Hawwa
Building @therockinghorsebook
music video & ad filmmaker
also deeply invested in chairs
director. videographer. editor. photographer.
1. The one where @bangxbang_ and @akshakini take the piss out of Dot.
2. The one where the future of Shiv and Dhruv lies in the hands of an iconic duel
3. The one where we made girl dinner
4. The one where the girlies💅🏼just needed a girls night
1. The one where @bangxbang_ and @akshakini take the piss out of Dot.
2. The one where the future of Shiv and Dhruv lies in the hands of an iconic duel
3. The one where we made girl dinner
4. The one where the girlies💅🏼just needed a girls night
1. The one where @bangxbang_ and @akshakini take the piss out of Dot.
2. The one where the future of Shiv and Dhruv lies in the hands of an iconic duel
3. The one where we made girl dinner
4. The one where the girlies💅🏼just needed a girls night
1. The one where @bangxbang_ and @akshakini take the piss out of Dot.
2. The one where the future of Shiv and Dhruv lies in the hands of an iconic duel
3. The one where we made girl dinner
4. The one where the girlies💅🏼just needed a girls night
Sabar will be all yours tomorrow, 22nd Aug 🌊
Music video premieres Sunday, 24th Aug at 12 PM on my YouTube channel
A story of a bittersweet dream, the doubt, the discipline, and the quiet hope that keeps you moving, told through a swimmer and her inner child.
Written, composed and performed by Kamakshi Khanna
Produced by @khwaab.music
Guitars by @sounaksaha
Mixed and mastered by @prathmeshdudhane
Vocals recorded at @ferriswheelstudios by @its.anahitasingh
Atmos master by @nirmal_rathod_13 @compassboxstudios
Directed and conceptualised by @hawwasamples
DOP @yash_inamdar
Starring @santanaroach & Zahra Arsiwalla
Executive producers @mukulmajawadia @natashamahtani
Creative producer @nisheeta_
Associate director @pmr1114
Editor @apoorv_kohli
Colourist @tapasviasija_colourist
2nd cam & chief AC @shivam_borkar
Underwater equipment @mglightsncam

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Stills from the 'Spiced Lemonade' music video 🍋
A huge thank you to everyone who played a part in this, especially the incredible Dot., Santana, and Hawwa.
Watch the full video on YouTube (link in bio) and let us know your thoughts in the comments :)
Song By :@chiragtodi @dotandthesyllables
Director : @hawwasamples
Dop : @suneelborkar2525
Starring : @santanaroach
Costume Designer : @poornamrita
Hair Designer: @avancontractor
Make Up Designer: @tashaonline @thereelartistco
Associate Director : @amatullah___fatehi
Art Head & Food Stylist : @aishwaryapaul
Hair Stylist : @rahulchowhan
Costume Stylist : @sheenasitlani
Make Up Assistant : @nehashah_mua @beautyandthecheap
1st Ac :@zohheb
2nd Cam Operator : @shu29waw
Art Assistant : @tanishka.dewani
Art Assistant: @sakshithakkkar
Art Assistant: @ummehani.26
Editor : @padmanabhsant
Graphics & Illustrator: @illuminatedmilk
Colorist : @devansh_kandpal_
Music producer: @divyang_arora
Mixing engineer: @nirmit.music
Mastering engineer: @maybedrona
Bass: @marcdamania
Artwork: @saasmitchhetri
#SpicedLemonadeMusicVideo #MusicVideoStills #BehindTheScenes #MusicProduction #MusicJourney #MusicCollaboration #IndieMusicScene #MusicCreativity #Songwriting #MusicVideoShoot #MusicLife #MusicCommunity #MusicMagic #MusicMoments #MusicMakers #MusicArtistry #MusicalJourney #VideoStills #CreativeProcess #MusicVideoRelease #SongRelease #MusicProject #IndieArtists #IndieMusicLife #MusiciansOfInstagram #CreativeCollaboration #MusicVideoMaking

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype
Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
.
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

Cyanotypes for the Rocking Horse!
Special thanks to @beneaththeblackwaterlily for helping us with the process
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#indianphotographers #canon #photobook #filmphotography #cyanotype

