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Jack White’s Debut Art Exhibition, THESE THOUGHTS MAY DISAPPEAR, to take place on 29 May 2026 at London’s Newport Street Gallery, the acclaimed exhibition space founded by Damien Hirst.

The exhibition marks the first opportunity for the public to encounter Jack White’s visual art in a dedicated gallery context. Much of White’s visual work has remained private, yet his design sensibility has permeated the broad creative ecosystem of Third Man Records, the record label he founded in 2001. THESE THOUGHTS MAY DISAPPEAR brings together a dynamic selection of White’s assemblage sculptures, furniture pieces, and interactive constructions, largely forged from reclaimed materials, hardware store conveniences, and industrial remnants. THESE THOUGHTS MAY DISAPPEAR, arranged in association with @heni, runs from 29 May – 13 September at Newport Street Gallery, 1 Newport St, London SE11 6AJ.

Stories of Art: A brand-new podcast from HENI. 🎬🎨

Expert opinion. Hidden histories. A healthy dose of humour.

Join art historian Dr James Fox (@jamesfox283) and art critic Alastair Sooke as they uncover the extraordinary characters and fascinating stories that have shaped art history, from the hidden lives of the world’s greatest artists to the scandals and breakthroughs that changed everything.

📍Episode 1 is LIVE: We’re starting with the rebel artists of 1874 and the birth of Impressionism. 🌅

🔗 Watch or listen via the link in our bio. Don’t forget to hit follow so you never miss an episode!

#StoriesOfArt #ArtPodcast #ArtLovers #HENI

“Nothing is art if it does not come from nature” – Antoni Gaudí

🌊 Architect Antoni Gaudí drew heavily on nature as his guiding inspiration, clearly visible in Casa Batlló, a home he remodelled. The design carries a strong marine influence, with flowing forms and blue-toned tiles evoking water and its shifting motion.

🎬 Want to learn more about Gaudí and his Barcelona masterpieces? Watch our HENI Talks film via the link in bio.

#HENI #Art #ArtFilm #Gaudi #Architecture

Abstract artist Victor Pasmore’s ‘Apollo Pavilion’ in Peterlee is regarded by some as one of the most significant works of art in Britain.

🎬 You can learn more about the pavilion, a Grade II* listed building, in one of our HENI Talks episodes on public art via our link in bio.

Here, you can see artist Steve Messam’s 2019 installation ‘Apollo’, which temporarily transformed the pavilion with a series of bold orange inflatable forms that sliced through the concrete structure.

🖼️ Steve Messam, ‘Apollo’, 2019.

@rougeit

#HENI #Art #Architecture #Brutalism #ApolloPavilion

Abstract artist Victor Pasmore’s ‘Apollo Pavilion’ in Peterlee is regarded by some as one of the most significant works of art in Britain.

🎬 You can learn more about the pavilion, a Grade II* listed building, in one of our HENI Talks episodes on public art via our link in bio.

Here, you can see artist Steve Messam’s 2019 installation ‘Apollo’, which temporarily transformed the pavilion with a series of bold orange inflatable forms that sliced through the concrete structure.

🖼️ Steve Messam, ‘Apollo’, 2019.

@rougeit

#HENI #Art #Architecture #Brutalism #ApolloPavilion

Abstract artist Victor Pasmore’s ‘Apollo Pavilion’ in Peterlee is regarded by some as one of the most significant works of art in Britain.

🎬 You can learn more about the pavilion, a Grade II* listed building, in one of our HENI Talks episodes on public art via our link in bio.

Here, you can see artist Steve Messam’s 2019 installation ‘Apollo’, which temporarily transformed the pavilion with a series of bold orange inflatable forms that sliced through the concrete structure.

🖼️ Steve Messam, ‘Apollo’, 2019.

@rougeit

#HENI #Art #Architecture #Brutalism #ApolloPavilion

American artist Bruce Nauman began making neon works in 1965, calling them “signs.” Inspired by billboards and advertisements common during the consumer revolution of the 1960s, they often use text and linguistic play, reflecting Nauman’s interest in how meaning is shaped and distorted through language and display.

📍 If you want to learn more about Nauman, check out ‘Focal Points: Bruce Nauman’ by art critic Robert Storr via our link in bio.

