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Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026 | May 21–23, 2026
Otto Wagner Areal & Filmcasino, Vienna
🔗 ticket link in Bio

FULL 🥵 LINEUP 🥵 RELEASE

@amaaena pres. motionCHOSEN_in*practice (Movie)
@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn pres. X-berg dubs
@cortisastar
@fingersofgod
Flur @miriamadefris @isaacrobskrrtson @dillonharrisonn
Grove x Ossia @theyisgrove @ossiaossiaossia
Inferno London Showcase @inferno_london
@jorkes0
Joyboy: A Tribute to Julius Eastman (Movie) @collectif_fairepart
@kavarikavarikavari
@lewisgburton
MOBBS x Susu Laroche @susularoche @_mobbs
@noo_orj
PXKRW pres. UNBOUND (Movie) @pxkrw.hybrid
@____rent____
@subletvis
@_suutoo_ pres. STARFIRE
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
zey b2b YEBO @yeboyah @liminalz_

🎨🚽: @marlenek___r @exex_world
Booking: @marlene_angel_bk @katiacurie @marlenek___r

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

🍿HYPERREALITY MOVIE NIGHT:
PXKRW @pxkrw.hybrid present UNBOUND

21.5.2026, 6pm @filmcasino
Ticket link in Bio (click Movie Night)

UNBOUND is an immersive portrait of London’s queer rave scene, told from within the communities it centres. Focusing on trans and non-binary voices, the film traces how nightlife becomes more than a space of escape — it emerges as a site of care, resistance and collective survival.

Set against the backdrop of a city where more than half of LGBTQ+ venues have disappeared, UNBOUND captures a community reclaiming space on its own terms. Through intimate testimonies and embodied moments on the dancefloor, the film moves between personal narrative and collective experience, revealing nightlife as a lifeline shaped by chosen family, creativity and mutual support.

Visually rich and kaleidoscopic, the film approaches its subjects with a sense of dignity and presence, foregrounding joy, vulnerability and strength in equal measure. Rather than observing from a distance, UNBOUND positions itself alongside the people it portrays — as a collaborative act of storytelling rooted in lived experience. At once tender and defiant, UNBOUND challenges dominant narratives around queer and trans lives, offering instead a raw and expansive vision of community — one that continues to build, transform and imagine new futures from within.

Music by "AM Sin“ @amsin_amsin_amsin

Directed by PXKRW (Tikul & Andrzej Wojtas) · 122 min · UK · English

Tony Njoku | 22/05/26
🔗 ticket link in bio
@tonynjokuartist

Tony Njoku is a London-based composer, producer and vocalist working at the intersection of experimental electronics, contemporary composition and alternative R&B. His music folds together psychedelic synth textures, minimal piano writing, fractured rhythms and choral arrangements, balancing intimate songwriting with widescreen, cinematic production.

Following early releases including In Greyscale, YOUR PSYCHE’S RAINBOW PANORAMA and the KILLTONY EP, Njoku entered a period of creative reset in 2022. Working from a restored upright piano and exploring prepared piano techniques, he began shaping the reflective Bloom series of EPs — a turning point that expanded his sound toward orchestral arrangements and slower, more deliberate composition.

This trajectory comes into full focus on his latest album ALL OUR KNIVES ARE ALWAYS SHARP, a record that draws together Njoku’s hybrid language of minimal strings, analog electronics and rhythm-led production. Across the album he is joined by collaborators from across the UK’s experimental music landscape, including Space Afrika, Tricky, Coby Sey and GAIKA.

Moving between avant-pop, contemporary classical and leftfield club music, Njoku’s work traces a singular space in the UK underground, where compositional ambition meets emotionally direct songwriting.

(c) @woods.photo

Stay On It: The Music of Julius Eastman | films
A Different Score | 18h
JOY BOY | post-show

Our Julius Eastman extravaganza includes two films paying homage to the radical American composer. “A Different Score,” the directorial debut from Paris-based filmmaker Anaïs Ngbanzo, features musician Devonté Hynes (Blood Orange) and includes previously unseen interviews and recordings from Eastman’s archive reveal the political dimension of Eastman’s practice. This film will screen in concert with a short pre-show talk about Eastman and his work from music director Brian Lawlor.