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 2
What made this video truly special were the people behind it.
@santanaroach is genuinely one of the most resilient performers I’ve worked with. Shot after shot underwater!!! physically exhausting setups, barely any breaks because we were racing against time — and somehow she kept delivering every single take. Truly a one-take artist.
Little Zahra had never acted before, but once the crew made her feel comfortable, what came through on camera felt honest and real. A brilliant performance!
@yash_inamdar and I kept evolving the visual language even during the shoot itself — experimenting with aspect ratios, compositions, and how the water would visually evolve through the film to reflect the protagonist’s state of mind. (And yes, I definitely tortured the colorist (@tapasviasija_colourist ) with very specific thoughts about the psychology of water colours 🤪)
Huge love to @shivam_borkar for being an absolute lifesaver on the day, @mg_aqx and team for helping us execute the underwater setups, @pmr1114 for helping take the visuals out of my head and creatively assist me, along with @nisheeta_ for constantly troubleshooting while protecting the creative integrity of the film, and @kamakshikhannamusic & @natashamahtani — who despite being the artist, and artist team — were fully part of the crew helping everywhere they could. @mukulmajawadia my forever producer and support system!!! @missingsheep for some bangin typography @apoorv_kohli my editor who I have spent hours re negotiating how much cross dissolve is too much cross dissolve 😵
That’s honestly my favourite part about independent filmmaking. Everyone carries a piece of the vision. Everyone shows up for each other.
I never want to make music videos that feel obvious or safe. I think visuals should either complement the emotion of a song honestly, or completely challenge your interpretation of it. SABAR gave us the opportunity to experiment, push ourselves, and make something we’re genuinely proud of.
#underwater #musicvideo #indianmusicians #rollingstone

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians

SABAR (2025) — PART 1
When I first heard the song, it immediately reminded me of a photo series I had made years ago around imposter syndrome. That feeling of constantly questioning yourself, yet somehow continuing. SABAR felt like an echo of that emotion.
I knew very early on that I didn’t want to make a generic “artist struggling” music video. I wanted the visuals to feel like the emotional state of the song. Water became the metaphor. The swimmer became the artist. The laps became the process. The exhaustion, repetition, isolation, discipline, self-doubt… all of it mirrored the emotional experience of creating.
This music video is almost 80% underwater. We had a crew of around 12 people and only 9 hours to shoot the entire thing. On paper, it honestly sounded a little insane 😭
The challenge I loved was to show depth and perspective in an interesting way inside a pool which otherwise could look like a void
Finding the right pool, the right underwater team, the right cast, and even the right weather window during monsoon season became part of the process. Every decision had to be carefully justified because that’s the reality of independent filmmaking — you dream big, and then figure out how to make it happen with the resources you have.
Check out part 2 for the rest!
#musicvideo #underwater #rollingstone #indianmusicians
Pleased to make you meet 🥁🥁🥁 NANI - the most important character in The Rocking Horse!
Nani gives us the coolest insights into 2 very special Photographs
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#indianphotographers #canon #photobook #filmphotography

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday

baithiye na, please 🪑
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#fyp #chair #fuji #lightroom #photooftheday
The Kanthil Klub w @gouravadarsh
Shot and edited by meeee
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#tuyaamain #adarshgourav #shanayakapoor #promotion #movie
Lying in a dusty old plastic bag in the last place that we would have looked….the film rolls presented themselves to us like a godsent gift. Here’s presenting a very brief look at the negatives! I personally hate spoilers so we have kept it discreet. Not revealing our best, but enough to keep you drooling 🐒
Follow @therockinghorsebook
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#archivephotography
#filmphotography
#photobook
#indianphotography
#canon

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽

GIRLS NIGHT (2024) — PART 2
For me, music videos are basically a space to dump all the visuals that won’t leave my head.
And I knew Girls Night couldn’t be something that people click on expecting a ditsy pillow fight.
Girls are messy, funny, whack, enchanting, mastikhors.
I really wanted to show the mastikhor.
My closest friends and crew - @gayuyaar @aliasgernabii @padmanabhsant @mukulmajawadia @devrohira @arunims @prerana_poddar @aishwaryapaul @beautynthecheap @rohitudaymane @sakshithakkkar @soustavnaskar @illuminatedmilk @mazinansari_ @akshakini @dopameena.dj @dotandthesyllables
There’s also a moment where we break the fourth wall and you see the entire crew 🤪 —
Also… the best feedback has been girls coming up to me in random bathroom lines talking about it.
That’s when you know it did what it needed to do.
If you haven’t watched it yet, please do it now! Catch it on youtube 🫶🏽
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
The service is free to use.
Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.