🖼️ Bruce Nauman, ‘The True Artist Helps the World by Revealing Mystic Truths’, 1967.
🖼️ Bruce Nauman, ’Run from Fear, Fun from Rear’, 1972.
🖼️ Bruce Nauman, ‘Life, Death, Love, Hate, Pleasure, Pain’, 1983.
🖼️ Bruce Nauman, ‘Raw War’, 1970.
🖼️ Bruce Nauman, ‘Double Poke in the Eye II’, 1985.

#HENI #Art #BruceNauman #NeonArt #Artist

American artist Bruce Nauman began making neon works in 1965, calling them “signs.” Inspired by billboards and advertisements common during the consumer revolution of the 1960s, they often use text and linguistic play, reflecting Nauman’s interest in how meaning is shaped and distorted through language and display.

📍 If you want to learn more about Nauman, check out ‘Focal Points: Bruce Nauman’ by art critic Robert Storr via our link in bio.

🖼️ Bruce Nauman, ‘The True Artist Helps the World by Revealing Mystic Truths’, 1967.
🖼️ Bruce Nauman, ’Run from Fear, Fun from Rear’, 1972.
🖼️ Bruce Nauman, ‘Life, Death, Love, Hate, Pleasure, Pain’, 1983.
🖼️ Bruce Nauman, ‘Raw War’, 1970.
🖼️ Bruce Nauman, ‘Double Poke in the Eye II’, 1985.

#HENI #Art #BruceNauman #NeonArt #Artist

American artist Bruce Nauman began making neon works in 1965, calling them “signs.” Inspired by billboards and advertisements common during the consumer revolution of the 1960s, they often use text and linguistic play, reflecting Nauman’s interest in how meaning is shaped and distorted through language and display.

📍 If you want to learn more about Nauman, check out ‘Focal Points: Bruce Nauman’ by art critic Robert Storr via our link in bio.

🖼️ Bruce Nauman, ‘The True Artist Helps the World by Revealing Mystic Truths’, 1967.
🖼️ Bruce Nauman, ’Run from Fear, Fun from Rear’, 1972.
🖼️ Bruce Nauman, ‘Life, Death, Love, Hate, Pleasure, Pain’, 1983.
🖼️ Bruce Nauman, ‘Raw War’, 1970.
🖼️ Bruce Nauman, ‘Double Poke in the Eye II’, 1985.

#HENI #Art #BruceNauman #NeonArt #Artist

American artist Bruce Nauman began making neon works in 1965, calling them “signs.” Inspired by billboards and advertisements common during the consumer revolution of the 1960s, they often use text and linguistic play, reflecting Nauman’s interest in how meaning is shaped and distorted through language and display.

📍 If you want to learn more about Nauman, check out ‘Focal Points: Bruce Nauman’ by art critic Robert Storr via our link in bio.

🖼️ Bruce Nauman, ‘The True Artist Helps the World by Revealing Mystic Truths’, 1967.
🖼️ Bruce Nauman, ’Run from Fear, Fun from Rear’, 1972.
🖼️ Bruce Nauman, ‘Life, Death, Love, Hate, Pleasure, Pain’, 1983.
🖼️ Bruce Nauman, ‘Raw War’, 1970.
🖼️ Bruce Nauman, ‘Double Poke in the Eye II’, 1985.

#HENI #Art #BruceNauman #NeonArt #Artist

American artist Bruce Nauman began making neon works in 1965, calling them “signs.” Inspired by billboards and advertisements common during the consumer revolution of the 1960s, they often use text and linguistic play, reflecting Nauman’s interest in how meaning is shaped and distorted through language and display.

📍 If you want to learn more about Nauman, check out ‘Focal Points: Bruce Nauman’ by art critic Robert Storr via our link in bio.

🖼️ Bruce Nauman, ‘The True Artist Helps the World by Revealing Mystic Truths’, 1967.
🖼️ Bruce Nauman, ’Run from Fear, Fun from Rear’, 1972.
🖼️ Bruce Nauman, ‘Life, Death, Love, Hate, Pleasure, Pain’, 1983.
🖼️ Bruce Nauman, ‘Raw War’, 1970.
🖼️ Bruce Nauman, ‘Double Poke in the Eye II’, 1985.

#HENI #Art #BruceNauman #NeonArt #Artist

⛪What does faith look like when given architectural form?

Conceived by Antoni Gaudí as a “Bible in stone”, the Sagrada Família has remained under construction for more than 140 years, and is still shaped by Gaudí’s original vision today. Its tallest tower, reaching 172.5 metres, is expected to be completed in 2026.