Stay around after the concert for a post-show screening of “Joy Boy: A Tribute to Julius Eastman,” a concert/film created by artists Victoire Karera Kampire, Mawena Yehouessi, Fallon Mayanja, Paul Shemisi, Rob Jacobs, Anne Reijniers hailing from Belgium, France, and DR Congo. Joy Boy is a gorgeous, dreamy piece of artwork blending film, dance, and hypnotic visuals to create a powerful and trance-inducing artwork. We are thrilled to present this film after its recent showing at the Berlinale. Bonus: you’ll be able to experience this beautiful film again in Vienna at the @hyperreality.at in May.

Don’t miss this opportunity to experience the work of master composer and visionary Julius Eastman on May 15.

Tickets and information at the link in bio.

Film stills from Joy Boy, courtesy of @collectif_fairepart

Stay On It: The Music of Julius Eastman | films
A Different Score | 18h
JOY BOY | post-show

Our Julius Eastman extravaganza includes two films paying homage to the radical American composer. “A Different Score,” the directorial debut from Paris-based filmmaker Anaïs Ngbanzo, features musician Devonté Hynes (Blood Orange) and includes previously unseen interviews and recordings from Eastman’s archive reveal the political dimension of Eastman’s practice. This film will screen in concert with a short pre-show talk about Eastman and his work from music director Brian Lawlor.

Stay around after the concert for a post-show screening of “Joy Boy: A Tribute to Julius Eastman,” a concert/film created by artists Victoire Karera Kampire, Mawena Yehouessi, Fallon Mayanja, Paul Shemisi, Rob Jacobs, Anne Reijniers hailing from Belgium, France, and DR Congo. Joy Boy is a gorgeous, dreamy piece of artwork blending film, dance, and hypnotic visuals to create a powerful and trance-inducing artwork. We are thrilled to present this film after its recent showing at the Berlinale. Bonus: you’ll be able to experience this beautiful film again in Vienna at the @hyperreality.at in May.

Don’t miss this opportunity to experience the work of master composer and visionary Julius Eastman on May 15.

Tickets and information at the link in bio.

Film stills from Joy Boy, courtesy of @collectif_fairepart

Stay On It: The Music of Julius Eastman | films
A Different Score | 18h
JOY BOY | post-show

Our Julius Eastman extravaganza includes two films paying homage to the radical American composer. “A Different Score,” the directorial debut from Paris-based filmmaker Anaïs Ngbanzo, features musician Devonté Hynes (Blood Orange) and includes previously unseen interviews and recordings from Eastman’s archive reveal the political dimension of Eastman’s practice. This film will screen in concert with a short pre-show talk about Eastman and his work from music director Brian Lawlor.

Stay around after the concert for a post-show screening of “Joy Boy: A Tribute to Julius Eastman,” a concert/film created by artists Victoire Karera Kampire, Mawena Yehouessi, Fallon Mayanja, Paul Shemisi, Rob Jacobs, Anne Reijniers hailing from Belgium, France, and DR Congo. Joy Boy is a gorgeous, dreamy piece of artwork blending film, dance, and hypnotic visuals to create a powerful and trance-inducing artwork. We are thrilled to present this film after its recent showing at the Berlinale. Bonus: you’ll be able to experience this beautiful film again in Vienna at the @hyperreality.at in May.

Don’t miss this opportunity to experience the work of master composer and visionary Julius Eastman on May 15.

Tickets and information at the link in bio.

Film stills from Joy Boy, courtesy of @collectif_fairepart

Mobbs x Susu Laroche | 23/05/26
🔗 ticket link in bio
@_mobbs @5vsvl4r0ch3

Susu Laroche is a London-based filmmaker, photographer, and sound artist Susu Laroche is known for her visceral, analog-driven practice that draws on occult mythology, dream logic, and sonic rupture.  Her voice is both invocation and distortion — visceral, fragmented, and ritualised. Her live presence channels rage and ritual in equal measure; her raw corporeal presence is a cinematic conjuring of feminine unrest. 

MOBBS, affiliated with Modern Love, is a producer and visual artist whose stripped-back, emotionally severe live sets combine rhythm with ruin. His work is both sculptural and percussive — collapsing ambient pressure and industrial repetition into sound systems built to hold grief and transcendence.

