Matthew Hollow
3 Christina Kimeze Wader (Lido Beach) (detail), 2022. Photo: Matthew Hollow
4 Christina Kimeze Flyways (detail), 2025. Photo: Eva Herzog
© Christina Kimeze

Congratulations to Christina Kimeze (@itskimeze), who has been selected for ‘British Art Show 10: A Chorus of Strangers’, curated by Ekow Eshun (@ekoweshun).

The landmark 10th edition of the British Art Show explores human connection and the figure of the Other in divided times, through the work of more than 30 artists. At its core, the exhibition considers how art can challenge fears of otherness and difference often sparked in periods of uncertainty or change. Rather than framing the outsider or stranger figure as a threat, it invites a shift towards empathy.

Opening in Coventry on 2 October 2026, the exhibition will tour to Swansea, Bristol, Sheffield and Newcastle Gateshead.

Learn more at @hauserwirth’s link in bio.

1 Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb
2 Christina Kimeze, Those eight wheels (detail), 2025. Photo: Matthew Hollow
3 Christina Kimeze Wader (Lido Beach) (detail), 2022. Photo: Matthew Hollow
4 Christina Kimeze Flyways (detail), 2025. Photo: Eva Herzog
© Christina Kimeze

Congratulations to Christina Kimeze (@itskimeze), who has been selected for ‘British Art Show 10: A Chorus of Strangers’, curated by Ekow Eshun (@ekoweshun).

The landmark 10th edition of the British Art Show explores human connection and the figure of the Other in divided times, through the work of more than 30 artists. At its core, the exhibition considers how art can challenge fears of otherness and difference often sparked in periods of uncertainty or change. Rather than framing the outsider or stranger figure as a threat, it invites a shift towards empathy.

Opening in Coventry on 2 October 2026, the exhibition will tour to Swansea, Bristol, Sheffield and Newcastle Gateshead.

Learn more at @hauserwirth’s link in bio.

1 Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb
2 Christina Kimeze, Those eight wheels (detail), 2025. Photo: Matthew Hollow
3 Christina Kimeze Wader (Lido Beach) (detail), 2022. Photo: Matthew Hollow
4 Christina Kimeze Flyways (detail), 2025. Photo: Eva Herzog
© Christina Kimeze