🎬 Explore the basilica’s soaring vaults, branching columns, and intricate façades in our HENI Talks film on the Catalan architect. Link in bio.

#HENI #Art #SagradaFamilia #Gaudi #ArtNouveau @basilicasagradafamilia

🎨What does pure terror look like in paint?

Join James Fox (@jamesfox283) and Alastair Sooke in Stories of Art as they explore the life and legacy of one of Britain’s most powerful painters, Francis Bacon.

📍 Listen now via our link in bio. Don’t forget to hit follow so you never miss an episode!

🖼️ Prints after Bacon’s ‘Study after Velázquez’s Portrait of Pope Innocent X’ and ‘Head VI’ are available by application on HENI Editions until 17:00 BST on 11 May. Link in bio.

#HENI #FrancisBacon #ArtHistory #StoriesOfArt #ArtPodcast @francisbaconartist

HENI is delighted to announce the final edition numbers for @obeygiant, @damienhirst and @invaderwashere’s ‘Invaded & Commanded Blossom’ prints, published by HENI Editions.

Final numbers:

TT5-1 - Invaded Blossom: 592
TT5-2 - Commanded Blossom: 97

Thank you to everyone who participated. We hope you enjoy your artworks!

#HENI #Invader #Art #DamienHirst #ShepardFairey

HENI is delighted to announce the final edition numbers for @obeygiant, @damienhirst and @invaderwashere’s ‘Invaded & Commanded Blossom’ prints, published by HENI Editions.

Final numbers:

TT5-1 - Invaded Blossom: 592
TT5-2 - Commanded Blossom: 97

Thank you to everyone who participated. We hope you enjoy your artworks!

#HENI #Invader #Art #DamienHirst #ShepardFairey

“This is the screaming pope at its most potent” - Art critic Alastair Sooke

Hear Sooke discuss Francis Bacon’s iconic painting ‘Study after Velázquez’s Portrait of Pope Innocent X’, exploring how Bacon transformed Diego Velázquez’s composed figure into a vision of terror and dissolution.

📍 Prints after the original painting are available by application until 11 May at 17:00 BST via our link in bio.

🖼️ You can see the print in person at HENI Gallery in London until 11 May, and find the original artwork at @desmoinesartcenter.

🎬 Want to learn more about Bacon? Watch our new HENI Talks film on the artist. Link in bio.

#HENI #Art #FrancisBacon #Painting #PopePaintings

How did a simple American flag become one of the most expensive and debated images in modern art? 🇺🇸

In 1954, Jasper Johns woke from a dream and painted a flag using bed sheets, newspaper, wax, and oil paint. In Cold War America, the symbol was so familiar it had become invisible, but Johns made it strange again, questioning not just its meaning, but how any symbol holds meaning at all.

🎬 Discover more about Jasper Johns and his radical rethinking of the familiar in our HENI Talks film. Link in bio.

📚 Explore art critic Robert Storr’s book, ‘Focal Points: Jasper Johns’, via our link in bio.

#HENI #Art #JasperJohns #ModernArt #artfilm

“Bacon didn’t want to just copy Velázquez, he wanted to take that 17th century image of absolute power and smash it.” - Art critic Alastair Sooke

Hear Sooke explore Francis Bacon’s ‘Head VI’, one of his earliest iterations of the Pope figure, and discover how Bacon transformed a symbol of authority into a figure consumed by power.

📍 Prints after the original painting are available by application until 11 May at 17:00 BST via our link in bio.

🖼️ You can see the print in person at HENI Gallery in London until 11 May, and find the original artwork in the @artscouncilcollection, @southbankcentre, London.

🎬 Our new HENI Talks film explores Bacon’s Pope series of paintings. Watch it via our link in bio.

@francisbaconartist

#HENI #Art #FrancisBacon #PopePaintings #Painting

How did ceramics become a source of conflict between Japan and Korea? 🏺

This is the story of how Japanese forces enslaved Korean potters and brought them to Japan, transforming its ceramic traditions. What may look like a cultural exchange is rooted in violence, with consequences that still echo today.

Join British art historian & curator Paul Greenhalgh (@paul_greenhalgh_1893) and U.S. maker and academic Stephanie Rozene (@politicalpotter) as they uncover the hidden history behind Japanese ceramics.

📍 Listen to our new podcast, ‘The History of Ceramics’ now via our link in bio. Don’t forget to hit follow so you never miss an episode!

#Ceramics #Art #ArtPodcast #Pottery #TheHistoryOfCeramics