Together, they perform an alliance of filmic distortion and sonic force that tests the limits of both techno and performance art.

noorj | 23/05/26
🔗 ticket link in bio
@noo_orj

noorj is a sound artist from Ukraine, performing live electronic music. The work blends experimental electronics, rhythmic structures, and  evolving melodies - using custom samples, live processing, and vocal elements to create immersive, emotionally charged soundscapes that sit between club-oriented energy and performative sound art.

🧸 WIN FRIDAY DAY PASSES FOR HYPERREALITY 2026 🧸

Rooted in contemporary discourses around experimental and electronic music, club culture, and performance, Hyperreality approaches sound as a performative, social, and atmospheric practice. Sound, performance, and architecture stand side by side as equals. The live moment is not merely the performance of pre‑made material, but an open process in which decisions, ruptures and transitions become visible - and audible.

Hyperreality is an annual festival for experimental and electronic music in Vienna. On May 21 the festival will screen several films at the Filmcasino that contextualize the line‑up for May 22 and 23 at the Otto‑Wagner‑Areal.

How does it work?

📎 Follow @hyperreality.at and @fritzkola_at
📎 Tell us who you’re bringing to the festival
📎 Like this post
🖇️ increase your chances by sharing this post

The winners will be notified via DM on May 12th 😇

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿�21.5.2026 // Filmcasino
🔗 ticket link in bio (click movie night)

motion
CHOSEN*in_practice
a short movie by amaaena, @amaaena
premiere at @filmcasino

motionCHOSEN_in*practice, follows a surreal communal space, inseparably linked to night and darkness. The short film marks amaaena’s second artistic exploration of rave culture. self-organization and the exchange of artistic skills — runs in parallel with its embodied practices of dance, excess, intoxication, care, and self-expression.
faced with capitalist appropriation, and despite its displacement into the digital realm, this space continues to be reimagined and reclaimed. gather to celebrate, to create, to occupy, to carve out safety — to form. ritualized. for a fleeting moment. in the dark.

edit & cinematography in cooperation with benjamin skalet, @simp_video
score & sound design_ssolve, @sssolve_
hair & make up_jessie way, @jessiessway
co-production marija burtscher, @marijaburtscher
with
adrian daniell hall, @showyourtits
jeanne pascale andela, @theinterdisciplinaryslut
jessica comis, @jess_whereyouat
luca bonamore, @luca.bonamore
dj daffodrills, @unprofessionalposer
vanja jovanovic, @vnjjo
dj shepperd, @shepp_erd
theo emil, @theo_emil
supported by Austrian Fashion Association, @austrianfashionassociation

Bapari | 23/05/26
🔗 ticket link in bio
@bapari_

Bapari operates at the intersection of industrial techno, jungle and trance, pairing warehouse-weight rhythms with euphoric synth work and emotionally charged vocals. Their productions move between club pressure and atmospheric tension, building a sound world that gestures toward the dancefloor without fully settling into it. At Hyperreality, Bapari will perform one of their propulsive DJ sets. 

Most recently, their production appears on “Eusexua,” the title track of the Grammy awarded album Euphoria by FKA twigs. Across releases, Bapari’s work traces a hybrid of hardcore breaks, trance melodics and industrial textures. Their EP Stamina (NAAFI) introduced the project’s raw, warehouse-driven edge, while Oasis (Halcyon Veil, 2023), featuring Lolahol and Kidä, expanded the project’s emotional and atmospheric range.

With Evermore (2025), Bapari continues to evolve this sound, pushing further into a space where club intensity meets melodic and vocal-driven experimentation.

Pic (c) Louis F Cota

anxxxious_t | 22/05/26
🔗 ticket link in bio
@anxi0us_t

anxxxious_t is a visual artist, DJ and founder of the queer party and event series @kissen.vienna . She draws from her experiences as a trans woman, which she weaves
into her music and visual art. Her sound can be haunting and captivating, creating a sense of tension and unease. Other times it‘s powerful, pulsating electronic sounds that invade the body and invite you to explore your naughty side.

Her interest lately is focused on the intersection of different genres such as bass music, techno and club music with a faible for percussion heavy grooves.

Foto (c) Eden Jetschmann